Fujifilm X-T3 Bug Fix Firmware 1.02 Released

Fujifilm X-T3

Fujifilm just released Fujifilm X-T3 firmware ver. 1.02. It fixed the following bug:

  • Fix of symptom that the buttons cannot be used in histogram or sports finder modes
  • Fix of symptom that RAW image cannot be recorded normally
  • Fix of slight defects

You can download Fuji X-T3 firmware 1.02 at this link.

Fujifilm did promise another firmware update within 2018, that will bring hybrid log gamma to Fujifilm X-T3.

However, it was my pleasure to leak what Fujifilm did not tell you: also exFAT file format will come to Fujifilm X-T3, which removes the 4GB file size limit.

Trust me ;).

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Fujifilm X-T3 Sensor: Can Fujifilm Unlock Full 16 Bit Sensor Power via Firmware Update or Maybe Come to Fujifilm X-H2?

Fujifilm Sony Sensors

We recently reported here, that Sony officially listed the IMX571 26MP Fujifilm X-T3 and the IMX461 100 MP Fujifilm GFX100 sensors on their page.

Now these sensors are also listed at framos.com, and it gives us a few more details:

FUJIFILM X-T3

If you check out the X-T3 sensor details (table below), you will see that Sony’s 26 megapixel sensor has a bit depth that can go up to 16. The Fujifilm X-T3, though, shoots at 14 bit in regular mode and I hear 12 bit in sports mode.

It looks like Fujifilm did not/not yet enable 16bit readout mode, and went for 14 bit instead, because they prioritize speed over image quality.

In fact, 14 bit files are significantly faster to read out than 16 bit files, which, on the other hand, offer lower noise than 14bit.

Now, this is not a rumor, not at this stage… but…

… but I wonder if Fujifilm could enabled 16 bit a later stage via a firmware update, and maybe even give us the option to select between 14 bit for ultimate speed or 16 bit for ultimate image quality.

Anyway, Framos writes:

“The IMX571BQR-C is a diagonal 28.3 mm (Type 1.8) CMOS active pixel type image sensor with a square pixel array and 26.11 M effective pixels. This sensor incorporates maximum 36 dB PGA circuit and 16-bit A/D converter. 16-bit digital output makes it possible to readout the signals of 26.11 M effective pixels at high-speed of 6.84 frame/s in still picture mode. In addition, it realizes 12-bit digital output for high-speed 4K moving picture by window readout mode. This sensor is designed for use in consumer cameras. Please consult your imaging experts at FRAMOS if you have any questions.”

See the Fuji X-T3 sensor details at framos here.

Fujifilm X-H2

Fuji Guy Billy already said here, that the 25% better heat dissipation of the Fujifilm X-H1 body over the X-T2 body, allows them to run the X-Processor Pro faster in the X-H1 than on the X-T2.

I guess the same will be valid for the Fujifilm X-H2, and hence it will be able to squeeze even more power out of the brand new Fujifilm X Processor 4.

I wonder if that would make it easier for Fujifilm to offer 16 bit on the X-H2.

Fujifilm GFX100

Framos.com also shares the details of the Fujifilm GFX 100 sensor, the IMX461. They write:

“The IMX461AQR-C is a diagonal 55 mm (Type 3.4) CMOS active pixel type image sensor with a square pixel array and 102 M effective pixels. This IC incorporates maximum 36 dB PGA circuit and 16-bit A/D converter. 16-bit digital output makes it possible to readout the signals of 102 M effective pixels at high-speed of 2.7 frame/s in still picture mode. In addition, vertical subsampling binning and 3-horizontal pixel weighted binning realize high-speed 12-bit digital output for shooting moving pictures.

See the Fuji GFX100 sensor details at framos here.

Technical Tables

** CLICK HERE to Read the Rest of the Article **

Fujifilm Manager at PhotoPlus: “We Expect Fujifilm GFX 100 to Cost About $9,995. Fujifilm X-T3 Sales are On Fire!”

Fuji GFX100

Cameta Camera interviewed Brandon from Fujifilm about the Fujifilm X-T3 and the Fujifilm GFX100. You can see both videos below.

Here is what Brandon says:

Fujifilm GFX100

  • Brandon expect the Fujifilm GFX100 to cost about $9,995, so just under $10,000
  • Fujifilm invested millions in the new processor, which allows fast autofocus on the X-T3, and the Fujifilm GFX100 will have the same processor
  • the market for 100MP cameras will expload with the Fujifilm GFX100

Fujifilm X-T3

  • it’s an excellent seller. About 1 month after release, sales are just on fire

Fujinon Roadmap lenses

  • XF16-80mmF4: it’s not a replacement for the current kit lens, just an addition. Price will be very attractive
  • XF33mmF1.0: an exciting lens


FR-Reader Images from Photoplus

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Fujifilm X-T3 vs Sony A7III vs Canon EOS R vs Nikon Z7 Video Quality Comparison by Max Yuryev

Video Quality Comparison

Max Yuryev compared the 4K, 1080p and slow motion video quality between the Fujifilm X-T3, Sony A7III, Canon EOS R, Nikon Z7 and Blackmagic Pocket 4K. Check out the video above.

The results:

4K Video:

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Awesome Fujifilm X-T3 vs X-T2 Comparison by Mirrorlessons. No Purple Flare and Wait for Fujifilm X-H2 “Sometime Next Year”?

Fujifilm X-T3 vs Fujifilm X-T2

Mathieu and Heather from Mirrorlessons have just published the complete Fujifilm X-T2 vs X-T3 comparison, and it’s arguably one of the very best you can right now find on the web.

Here are some key points:

BUILD QUALITY

  • X-T3 survived 90 minutes in the heavy rain photographing a soccer game
  • Refined sub-dials and command dials make them more comfortable to turn
  • More customization possibilities on X-T3 command dials

TOUCH SCREEN

  • X-T3 touch screen a bit slow and lacking responsiveness

POST PROCESSING

  • Capture One and Iridient render X-T3 files still better than Lightroom
  • Lightroom – unlike Capture One – adds lots of magenta shift by default to the X-T3 file to display the colours correctly (+65 which is very unusual). Perhaps it is a bug that will be fixed with the next update

IMAGE QUALITY and FILM SIMULATIONS

  • RAW Shadow recovery: both cameras perform well but the X-T3 file has less noise. The X-T2 exhibits some red colour cast
  • RAW Highlights recovery: X-T2 surprisingly retains a little more information
  • JPEG: The two cameras behave in a similar way including how they preserve highlights. The only small difference is that the X-T3 shows more noise in the dark areas but also more sharpness. This means there is less noise reduction applied than on the X-T2
  • Both cameras perform the same up to 12800 ISO, with perhaps slightly more noise in the X-T3 files but you really need to pixel-peep to see it
  • JPEG: more pronounced colour shift on the X-T2 the more you add noise reduction
  • SKIN TONES: With a manual kelvin temperature, both cameras shift towards a green tint but it is more contained on the X-T3.
  • White balance: the X-T3 produces a marginally cooler result for outdoor shots
  • Subtle changes in some film simulations

PURPLE FLARE and GRID ARTIFACTS

  • X-T3 doesn’t suffer at all from purple flare and grid artifacts

AUTOFOCUS

  • X-T3 autofocus breaths new life into older lenses
  • X-T3 much improved face and eye detection that rarely fail even in low-light environments
  • Car rally: the X-T3 only delivered 3 completely out of focus shots out of more than 200
  • Soccer: X-T3 has about the hit rate of the X-T2
  • Birds photography: keeper rate of 60/70%, or 85/90% if he includes slightly soft results. But when the bird flew closer, the AF was usually reactive enough to keep the subject in focus. Normally in this specific situation, the change in focus distance is too big and the action happens too fast for most mirrorless cameras to cope, but the X-T3 did better than most and proved to be capable of matching products such as the Sony A9 or Nikon D500

SPORTS MODE BUG

  • When using the camera in crop mode (Sports Finder or electronic shutter), some RAW files are not written correctly and end up with a vertical black band, making the photo unusable. The percentage is low (around 10 shots on more than 200). Maybe something Fuji can fix with a firmware update because it doesn’t happen when using the full sensor area

VIDEO

  • X-T3 less rolling shutter
  • X-T3 uses face and eye detection in 4K, the X-T2 only in 1080p
  • X-T3 superior video specs

FUJIFILM X-H2

  • The elephant in the room is called Fujifilm X-H2, which mirrorlessons thinks could be out “sometime next year” and they say it could be worth to wait a bit longer to get the superior ergonomics and IBIS of the Fuji X-H2.

Do make sure to head over at mirrorlesscomparison here and read the whole in-depth comparison. It’s definitely worth your time.

And if you are interested, we have launched a few polls regarding the Fuji XH2 as well as a timeline on when we can expect the Fujifilm X-H2, Fujifilm X-T4, Fujifilm X-T30, Fujifilm X-Pro3, Fujifilm X200 and Fujifilm X-E4.

  • POLL 1: Are you waiting for X-H2 to upgrade/switch or did you get the Fujifilm X-T3 already?
  • POLL 2: If the Fujifilm X-T3 had IBIS, would you prefer it over the Fujifilm X-H2?
  • TIMELINE: Fujifilm X Camera replacement timeline from 2011 to 2018 and what this could mean for X-H2, X-T4, X-T30, X-Pro3, X-E4, X200

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Ninja Fujifilm X-H1 Shutter Sound vs Fujifilm X-T3, X-T2, X-T20, X-Pro2 and Vote Your Favorite

Fujifilm Orchestra

The video above compares the shutter sound of the Fujifilm X-T3, Fujifilm X-H1, Fujifilm X-Pro2, Fujifilm X-T2 and Fujifilm X-T20.

The Fujifilm X-H1 is the by far most quite of all, and one of the main reasons why this camera is very loved especially amongst wedding photographers.

Down below you can find a survey, where you can vote your favorite shutter sound.

FOLLOW and JOIN:

Fujifilm X-T3: BHphoto, AmazonUS, Adorama, Focuscamera
Fujifilm X-H1: BHphoto, AmazonUS, Adorama, Focuscamera
Fujifilm X-T2: BHphoto, AmazonUS, Adorama, Focuscamera
Fujifilm X-Pro2: BHphoto, AmazonUS, Adorama, FocusCamera
Fujifilm X-T20: BHphoto, Adorama, AmazonUS, FocusCamera

I prefer the shutter sound of...

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DPReview Fujifilm X-T3 Review: “Arguably the Best Stills/Video Camera on the Market Right Now” – GOLD AWARD

Fujifilm X-T3 Review

DRPeview just published their full Fujifilm X-T3 review, and it snaps the gold award with an overall score of 88% (the Sony A7III has an overall score of 89%).

It easily beats the Sony A6500, autofocus is improved a lot, although eye AF on Sony is still better. The Nikon D500 would still be their favorite choice for sports photography, but overall the Fujifilm X-T3 is the better choice.

Compared to the Sony A7III they say:

“Putting up more fierce competition is the Sony a7 III which, for a few hundred dollars more, offers the step up in image quality that full-frame can bring, as well as in-body image stabilization and a larger grip. The X-T3 is arguably nicer to shoot and actually out-performs the 8-bit video of the Sony but it can’t compete with its image quality or fully match the Sony’s AF performance. However, the Fujifilm is less expensive and smaller, especially if you factor in the lenses you might want, so it depends on your priorities.”

What we like What we don’t
  • Excellent stills image quality in both JPEG and Raw
  • Impressive 10-bit 4K video capture
  • Traditional dial-based controls with good level of customization
  • Fast, configurable autofocus
  • Rapid shooting with decent buffer
  • Option for separate stills and video exposure settings
  • Effective eye detection system (though not up to Sony Eye AF standard)
  • Eterna color mode great if you don’t want to have to grade your footage
  • 10-bit Log capture (even at 60p) great if you do
  • Includes both headphone and mic sockets
  • Bluetooth makes connecting to a phone easier
  • Viewfinder nicely detailed
  • Dual-hinged screen is highly versatile
  • USB charging is convenient
  • Slightly higher noise levels at very high ISOs than its predecessor
  • Some lenses can’t take full advantage of X-T3’s AF speeds
  • Very quick to drop to a slower, darker preview mode (presumably to save battery)
  • A tripod or gimbal is needed to get the best of the camera’s video
  • No way to quickly toggle Face Detection
  • No non-face subject tracking in video

Check out the full review at dpreview here.

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Photons to Photos: Special Edition Chart for Fujifilm X-T3 Dynamic Range Test Electronic vs Mechanical Shutter

Fujifilm X-T3 Dynamic Range

Photons to Photos just published a special edition Fujifilm X-T3 photographic dynamic range (PDR), where you can compare various Fujifilm X-T3 bit depths. You can manipulate the data here. Data in tabular form is below.

For the regular edition Photographic Dynamic Range chart click here.

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Mirrorless Sports Shootout: Tony Northrup Compares Fujifilm X-T3, Canon EOS R, Nikon Z7, Sony A7III, Sony A7RIII, Sony A9

Mirrorless Sports Shootout

Which one is the best mirrorless camera for sports between the Fujifilm X-T3, Canon EOS R, Nikon Z7, Sony A7 III, Sony A7R III and Sony A9?

Tony Northrup tries to answer this in his latest review, and here is what he concludes, from the best to the worst.

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1) Sony A9 – WINNER

  • 20 fps and with some lenses (such as the Sony GM 400mm F2.8) it can achieve 20 sharp images
  • no blackout
  • it’s very expenisve, so Tony would push people to Fujifilm X-T3, because it is so much cheaper and a great all around camera

2) Fujifilm X-T3 (with XF50-140) – 2nd PLACE

  • Tony’s favorite camera to use overall
  • 30 fps with no EVF blackout, but tacking tends to slow down to about 12 fps and only an average of 8.5 are in focus
  • tacking side to side is only OK, like the Sony
  • better than Sony A7III and A7rIII
  • APS-C, less DOF and more noise. He says Fujifilm can fix both this by releasing fast lenses (such as the XF200mmF2, which is full frame equivalent 300/2.8 [I add also the XF33mmF1.0]
  • amazing video camera

3) Sony A7R III

  • Very close to A7III
  • more megapixel allow you to crop more
  • workable subject tracking, but not very reliable

4) Sony A7 III

  • dual SD-card slot, but one is only USH-I, which does makes buffer slow
  • whole camera locks up while writing to buffer
  • 5.2 sharp images out of 8
  • better selection of native glass than Canon EOS R and Nikon Z7
  • 8fps on paper, but only 5 in focus on average
  • Sony is not well known for good weather sealing

5) Nikon Z7

  • effective 4 fps, but only 60% in focus, hence about same performance to Canon EOS R
  • impracticable user interface
  • stick with your D500 or D850, where AF works better
  • single SD-card slot

6) Canon EOS R

  • the worst
  • only 2.5 shots in focus
  • slow but accurate
  • no jostick
  • single card slot
  • you can adapt lots of long Canon glass, but focus is not as fast as when used on DSLR

Check out the full video at Tony & Chelsea Northrup Youtube

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Fujifilm X-T3 is a Phenomenal Video Camera Say DPReview and Max Yuryev

DPReview

DPReview tested the Fujifilm X-T3 capabilities and concludes that the X-T3 “lives ip to its impressive specifications“. You can check out their video related review here. Their key points:

  • stunning video that lives up to X-T3 impressive specifications
  • Zebras and magnification during shooting make it easier to capture footage
  • Video works well enough to be usable for all but the most critical work
  • Lack of in-body stabilization makes it a tripod or gimbal camera
  • Video AF: generally holding focus steady unless it finds itself with nothing it can focus on. With a little tuning we generally found we could get the result we wanted for a range of different shooting situations
  • The Movie Silent Control mode, while fiddly to use, makes the X-T3 one of the most pleasant cameras for shooting both stills and video on
  • The X-T3’s 4K appears a little more detailed than the 4K output of the Sony A7 III. 1080p output isn’t as impressive, though it’s more detailed than the A7 III’s footage. This advantage is maintained into the 120 fps mode

DPReview also allows you to compare the video stills studio test. Check it out here.

Max Yuryev

Max Yuryev says the Fujifilm X-T3 a phenomenal camera for video shooters. Some key points of the video we share below (or see directly on youtube here):

  • it’s handsome
  • kit lens feels so solid, very good performer
  • tally light when filming, so you know when it’s recording
  • eye detection during video is very impressive feature
  • so many video options
  • H265 codec needs lots of CPU power when editing on computer
  • a big step above X-T2 in almost every way
  • battery life not the best
  • no IBIS

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