According to trusted information we have received, the Fujifilm X-H2 will have 13 stops of video dynamic range.
The Fujifilm X-H2S is better in this regard, as it offers 14+ stops of video dynamic range.
When it comes to stills, we confirm that Fujifilm will market the X-H2 as having improved low/high ISO performance. We remind you that the base ISO of the X-H2 will be ISO125.
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Now, we already told you 1+ years ago, back in April 2021, that the Fujifilm X-H2 will shoot 8K video.
We can now tell you that it will shoot a maximum of 8K/30p.
If I am not wrong, the only mirroless camera that can shoot 8K/60p is the Nikon Z9. [update: as I have been informed in the comments, also Canon EOS R5c can shoot 8K60p]
We remind you that we already know the price of the Fujifilm X-H2, that FujiRumors has leaked here.
As a reference to other 8K cameras:
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The Fujifilm X-H2S snapped the Gold Award at DPReview. Here are their Pros and Cons from their X-H2S review
What we like
According to trusted information we have received, the Fujifilm X-H2 fastest electronic shutter will be 1/180,000 sec.
The current fastest electronic shutter available on Fujifilm cameras is 1/32,000 sec.
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Fujifilm has released a new firmware for the brand new Fujiiflm X-H2S.
You can find all the details and download link below.
We reported in the past that the Fujifilm X-H2 will have a new lower native ISO.
We can now say with certainty that the new native lowest ISO value will be ISO125.
I have spoken!
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It looks like they finally figured it out!
Fujifilm is, for the first time ever, going to make pixel shift work on X-Trans cameras.
In fact, we hear from trusted sources that the 40MP Fujifilm X-H2 to be announced on September 8 at 2PM New York time will offer pixel shift multishot.
With pixel shift, the Fujifilm X-H2 will take 160 megapixel images.
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DPRTV published its review of the Fujifilm X-H2S (production model with final firmware).
As to expect, lots of the things they complaint about in their pre-production review were completely fixed and improved.
Here is the summary:
When I shared the rumor that the Fujifilm X-T5 won’t be announced during the X Summit on September 8, there was understandably quite some disappointment and some of you guys waiting for the X-T5 seem to have mostly lost any interest in the September X Summit event.
And while I can relate to that (I am also much more interested about the X-T5 rather than the X-H2), you should keep in mind that while September 8th will be mainly an event for the Fujifilm X-H2, we will learn a lot also about the Fujifilm X-T5!
Why?
Well, because according to our information, Fujifilm will not offer any stacked sensor Fujifilm X-T5S, but they will offer a 40MP Fujifilm X-T5.
And since the Fujifilm X-T5 will share the same sensor and processor of the Fujifilm X-H2, the X-T5 will perform identically to the X-H2 in many crucial areas such as:
But of course, there will (or could) also be differences between X-H2 and X-T5:
Unclear at this point:
So even for people potentially interested in the Fujifilm X-T5, watching close at the performance of the Fujifilm X-H2 will be very important as it will unveil a lot about the performance of the X-T5 itself.
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CineD and Gerald Undone recently published a video where they talk about how they make their lab tests.
It’s a one hour video I invite you to look in its entirety.
What I will highlight are 6 minutes towards the end of the video where they talk about the excellent test results of the Fujifilm X-H2S (starts minute 48:35).
They talk about how different and pleasing noise actually looks on the Fujifilm X-H2S (not the first to say this and actually that’s a peculiarity of X-Trans sensors, I mean the more film-like grain at high ISO and the less color noise).
So it seems that when Fujifilm advertises the X-H2S as having 14+ stops of video dynamic range, they are totally honest about it. In CineD tests, it beats even the full frame Sony A1.
But even more importantly, if you want to get rid of noise, for some “secret language” reason (as Gerald would call it), it seems that at least noise reduction applied in post is able to clean up noise with an ease he has never seen before.
Also, CineD mentions a strategic advantage Fujifilm has over Sony and Canon. Which one? You’ll find the answer in the short summary down below.
