Fujinon XF 8-16mm F2.8 with New Improved Flare Control

Fujinon XF 8-16mm F2.8

According to a new source, the Fujinon XF 8-16mm F2.8 WR will have a new and improved flare control.

I guess it will probably use the same new “Anti-Reflection Coating” that we will find in the XF 200mm F2, and that will become standard in most of future Fujinon XF lenses.

We could see some mock-ups of the XF8-16 already in the past. I share them for you again here:

The Fujinon XF 8-16 is the most wanted Fujinon lens on FR-readers’ “To Do” list. And all we know officially from Fujifilm, is that it will be out this year.

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Laowa 9mmF2.8 + Kamlan 50mmF1.1 + Opteka 35mmF1.7 + 7artisans 35mmF1.2 + Mitakon 35mmF0.95 + Fujinon XF 80 & More

It is time for a dedicated lens roundup… and it’s a rather massive one, that includes third party lenses, and also Fujinon glass.

I am trying to catch up with all the links you guys send me and you ask me to be featured on FujiRumors. I will feature you all, but given the huge demand, it might take some time before I can share you all. Thanks for your patience :)

Laowa 9mm F2.8

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Capture One 11.1 Adds Fujifilm X-H1 Support and More!

Capture One 11.1 has just been released and adds support for Fujifilm X-H1 and overall improvements.

If you are interested, we recently shared a blog post about switching from Lightroom to Capture One for Fujifilm X-Trans files, and what Capture One does better than Lightroom.

Fujifilm X-H1: BHphoto, AmazonUS, Adorama, Focuscamera

Capture One 10% Off

You can get Capture One 11 with 10% discount at Capture One here, by using coupon code “AMBFR”.

Capture One & Fujifilm

In 2017, Capture One has made huge steps forward when it comes to Fujifilm X-Trans files support by adding Fujifilm compressed RAW support, OpenCL and more (we reported about it here).

Tethering is not supported, but if you own an X-T2, X-Pro2 or X-T1, an easy and quick workaround is to use Fujifilm’s free tethering software X Acquire.

C1 still does not offer film simulation profiles, but there is a great homebrew at the fuji-x-forum. However, a Capture One manager said in 2017 here, that “there is no reason why we can’t offer Fuji’s film simulations profiles in future“.

The Fujifilm GFX 50S is not supported.

PRESS RELEASE

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Fujifilm GFX: GF 1.4x Teleconverter Prototypes :: Full Frame Vs Medium Format Battle :: The Addicting GF110 & More!

Fujifilm GFX

Damien Brown was at the Fuji booth at NAB, and shared this video that shows prototypes of the Fujinon GF 1.4x Teleconverter. You can see displayed also a prototypes of the GF 250mmF4.

Here on FujiRumors, we leaked the internal GF lens roadmap (screenshot inlcuded), already back in April 2017. So far it all turned out true. To see what’s left to come, check out this post (18mm and 45mm macro extension tubes included)

And now it’s time for a Fujifilm GFX roundup, as well as a bunch of fantastic images taken by GFX shooters all over the globe and shared at our gigantic Fujifilm GFX facebook group.

  • PHOTIGY Youtube: Medium Format (GFX and X1D) vs 35mm (A7rIII) – High Resolution Shootout – Part 1
  • PHOTIGY Youtube: Megapixel Battle Royale: Fuji GFX-50s vs Hasselblad X1D-50 vs Sony a7R III – Part 2
  • streetshootr – Fuji GFX Street Photography Review – Bigger Is Better!
  • keithwee – The one that Addicts you: Fujion GF110 F2
  • Annie Barton Youtube – Fuji GFX + SLR Magic Hyperprime 50mm @ f0.95
  • fujilove – Cuba with the Fujifilm GFX 50S
  • striebel – Focus Stacking with Fujifilm GFX 50Sc
  • MDR Foto Youtube – Nikon 105mm f1.4 Lens vs Fujifilm 110mm f2.0 Lens on the Fujifilm GFX 50s – Adapted Lens series

Fujifilm GFX Community

Fujifilm GFX 50S + Any GF lens* (save $1,000): BHphoto, Adorama, AmazonUS
* GF63mmF2.8 / GF45mmF2.8 / GF32-64mmF4 / GF120mmF4 / GF110mmF2 / GF 23mmF4

TOP FUJIFILM GFX IMAGES

Wirawan Sanjaya
shared here
gfx + 115/1.7

Taner Öner
shared here
GF110/2

_ _ _

Nick Gillespie
shared here
I gave my 6yo my old 5d classic for our road trip last week. He took 1200 photos. I think I took almost as many of him with the camera up to his eye. #prouddaddy
GFX w/Zeiss 80f2

_ _ _

Jonas Rask
shared here
Soothing my OCD
GFX50s – Zeiss Planar T* 85mm f/1.4 C/Y

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BREAKING: Fujifilm X-T3 and GFX 100S will Have Interchangeable FULL FRAME, APS-C and Monochrome Sensor Similar to Ricoh GXR/S10

Fujifilm X-T3

Do you like Full Frame? Do you prefer APS-C? Is X-Trans your thing or do you want a Bayer sensor? Or maybe you always dreamed of a monochrome sensor?

Don’t worry, to get all of this, you will need just one camera, the Fujifilm X-T3.

Our top trusted Japanese source just told us that the Fujifilm X-T3 will have an interchangeable lens/processor/sensor.

The concept is similar to the one used by the Ricoh GXR/S10, where basically lens, sensor and processor will be integrated into 1 single unit, that you can switch how you prefer.

Our trusted source told us, that at the Fujifilm X-T3 launch in September 2018, the Fujifilm X-T3 will be offered with:

  • 24MP APS-C X-Trans sensor
  • New X-Trans sensor with less than 30MP
  • 24MP BSI Bayer Full Frame sensor of Sony A7III
  • Monochrome 24MP Full Frame Sensor of Leica M Monochrom
  • organic APS-C sensor with global shutter

Along with the Fujifilm X-T3, Fujifilm will also launch the first two Full Frame lenses:

  • XFF 35mm F1.8
  • XFF 70-200mm F2.8

I asked our Japanese source if it will have also the option of a Medium Format sensor, but the source said MF sensor would make the Fujifilm X-T3 chassis too big, and Fujifilm wants to keep it smaller than the X-H1.

Fuji’s idea is to offer a Fujifilm X-T3, where you guys can still perfectly use all your current APS-C lenses, but if you want, you can slowly transition to full frame and finally spend more money on bigger FF glass.

The source also told us, that the new system is the real reason, why the Fujifilm X-T3 will not have IBIS: it is just technically too complicated at the moment to make an interchangeable sensor system with IBIS incorporated.

The price of the Fujifilm X-T3 will be “extremely agressive” said the source and “lower than current X-T2 price“.

You can check out the Ricoh GXR/S10 to get more details on how it works.

Fujifilm GFX 100S

The source also told us that the Fujifilm GFX 100S will also have a completely interchangeable sensor/processor unit, and in this case Fujifilm will offer a monochrome medium format sensor as well as an APS-C X-Trans sensor, so that people, upgrading from APS-C to Medium Format, will be able to use all their Fujinon XF glass on the GFX 100S without needing any adapter

No Full Frame sensor will be offered for the Fujifilm GFX 100S.

On the other hand, the Fujifilm GFX 50R will remain with a fixed MF sensor. The goal of this camera is to make it as cheap as possible.

Stay tuned on FR, not only on April 1st ;) … via Facebook, RSS-feed, Instagram, Youtube and Twitter

all the best,

Fujifilm Manager Interview: Great Fujifilm GFX Sales, X70 Successor and Sony, Canon, Nikon FF Mirrorless: “We Will Work Hard to Keep Our Uniqueness”

DPReview interviewed three of the most representative Fujifilm mangers: first and foremost nothing but “official FujiRumors.com Lover” Toshihisa Iida, as well as Makoto Oishi and Shin Udono.

Here some excerpts:

Fujifilm GFX 50s

  • We’ve shipped more than we expected and planned for. Even more impressive is the lens attachment rate, as we’ve sold so many lenses as well. Overall, GFX sales have exceeded our predictions. […] Something that we didn’t expect was the number of high-end amateurs buying the GFX system. According to our survey, 80% of users are non-professional, and 20% are professional. That was a surprise. […]
  • Many customers may want to use their existing lenses on a GFX body, so we support many third-party adapter manufacturers to provide lens adapters. […] We’re surprised too that we can find over 100 lens adapters in the market, with 28 types of mounts.
  • At the moment, yes [we are currently more focused to make prime lenses], but we are aware of requests from customers for other zoom lenses.

Fujifilm X-H1 and X-E3

  • customers actually requested a bigger grip and better handling [to use especially with bigger lenses like the 100-400 and future 200mmF2]
  • Last September, we went the opposite direction with the X-E3. We said, ‘this is a minimalism camera.’ Less is more. One reason for these lineups is that each photographer, each customer, requires a different style of camera.

APS-C + Medium Format… and What about Full Frame?

  • At the moment, we don’t feel that there’s anything we need to add [in addition to APS-C and MF], but we do want to focus on APS-C cameras. We think that’s a good format for the best balance between size, speed, quality, and now we have the GFX [for even greater quality].

Fujifilm X70 Successor?

  • Yes, we are considering it

Video Vs. Stills

  • I think we will see more users transition from stills to video rather than the other way around

Kaizen Updates

  • Yes, that’s technically possible [X-H1 autofocus enhancements on X-T2]. We continue to be committed to firmware upgrades, but we need to decide which cameras really require new functionality.

The Future

  • there is much room to improve stills photography functionality [firmware and hardware]

Competition: Sony, Canon and Nikon

  • We will see more competition with Canon and Nikon as well as Sony, but we will work hard to keep our uniqueness

Canon and Nikon Full Frame Mirrorless Coming

  • My answer was always, ‘welcome.’ Because having those strong brands in the mirrorless marketplace increases general awareness of mirrorless, and that’s a good thing for the whole industry. […] We will see more competition with Canon and Nikon as well as Sony, but we will work hard to keep our uniqueness in design and usability; [one big way] we differentiate is by our analog controls. And of course, we need to keep innovating inside our cameras as well, improving the sensor, processor, and also by introducing new lenses.

Asian Vs. USA Market

  • For the US market, we definitely have focused on the high-end side, and that has been successful.
  • If you look at the Asian market, the X-A series are really popular mirrorless cameras. In Thailand, our market share for mirrorless is over 40%. […] these customers are used to smartphones, and they’re switching to mirrorless.

Make sure to read the whole interview at dpreview here.

Fujifilm GFX 50S + Any GF lens* (save $1,000): BHphoto, Adorama, AmazonUS
* GF63mmF2.8 / GF45mmF2.8 / GF32-64mmF4 / GF120mmF4 / GF110mmF2 / GF 23mmF4

Fujifilm X-H1 Bundle Deals – Save $150
Adorama + BHphoto include Free Domke Bag
with XF 16-55: BHphoto, AmazonUS, Adorama, Focuscamera
with XF 50-140: BHphoto, AmazonUS, Adorama, Focuscamera
with XF 100-400: BHphoto, AmazonUS, Adorama, Focuscamera
with Vertical Grip + XF 16-55: BHphoto, AmazonUS, Adorama, Focuscamera
with Vertical Grip + XF 50-140: BHphoto, AmazonUS, Adorama, Focuscamera
with Vertical Grip + XF 100-400: BHphoto, AmazonUS, Adorama, Focuscamera

Fujifilm X-H1
All combos: BHphoto, AmazonUS, Adorama, Focuscamera

 

Steelsring Canon EF to Fujifilm GFX Autofocus Adapter Test

GUEST POST FEATURE
Write Your Articles Directly On FujiRumors!

guest post by Peter Sills – www.digitalfocus.net

Several months ago, I first read about adapters that would allow me to mount my Canon lenses to my new Fujifilm GFX 50S. Interested, I reached out to the various companies mentioned inquiring about their availability and acquiring one for potential testing. Of these, only one, Steelsring, got back to me. After some conversation, we agreed that I would test the unit and write an article as to my findings. Several months later, in December of 2017, I received my adapter.

I was intrigued. When first released, the Steelsring EF>GFX adapter was reported as being the only adapter of its kind which would also property report the Lens EXIF information to the camera and turn off the automatic lens correction (for the Fuji 63mm lens) in the process. Having this ability allows you to create your own special “Lens Profiles” for the camera/lens/adapter combination – something I find quite useful and important.

Lightroom – Note the Lens is correctly reported as the EF24-70mm f/2.8L II USM @ 70mm and 1/70 sec at f/2.8
Lightroom – Note the Lens is correctly reported as the EF24-70mm f/2.8L II USM @ 70mm and 1/70 sec at f/2.8)

When the unit arrived, it came in a very attractive wood and aluminum case. It was extremely well packaged and after careful examination appeared to be well constructed as well.

This is how the Steelsring Adapter arrived. It also makes for an excellent storage case.
This is how the Steelsring Adapter arrived. It also makes for an excellent storage case.

Of course, how these adapters operate is that on one side of the adapter is the Native Mount (Fuji) side, and on the opposing side is the Lens Mount (Canon side). Most adapters are “passive” so there are no contact pins. The Steelsring adapter is of a new generation of mounts that allow a camera to actually obtain accurate focus using “non-native” lenses. In this case Canon lenses.

So, the next step was to mount this to my Fuji GFX and begin testing.

I found the fit to be quite tight and secure, both on the Fuji side and on the Canon side. I would say even more so on the Fuji side. Many of the Canon lenses I found “clicked” right in to place. A few required a little adjustment of the lens release button to ensure they were indeed “locked-in”. Once this was properly engaged, the connection was tight, with no looseness or “wobble” at all.

My objectives were quite simple.

  1. Determine if a lens adapter, in this case an auto-focus lens adapter, could provide usable AF accuracy and speed using my existing Canon lenses.
  2. Determine if the “vignetting” of these lenses would be significant enough to render them useless or usable for my testing.

Alright, so how to begin?

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Fujifilm X-H1 Development Story #7 – In Body Image Stabilization Explained

Fujifilm X-H1 IBIS Development

The 7th epsiode of the Fujifilm X-H1 development story is a highly awaited one: the development of IBIS.

And right at the start they adress one of the big questions: how does it come that in 2016 Fujifilm managers said IBIS is not compatible with X-mount, and now we have the X-H1?

The question has already been answered by Billy in a fantastic TCSTV X-H1 live stream. And now fujifilm-x confirms:

“We said in the past that there will not be an IBIS for the X Mount. We’ve said that because back then having IBIS meant compromises on the image quality. But now we need to correct the statement. The X-H1 has IBIS. We now have developed one that works without compromising on the image quality.”

As Billy told us, in order not to lose image quality and to be super precise, the whole IBIS mechanism has to be bigger compared to the one of other camera manufacturers. Billy (as well as other managers), also said that the current IBIS can’t fit into smaller bodies, but in future, with further development of their IBIS tech, they might be able to put IBIS into smaller bodies.

For now, though, the Fujifilm X-T3 is rumored not to have IBIS.

Now back to the IBIS development story.

Fujifilm says:

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Fujifilm X-H1 Development Story #6 – Autofocus Unlimited

The 6th epsiode of the Fujifilm X-H1 development story is now online.

This time they explain us how the AF team at the R&D department was able to improve the autofocus even further and the secrets behind the new AF algorithm.

“The focus point is divided into 5 blocks: top left, top right, bottom left, bottom right, and center. Some parts of the central block are overlapped with other 4 areas. The focus point is usually at the center, but not always. This division of focus points prevents the undesired font or rear focus and increases the AF accuracy.

The 5 blocks are then split into 4 lines. Each area are now split into even smaller pieces to further improve the AF accuracy. With this split, the algorithm, it can detect focus point on the subjects with flat texture.

Now, let’s count the number of phase detection pixels in the area. The area is divided into 5 block and then split into 4 lines. The total number of phase detection pixels is 20,000. 20,000÷5÷4=1,000. There are total of 1,000 phase detection pixels within the AF frame. 1,000 pixels provides enough information, but how is it used?

The information of the 1,000 pixels are measured in horizontal comparison, vertical comparison, and square comparison.

 

There are two types of phase detection pixels, A and B. With the horizontal comparison, the focus point is detected by measuring the difference between A and B pixels horizontally. The difference can also be measured vertically with the on sensor phase detection of X-H1. This is called the vertical comparison. And then the camera is capable of measuring the difference between all of pixels A and B in the given area. This is called the square comparison.

The three types of comparison are processed simultaneously for X-H1. Previously, it was in the order of square, vertical and then horizontal. “We discovered that simultaneous processing provides information with higher accuracy,” the AF team commented.

[…] Previously, autofocus with the phase detection was only possible up to +0.5EV, but it can now work at -1EV. The phase detection AF is supported up to the aperture of F11. Previously, it was only up to F8. This means that the autofocus is more robust to the high frequency subject.

The good thing is, that it is all software based, so we can hope for the new autofocus system also on the X-T2 and other X-Trans III cameras.

And keep in mind, the top speed of the AF remains the same.

Many X-Photographers who have tested the X-H1 commented that “the AF is faster”. But the fastest AF speed has not changed [as reported here]. What’s been changed is the area that Phase detection AF can cover. The new algorithm helped the photographers to accurately capture the scene that they wanted to capture.

Read more at fujifilm-x

Fujifilm X-H1 – $150 Bundle Savings: BHphoto, AmazonUS, Adorama, Focuscamera
Follow FujiRumors on Facebook, RSS-feed, Instagram, Youtube and Twitter
Fujifilm X-H1 Coverage: X-H1 facebook group + X-H1 facebook Page

“Can ETERNA be Used for Still Photos?” Fujifilm X-H1 Development Story #5

Fujifilm has just published the fifth episode of its Fujifilm X-H1 development Story, and this time it’s again about the new ETERNA film simulation.

But while in part 4 time they described the characteristics of ETERNA, this time they investigate one questions: “Can ETERNA be used for still photos?”

“Can it be used for still photos?” We asked the image designing team who created ETERNA mode.

“It’s possible. It can work really well in some cases.” […]. We need to take ideology and the characteristics of ETERNA into account for a good result.

[…] The wide dynamic range and soft tonality will depict the subtle nuances of shadows created in the environment under controlled lights. It will also keep the subject from being oversaturated.

People often use Velvia for landscape photography, but it can be excessive if the subject”s saturation is high. Velvia is good when you need to enhance the saturation, but when the saturation is high enough, try ETERNA or Pro Neg. STD instead.

Another idea is to treat ETERNA in the same way as you would when you shoot cinema, to complement other elements of communication. In editorial, for example, the photographs are combined with texts to deliver a message. ETERNA is a good one to use in editorial as it would complement the text. The images with soft tonality and low saturation allow readers engage into the story seamlessly.

The soft tonality of ETERNA also looks great on matte paper. So when the editorial is printed on a matte paper, then it creates a further enhanced experience for the readers. When you think of the communication in a big picture, ETERNA has its use for sure.

Full story at fujifilm-x

Fujifilm X-H1 – $150 Bundle Savings: BHphoto, AmazonUS, Adorama, Focuscamera
Follow FujiRumors on Facebook, RSS-feed, Instagram, Youtube and Twitter
Fujifilm X-H1 Coverage: X-H1 facebook group + X-H1 facebook Page