Fujifilm India: “Using Fujifilm Cameras as a Webcam Possible Soon thanks to Plug-and-Play Firmware Update” and Pro Res RAW Video?

Did you listen to the 1 hour and 36 minutes long Fujifilm India live event with bad audio quality and half of it spoken in Hindi?

Probably not… but I did (you’re welcome) :).

I reported about it here already, when we talked about the Fujinon XF50mm f/1.0.

And trust me, everything else they said, you know already (smaller IBIS, longer shutter life etc).

I don’t want to waste your precious time, so let’s get to the point of the only thing, that was new.

In fact, there was one thing said, 1+ hours into the talk, that I thought deserves a separate article. And it’s the only really new thing of all the event.

When the Fujifilm India product team was asked about the use of Fujifilm cameras as a webcam, one Fuji guy answered (I quote):

Live streaming is getting very popular and of course important during the COVID-19 situation. We all need a camera which you can just plug-and-play.

I can not say about it definitely, but I have heard from the developing team that we are developing something and they are soon going to release a firmware. There will be plug-and-play, and the X series camera will become like a webcam.

Yes, I have heard they are working on it, but I have no confirmation at this moment. But definitely they are doing something. Something is cooking.

Much more vague the answer if there will be Pro Res RAW for video via ATOMOS. Basically a “we know about this demand but we don’t know if it will come“.

Let’s hope that’s correct and more accurate than what another Fuji guy said during the same event, claiming that the X-T4 processor is improved over X-T3, so X-T4 is faster than X-T3.

How to run a Fujifilm camera as a webcam at this point in time?

Well there are two options:

Let’s cross fingers this firmware comes soon!

Oh… and namaste!

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Fujifilm Manager: Fujifilm X-H2, The Problem With Telephoto Primes, GFX MK II and IBIS, Fujifilm X80 vs Compact MILC, Fast Primes & More

Fujifilm UK manger Andreas Georghiades returns to the Fujicast postcast.

It’s an almost 1 hour podcast, and if you are in a hurry and can’t listen it all, I provide a summary of everything the manager says, so you can get it all in under 5 minutes.

The Interview Summed Up

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Camera GP Japan 2020 Awards: Sony Wins Big and Fujifilm GFX100 Grabs the Editors Award

The Fujifilm GFX100 won the Camera GP Japan 2020 Editors Award, said to be the most prestigious camera award in Japan.

Now, I don’t know much about this specific award, but overall I wrote an article in the past about the dubious meaningfulness of such awards. But hey, better to win something than not to win.

It is totally subjective, but personally I rejoice much more when other awards are won, for example when photographers using Fujifilm cameras win hands down at the 2020 Word Press Photo awards.

Think at this:

None of the Fujifilm X shooters creaming off all the top awards at the World Press Photo 2020 used the most powerful camera on the market: an X-Pro2, an X100F, an X-H1 and others. But each of these cameras has its character, its peculiar look and feel, build ergonomically around the different needs of different photographers, and hence the tool many chose, to go out and grab award winning images.

Personally I also prefer to use a camera that fits my shooting style, rather than one with the power of a playstation, as I know I will get better results out of the first one.

This is also the reason, why the Fujifilm GFX100 made me salivate on specs level, but personally (as a guy, who does not make a penny out of his photography) I would not buy one, at least not until it looks like this Fujifilm GFX concept.

When I picked up the Fujifilm GFX100 and tested it, it was the first Fujifilm camera I ever hold in my hands, that I had to spend time just to figure out how to operate it.

You know what I mean?

I mean, give me an X-Pro2, X100V or X-T4, and thanks to their intuitive layout and manual controls, I can shoot right away, without any need of a manual or even setting up anything at the menu.

Specs are nice and good. But esthetics, ergonomics, feel and usability are more inspiring for me than mere specs, and therefore help me to keep my passion, fun and inspiration for photography high and fresh.

With that said, here you get it: the list of Camera JP Japan 2020 winners.

The big winner is Sony.

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Fujifilm Press Release

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Fujifilm X-T4 vs Sony A7III IBIS Comparison, Viltrox EF-FX2 on X-T4, Peak Design Anchor Mount Solution, NP-W235 Battery Analysed & More

Here is a Fujifilm X-T4 roundup. It includes

  • an IBIS performance comparison between the Fujifilm X-T4 and the Sony A7III. Clear win for the Fujifilm X-T4 here
  • Marteen noticed X-T4 lockups, particularly when the vertical grip and external power source is connected
  • Cameralabs X-T4 review
  • a test of the Viltrox EF-FX2 on the X-T4
  • since the Fujifilm GB-001 screw does not really fit on the Fuji X-T4, a solution can be found on the Peak Design Anchor Mount (images below)
  • & More

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→ Top X-T Community: Fujifilm X-T facebook group
→ Top X-T Page: Fujifilm X-T Page

Fujifilm X-T4 Roundup

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Cameralabs Fujifilm X-T4 Review

Gordon from Cameralabs published the full Fujifilm X-T4 review.

I know many of you will probably see this in a hurry on their smartphones, so I will provide the full written summary below.

  • same form factor of X-T3
  • in terms of size, the biggest difference to X-T3 is the thickness, due to IBIS and more powerful battery
  • a bit heavier
  • more comfortable grip hold
  • controls look familiar to X-T3
  • movie mode now has its own switch
  • Fujifilm is gradually understanding the needs of videographers
  • now camera is much easier and practical when switching between stills and video
  • luckily it keeps the D-Pad
  • hard to press Q button accidentally, that’s good
  • articulating screen, a delight for vloggers
  • more rigid eye-cup
  • viewfinder has a boost option for clearer low light view
  • removable SD-card slot great if you work on a cage
  • headphone jack is gone, but you can adapt it via USB-C port
  • new battery is very welcome, rated for 500 shots
  • he exceeded the given battery life, by taking  550 shots using mechanical shutter and IBIS enabled and a few minutes with IBIS stabilized 4K video clips
  • he filmed 3.5 hours clips in 4K 25p with IBIS, with battery expiring 18 minutes and 40 seconds into the 4th clip
  • after the first clip, the X-T4 became very warm, but only became a little bit hotter as the test proceeded
  • at no point it overheated or became uncomfortable to hold
  • total of 109 minutes of 4K25p video on a single charge vs 62 minutes with X-T3
  • X-T4 IBIS is more effective on almost all lenses compared to X-H1
  • X-T4 is slimmer than X-H1
  • on of the best benefits of IBIS is having a stable view while composing your image with non stabilized lenses like the XF16-55mmF2.8, XF56mmF1.2 and XF90mmF2
  • he got sharp results at 1/5th of a second using XF16-55mmF2.8. Without IBIS he could have shot only at 1/80th of a second. That’s 4 stops of compensation (a bit less than what Fujifilm claims, but still great results)
  • IBIS + DIS (digital stabilization) applies 1.1x crop at all video formats, except for 4K@50/60p, where the crop is 1.29x
  • he does not notice any additional advantage using DIS
  • If you use IBIS with Boost mode (best used with static subjects), you see a small improvement over IBIS only. Applies no crop
  • impressive 15 fps mechanical shutter
  • quieter shutter than X-T3. It is incredible silent
  • eye autofocus does a good job, but maybe not quite as sticky as the latest Sony cameras, but certainly now amongst the best out there
  • no animal face/eye detection
  • Eterna bleach bypass is ideal for stylized video
  • annoying: the large color array (where you select your color temperature) can be navigated only with D-Pad (no joystick). It would have been better if one could use the joystick for faster selection
  • images have plenty of detail, but it’s the colors and tones that continue to be a highlight of owning an X series camera
  • X-T4 will be one of the last, if not the last model to use the X-Trans IV sensor
  • recording times: 30 minutes at 4K/30p and 20 minutes at 4K/50-60p
  • X-T4 support ExFAT (does not split longer video files in multiple clips)
  • ETERNA is a great allround use film simulation for video
  • during panning IBIS is easy to catching up on itself, delivering some jarring stumbling effect. To be fair, this effects also many other stabilized systems, but it is something to be aware of
  • walking while filming is more successful (compared to panning)
  • autofocus while filming is OK, but with occasional hunting or overshooting, and lacks the ultimate confidence of Sony and Canon latest systems
  • might not be the best in class AF in video, but it is still pretty good
  • overall the X-T4 is a compelling high-end option for vloggers
  • having 24o fps slow motion is rather impressive, when most rivals top out at 100 or 120 fps.
  • 240 fps footage looks softer than 120 fps. Horizontal resolution is essential the same, but dramatic reduction in vertical resolution
  • Fujifilm Japan confirmed to him, that 200/240 fps use only about half of the vertical data
  • this is not an unusual technique, as lots of other cameras do the same at higher frame rates. Actually, few rivals even offer more than just about half of 240 fps
  • 4K/60p quality is as good as his full frame 4K in his resolution tests.
  • 4K/60p maintains sound
  • Fujifilm says the X-H line will continue
  • Gordon suspects the X-T4 will be the last body to use X-Trans IV sensor. But the X-Trans IV sensor is only 1.5 years old and delivers great results
  • the 6×6 X-Trans filter array makes it hard to implement pixel shift than the 2×2 Bayer pattern (which is what the GFX100 will get)
  • high end APS-C cost about the same of mid-range/budget full frame bodies. The Canon EOS RP costs less (even with lens) and the Canon R costs the same. But neither of those full frame cameras has IBIS, dual SD-Card slot nor 4K/60p video
  • Nikon Z6 and Sony A7III (no 4K/60) are priced a little bit higher, but still within reach of the X-T4
  • Personally Gordon would not trade a bigger sensor for the overall feature set of the X-T4 at least at this price point
  • Fujifilm enhanced a popular mode without compromising its charm
  • arguably the best crop sensor camera to date

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→ Top X-T Community: Fujifilm X-T facebook group
→ Top X-T Page: Fujifilm X-T Page

Understanding Fujifilm Firmware Updates, FujiRumors Top 3 Firmware Wishes and Share Your Firmware Wishes with Fujifilm

Fujifilm USA uploaded a video called “Understanding Fujifilm Firmware Updates” (video below).

Before going on and showing you, how to update your firmware, Fujifilm manager Michael Bulbenko says:

  • sometimes cameras and lenses can have minor bugs in it that can be solved via firmware
  • sometimes it is not about fixing bugs, but about making your camera better, faster, new features, etc.
  • Fujifilm is well known for providing firmware updates to products that are end of life and discontinued, in order to still improve their performance
  • those updates are free of charge

Wait, is this it some sort of subliminal and hidden message?

I mean, a video, where a manager reminds us that Fujifilm does update older gear with new features, and the Fujifilm manager holds a nice Fujifilm X-T3 in his hands. Is he trying to tell us, that the rumored Fujifilm X-T3 Kaizen update is about to come?

Anyway, this post is a good opportunity to let Fujifilm know your firmware wishes in the comments.

A simple wish from my side? Well, I expressed them in this old post already, but I will repreat them here, in case Fujifilm did not hear me the first time:

  1. Keep Self-Timer Enabled
  2. Ability to change color of the focus frame
  3. Addition of RAW files to Auto Mode

If you want to read more in depth what I mean, and why I picked these 3, check out this post.

And what about you?

Fujifilm X-T4: First Bug Reports (Menu and IBIS) and Wishlist

Many FujiRumors readers are getting their long awaited Fujifilm X-T4 in these days. As a consequence, I also already get the first firmware suggestions and possible bug reports.

by Gerald & Richard

Loving the X-T4 but why the regression in the Q menu so custom simulation names aren’t shown?

the Q menu custom items can’t be renamed as it is possible on X-T3

So, even if you set the custom names, they will not appear in the display when pressing the Q button (as they do on X-T3 & Co).

Ok Fuji, I want a firmware fix before I even get my X-T4 ;).

by Albert (video below)

Just thought i would share my findings about the IBIS in the X-T4. Fingers crossed they release a firmware update for this.

by Kirill

I just got my pre-ordered X-T4 several days ago. After setting it up similarly to what I had on my previous X-T3, I came up a couple of ideas for even greater customization:

Drive dial in video
Currently, the DRIVE dial only controls camera behavior in STILL mode. Why not propagate it into MOVIE mode, as well? I suggest that each DRIVE setting activate a dedicated video profile. Just a few (potentially predefined, but modifiable) example profiles:

    1. HDR mode
      Activates the F-Log video recording.
    2. CL mode
      Activates 120 fps  slo-mo recording.
    3. CH mode
      Activates 240 fps slo-mo recording.

Dedicated Fn-button customization for STILL and MOVIE modes.
This could further improve the (already almost perfect) camera usability. As an example, the Fn1 button can be customized for triggering different actions, depending on currently selected recording mode:

    1. STILL mode
      Turns depth-of-field preview on and off.
    2. MOVIE mode
      Turns zebras on and off.

I’ve read several times that Fujifilm executives may follow your blog and listen to customer feedback. Maybe, there is a (albeit small) chance that these thoughts can materialize?

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→ Top X-T Community: Fujifilm X-T facebook group
→ Top X-T Page: Fujifilm X-T Page

Fujifilm X-T4 LUT Now Available with Bleach Bypass Film Simulation LUT

A few days ago, Fujifilm has released the Fujifilm LUT v.1.30 for F-Log. Now also the Fujifilm X-T4 is listed.

Fujifilm added F-log to Bleach Bypass film simulation LUT and it can be used on F-log footage from all other Fujifilm cameras.

Overview

This LUT file is to edit the movie data below when the data is edited by a movie editor on your PC or Mac.

*4K movie data of X-T2 recorded in external HDMI devices with the mode of the “HDMI F-Log” under the “4K MOVIE OUTPUT” in the “MOVIE SETTING”
*4K and Full HD movie data of GFX100, X-T30, X-T3 , X-T4 ,X-Pro3, X-H1 and X100V recorded on SD cards or in external HDMI devices with the mode of the “F-Log RECORDING” in the “MOVIE SETTING”

F-Log 3D-LUT file (Last updated: 4.23.2020)

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via fujifilm

Review of TTArtisan 11mm F2.8: a Fisheye for your Fujifilm X and GFX

Hi, I’m Nathan.

I’ve written here before. I’m a still life advertising and event photographer based in Japan. I do weddings, embassy powwows, corporate events, audiophile meet-ups, and shoot everything from jewellery to headphones. If you want to see, read, or listen to my opinions on lenses, cameras, and audio doo-dads, by all means hit me up at my blog: ohm image, and my YouTube channel: Fauxtaku Lounge.

Disclaimer: TT Artisans sent this lens to me for the purposes of review both here and at YouTube. I paid nothing for it. It goes for 255$ USD and can be found here. Many thanks TT Artisans for the opportunity.

The video portion of this review along with a different selection of photos and short videos can be seen in this video: TTArtisans 11mm f2.8 fisheye on Leica M10 Fujifilm X-T3 and GFX

Let’s clear the air: I’ve never before used a fisheye lens. In fact, so lost and daunted was I by the prospect of using one that time and time again I delayed publishing this review. Prior to it arriving I boned up on how to shoot a fisheye lens. Hints came from the general internet as well as from the comments section of Fauxtaku Lounge. I’m still not confident that the examples I shot really get the picture across, but I hope I’ve learned a thing or two and that this review will help someone. Thanks to everyone for the advice and help.

Whatever the limits of my abilities, the fun-factor of using a fisheye is unlimited. This bad boy covers 180º, with a bright 2,8 maximum aperture. Talk about fun. I’m sure loads of you out there know what it’s like to shoot fisheye lenses. Move a little and the entire frame changes. Sag a shoulder slightly and the horizon bolts down. Because it covers 180º and does the bulbous fisheye thing, you have to remember a few things:

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World Press Photo Camera Brand Statistics: Fujifilm Grabs the Top Awards, Canon Most Represented but DSLR Declining

We just reported, how Fujifilm X shooters just grabbed the top winning awards at the World Press Photo Award.

Now the Spanish site photolari made its usual World Press Photo statistic, where they sum up all the winners by brand.

Canon is still the most represented, but Fujifilm X shooters are those, who won the most prestigious awards.

FujiRumors has listed all winning cameras for each category in this post here.

Down below you can see all the stats, also compared to previous years. From 2017 to 2020, DSLR passed from 88.8% to 64.3%, and in the same period, mirrorless grew from 5.55% to 23.7%.

Overall there were 45 images awarded (1st, 2nd and 3rd place) for 8 categories. FujiRumors has listed them all here.

Again, the two most prestigious overall awards went to Fujifilm X Shooters ;).

Camera Brand Charts

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