Fujifilm X-T6 and X-H3 with 80 Megapixel? Let’s Talk About it!

Over the past year, I’ve been flooded with emails asking if the 80-megapixel Fujifilm X-Trans VI sensor rumor could be true.

And for more than I year now I’ve chosen to stay silent on FujiRumors and replied to each email individually.

But recently yet another message arrived asking the same question.

So, after 12+ months of staying quiet and not writing a single word about it, I think it’s finally time to share my take on this “rumor” publicly. And from now on, whoever asks me about it, will get a link to this post.

The question is: will the Fujifilm X-T6, X-H3, X-E6, or X-Pro4 really have 80 megapixels?

Here’s what actually happened.

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LEAKED: Fujinon XC13-33mmF3.5-6.3 Finally Fixes What (Most) Photographers Hated About the XC15-45

We told you Fujifilm will launch the Fujinon XC13-33mmF3.5-6.3 in 2025.

I don’t know if this is going to replace the Fujinon XC15-45mmF3.5-5.6 OIS PZ, but since it is coming in 2025, I would not be surprised if the Fujinon XC13-33mm would be the new kit lens for the upcoming Fujifilm X-T30 III.

With that said, was a new kit lens really needed?

Well, some might appreciate the wider end (13 instead of 15). But there is another difference that for me is even more important: the new Fujinon XC13-33mmF3.5-6.3 will get rid of the PZ (powerzoom) and have mechanical zoom.

For me this is a welcome change as I vastly prefer mechanical zooms. And if I read through the comments in the last few weeks, I have the impression that most of you also prefer it over the powerzoom.

The last powerzoom I owned was this one, but that is from the times before I went all-in with Fujifilm MILC and I was still trying to find the best mirrorless system for my needs. It was a fine lens, I certainly loved its compactness, but I never grew fond of the powerzoom function.

I’m glad to see that the XC13–33mmF3.5–6.3 features a mechanical zoom—this alone makes the lens feel much more practical and worthwhile to me.

But I am curious to read what you have to say about it in the comments.

Do you own the Fujinon XC15-45mmF3.5-5.6 OIS PZ. Do you love the powerzoom or did you often wish for a mechanical zoom on it?

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Fujinon XC 13-33mm to Be Launched Along with Fujifilm X-T30 III

Little update regarding the rumored Fujinon XC13-33mmF3.5-6.3.

The lens will be offered also as a kit lens for the upcoming Fujifilm X-T30 III, hence they will be launched together this month.

I am not sure if it is basically going to replace this kit lens here, but it certainly sounds like that.

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A Lovely Combo: Fujifilm X-T30 III Coming with 26MP Sensor and 5th Gen Processor

I always thought it might end up this way, but so far all I had were my own speculations.

But now we have sort of “confirmed”, because a trusted source told me that the Fujifilm X-T30 III will indeed use the 4th generation sensor in combination with the 5th generation processor.

I think that’s a great and efficient combo that has proved to work really well already on the Fujifilm X-S20. So I applaud this decision by Fujifilm, since not only the combo works great (faster sensor readout, less heat generation, etc), but it will also allow to keep the price of the camera lower (that 40MP sensor ain’t cheap).

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The World Looks Better in Fujifilm Colors – You Don’t Believe Me? Then See for Yourself!

Gear Detox – a Waste of Time?

From time to time, we should be reminded that light, moment and inspiration matter more than megapixel, specs and AF speed.

I mean, I am the first to admit that I also enjoy talking about gear here on FujiRumors. It’s fun—there’s just no way around it. :)

But the words we speak here, the chats we have… I don’t print them big, frame them, and hang them on a wall. I don’t print and frame the spec sheet of the latest camera.

What I do print instead are the images I’m most happy with.

And that’s what this post is about—a little roundup of photographs shared by you, the Fujifilm community. It’s a chance to pause the gear talk for a moment and just enjoy what really matters: the images.

And look… I know. These image roundups don’t get many views. They take a ton of time to make. They don’t boost traffic. I guess that’s why no rumor sites make them.

But I decided—I don’t care.

I’ll do an image roundup now, and I’ll try to do more in the future. Because they matter to me. And maybe to a few of you, too.

In a world where others make up rumors in a vile attempt to grab your attention and profit from your good faith, we go the opposite way: we don’t share the endless stream of dubious and fake rumors we receive. Instead, we focus on what matters—enjoying photographs.

I might lose time. I might lose traffic. But I’ll be proud of this article… and of the amazing Fujifilm community that is capable of creating such wonderful images.

The Best Fujifilm Communities

Film Simulation Power

For today’s image roundup we take a look at images shared at our immense Fujifilm Film Simulation Group.

You’ll see the power of Fujifilm colors in action. Enjoy :).

_ _ _

by Emanuele

📸 Fujifilm x100VI
đź“Ť Venezia, Italy
🎞️ Last Summer Roll

_ _ _

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Fujifilm Hints at Filmmaking Push – Is an APS-C X Eterna 28 on the Horizon?

Fujifilm GFX Eterna 55

When the Fujifilm GFX Eterna 55 film camera has been announced along with the film-centric Fujinon GF 32-90mmT3.5 PZ, many were skeptical about Fujifilm’s move.

And to be fair, I was too:

But over time my worries dissipated and I actually started to see the potential benefit of it, even for us hardcore stills shooters:

Now, my big question (and hope) has so far remained unanswered due to the lack of any sort of reviews on the GFX Eterna.

But there are other interesting tidbits we find out about it over time. And some of them have been shared by Fujifilm managers to PetaPixel. The manager says:

  • by announcing early, Fujifilm gathered more industry feedback, gauged reactions to the specs, and refined the camera’s features throughout development
  • the Eterna 55 challenged Fujifilm with its unique design and a completely reworked interface and menus
  • beyond features like open gate, ND filter, and a fan, the key change is a fully redesigned interface tailored to filmmaking, unlike X and GFX cameras
  • since 1934, film and color science have been in Fujifilm’s DNA, with lasting impact on cinema through lenses like Cabrio and Premista
  • the GFX Eterna 55 finally marks Fujifilm’s entry into filmmaking, backed by 90 years of innovation
  • Fujifilm aimed to make the camera attainable for smaller studios and individuals—professional-grade with premium features, yet priced within reach
  • “We see GFX Eterna 55 as the first digital camera dedicated to filmmaking. Our intention is to expand the product offerings available to current and emerging filmmakers“
  • The GFX Eterna 55 is Fujifilm’s first digital filmmaking camera, offering signature color and 10 film simulation 3D-LUTs, with more solutions to follow

Fujifilm GFX Eterna 28

I remember when we first discussed the Fujifilm GFX Eterna here on FujiRumors, many wondered why Fujifilm didn’t just use their excellent APS-C X-Trans sensor: faster readout, less rolling shutter, lower heat, and plenty of other advantages for filmmakers.

Perhaps the comment from a Fujifilm manager about “expanding” their offerings for filmmakers hints at exactly that—a potential APS-C film camera, possibly named Fujifilm X Eterna 28.

Why 28?

The “55” in GFX Eterna 55 refers to the diagonal of the medium format GFX sensor. By the same logic, an APS-C filmmaking camera could be named X Eterna 28, reflecting its 28 mm sensor diagonal.

GET YOURS

RUMOR: Fujifilm X-T30 III Coming in October

The Fujifilm X-T30 III will be announced in October.

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The Best Fujifilm Communities

The Hidden Advantage Nobody Talks About – FUJIFILM 26MP vs 40MP

You all know I’m a big fan of Fujifilm’s 40MP sensor. In fact, when I put together my Fujifilm X-E5 wishlist, I said I’d happily pay more if it came with the 40MP over the 26MP.

But let’s be fair: the 26MP sensor paired with the X Processor 5 – as found in cameras like the Fujifilm X-S20 – is a terrific combination with its own clear advantages.

Advantages of the 26MP Sensor

  • faster sensor readout → and all the benefits that come with it, such as less rolling shutter
  • less battery drain
  • more affordable

For a full breakdown, we’ve already written a comprehensive 26MP vs 40MP Pros & Cons article here.

Today, though, I’d like to highlight something interesting from two articles by Alik Griffin, where he compared files from his Fujifilm X100V (26MP) and X100VI (40MP).

At first glance, you’d assume the main reason to prefer the X100VI would be the higher resolution. But Alik points out something else entirely that makes the 40MP sensor shine. Something that is hardly ever talked about.

Alik noticed:

Resolution

  • on a tripod, the X100VI shows a clear detail boost over the X100V, even at higher apertures—enough to justify an upgrade for tripod work.

The Grain (and Why It Matters More Than You Think)

What really impressed Alik wasn’t just the resolution, but the character of the grain. Here are some of his observations:

  • the X100VI’s smaller, tighter grain is far nicer to work with than the older models
  • the slight resolution boost, combined with the finer grain and better overall fidelity, makes the upgrade worth it
  • nicer grain with cleaner skin tones and clearer colors
  • the X100VI preserves shadow detail better and avoids the color smearing
  • everything looks better—not only at ISO 6400, but even at lower ISOs
  • the X100VI’s grain has a better shape, making it easier to clean up with noise reduction
  • beyond the added detail, the tighter pixel pitch and improved grain deliver noticeably superior image fidelity

Alik has covered the comparison in full with lots of samples at his blog at alikgriffin here and here.

One more thing… there is this myth that more pixels are worst in low light. Top industry insiders and professionals disagree with this statement:

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The Best Fujifilm Communities

Think Great Customer Service Is Dead? Fujifilm Proves Otherwise

A long while ago a reader sent me an article published at The Guardian called “Believe it or not, some companies still put their customers first!”

The article noted that customer satisfaction has fallen to its lowest point in years, yet highlighted a handful of companies that still go the extra mile when it matters most — and Fujifilm was among them.

Here is what a fellow Fujifilm X-T5 shooter from Redditch (UK) had to say about Fujifilm customer service:

“I took a tumble on holiday and broke the screen on my new Fujifilm X-T5 camera. Fuji delivered a post-paid box for me to return the camera so they could assess the repair cost. I was then emailed to say that Fuji had replaced the screen at no cost, and were returning the camera, again at no cost to me. I was expecting major delays and a large bill. Fujifilm have revived my faith in corporates

To be fair, my impression is that Fujifilm’s customer service can vary depending on the region. For example, I consistently hear excellent feedback about Fujifilm UK and several other countries. At the same time, I’ve also received — and shared in past articles — some critical reports from other regions.

That’s why I’d like to open the floor to all of you: let’s collect our experiences with Fujifilm service from around the world. Tell us about the times things went smoothly, and also about the times they didn’t. Hopefully, Fujifilm will take note and use this feedback to raise the bar wherever improvements are needed.

As for me, I’ve had to use Fujifilm service only three times:

In all three cases — two under warranty and one outside of it — I never had to pay anything, and the turnaround was fairly quick.

But now it’s over to you. Share your own stories, good or bad.

And if you’d like to read the original Guardian article that sparked this discussion, you can find it here.

The Best Fujifilm Communities

Skip the Wait: Fujifilm X-E5 with XF23mmF2.8 (+ X100VI) Popping Up Used in Excellent Conditions

While the Fujifilm X-E5 body only got a super-smooth shipping, waiting times for the X-E5 with XF23mmF2.8 kit lens can be quite a bit longer.

Well, if you want the kit now, you might want to check out the X-E5 used departement at BHphoto, where you can find a few kit units available.

And there are also some X100VI and GFX100RF units available used.

Of course there are many more cameras in the used department at BHphoto.