Due to the shortage in parts announced by Fujifilm (an issue that every electronic company in the world has right now), lots of Fujifilm gear is hard to find in stock.
Especially the most recently announced gear is widely unavailable.
Little curiosity: a long time and good friend of mine owns a little company that makes graphite components for the ovens needed to make silicon wafers, and he told me he has so much work right now that semiconductor facotries worldwide are tring to match the chip-demand.
In the last few weeks, I see more and more images taken with this lens at our facebook groups. And I must say what probably most impressed me, are its macro capabilities. Just go to any of our X series facebook groups linked below, search inside the group for “70-300 macro” and be amazed by what you’ll see,
And just overall, the XF70-300mm seems to be a great performer. Down below you can see some customer review ratings.
Gosh, I spend all my holiday/tavel/free time/restaurants money saved in 2020/2021 in gear already (GFX100S, GF64-32, XF80 macro, XF27mmF2.8MKII), and I am trying to save my marriage by not purchasing any new gear this year, but the XF70-300mm is one of my top temptations of 2021 along with the GF100-200, the GF50mmF3.5 and also my Nr.1 temptation, the X-E4.
I have read a fake rumor that Fujifilm will launch a Fujinon GF 56mm f/5.6 lens.
Of course this is a 100% fake rumor (trust me, I know what I talk about), and it serves one goal only: find a fast and cheap way to get your attention, your time and your money.
And little it matters if clickbait sites mislead their readers and disrespect their community by sharing fakes. All they want is traffic and money. Whatever is needed to achieve that, they’ll do it.
But here on FujiRumors we respect and love this whole community way too much to take such cheap shortcuts.
What will really come? Well, read FujiRumors to find it out ;).
Time is ticking. The article is over. You know the truth.
Make good use of the time you’ve left today. Maybe take some pictures. Personally, I’ll stay at home, and will use it playing with my son while waiting for my Fujifilm GFX100S to be delivered. Can’t think of a better day for me :).
Fujifilm film simulations are more than just cool names for camera profiles.
Film simulations are the art of the colors that Fujifilm cultivates since decades, so far that the guy, who developed the original Fujifilm film stock already 50 years ago, still works at Fujifilm and is now in charge of crafting the film simulations.
So, colors are a serious thing for Fujifilm and you can see what you can do with them over at our Fujifilm film simulation group.
Now DPRTV published a video, where they go over what they consider the 5 best Fujifilm film simulations.
Monochrome: He prefers it over Acros.
Provia: Standard camera mode. Good standard profile. Does not push things too far. Great skin tones.
Classic Neg: Great for street photography. Distorts reality, but not in a gimmicky way. Great for street scenes, knocks shadows down and makes street scenes look very dramatic, takes away some color and gives a nice vintage look. Aged, rugged look.
Velvia: great for landscapes. Gives contrast and vibrancy. Can add some punchy drama to colors that are faded and muted. Adds a bit of magenta to blue skies, which can be really pleasing in landscape photos. Not great for skin tones
Nostalig Neg: available only on GFX100S and GFX100. Mimics that classic American film stock from the 70s (Kodachrome etc.). Lower contrast but still rich saturation, warm colors.
For Video:
Eterna: For video an almost perfect profile. Very easy to grade. When he shoots high contrast scenes, he shoots F-Log, but in post he will immediately put an Eterna LUT on the file. Jordan loves Eterna
Where I don’t agree, is when they say ASTIA is boring. In fact, it is actually one of my top favorite film simulation, because it gives me a great balance between pleasing skin tones and vivid, but not oversaturated colors. I use ASTIA almost always when I take landscape images with people in the frame. I find it gives me the best results, better than Velvia, which is not great for skin tones.
When the ultra fast Fujinon GF80mmF1.7 was launched, some noticed a minimal sign of fringing when pixel peeping into images to ultra detailed pixel level. Something to worry about?
Apparently not.
According to ePHOTOzine, who just published its full technical review, the GF80mmF1.7 is able to contain chromatic aberration extremely well. They write:
CA (Chromatic Aberration) is also very impressive, centrally being close to zero as we stop down slightly. The edges are also kept well under control.
I did play around with the GF80mmF1.7 of my close friend too (he sold all his Nikon Z gear for the GFX system) and quite frankly it’s a stunning performer in terms of optical quality.
Down below you can see the Pros and Cons of the ePHOTOzine review.
I did handle the Fujinon GF100-200mmF5.6 at the store, and was surprised that it is actually so light, hence definitely portable for my hikes in the Dolomites.
However, I did put the purchase of that lens on hold, as in 2021 I already bought the XF80mm, XF27MKII, GFX100S and GF32-64, and it’s getting more and more tricky to convince my wife that we really need yet another lens.
And things have not become easier after Fujifilm launched a massive rebate on guess which lens? Exactly, the GF100-200!
For the sake of my bank account health I am still resisting, but Fujifilm keeps up fighting for my money, this time by dedicating their latest Focus on Glass episode to the Fujinon GF100-200mmF5.6.
Well, I’ve watched the episode, and here is what Fujifilm engineers and managers say about this lens:
Fujifilm wanted to make a tele-zoom suitable for handheld shooting
they needed to develop a smaller and lighter lens
at planing stage, they set their target at 1 kg
the lens has 5 stops OIS
this makes handheld shooting easier
Fujifilm hopes you will use this lens to take images that you have never experienced before with a 35mm format lens
with GF teleconverter it covers up to 221mm (35mm equivalent)
during the development tests, Fujifilm has conducted repeated toughness tests
it is a rugged lens while maintaining lightness and compactness
although it’s a zoom, resolution is superb and able to resolve the high megapixel of GFX cameras over the entire zoom range and even at f/5.6
in order to make the lens brighter and still have higher resolving power, a greater number of elements in the lens are required
but the more elements you use, the more the lens gets bigger
that’s why Fujifilm designed ever lens element to be as thing as possible
every effort to save size and weight was made
the engineer is proud of the final result
you can easily shoot handheld in places where you can bring a tripod
Fujifilm designed a small focus lock mechanism to fit in the lens
toughness test were contacted to overcome weaknesses on by one
But was is triggering my GAS more then what the managers and engineers said, is the photographers and their work shared inside that video. Definitely check it out in the video down below.
