Good Bye Made In Japan: Fujinon X-Lens Production Moving To Philippines. New Product Number Reason for “NEW” 18-135 and 27

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Fujinon XF 27mm now made in Philippines
Fujinon XF 27mm now made in Philippines

shared by FR-reader Kris here

Good Bye Made in Japan

In the last 2 days, we have seen stores like AmazonUK saying that a new version of the XF18-135 and XF27 is coming.

Well… I have an update for you, that could explain why all these “new versions” pop up on stores.

A kind source (thanks) informed me that Fujifilm is moving the production of some X-mount lenses (maybe even ALL X-mount lenses), to the Philippines.

This has been also proven by a FR-reader, who shared with us the images of his XF27mm made in the Philippines. And by moving the lens production to another country, Fujifilm has changed the product number… hence now stores are listing it as “New”… but it’s just a new product number.

And when the Spanish store earlier today shared the XF27mm II “PH”, well, PH could stand for “Philippines”. But even if it does not stand for Philippines, it’s not really relevant at this point. Fact is (oh sorry, I should say “rumor has it”) that X-mount lens production is moving to the Philippines.

So… what once was made in Japan, or China (27mm) or Thailand, is now (or will soon be) made in Philippines, which isn’t necessarily a bad thing, as long as the quality remains the same (and let me add: also the fair treatment of workers… treat your workers well, and the products will be better, too)

For the complete picture: 27mm, 18-135, XC lenses and cameras like the X-M1 and so forth, are already made in China and Thailand. But the lens production is moving all to Philippines now… even the Japanese XF lenses.

As some of you might remember, I reported about Fujifilm opening factories for lens production in the Philippines back in 2013.

Fujinon X-mount factory in Philippines
Fujinon X-mount factory in Philippines
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New “Fujifilm XF 27mmF2.8 II” listed at Spanish Store

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Just yesterday I reported, how several stores are saying that a new XF 18-135 and XF27mm are coming.

Well, here is another one.

A Spanish FR-reader told me that his local store is listing both, the classic XF27mmF2.8 and a mysterious New XF27mmF2.8 II PH.

The specs listed at the store for both lenses are identical (so evidently copy & paste from the original 27).

Maybe all this means nothing… or maybe where there is smoke there is fire ;).

Anyway, wouldn’t it be nice to have a XF27mmF2.8 MK II with aperture ring, just like Fujifilm’s first XF27mm mock-ups displayed at official events years ago?

  • The American West & Route 66, shot with a Fujifilm X-T20 and a XF27mmF2.8 pancake lens at Rico’s flickr here…. I wonder if it’s the Mark I or Mark II :-)

take care, fellow Fuji shooters… and stay tuned for updates
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Fujifilm GFX Contax N/645 Smart Adapter Available for $749. :: A Visual GFX Journey :: Field Tests & More (GFX Zone)

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How to activate Fringer Contax645-GFX AF adapters at fringer youtube

The Fringer Contax N/645 – GFX is now shipping in a limited number for a beta user group. If nothing goes wrong, the release version would be ready for sale in a week at fringeradapter. Fringer is also a member of our immense Fujifilm GFX facebook group, and he launched a dedicated thread, where he shares sample images and answers all questions you guys have about the adapter.

Join the 13,000+ strong GFX facebook group, and incredibely helpful community creating infinite GFX content. For fast, reliable, and 100% GFX news and rumors follow the Fujifilm GFX facebook page.

Fujifilm GFX 50s: BHphoto, Adorama, AmazonUS
Fujinon GF 110mm F2: USA: BHphoto, AmazonUS, Adorama Europe: WexUK, PCHstore
Fujinon GF 23mm F4USA BHphoto, AmazonUS, Adorama Europe: WexUK, PCHstore

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The Fujifilm GFX 50s High ISO is So Good that it’s Not Funny

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GUEST POST FEATURE
Write Your Articles Directly On FujiRumors!

guest post by Josselin C. // instagram: untitledshot

(Note : not sponsored by Fuji, just an honest opinion. I am coming from the Sony world, and still own a A7r2)

I took this 80MP composition last friday with the Fujifilm GFX 50s:

I am so impressed by the low light capabilities of this camera that I even did an how-to video explaining how this photograph was created :

Photographers that ever tried to catch the milky way in a middle of a city would know the challenges of capturing it in environment with high light pollution. It is one of those impossible shots that need really specific conditions to be obtainable. Lookup for “milky way Sydney” on Google and mostly all shots you will see are composite (e.g. milky way shot in one location added in Sydney) – well not in this case here.

I recently setup – after discussing with @apoapsisphotography and @clement_breuillea challenge to get the milky way in the middle of an highly populated city – during a light festival. Turns out, this place had to be Vivid Sydney (if you are in Sydney, go pay a visit, this is awesome).

When I acquired this camera, I didn’t know what to expect, or even, if I would keep it. I already own a marvel of engineering: the Sony A7r2. This camera never failed to deliver, even in some of the harshest and remotest places of this world. It also helped me win the french national awards of the Sony World Photo Organization and to be nominated Top 5 Travel Photographer by Australian Photography. I couldn’t be happier.

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What Should Fujifilm do to Survive the Final Digital Camera Battle?

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This blog post has been inspired by the latest “Fujifilm helps Nikon” rumors shared by the reputable Japanese Magazine Sentaku.

Who Struggles?

People, who are with Fujifilm since day 1 (like me, and I guess also many of you), will remember that for many years, the X-series was nothing but a black hole for Fujifilm. The imaging division was losing money. But starting from the X-T1, things have changed and the figures became more and more positive.

But while Fujifilm was growing and finally making profits, many other companies (like Nikon) were struggling. Here is just a little overview

  • Samsung is gone, despite them offering a gorgeous camera like the Samsung NX1.
  • Nikon reported extraordinary losses. I quote from the Nikon Report: “[…] consolidated operating income as a whole is expected to fall below the previous forecast, impacted by the sluggish and shrinking markets of digital cameras in the Imaging Products Business”
  • Panasonic said they are “dismantling” some businesses and later clarified that they are restructuring the camera division, which will continue to operate under the new umbrella division.
  • Lytro tried hard, but failed, even though they had an interesting concept.
  • Pentax/Ricoh, so say the rumors, is struggling too.
  • Hasselblad, was bought by the Chinese DJI

Competition & Monopolies

A few days ago, I was sitting with a friend, who teaches economics at the University, drinking a beer in the sun after work, and we were talking about cameras, since he wants to switch to mirrorless now (we all get older and appreciate lighter gear at a certain point :) ).

Of course I recommended him Fujifilm (the Fujifilm X-T20), but I honestly told him, that there is so much competition in the camera business, that all companies are pushing innovation and quality to such a high level, that he can’t do anything wrong even if he buys any other mirrorless camera.

At the end it depends on what he needs. I told him that if he wants an overheating playstation experience, get a Sony, but if he wants to have fun with a real photographic tool, he should get a Fuji – just kidding, Sony friends :) .

Anyway, our talk then switched to the topic of competition.

In short: my buddy told me that, at the end, competition always tends to create monopolies. I wouldn’t say it like in Highlander, that “there can be only one“, but yes, many will fail, and only the very best will survive.

And if my buddy is right, we should not be surprised to see more camera companies fail in the next 3 or 4 years or weak companies being acquired (completely or in parts) by some stronger ones. That’s how the market goes.

One thing is sure:

The final digital camera battle has begun, and it’s clear that some companies will perish and others will survive, in a market that is overall becoming smaller every year.

So the question today is….

… what should Fujifilm do in order to survive the battle? Are they on the right track already, or is there still something they should absolutely improve? You know they read us… so feel free to let Fujifilm know, what you think they should do to survive the digital camera battle.

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