Here is a big GFX Overview, based on information Fujifilm shared at the Photokina 2016 and later, and also based on Rumors you could find here on FujiRumors. I’ll mark with “R” the rumors and with “F” the facts, although keep in mind that even the facts revealed earlier by Fujifilm could have changed in the meantime.
Everything you can read below has already been published on FR starting from September 2016, but I thought a Recap could be useful, since I keep getting emails with questions, that have already been answered in the past, but given the huge amount of information are easy to miss.
I strongly recommend you to allow push notifications and follow us on Facebook, RSS-feedandTwitter in order not to miss anything.
FUJIFILM GFX CAMERA
Fujifilm GFX 50S – F
Announcement Janaury 19 – R
Release February 23 – R
Body Price €6999/$6499 – R
G-Mount – F
Mirrorless – F
Weather Sealed body/lenses – F
X-Processor Pro (used in X-T2/X-Pro2) – F
No Low-Pass Filter – F
Contrast Detection AF only with 117 AF points – F
RGB color histograms in the live view – F
51.4MP 44 x 33mm Medium Format Bayer Sensor (No X-Trans, because not needed with this huge 50MP sensor) – F
Aspect Ratio: 4:3 (default), 3:2, 1:1, 4:5, 6:7 and 6:17 – F
MF Sensor made by Sony but customized by Fujifilm. The challenge is how to get the light hit the sensor evenly – in the center and also at the corners. In order to achieve that, Fujifilm customized the microlenses in front of the sensor and optimized the silicon process. – F
MF sensor is 1.7 (70%) times bigger than Full Frame. Crop factor 0.79x. – F
Weight about 800g – F
12 pins on the lens mount (useful when it comes to adapting third-party lenses) – F
Flange Distance of only 26.7 to shorten the back focus distance as much as possible. This prevents vignetting to achieve edge-to-edge sharpness of the world’s highest level – source Fujifilm Press release via dpreview. – F
ISO: base-ISO 100 :: Max ISO 51200 – F
minimum back focus 16.7mm – F
Focal Plane shutter max 1/4000 – F
Flash Sync Speed 1/125 – F
EF-X500 with HSS Supported – F
Bigger Battery compared to X-T2/X-Pro2 – F
Electronic shutter – F
Full-HD with 30 fps – F
Dual SD Cards UHS-II – F
EVF: 3.69 megadots with a magnification of 0.85x (X-T1/2: 0.77x) with frame rate of around 60 fps – F
EVF: Detachable and fully tiltable if used with an adapter – F
EVF has a hot shoe on the top – F
All Film Simulations of X-T2/X-Pro2 available (including ACROS) – F
Adapter for Leaf Shutter Lenses in the works – F
Tethering support at launch – F
Joystick – F
E-ink LCD display on the top of the camera (always visible, even if camera is switched off) – F
WiFi – F
dynamic range settings of DR800% and maybe even DR1600%. – Source fujixsecrets
Fujifilm Will Launch Professional Support Service Along with the GFX Camera – R
FUJIFILM GF LENSES
GF63mmF2.8 R WR (50mm equiv.) available at launch. Price €1,599/$1,499 – R
GF32-64mmF4 R LM WR (25-51mm equiv.) available at launch. Price $2,299 – R
GF120mmF4 Macro R LM OIS WR (95mm equiv.). Magnification of 1:0.5. available at launch. $2,599 – R minimum focus distance 45cm – max. magnification of 0.5x, 1:2 Macro – F
GF110mmF2 R LM WR (87mm equiv.) available mid 2017 – F
GF23mmF4 R LM WR (18mm equiv.) available mid 2017 – F
GF45mmF2.8 R WR (35mm equiv.) available late 2017 – F
Dedicated C positions on the aperture ring (The C position can be locked to avoid accidental changes) – F
The lenses are ready for sensors with a resolution of 100MP – F
Only the GF32-64mmF4 R LM WR zoom lens has inner focussing – F
The prime lenses are optically corrected for distortion – F
Fuji Guys – Fujifilm Photokina 2016 Booth Tour at youtube
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Big print made out of an images taken with the Fujifilm GFX
GFX Hands-On Report at ivanjoshualoh
Mirrorlessrumors calculated the FF eqivalent focal length AND aperture for the new Fujinon GF lenses. Here they are:
23mm f/4.0 in Full Frame 18mm f/3.4
32-64mm f/4.0 in Full Frame 25-51mm f/3.4
45mm f/2.8 in Full Frame 36mm f/2.4
63mm f/2.8 in Full Frame 50mm f/2.4
110mm f/2.0 in Full Frame 78mm f/1.7
120mm f/4.0 in Full Frame 95mm f/3.4
Fuji says it clearly (again) no plans for full-frame system after GFX. Interview at camerajabber
There is a lot of buzz at the Fujifilm GFX facebook group in these days. Fellow X-shooters share thoughts and hands on experience with Fuji’s latest gem. One of these is Joel, who compared the Hasselblad X1D and the Fujifilm GFX… and then wrote in this post:
Hasselblad X1D
I spent more time with this camera, including 30 minutes alone with it in a studio. Pros: It is more beautiful (my personal opinion), smaller, weather sealed, and available now-ish (preorders should all be fulfilled by November). It feels really good in the hand. Well balanced. Cons: it has fewer lenses, it has no zoom lens (yet), a higher price (I assume), it feels less rugged, and it is warm to the touch when powered on. Those MF sensors create a lot of heat!
Fujifilm GFX:
I spent about 15 minutes with it and took a few photos of other people who were in the room. Pros: there are more announced lenses, including a zoom, it is weather sealed, it feels more rugged and it will presumably cost less. Cons: it is larger, not as attractive, and it is not available for several more months.
One reason for the Fuji being larger is the placement of the battery. It is not in the handgrip, like many cameras (including the Hassy X1D), but rather it is between the sensor and the rear screen. The battery is inserted from the left side (if you are holding it like you would shoot with it). This makes the body much thicker, but it separates the two heat sources (the sensor and the screen) from each other and keeps the camera cooler. I understand this choice from an engineering perspective, but I think it makes the camera larger and less attractive.
To me, there is no clear winner yet. They are both very tempting. I look forward to learning more over time. Ultimately, it’s up to each photographer to decide which tool is right for themselves.
This short video shows how the big shutter moving in front of the sensor
Fujifilm just announced the Fujifilm GFX 50S, a 50MP mirrorless Medium Format Camera. It will be launched along with 3 lenses in early 2017. Overall Fuji has 6 lenses in the raodmap.
Standard prime “GF63mmF2.8 R WR” (equivalent to 50mm in the 35mm format)
Wide-angle standard zoom “GF32-64mmF4 R LM WR” (equivalent to 25-51mm in the 35mm format)
Mid-telephoto macro 1:0.5 “GF120mmF4 Macro R LM OIS WR” (equivalent to 95mm in the 35mm format)
Fast aperture mid-telephoto “GF110mmF2 R LM WR” (equivalent to 87mm in the 35mm format)
Ultra wide “GF23mmF4 R LM WR” (equivalent to 18mm in the 35mm format)
Wide “GF45mmF2.8 R WR” (equivalent to 35mm in the 35mm format)
Fujifilm said that some lenses can resolve over 100MP. To me, this means that it is “future proof” for when the Fujifilm GFX 100S will hit the market, the 100MP successor to the current 50S version.
But let’s get back to the present.
The Fujiflm GFX 50S will cost less then $10,000 with lens and viewfinder (that’s Fuji’s “commitment”). The viewfinder is interchangeable. You can attach a tilting EVF to it.
Less than 48 hours after the launch of deals, I found myself at my local photography store, my credit card flying over the sales counter and in my bag a box containing the Fujinon GF50mmF3.5.
And don’t worry, my wife approved this purchase… now all I need is her to approve also my other two Fuji-dreams gear 2022, meaning this camera and this lens ;).
I am Happy I Failed :)
Here is why I bought it, and I am so excited about this lens.
My main application for this wonderful combo is landscape photography.
So how is that working out?
Well, my go-to bag for hiking is my Camslinger Outdoor. I love the practicality of it to a point, that I won’t buy gear (for landscape photography) that does not fit in there. And despite having a sensor about 70% larger than full frame, the GFX100S with GF32-64mmF4 still fits!
So, for me, this combo is compact enough, and I can easily make my usual 4 to 6 hours hike with the GFX100S and GF32-64 on my hips.
Why do I say this?
Because I want to make clear that I don’t perceive the GFX100S with GF32-64 as too big for the purpose of landscape photography, especially considering what it is: a 100 megapixel medium format system that I can carry around all day on my hips. It’s frankly amazing.
But while it is a surprisingly compact combo for the purpose of landscape photography, the GFX100S combined with the GF32-64mmF4 is not small enough for my taste to bring it with me for more casual shooting, may it be for my street photography or to document my family life.
By getting the Fujinon GF50mmF3.5, though, the whole combo gets substantially smaller and lighter, making it much more portable and easier to pick also for casual photography.
But owning the GF50mmF3.5 simply gives me more options and opportunities to pick up my GFX100S more often if I want to.
I am very happy with my purchase and I can’t wait to use use it comprehensively starting with this weekend.
We (my family and me) are probably going to the town of Sirmione this Saturday. I have never been there and can’t wait to test my new lens in such a wonderful little lake town.
For as much as Fujifilm made medium format accessible to the masses, buying into the 100 Megapixel GFX system still requires a significant investment. It’s worth every penny, but it’s not cheap.
So in 2022 I will try to contain my GAS as much as possible and be cautious with my purchases (do I hear you guys laughing?? ;) )
And yet, there is some gear I’d love to buy in 2022. And I mean gear that is either already announced, available or at least on the Fujifilm roadmap for 2022. So this is not about rumored gear.
Fujinon GF 50mm f/3.5
One of the main declared goals by Fujifilm is to make the GFX system smaller. A huge step in this direction was made with the Fujifilm GFX100S, which is already smaller than some full frame mirrorless cameras out there (see the Panasonic S1R) and about as big as the Canon R5. Sure, the GFX lenses are usually bigger, just as Full Frame lenses are usually bigger than APS-C lenses. Well, the Fujinon GF50mmF3.5 serves exactly the purpose to make the system smaller and mounted on my GFX100S, it could give me a very nice combo that I would probably end up carrying with me more often also for casual family stuff. And hey, I need 2 more GFX lenses to reach the average GFX shooters’ lens attachment rate* ;)
Fujifilm X100V
I mean, just look at it. It’s of a beauty matched maybe only by some Leica cameras. The only problem here is that I own the Fujifilm X-E3 with XF27mmF2.8 R WR, so the Fujifilm X100V would become a bit redundant in my lineup. And yet, it would not only be about its beauty. It also has the pull-up ISO dial from the X-Pro line that I totally love. Combined with WCL-100 II and TCL-100 II it would give me a compact and versatile leaf shutter mini-system. And just like the X-E4 it has that “invisible” tilt LCD screen that I could make good use of every now and then.
Fujinon XF 70-300mm f/4-5.6
You might know how much Iove my XF18-135mmF3.5-5.6, especially when mounted on my X-T4 (you can see the combo here on the Dolomites). But in 2022 I’d love to get a bit more into a photographic territory I haven’t explored much yet, wildlife photography. That’s why a bit more reach could come in handy then the one the 18-135 can offer me. There are some options here: from the XF200mmF2 to the XF100-400 to the XF150-600mm that is on the roadmap. And why not, also the Tamron 18-300mm f/3.5-6.3 could be a nice option. But taking into account prize and size, I think the XF70-300mm f/4-5.6 could be a reasonable choice to start with. And for even more reach I could couple it with the XF 1.4x TC WR Teleconverter.
Bonus
I am very curious to see what Sigma will bring. They teased X mount lenses for 2021, but I guess not even Sigma is immune to parts shortage so probably also they have to delay some product releases. But something like the Sigma 18-35mm f/1.8 DC HSM would be very nice to have.
As you can see, the release perfectly fits with what FujiRumors told you years ago, meaning that Fujifilm will NOT release more than 2 or 3 XF and 2 or 3 GF lenses a year. So a total of 4 to 6 lenses.
But in my opinion, 4 lenses are not enough!
There should be more, and I hope in 2020 will will see at least a total of 6 new X/GFX lenses. We need:
The brand new Fujinon XF16-80 takes the first spot. It’s apparently a best seller, since Top Manager Toshihisa Iida said at the recent Fujifilm X Summit, that pre-orders are high, and the factory is working hard to try to match initial demand as fast as possible.