Fringer EF-GFX Pro (v2.0) and NF-GFX (v1.40) Firmware Updates Released

Fringer has released firmware updates for the Fringer EF-GFX Pro and the Fringer NF-GFX.

Firmware Update Details

Fringer EF-GFX Pro – 2025/4/13 – Version 2.0

  1. Added following lenses to the tested and optimized lens list:
    1) Tokina AT-X 16-28 F2.8 PRO FX
    2) Canon EF 600mm f/4L IS III USM
    3) Canon EF 600mm f/4L IS III USM + 1.4X
    4) Canon EF 600mm f/4L IS III USM + 2X
    5) Canon EF 28-70mm f/2.8L USM
    6) Canon EF 70-300mm f/4-5.6 IS USM
    7) SIGMA ZOOM 28-80mm 1:3.5-5.6 II MACRO ASPHERICAL
  2. Issue fixed: Sometimes EF85/1.2L II may be misrecognized as SAMYANG 85/1.2.
  3. Added in-body vignetting and distortion correction profile for the following lenses:

Lens model

Configuration item

default

Canon EF 35mm f/1.4L USM

ForceNativeEF3514L

1

Canon EF 600mm f/4L IS III USM

ForceNativeEF6004LIS3

1

Canon EF 70-300mm f/4-5.6 IS USM

ForceNativeEF70300IS

1

Please download and install the new firmware here.

Main improvements of NF-GFX v1.40 – 2025/4/13 – Version 1.40

  1. Added following lenses to the tested and optimized lens list:
    1) Tokina AT-X 24-70mm f/2.8 PRO FX
    2) Tokina opera 50mm f/1.4 FF
    3) Tokina AT-X 16-28 F2.8 PRO FX
    4) SIGMA 70-200mm f/2.8 DG OS HSM S018
    5) SIGMA 70-200mm f/2.8 DG OS HSM S018 + 1.4X
  2. Added in-body vignetting and distortion correction profile for the following lenses.
    Lens model: Tokina opera 50mm f/1.4 FF
    Configuration item: ForceNativeTokina50140pera

Note: We have fixed the IBIS performance issues when activating in-body correction functions. Now there is no need to turn off the auto corrections for IBIS. But if you prefer to manually set the correction in camera menu, you may still disable the auto corrections. To disable it for individual lens: change the corresponding configuration item’s value to 0.

Please download and install the new firmware here.

Fujifilm Managers Explain GFX100RF Lack of Hybrid Viewfinder, WCL and TCL for GFX100RF, Content Credentials and More

Fujifilm managers talked to DPReview. You can read a summary below and the full interview here.

  • GFX100RF is for street and documentary photography because it is so small and lightweight
  • when they started to design the GFX100RF, they knew the price point already
  • to match that price point it had to be more luxurious than the X100Vi for example
  • so the main plate is milled out of a single block of aluminum, which is top end of manufacturing
  • it allows for more unique design and complex shapes
  • it takes about 5 hours to turn the aluminum block into the top plate
  • Redesigned lens hood with a new adapter ring that only fits one way
  • Rectangular hood attaches easily and aligns perfectly every time
  • rear element of lens is very close to the sensor
  • Fujifilm considered several lenses, but 28mm was best for compactness and image quality
  • allows for handheld shooting with low shutter speeds
  • Fujifilm is currently not thinking at add-on optical lenses like for X100VI
  • depends on customer feedback if wide and teleconverter will be launched
  • aspect ratio dial is a connection between digital and film cameras
  • Fujifilm tries to reach new customers with GFX100RF, and this concept is aimed to that
  • Fujifilm also wanted to offer a tool to change aspect ratio in camera rather than in post
  • a dial was the easiest way to implement aspect ratio control
  • Hybrid Viewfinder?
  • “The hybrid viewfinder’s structure is a little bit complicated, which means the magnification would be much smaller for such a high-resolution camera“
  • “Another reason is the digital teleconverter. If it comes with an OVF, we’d have to cover 20mm of range when using the teleconverter, which would make the guide-lines much smaller. So, from a practical point of view, we decided to install the EVF“
  • Content Credentials Support
  • Fujifilm is still developing and investigating how to implement the CAI and the C2PA
  • it’s unclear if GFX100RF will get this support. Fujifilm says: “If we have to pay to implement it, or if users have to pay… not so many will want it. Then it’ll only be for professional agencies or something“
  • the industry has to come up with a standard

Get Yours

Future Fujinon X Mount Lenses Proposed by Fujifilm (with Suggested Specs) – Vote What Should Be Next

Last year Fujifilm shared a list of 10 X mount lenses that are under consideration.

You guys voted and guess what? Fujifilm delivered (or will deliver soon) your top two most requested lenses.

The first one they gave us was the Fujinon XF500mmF5.6 and the next one will come this year, and it’s the Fujinon XF23mm pancake.

Now there are eight more on the list, and I thought it is high time to launch a new survey with the 8 remaining lenses to see if your wishes have changed also considering that in the meantime we got lenses from third parties like the Tokina atm-x 11-18mm f/2.8, which might change your priorities on what we need from Fujifilm next. Also, maybe the release of super compact cameras like the lovely Fujifilm X-M5 might now increase demand for certain lenses such as compact XC lenses.

So, feel free to vote what you want below.

Also, thanks a lot to Hiergeist for making a chart with approximate size of these potential future lenses based on preliminary details shared by Fujifilm itself, like size, weight and diameter.

You can read the potential specs shared by Fujifilm for all those lenses here.

My personal favorite?

Well, you might know how much I LOVE this lens here, so probably my top pick would be the one lens, that could replace it, such as the XF16-200mm. But let us know yours by voting below.

Which lens should Fujifilm make next? - max. 1 selection

View Results

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Approximate Specs of Potential future lenses

** CLICK HERE to Read the Rest of the Article **

Fujifilm Gear Coming 2025 – Updated List and What’s Missing!

Last year we investigated how much gear Fujifilm launches every year (see list below). The result: between 2 to 4 cameras a year and 4 lenses a year.

So let’s see at which point we are in 2025 so far.

Gear (to be) released in 2025

So we have 4 cameras coming for sure in 2025, which matches Fujifilm’s best years in terms of number of cameras released. And while we can always hope for a 5th camera, it is also possible that in terms of cameras, this is all we get. What is sure: the Fujifilm X-Pro4 will not come in 2025.

If you look at lenses, Fujifilm has pretty much consistently released 4 lenses a year. So far we know of one coming for sure, the Fujinon GF32-90mmF3.5, and one being rumored, the Fujinon XF23mm pancake. If Fujifilm were to match the previous years, then there could be still 2 more lenses coming in 2025.

At this point in time, I have no idea which additional lenses could come, but I hope that maybe sources will reach out to us and give us a hint of what’s to come. And if that happens (and if sources agree), I will share it will all of you here on FujiRumors.

In the meantime, these are the lenses the FR community wants based on Fujifilm’s suggestions, and these are the most wanted lenses based on our own mega survey.

Gear released in 2024 – 4 cameras and 4 lenses

Gear released in 2023 – 2 cameras and 4 lenses

Gear released in 2022 – 3 cameras and 4 lenses

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Fujifilm GFX100RF Fujifilm Manager Interviews and Additional Reviews

The Fujifilm GFX100RF is collecting general praise all over the internet for just how incredibly small and light it is for a medium format camera, and also for its excellent build quality.

But of course they also address the fact that it does not have IBIS.

Now, you can read more about it below, but in general it seems the consensus is that at 1/30th you can still get away with sharp images, but below that it starts to get tricky. That’s according to Luca Petralia (review below) and docma (article in German below) and also to the Vistek video we shared in our live blog. Of course I have not tested it myself (I am just a mere mortal like you and I don’t get anything from Fujifilm unless I pay full price for it), so for now I will just report what reviewers have to say about it.

Out of curiosity I checked the shutter speeds of my last few hundred images, and I found one at 1/33th, one at 1/50th a few at 1/60th and 1/80th but mostly I am well over that. So if the statements of reviewers so far holds true, if I were to use the GFX100RF with my style of shooting I could live very well without IBIS. Of course I have shots at even slower shutter speeds, but for those I used a tripod anyway, as I was working either in blue hour landscape/cityscape or with filters and I needed exposures of multiple seconds.

With that said, here are the reviews I mentioned above as well as a few more, including interviews with Fujifilm managers that while nice to listen at, do not really disclose anything new, hence I did not dedicate them a specific article but I decided to include them in this roundup.

Fujifilm GFX100RF Reviews
& Manager Interviews

** CLICK HERE to Read the Rest of the Article **

DUNE Cinematographer Greig Fraser Tests Fujifilm GFX Eterna

Greig Fraser, cinematographer of the Dune blockbuster movies and author of the highly rated Dune: Exposures book, is apparently already testing a working unit of the upcoming Fujifilm GFX Eterna filmcamera.

We can see that from an story shared by Greig on his Instagram page a few days ago here.

The Fujifilm GFX Eterna will be released this year, along with the first dedicated GF video-centric lens, the Fujinon GF32-90mmF3.5.

Speaking of Dune: Chiabella James, author of the book Dune Part 1 – The Photography took the behind the scenes images of the Dune movie with Fujifilm APS-C gear, as we reported here.

Fujifilm and Hollywood always had a special feeling.

From Avatar to Mission Impossible, from Oppenheimer to Dunkirk and Joker. Fujifilm gear is used at the biggest movie sets of this world.

Not enough? Then Fujifilm…

  • won the world wildlife photography award (story here)
  • made the cover of the TIME magazine (story here)
  • won the World Photography Arts&Culture Award 2015 (story here)
  • won the First Prize of the World Press Photo Category “Stories (stroy here)
  • made the front page of the Wall Street Journal (story here)
  • were good enough for God’s work (story here)
  • captured America’s most hated man (story here)
  • distracted a French presidential candidate during his interview (story here)

Fujinon XF23mm Pancake Lens Coming in 2025 – Renderings and Wishes!

We recently reported that Fujifilm will launch the Fujinon XF23mm pancake lens.

This reminded me of a guest post we shared in the past by Pablo, who made rendering about how such a lens could look like.

I thought that given the rumor, we could re-share his renderings and trigger a discussion about how you guys would like the Fujinon XF23mm to be.

Should it be ultra-mega compact and have an f/2.8 aperture? Or make it a big bigger but give it an f/2 aperture as in the renderings above, making it more of a “muffin-lens” rather than a “pancake-lens”?

As reference, you can see how such a XF23mm muffin-lens version would compare in size to the current Fujinon XF23mmF2 R WR. Too close in size? Better make it even smaller and f/2.8, making it closer in size to the Fujnon XF27mmF2.8 R WR?

Let us now in the comments below.

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Fujifilm GF Lens Savings end Today in USA and EU Deals on X/GFX Gear End Soon

USA Deals – Instant Rebates

The GF lens savings in USA are ending today.

EUROPE Deals – Instant Rebates

There are GF lens savings also in Europe. However, Europe also has X deals. They end March 31.

Note 1: in UK you can buy X-T50 body or any kit, you’ll save £210 if you add XF23mmF2 or XF50mmF2 to you purchase
Note 2: Amazon IT is an authorized retailer, but make sure it is shipped and sold by Amazon. Amazon UK is not authorized. Also Amazon DE is not listed as authorized, but I see the X-T50 deal anyway (so far) at Amazon DE at the same price of authorized dealers

X-T50 + Lenses

GFX Deals

Fujifilm GFX100RF Lack of IBIS Explained – The Problem is NOT the Bigger Camera Body

One of the biggest critiques to the Fujifilm GFX100RF is the lack of IBIS, especially considering that it has a 100 megapixel medium format sensor.

So why has the Fujifilm GFX100RF no IBIS?

Well, that’s exactly what Thomas and Andreas asked the Japanese product managers of Fujifilm when they met them in Prague, who passed them the chart you can see above (video below).

Let’s take a look:

The important lines in the chart are the black diagonal lines. In that chart you can see that in order to get sharp images with for example a 250mm lens, you need to shoot at about 250th of a second.

On the very top (over the red line) we have the telephoto lenses that need OIS.

The purple on the left is the range where you need a tripod.

The yellow part shows where IBIS works best.

On the right we see the range that does not need IBIS and can be shot handheld without IBIS and yet get sharp images, and they marked the 35mmF4 in that range.

So, looking at the chart, I’d say that if you shoot at 1/40th of a second or higher, then IBIS would be of little use anyway.

And maybe in real world, you might be able to squeeze a bit more out of it. Test samples shared at the German fuji-x-forum.de look still sharp at 1/20th. So probably I personally would feel confident to go down to 1/30th, unless I am on my 7th coffee and my hands shake like crazy ;).

Also the leaf shutter helps to get sharper images, because it does not introduce as many vibrations as the mechanical shutter does.

One more tidbit about IBIS discussed in the video:

implementing IBIS would have made the camera bigger, but not that much.

Apparently the increase in body size would still be acceptable for Fujifilm. The problem would have been the lens, as in order to cover the entire sensor plus the area in which the sensor can move due to IBIS, the lens would have become significantly bigger. And since compactness was paramount for Fujifilm when developing the GFX100RF, they decided not to go with IBIS. The body size increase would have still been acceptable, but not the lens size.

And always keep in mind: whatever moves in your frame at very slow shutter speeds will get blurry anyway, as IBIS only compensate for camera shakes.