Fujifilm Launches Standard Zoom Lens “FUJINON Lens GF45-100mmF4 R LM OIS WR”
Fujifilm launches standard zoom lens “FUJINON Lens GF45-100mmF4 R LM OIS WR”
- GF 45-100mm f/4: BHphoto, AmazonUS, Adorama, Focuscamera
Dpreview and Petapixel have reached out to Fujifilm, asking about the issue some Fujifilm X-Pro3 users are having with overexposed EVF’s (see image above).
Fujifilm has answered:
Our customers are always our number one priority. We take feedback to heart and always strive to provide the highest possible quality in our products. We are aware of the phenomenon affecting the viewfinder in a very small percentage of X-Pro3 units. We advise our customers to contact Fujifilm customer service directly to solve any questions or concerns they may have about the camera.
Currently it does not look like this is such a wide spread issue like the recent Fujifilm GFX100 vertical grip control lock issue or the Fujifilm X-T1 light leak issue.
We will keep you posted in case there are any updates.
Don’t forget to…
Fujifilm X Photographer Mindi Tan created a 90 minuted documentary, giving us a behind the scenes to the secret process behind the Fujfilm X-Pro3 creation.
It gives us a very close and also intimate look at Fujifilm’s camera creators and managers. The documentary reveals its team dynamics, beliefs and history inside the company with lots of exclusive interviews and footage.
It also features nine popular X-Photographers from all over the world who open up in their home environments to discuss what being a photographer and being connected with Fujifilm means today.
Down below you can find a summary of the video, but before that, I’d like to leave you with quick impressions I had.
It’s clear to see from the documentary, that behind our beloved Fujifilm cameras, there are not cold managers thinking at specs and profits, but really passionate photographers in the first place.
In fact, top manager’s Toshi Ilda first hobby was photography, and when his father asked him, what he wishes for his successful graduation, he said he’d like a camera.
Also, another top manager, Takeshi Ueno, deeply loves film photography, and straight out says he does not like digital cameras.
I guess this passion for the good old photography reflects perfectly in the vintage design and controls of Fujifilm cameras.
However, it comes even more surprising, that Fujifilm completely denied this “manual” DNA on the Fujifilm GFX100, which is the first Fujifilm camera I ever hold in my hands, that was not intuitive (for me) to operate, and required a look in the manual, to understand how it works.
I am sure there will be many, who love the more “modern” layout of the Fujifilm GFX100, and that’s perfect. I can understand. But it’s just not my style, not my preference.
I think Fujifilm should continue to offer what makes them unique, and part of that is not to give up vintage controls. And with the X-Pro3, they pushed this concept to its limits, by even hiding the LCD.
Also interesting:
They say the X-Pro3 is not a product of “logic”, but of instinct. In this case they did not listen to what the market dictates, but their intuition, that it was the right thing to do with the X-Pro3.
And that’s why I love Fujifilm.
If they would be like Sony for example, and just listen to market logic, Fujifilm would just offer one camera body. The same for everybody.
But Fujifilm knows photographers are not all the same, and so they offer niche products, that will never really become that profitable. By doing so, Fujifilm honors its photographic culture and heritage, it’s photo-DNA.
It’s a very lovely documentary, that I invite everybody to watch.
Updated LUT is available on the Fujifilm website.
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Hey folks!
I have a very important update for you.
I recently got dozen of emails of worried people, who were about to order a Fujifilm GFX 50S/R camera.
The reason?
Everybody thought, that the last mysterious registered camera, the FF190003, would be a GFX camera, and hence they would buy gear that would be about to be replaced.
But after FujiRumors unveiled them all (X-T4, X-T200 and X100V), they proceeded with their order.
With the name of all imminent cameras leaked, everybody came to the logical conclusion, that there are no GFX cameras that are close to releasing.
But I am here today to tell you it is actually worse than that!
Thanks to our trusted sources, I am now able to tell you, that there will NOT be ANY new Fujifilm GFX camera in 2020!
I believe that the Fujifilm GFX has a enormous potential and if developed at a proper pace, could be a fantastic alternative to all other camera systems out there.
By waiting so long with new GFX cameras, the risk is that Fujifilm could miss the boat and lose the momentum that is bringing so many full frame shooters into the GFX system.
But let’s try to see things positive:
Anyway, in 2020, the Fujifilm GFX camera lineup will still consist in:
So this will be the first year, where we do not get a new Fujifilm GFX camera.
Here are the top 10 articles for December.
I hope you enjoyed reading FujiRumors in December, and I am working to give you an good January, too :).
Why not…
The crowd of photographer shooting digital medium format is growing, also thanks to the Fujifilm GFX system.
The lens system is growing, the camera line expanding and all what happened in the medium format world in 2019 can be checked out at BHphoto here.
As a recognition to that, DPReview declared the Fujifilm GFX100 “innovation of the year“.
Today we dedicate a roundup to the Fujifilm GFX system.
You’ll find people, who left Canon full frame for Fujifilm GFX100, reviews, images and more. Check it all out down below
The GFX Community
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GFX Reviews
As you know, I am a teacher, and usually it’s me, who has to judge and give votes to others.
But not today, as it’s time for our yearly 2019 rumors check, and to see if I did my homework well or not.
Also, there will be an accuracy rating of those rumors, that still could not be verified.
Keep in mind, there could be further rumors before the end of the year, in which case I will update this list!
Ready? Cool, so let’s start,
But be warned: I will be incredible severe to myself, as I will include in the wrong rumor section, rumors that were actually correct at the time of sharing, but just turned out wrong because Fujifilm changed plans.
It’s the case for example of the new lens roadmaps. In fact, just a few days after our rumor, top Fujifilm manager confirmed here, that indeed there would have been new roadmaps in 2019, but 2019 is now ending, and nothing came. So I was wrong, but so was the top Fujifilm manager.
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2019 was another exciting year for the camera industry, with lots of different cameras in all price ranges hitting the market.
So DPReview had to update its buying guide for cameras under $1,500, and guess what, not a single camera could dethrone the 2018 Fujifilm X-T3 from the top spot.
DPR writes it’s still the best camera you can buy for under $1,500:
the Fujifilm X-T3 is one of the best APS-C cameras ever made and one of the most adept cameras full-stop, if you want to shoot both stills and video.
Its image quality is excellent, with a choice of attractive ‘Film Simulation’ color modes and detailed, flexible Raw files. Autofocus with most X-series lenses is snappy with effective focus tracking, eye-detection AF for portraits and zone focus modes that will adapt to a range of sports. This is on top of a well-respected interface which blends traditional dials with a good degree of customization.
We’re particularly impressed that the X-T3 does all this while also offering some of the best video we’ve encountered. It can shoot highly detailed 4K footage (UHD or DCI) at up to 60p with the option for 10-bit capture for maximum grading leeway. Useable (though not flawless) video AF makes it comparatively easy to get good results, too. Only the lack of in-body stabilization counts against its go-everywhere, capture everything credentials.
The Fujifilm lens range isn’t as extensive as some systems, but there’s a good choice of sensibly priced lenses that go well with the X-T3.
And it’s not over yet, as the Fujifilm X-T3 will get surely one significant firmware upgrade, and maybe even another big one in future.
You can see the entire buying guide at DPR here.
Another Fujifilm year is ending.
With 4 cameras and 4 lenses released in 2019, Fujifilm has a little bit slowed down, if we compare it to the Fujifilm year 2018 (7 new cameras and 6 lenses) and to the Fuji year 2017 (4 cameras and 8 lenses).
But it was definitely quality over quantity.
And then there were these lenses:
Now it’s your time to vote what you consider the overall top Fujifilm gear launched in 2019. Vote down below.
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