Matt Granger tested the Fujinon XF200mmF2 and he considers it a great lens. And even though $6,000 sounds much (and it is much), he thinks that the lens is worth the money, if we consider its performance.
And not only Matt is blown away. Check out more down below.
Keep in mind that this is not only a comparison between X-Trans and Bayer, but also a comparison between different processing engines.
I did the test, and my score is 1 to 5 for X-Trans. Only for 1 case I could not see a significant difference, in all other cases I went straight for X-Trans.
To my taste, the color rendition of the Fujifilm X-T100 was in some cases a bit exaggerated and less natural, for example in the cloudy sky or the rusty chain. Also, in my eyes, on the X-T20 green/yellow leaves overall looked more natural and less plasticky.
Maybe that’s due to the more aggressive processing applied by the processor used in Fuji’s Bayer cameras, which is something we have analyzed already back in 2013 here, when we compared the Bayer X-A1 to the X-Trans X-M1.
The XF16mmF2.8 is a bit bigger than the XF18mmF2 and a bit smaller than the XF35mmF2.
The comparison is based on the images I took and what I have seen with my own eyes at the Photokina Fujifilm booth.
Of course this can’t be super-accurate, but I’d say it’s 85+% close to perfection. Keep in mind, though, that the size of the XF16mmF2.8 mockup I have seen at photokina might change until the final lens is released sometimes in 2019.
Mirrorlessrumors received the first images and specs of the 7Artisan 60mm f/2.8 1:1: Macro lens.
It will be available for Fujifilm X mirrorless APS-C cameras as well as Sony E, EOS-M and MFT mount.
First sample image at the bottom of this article.
Mirrorlessrumors notes that the description contains an error when describing the lens construction, since this is a screenshot from a beta page that is still under construction and mistakes will be fixed.
I have been contacted by an anonymous source, who told FujiRumors that Samyang/Rokinon does plan autofocus lenses for Fujifilm X mount and that they might come as soon as 2019.
I am a proud owner of the Fuji X-mount Samyang 12mmF2 lens, my go-to lens for astrophotography, and I can’t recommend this lens enough to every X-shooter. So I am definitely looking forward to these rumored Samyang autofocus lenses.
The Samyang/Rokinon autofocus lens for Fujifilm would not be the first third party lens with autofocus support for Fujifilm.
Since this rumor comes from an anoymous source (thanks for sharing), take it with a grain of salt for now. But consider that also my very best sources started (and often still are) anonymous sources, who use a nick name.
First of all, thank to everybody, who shares rumors 100% anonymously using the rumor box. If you’d use a nick-name when sharing, it would be incredible helpful for me. But if you prefer not to, that’s fine, too.
With that said, here is how I handle anonymous rumors.
Honestly, if I would share every fake rumors I get, I’d have at least 1 or 2 rumors to share a day.
But I prefer to keep my rumor-filter pretty strict, since FujiRumors shares about 100 rumors a year with almost 100% hit rate, and I would like to keep it that way.
Personally I have tried to find a balance between taking some risks and keeping a high accuracy, but you guys can tell me if you want me just to share everything I get, apply a preliminary filter at my discretion or share only trusted rumors. Vote the poll below.
Tony Northrup launched a poll, where people voted which images they considered had the best colors.
He starts off analysing, if we just think a certain camera has the best colors because of brand loyalty.
So what he did is the following: sometimes he labeled pictures with numbers, and sometimes he put the fake brand names on the same images that don’t even match up to the pictures.
The results:
Canon has the highest brand loyalty. Canon users picked an image 3.1 times more likely if marked with “Canon” than with a number, even though it was not a Canon image
Sony 2.2x
Nikon 1.5x
Fujifilm 1.4x – the lowest brand loyalty. Tony says “maybe Fujifilm users are the most rational people“
92% of people picked a different image when numbered or marked with brand name, showing that there was no consistency.
Interestingly, the most popular image when it was numbered (the Nr.1) suddenly became the least popular, when Tony wrote “Fujifilm” on it, even though it was exactly the same picture. It seems there is a lot of hate for Fujifilm by Sony, Canon and Nikon users out there.
Tony speculates that this is because Fujifilm users tend to be the meanest of all and can be very hostile, and kind of give “the whole brand a bad name“.
On the contrary, Fujifilm users downvoted only Sony, and not Canon and Nikon, which tells us about the brand rivalry.
Then back to the colors. He says “fake colors” are ok. People don’t upvote the most realistic colors, which is normal. In one example, the Nikon got the colors completely wrong, much to warm, and people voted it the best.
Color science is overblown, because if you see pictures individually, they are just fine. But photographers tend to compare.
White balance is more important than color science. When he adjusted white balance in post, results where much more balanced.
Tony says he adjusts colors in post anyway, so he never really cared much about “color science”.
The results for the best colors:
Sony (1,336)
Fujifilm (227)
Nikon (-518)
Canon (-605)
Read also
fujirumors.com – Sony A9 Vs. Fujifilm X-T2: Who Has Better Colors?
fujirumors.com – Fujifilm X-T2 vs Nikon D500 Shootout: Fujifilm X-T2 Wins Overall… and The Fuji Colors Rock Again (at Least For Me)
fujirumors.com – The Great JPEG Shootout by TheCameraStoreTV
NOTE – Film Simulations Anyone?
I hope I will not pass for hostile and mean if I point this out, but what about film simulations?
Fujifilm is renown and loved for its color science, not because they created the universal profile that is best for everything, but because they offer the film simulations, which are created to give the best results in different shooting situations or to create a certain mood. Velvia for landscapes, Astia for skin tones, Acros for black and white, Classic Chrome for a vintage touch and when the story should stand out more than the colors, Sepia for nothing ;) etc…
And while I get the point that you can change colors in post, if the camera itself offers you a great starting point, then you simply have less work to do in post, which can save you a lot of time. We should not underestimate the value of passing less time on the computer editing images ;).
A little weekend X curiosity. Fujifilm X-Shooter Alexander recorded with a Rode VideoMicro the focusing sound of the following lenses. Check out the video above.
Over 7,000 FujiRumors readers already voted which older Fujinon lens Fujifilm should update next. And on the list of improvements, there is definitely a more quite focusing motor on some lenses. Check out the results here.
So based on the images I took and what I have seen with my own eyes at the Photokina Fujifilm booth, I try to give you a visual representation of how Fuji’s 50mm equivalent trinity compares side by side mounted on a Fujifilm X-T3.
Of course this can’t be super-accurate, and I’d say it’s 85+% close to perfection. However, the Fujinon XF 33mm F1.0 will hit the market in 2020, and until there, the final size can change.
In an earlier post on FujiRumors, we launched a huge poll, asking you guys if you consider the Fujinon XF33mmF1.0 is too big for you. 7,500 people voted already, and you can check the results here.
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