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RUMOR: Fujifilm X-T5 will be Smaller than Fujifilm X-T4 – Vote Your Ideal Size

With every new X-T generation, the Fujifilm X-T line got bigger.

Well, according to our sources, the Fujifilm X-T5 will revert this trend as it will actually be smaller than the Fujifilm X-T4.

What would your ideal size be?

You can click the image above to enlarge it, compare the various sizes and then feel free to vote the survey down below.

The ideal size of Fujifilm X-T5 would be...

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Fujifilm X-T5 rumors recap:

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Rumors and Discussions

Fujifilm Lays Out its Digital Camera Range without Fujifilm GFX50R and X70 (So What About Successor – SPECULATIONS?)

DO NOT GET ME WRONG!!!!

THIS IS NOT A RUMOR and NOTHING FUJIFILM HAS OFFICIALLY ANNOUNCED

All the below are my thoughts, guesses and speculations based on an slide Fujifilm showed and on hints dropped in past Fujifilm statements.

At no point Fujifilm said that both lines are 100% axed. And a slide shown by a regional outlet of Fujifilm has less value than what the official Fujifilm headquarter in Japan says.

None… I repeat, NONE of my sources has told me the Fujifilm GFX50R or X70 won’t get a successor.

Fujfiilm Digital Camera Range

You might remember how a few months ago, Fuji Guy Billy explained the digital camera range of Fujifilm.

The list Billy made gave us indication on which lines are very likely to see a successor and which ones not.

However, in the list Billy did GFX cameras and fixed lens cameras were not included.

And this brings us to today’s article.

I have received the slide you can see above that Fujifilm used during a press meeting.

Just like with Billy’s list, also here we see no entry level X series camera anymore.

In addition to that, this slide contains the Fujifilm X100V, which means it’s a solid part of the family and will get a successor at some point.

The new Fujifilm X-H2 is missing, but only because the slide was shown to press before the launch of the Fujifilm X-H2.

Totally missing though are the Fujifilm X70/XF10 and the Fujifilm GFX50R.

So what does this mean?

Well, the fact that neither the GFX50R nor the X70 are in the list certainly shows that those cameras do not play an important role in Fuji’s lineup anymore.

Regarding the Fujiifilm GFX50R, Fujifilm managers made some conflicting statements: the first one said that they see no need for a GFX50R successor due to the reasons we explained here, and the second manager clearly expressed his wish for this line to continue. So I guess not even in Japan the final word on the GFX50R successor has yet been spoken.

As far as the Fujifilm X70 goes, Fujifilm should not blame the camera for its failure. It was destined to fail due to horrible (can I say “stupid”?) decisions Fujifilm made and that we explained in this article. And to make things worst, they tried to fix it with the Fujifilm XF10, which is just another error in planing. I believe this could be a very successful line… if Fujifilm finally decides to treat it with dignity!

But sure, in times where camera companies struggle, I would not be totally surprised if those cameras, that are not vital for the system, get dropped. It would save R&D to focus on other more popular models.

Also, APS-C is marked as “X-Trans”, so this might indicate that there is no space anymore for Bayer in the APS-C lineup (which so far was reserved for lower end models).

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Why Fujifilm Retro Dials are Superior to PSAM Dials

There is this notion that cameras with a PSAM dial are faster to operate than cameras with dedicated retro dials, which slow you down.

And you know what? I get your point!

Imagine you are at a wedding, lots of things happening, tons of pictures to take, your eye glued on the viewfinder capturing all the precious moments.

And having photographed a wedding myself, I can say that conditions change all the time: indoors and outdoor, fast moving and static subjects, group shots and portraits, natural light and artificial light, low light and bright daylight…

In short: whoever is a wedding photographer out there, must be a very skilled allrounder and constantly master all possible photographic conditions.

And from this point of view, being able to quickly adjust all your settings by just turning the front and rear command dial while keeping your eye glued on the viewfinder can be extremely convenient.

So case closed, right? PSAM is for Pros, and Retro is for less demanding photography.

Well, not really.

** CLICK HERE to Read the Rest of the Article **

Fujifilm Managers Interviews: About Competition and Alliances, Dreams of Modular and Fixed Lens GFX and More

image courtesy - phototrend
image courtesy – phototrend

There have been two interviews with Fujifilm managers, one in French (the more comprehensive one) and one in Japanese (short).

I will sum up both of them, but the Japanese one only because it involves Koji Matsumoto, the president of Fujifilm Imaging. It does not say much at all, but if we hear from his mouth that X-H2 and X-H2S are selling better than Fujifilm thought, than it has its value.

The French manager was definitely much more talkative and if you don’t speak French, our summary below will cover it all.

** CLICK HERE to Read the Rest of the Article **

So What, Did FujiRumors Fall in Love with Fully Articulating Screens? Would a Fujifilm X-T5 with Selfie Screen be a Dealbreaker for You? POLL

3 Times I Loved the Selfie Screen

I lately shared a couple of posts on my Instagram page, showing images of myself making good use of the Selfie Screen on my Fujifilm X-T4.

So what, did I join the “dark side” and fell in love with fully articulating screens as some have suggested?

Well, not really.

The whole point of these posts was just to show that, in rare cases, a fully articulating screen really simplifies the composition of an image.

So here are 3 times I loved the fully articulating screen on my X-T4 as it allowed me to take a picture that would have been much more complicated and cumbersome to take with any other screen.

** CLICK HERE to Read the Rest of the Article **

Fujifilm Designer Talks about GFX: “I would Love to Evolve the GFX50R Rangefinder Series” and More on GFX Series Development

Fujifilm design manager Mr. Masazumi Imai (the guy we are all very grateful to because he designed the original X100 – read the story of his inspiration here) gave an interview in Japanese to MapCamera.

As usual youtube struggles with live video translations, but down below you can find a summary in English of both videos as well as the videos themselves.

** CLICK HERE to Read the Rest of the Article **

AstrHori to Launch a Tilt Shift Lens for Fujifilm GFX in 2022/2023

I have been informed that AstrHori will launch a tilt-shift lens for Fujifilm GFX. The timing could be (if all goes well) within 2022, but also 2023 is a possibility.

Fujifilm has already announced two tilt-shift lenses for 2023, the Fujinon GF110mmF5.6 Tilt Shift Macro  and the Fujinon GF30mmF5.6 Tilt Shift. In fact, B&H Photo has them already listed at their website:

We have shared hands on images of the Fujinon tilt-shift lenses here.

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Kipon Medium Format Focal Reducer for Fujifilm GFX Available Now

Announced a few months ago, it is now finally available: the Kipon medium format 0.8x focal reducer for Fujifilm GFX.

The version available are:

GFX Gear

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B&H Photo Lists Fujinon GF30mmF5.6 Tilt Shift and Fujinon GF110mmF5.6 Tilt Shift

B&H Photo has listed the Fujinon GF110mmF5.6 Tilt Shift Macro and Fujinon GF30mmF5.6 Tilt Shift at their page.

We have shared hands on images here.

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