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Top Fujifilm Manager Toshihisa Iida: “We will NEVER go Full Frame”

Fujifilm Manager Interview

DPReivew just published the interview they had with top Fujifilm manager Toshihisa Iida at photokina 2018, which includes the clearest statement I have ever heard so far if Fujifilm will go full frame or not. It’s a clear “No, never!”

He also opens to the possiblity of an interchangeable lens Instax camera and maybe even cine lenses for the GFX system.

Here some excerpts of the interview.

Q: Will Fujifilm ever enter the full-frame market?
A: No, never. Because we don’t have that legacy – luckily or unluckily. We don’t see any point in Fujifilm entering that market, particularly since we have good APS-C and medium format systems. If we entered full-frame [our systems] would just start cannibalizing each other. We’re happy to stay with two completely independent systems.

Q: Do you see many of your users upgrading from X to GFX?
A: Not quite yet. Because they’re totally different systems. […] I hope that in near future more X Series customers will step up to GFX.

Q: GFX 50R and GFX 100S
A: All GFX 50R controls must be reachable with one hand, that was our concept for usability. We wanted the camera to be more suited to street, reportage and portrait photography. The forthcoming 100MP camera is more SLR style, with a detachable viewfinder, more similar to the 50S, but with an integrated battery grip for greater battery capacity. The sensor and the image stabilization system need more power. The biggest challenge was image stabilization.

Q: Will the viewfinder experience of the 100MP camera be better to the current GFX 50S and 50R?
A: It should be a lot better, yes, because the readout speed of the new sensor is a lot quicker. The sensor and the processor itself are both upgraded. The processor is much more powerful.

Q: Video features on Fujifilm cameras?
A: The forthcoming 100MP camera will be the first 4K/30p GFX camera. […] With the X Series we have a plan, for example to extend recording time, and make the menus more usable for still and video shooting.

Q: 100MP and 4K/30p represent a huge amount of data – is SD media still appropriate?
A: I think that SD media and HDMI output are enough for now

Q: Do you welcome third-party lens manufacturers that want to create lenses for XF and GF?
A: They’re not open standards as yet, but of course our customers want choice. We’re always considering what would benefit our customers, and more lenses are generally beneficial for customers.

Q: Should we expect to see more smaller, compact lenses for GF mount, like the forthcoming 50mm pancake?
A: Yes, in the future we’d like to expand our lineup of compact lenses for GF.

Q: In the past we’ve spoken about software corrections for some lenses. Do you see a future where your high-quality lenses could be made smaller using software?
A: We always prioritize optical quality first, minimizing software correction. That’s our policy at the moment, and I don’t think it will change. That’s why the APS-C format is important to us. We make the lenses as small as possible, without [a lot of] software correction.

Q: What are the challenges of designing fast focusing large-aperture lenses?
A: A brighter lens means that each element is heavier. So we need to build in more powerful focus actuators, but there’s limited space. So it’s always a tradeoff of lens brightness, focus speed, and how heavy the lens is.

Read the whole interview at dpreview here.

Fujifilm Claims to be Worldwide Nr. 2 in Mirrorless Market and Fujifilm GFX 50S Firmware Update Details in English

Fujifilm GFX

The Spanish site Fujistas was at the Fujifilm GFX 50R launch event. They wrote about it on their blog here (translation), and amongst the others, they shared the following tidbits:

  • Fujifilm claims to be worldwide Nr.2 mirrorless camera manufacturer
  • they demonstrated the crop capabilities of the Fujifilm GFX 100 Megapixel camera and they were extremely impressed

If Fujifilm’s statement is correct, then Fuji surpassed Panasonic and Olympus, and, considering also DSLRs, they are now 4th behind Sony, Nikon and Canon.

Also, a few days ago we shared some Chinese Fujifilm media slides that showed us the details of the upcoming firmware update for Fujifilm GFX 50S. However, we struggled a bit with the translation.

Now Fujistas shared the English version of the slide (see above). The firmware update for Fujifilm GFX50S will bring the following new functions:

  • 35mm Format Mode with GF lens and Fujinon HC lenses
  • Quick Eye-sensor response for Finder
  • Simultaneous delete for RAW and JPG
  • EVF/LCD White point color customization

Fujifilm X Camera Replacement Timeline from 2011 to 2018 and What This Could Mean for X-H2, X-T4, X-T30, X-Pro3, X-E4, X200

Fujifilm Timeline

Today I decided to take a look at the refresh rate of the top/mid range Fujifilm cameras and tried to make a guess (NOT A RUMOR) about when the Fujifilm X-H2, Fujifilm X-Pro3, Fujifilm X-E4, Fujifilm X-T4, Fujifilm X-T30 and Fujifilm X200 (or X100V) can be expected.

Overall we can see how the Fujifilm X-E and X-Pro line are gravitating towards a 4 years refresh time, whereas X-T and X100 line are close to a 2 years refresh time.

WARNING

  • This is not based on rumors, and it’s not said that Fujifilm will always keep the same product refresh rate. Everything can change anytime.
  • Don’t miss the upcoming rumors and join us on Facebook, RSS-feed, Instagram, Youtube and Twitter

NOT INCLUDED:

  1. All 2/3 sensor cameras are not included, since the won’t ever get any successor (not even 1 inch sensor cameras, no matter what old patents say)
  2. X70/XF10: XF10 is not the X70 successor. It’s unclear if there will be a Fujifilm X80 at some point
  3. X-A line has a high refresh rate, but the FR community is for the most part not interested in this camera line
  4. GFX 50S, GFX 100S, GFX 50R: According to our rumors, the GFX 100 comes 2 years and 3 months after the GFX 50S. It’s unclear if the Fuji GFX 50R will also get a 2 year refresh rate or a 4 year refresh rate like its rangefinder brothers the X-Pro and X-E

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Fujifilm X-T Line

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Fuji Guys Billy Hopes IBIS will be Implemented in Future Fujifilm GFX 50 version of GFX 100

Fujifilm GFX 50 IBIS

I was reading the first edition of the brand new Medium Format magazine, when I stumbled on this answer of Fuji Guy Billy.

QUESTION: Will this stabilization system eventually find its way to lower-priced medium format cameras or are you going to keep it for the top of the range for now?

ANSWER: It’s very early to talk about that. I think our official announcement of this 100-megapixel concept camera is sometime in the first half of next year. Of course, Fujifilm is always developing and researching how to include technologies such as in-body image stabilization to other line-ups. I hope that the technology will be implemented in the future when they introduce the GFX 50 megapixel version of the camera.”

If there ever will be a Fujifilm GFX 50 Megapixel camera with IBIS, Fuji’s medium format system would consist in:

And btw, I am really enjoying to go through the 140 pages of the medium format magazine, and I look forward to the next editions. Make sure to check it out at mediumformat.com. Lots of talented photographers sharing their thoughts and images there. It covers not only Fujifilm GFX, but also other medium format systems.

Fujinon XF8-16mmF2.8 vs XF16mmF1.4 and XF200mmmF2 on Fujifilm X-T3

Fujinon XF8-16mm F2.8 & XF200mm F2

During my stay at photokina 2018, I had the priviledge to test out the Fujinon XF 8-16mmF2.8 as well as the XF 200mmF2.

I could not really put those lenses through its paces, since I could only test them out at Fuji’s touch & try corner, but even during my short flirt with them, they didn’t fail to impress me (I used them both on the Fujifilm X-T3).

Yes, the XF 8-16mmF2.8 and XF 200mmF2 are not a bargain, but as they say, “you get what you pay for“. Enough said ;) .

Reviews about the XF 8-16 and XF 200 are not easy to find on the web and we will have to wait for them to be available in October/November, to see more of them.

We did share a major roundup a few weeks ago here, and here are some tidbits, including a quick comparison between the Fujinon XF8-16mmF2.8 and XF16mmF1.4, which is arguably one of the top three primes in Fujifim’s entire lens lineup.

You will find blog posts and videos down below:

XF 8-16mm F2.8: BHphoto, Adorama, AmazonUS, Focuscamera
XF 200mm F2: BHphoto, Adorama, AmazonUS, Focuscamera
XF 16mm F1.4 (save $150): BHphoto, AmazonUS, Adorama

Hands On and Samples

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Fujifilm Wins “Good Design Award 2018” with 29 Products in Recognition of their Design and Performance

Good Design Award

Fujifilm won 29 awards at the Good Design Awards 2018.

Now, I don’t know how the Good Design Award works, but if it’s like EISA and TIPA, then don’t take it too seriously. We have documented here, how EISA and TIPA work. Check the article out, if you want to know get clarity about the (not so transparent) award business.

With that said, Good Design gave an award to 29 Fuji products. Here are the cameras and lenses:

You can check out the full list in the press release below or here at good-design.

Press Release

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Fujifilm X-H1 Review Roundup in Times of Fujifilm X-T3

Fujifilm X-H1

With all the eyes pointed towards Fuji’s brand new speed monster, the Fujifilm X-T3, I thought it might be a good idea to dedicate a roundup to the one camera, that definitely has been mostly overshadowed by the X-T3 release, the Fujifilm X-H1.

I have tested the Fujifilm X-T3 during my Photokina stay, and it’s undeniable that Fujifilm achieved significant speed improvements.

But as we reported in latest rumors, the Fujifilm X-H1 is definitely also a fast focusing camera, and will get some improvements via firmware update in future. Surely IBIS will become better, but who knows if also some AF improvements can be expected.

Moreover, if you need IBIS, a bigger grip, an EVF that protrudes even further out, bigger buttons, an even tougher body (8H hardness) and other aspects that the X-H1 offers over the X-T3, then the Fujifilm X-H1 might be the best choice for you in the Fuji X camera system.

FujiRumors is everywhere: Facebook, RSS-feed, Instagram, Youtube and Twitter

Fujifilm X-H1 News, Rumors and Discussions
Fujifilm X-H User Group
Fujifilm X-H Page

Fuji X-H1 Roundup

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Fujinon GF Lens Roadmap Timeline 2019/2020 and More Fujifilm GFX 100 Details with Image Sample Super Crop

Fujifilm GFX System

Fujifilm has recently announced a new GF lens mount roadmap. The official roadmap, though, didn’t gave any timeline about when the future GF50mmF3.5 pancake, GF100-200mmF5.6 and GF45-100mmF4 will hit the market.

Now the Japanese site dc.watch has shared a couple of media slides, including one that shows the roadmap for the various lenses. We can see:

  • 2019
    – GF100-200mmF5.6 R LM OIS WR
    – GF50mmF3.5 R LM WR
  • 2020
     – GF45-100mmF4 R LM OIS WR

As we told you back in December 2017, Fujifilm plans to release 2/3 lenses for each of their systems (X and GFX) a year. This means that we might see one more lens coming n 2019 for the GFX 50S as well as 1 or 2 more lenses in 2020. Check out our big rumor timeline to see what could come.

The slides also give us some basic details about these lenses, which I have all listed at the bottom of this article.

Other media slides (also below) show some more details the Fujifilm GFX 100. So we discover that (unsurprisingly) it will feature the X Processor 4 and we can see a first crop made out an image taken with the GFX 100.

You find everything down below:

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Fujifilm GFX 100 media slides

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Fujifilm Manager: GFX 100 Full Sensor PDAF, no Crop 4K@30p. Engineer who Developed Velvia Film now Develops Film Simualtions

Fujifilm GFX

Hugh Brownstone had a half an hour chat with Fujifilm manager Justin Stailey. It’s an interesting and relaxed talk at a glass of beer, I invite you to check out here.

For those in a hurry, here are some key points from what the Manager says:

Fujifilm GFX 100

  • 100 MP sensor
  • IBIS, because 100MP is sensible to vibration
  • 4K @ 30P with full sensor readout (no crop). No pixel binning. It’s gonna be compressed in some shape or form
  • price under/around $10,000
  • 100% phase detection coverage, but lenses with lots of glass are heavier to move, so it’s never going to have as fast AF as APS-C
  • coming first half 2019

Fujifilm Color Science

  • metric color is different from memory color. Velvia was designed to make things look the way your mind remembers it (memory color). It’s interpretation, it’s how your brain sees it versus what was really there
  • one of the long time Japanese engineers at Fujifilm responsible for Velvia film simulation development, did actually also develop Velvia film in the past

Mixed Talk

  • new age of mirrorless is starting, since more player are in the market. The acceptability of mirrorless has increased now. Fujifilm focuses on what they do best, APS-C for sport, action and video, and Medium Format for portrait and fashion
  • pixels on GFX 50R and GFX 50S are bigger than full frame. Bigger pixels capture more light
  • sensor, lenses, processor, color science, the whole package
  • he does not like that photokina will take place every year in spring, right after CP+. A 2 years circle was better and Fujifilm has organized their announcements also according to photokina
  • just because we announced X-T3, it does not mean that the X-T2 is worst now. Photographer makes more difference than the gear
  • some dealers in USA already make more than 50% revenue by selling mirrorless

Hugh Brownstone youtube – Fujifilm GFX 50R hands on and first thoughts

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Venus Optics Laowa 17mmF4 for Fujifilm GFX Images and Hands On Video and Available in December

Laowa 17mm F4

My photokina 2018 coverage continues, and after having delivered you…

… it is now time to take a closer look at the Venus Optics Laowa 17mm F4 Zero-D for Fujifilm GFX.

I have talked to Venus Optics, and they said the lens will be available in December. They didn’t tell me the price, though.

I have made also a Laowa 17mm F4 hands on video on my youtube channel.

Down below the specs shared so far and one more image.

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