Release Timeline for Fujifilm X-T4, X-H2, X-T40, X-Pro3, X100V, X-E4, X-T200 and X-A6 Based on Fuji’s Previous Camera Releases

Fujifilm Timeline

Almost 1 year ago, I published a release timeline of Fujifilm cameras, and, based on that timeline, I made guesses on when a successor could come.

Turns out that, so far, our timeline was pretty accurate. In fact, based on Fuji’s release schedule, we predicted:

  • Prediction: X-T30 in February 2019 – Reality: January 2019 – Accuracy: 1 month off
  • Prediction: X-Pro3 in January 202o – Reality: around October 2019 – Accuracy: about 3 months off

Now I thought it’s time to update our timeline, because:

  • some cameras have already been announced (X-T30) and others will be announced soon (X-Pro3)
  • this time we include cameras not listed last time (X-T200 and X-A6)

Down below you find the updated release timeline for:

The X-T4/X-H2 Grain of Salt Corner

Keep in mind that this camera replacement timeline is NOT based ON RUMORS, but on past camera release schedule of Fujifilm.

Hence, take it with a grain of salt, especially when it comes to Fujifilm X-H2 and Fujifilm X-T4 release. The timing between X-H1 and X-T3 has proven to be very damaging for X-H1 sales, so there might be some changes here.

In fact, according to our sources, the Fujifilm X-H2 might not even come in 2020! But I want to wait for more details and confirmations, before changing the below timeline.

Speaking of X-H2 and X-T4, the FujiRumors community has voted on various Fujifilm X-H2 and X-T4 release timing options. Check out the poll results here (I voted for the option currently on the 3rd position).

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↓ Fujifilm X Camera Release Timeline ↓

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Fujifilm X-H2 and Fujifilm X-T4: How Should Fujifilm Time their Release? POLL

Fujifilm X-H2 and Fujifilm X-T4

A Fujifilm manager recently said it here: the Fujifilm X-H line will continue to evolve separately from the Fujifilm X-T line.

To me that makes sense, both lines appeal to different type of photographers, and both lines have all the potential to be successful in future.

But the big question is: in order for both the X-H2 and X-T4 to be successful, how should Fujifilm time their release?

The FujiRumors community is pretty split on this topic, so I thought I launch a poll to see what most of you guys think is strategically the best move. And keep in mind, as proven multiple times, Fujifilm manager do read you! So, vote wisely and comment elegantly ;).

NOTE: Fujifilm has said multiple times that one of their goals is to bring IBIS into smaller cameras, so I guess this means they will try to give us a Fuji X-T4 with IBIS. Keep this in mind when voting.

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Regarding the Fujifilm X-H2 and X-T4 release timeline, what should Fujifilm do?

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Does current IBIS fit in Fujifilm X-T4? And GFX100 IBIS in GFX50R / 50S

Fujifilm IBIS

Back in March 2018, I have used Fujifilm technical X-H1 IBIS scetches and put them into the Fujfiilm X-T2. See the article here.

The result was the image you see above.

It’s my pleasure to see that over one year later, the topic is coming up again (better late than never), so I am glad to share it again with you.

The Fujfilm X-T4, if it keeps the size of the X-T3 and X-T2, will have a hard time to fit IBIS into its body. But Fujifilm has repeated many times, that they are working to make IBIS smaller.

And since we talk IBIS…

I had a personal curiosity to see how the Fujifilm GFX100 IBIS unit fits in the Fujifilm GFX 50S and Fujifilm GFX 50R.

So I took the IBIS unit displayed at the Fujifilm GFX100 live stream event, and mounted it on the Fujifilm GFX50R/S.

As you can see below, the IBIS unit is too big for both cameras, but not by a large margin. So there is hope that, with further development, the next generation IBIS will be small enough to make it fit also in the GFX R and GFX S line of cameras.

Fujifilm X-Pro3 with IBIS and Fujifilm X-T4 Clickbait :)

According to Camerabeta at Weibo, the Fujifilm X-Pro3, which we rumored to come this year, will have the following specs:

  • The new machine will use a 2400/2 megapixel X-Trans CMOS sensor; [I guess google tranlsate had troubles to translate 26MP]
  • With X-Processor 4 processor with 4 core CPU;
  • 4K video capture at 60 frames per second;
  • Built-in body five-axis anti-shake;
  • 3-inch 1.04 million point 3-axis touch screen;
  • Weatherproof magnesium alloy body;

This is all camerabeta said, and I can not confirm the specs until now.

Camerabeta does not mention the Fujifilm X-T4 at no point, and everybody who talks about it now, is out for clickbait (as usual) :).

via camerabeta

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Fujifilm X-H2, X-T4 and X-Pro3 with Samsung Pixel Merge Technology for Variable Megapixel Sensor

Fujifilm & Samsung

Back in 2018 Samsung and Fujifilm officially announced the development of a new CMOS image sensor technology for enhanced light sensitivity and color fidelity, called ISOCELL+ sensor (full report here).

This sensor structure also allows for the revolutionary “pixel merge technology“, already used in the Samsung Galaxy A7

This is how it works on the Samsung Galaxy A7: the 24 megapixel sensor can, for better low light image quality, combine 4 pixels into 1 pixel and end up with 6 MP files (via samsung.com).

The hot rumor today is:

Samsung will provide Fujifilm with APS-C and Medium Format pixel merge technology sensors.

The rumor is of a 36 megapixel APS-C sensor, that could be switched to 9, 18 or 27 megapixel according to your needs. You will also be able to switch between Bayer and X-Trans layout. Last but not least, the pixels will also be able to flip by 180° into black & white mode.

The source told me, this technology will be ready for the Fujifilm X-H2, Fujifilm X-T4 and Fujifilm X-Pro3, followed by a 150 megapixel medium format Fujfilm GFX 150.

This “universal all-in-one” sensor is Fujifilm’s answer to customers’ often impossible desires: one sensor, to satisfy them all!

But Fujifilm’s mission to deliver what we really desire and need does not stop here!

According to our source, the next step is the use of Vibranium from Wakanda for lens development, which should allow for a fully optically corrected XF 8-600mm f/0.85 pancake lens for less than $500.

It looks like our constant complaints finally pushed Fujifilm to re-invent the laws of physics.

This digital photography revolution starts today, with this rumor, on this special, very special day, that I will mark in my calendar… and you should do the same :).

stay tuned on FujiRuomors… not only April 1 ;)

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Fujifilm X Camera Replacement Timeline from 2011 to 2018 and What This Could Mean for X-H2, X-T4, X-T30, X-Pro3, X-E4, X200

Fujifilm Timeline

Today I decided to take a look at the refresh rate of the top/mid range Fujifilm cameras and tried to make a guess (NOT A RUMOR) about when the Fujifilm X-H2, Fujifilm X-Pro3, Fujifilm X-E4, Fujifilm X-T4, Fujifilm X-T30 and Fujifilm X200 (or X100V) can be expected.

Overall we can see how the Fujifilm X-E and X-Pro line are gravitating towards a 4 years refresh time, whereas X-T and X100 line are close to a 2 years refresh time.

WARNING

  • This is not based on rumors, and it’s not said that Fujifilm will always keep the same product refresh rate. Everything can change anytime.
  • Don’t miss the upcoming rumors and join us on Facebook, RSS-feed, Instagram, Youtube and Twitter

NOT INCLUDED:

  1. All 2/3 sensor cameras are not included, since the won’t ever get any successor (not even 1 inch sensor cameras, no matter what old patents say)
  2. X70/XF10: XF10 is not the X70 successor. It’s unclear if there will be a Fujifilm X80 at some point
  3. X-A line has a high refresh rate, but the FR community is for the most part not interested in this camera line
  4. GFX 50S, GFX 100S, GFX 50R: According to our rumors, the GFX 100 comes 2 years and 3 months after the GFX 50S. It’s unclear if the Fuji GFX 50R will also get a 2 year refresh rate or a 4 year refresh rate like its rangefinder brothers the X-Pro and X-E

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Fujifilm X-T Line

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Fujifilm’s Biggest Sales Hits & Misses Since 2017 on FujiRumors – Sales Ranking

I owe you an update.

When the X-E5 was launched I told you that preorders were higher than the ones of X-T5, second only to X100VI.

But I also said that we were still in a period in which orders could be canceled and cameras returned. So the true question is: did the X-E5 hold up to its spectacular pre-orders? Or did many cancel their order?

Well, here is the final data.

But I guess I need to give you context.

  • Timeframe: Initial two-week sales period post-announcement.
  • Accuracy: Final figures only (adjusted to exclude returns).
  • Starting Point: all camera announcements since January 2017

Positive Surprises

We can see the Fujifilm X-E5 did exceptionally well. It sold just one camera less than the X-T5 which puts on the third spot with a nice margin ahead of the X-T3.

The Fujifilm GFX100RF is another positive surprise, narrowly bypassing the previous GFX king, the Fujifilm GFX100S.

The Fujifilm X-M5 finally gave “entry level” a reason to exist, by selling very well compared to ever other X-A, X-M and X-T*** cameras Fujifilm launched in the past.

Negative Surprises

I am shocked to see the Fujifilm X-S20 so low in the ranking. It’s one of the best cameras Fujifilm ever launched. And overall the X-S line seems to struggle, given the poor Fujifilm X-S10 results, too. I guess this makes it officially one of the most underrated Fujifilm cameras ever.

Another shocker is the Fujifilm X-T200, which made zero sales here on FujiRumors.

Reality Check

Of course the ranking below is not representative for the entire market, since FujiRumors readers are generally more interested in higher end gear.

Let’s Rank It

  1. X100VI
  2. X-T5
  3. X-E5 – just one camera less sold than X-T5 and well ahead of X-T3
  4. X-T3
  5. X-T4
  6. X100V
  7. GFX100RF
  8. GFX100S
  9. X100F
  10. X-M5
  11. X-H2
    X-H2S
    X half
  12. X-T50
  13. GFX50R
  14. X-H1
  15. GFX100II
  16. X-Pro3
  17. GFX50S
  18. X-T30
  19. X-S20
  20. X-T30III
  21. GFX100
  22. X-E4
  23. GFX100SII
  24. X-T20
  25. GFX50SII
  26. X-S10
  27. X-E3
  28. X-T100
  29. X-A5
  30. X-T30II

— No sales

Fujifilm X-T6 Coming in September: Listed by Fujifilm Shop Vietnam — But the Listed Specs Are Concerning

We know the Fujifilm X-T6 is coming in Septmber 2026.

And apparently also the Fujifilm Shop by X Camera in Vietnam is getting ready for it, since they have already a dedicated page up here.

The shop writes: “The product has not been officially launched, the information is for reference only“.

So what is there “reference” they give us?

Well, a 40MP X-Trans VI sensor (which can make sense), an X Processor 6 (which makes sense) and they say it will feature a fully articulating LCD screen, since that’s a “superior design” over the 3-way tilt screen of the Fujifilm X-T5.

Now, attentive followers might have noticed some shots of me making wise use of the fully articulating screen of the X-T4, so much so that some wondered if now I have become a selfie screen lover.

But rest assured: the 3 way screen is all I want. Yes, there might be rare occasions in which the selfie screen turned out to be handy. But for 1 shot I found a good use for it, there were other 999 shots I just did not like it.

If the Fujifilm Shop Vietnam is right with their “reference“, and the X-T6 will come with a fully articulating screen, then this would either mean that:

  • Fujifilm has bend to the will of influencers who make a living out of filming themselves
  • the Fujifilm X-H line has been canceled and the X-T* line has to go back being the flagship

Now, we explained how the Fujifilm X-H line actually saved the Fujifilm X-T5. In short: after the shock of the horrible X-H sales, Fujifilm paused the X-H line and the X-T line had to become the new flagship, with all the problems that come with it: a bigger body, heavier and a fully articulating screen. All features that are not part of the original X-T DNA. Luckily the X-H2 came along, took over the flagship role again and the X-T5 could go back being what it was always meant to be: a wonderful camera mainly for stills photographers.

A guy on YouTube explained it perfectly in the video below ;).

So guys, I will make it now a top priority to try to find out which type of screen the Fujifilm X-T6 will use. If I have any update, I’ll share it here on FujiRumors. So definitely stay tuned.

X-T6 Specs as ber Fujifilm Shopt Vietnam

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Fujifilm 2026 – What to Expect from Fujifilm

What can we expect from Fujifilm in 2026?

Well, in 2025 we have actually shared a few rumors that give us a glimpse in what will come.

For example, the time has come for Fujifilm to launch the 6th generation platform. But there is more to come.

So let’s do it like this. First we take a look at the rumors, and then we’ll make a few speculations.

What’s Coming in 2026

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Cinema Color Science Showdown: Arri Alexa 35 vs Every Major Camera Brand — Why Fujifilm’s Film Heritage Matters

Let’s Talk Colors

The 76K expensive Arri Alexa 35 is considered the gold standard when it comes to cinema color science and color quality.

But what if you want to get those awesome colors into a more affordable package? Which brand comes closest to it?

Well, Cinecolor published a color grading demo exploring real-world differences in color science between the Arri Alexa 35 and nearly every major camera brand that shoots in Log format.

The cameras tested are:

IMPORTANT – The True Goal of the Test

There are two things to consider for this test:

  • How good are colors right off the bat (after simple Rec 709 conversion)
  • How much editing is needed, to match the Arri Alexa colors

Sometimes colors right out of camera are quite close to Arri (iPhone/DJI) or already very beautiful (Fujifilm) or quite lifeless (Sony), but in any case, the question is how much editing is needed to match as closely as possible the Arri Alexa 35.

The Result in Short

DJI and iPhone (although can have HDR look), have closest Arri colors. Probably because of small sensor and less editing flexibility, it is important for Apple/DJI to get best possible colors in camera.

Fujifilm was tested with the old F-Log file, not with the newer F-Log2 or the newest F-Log2C. F-Log2C has the best skin tones. With that said, F-Log looks great already. Fujifilm has its own and very beautiful look, and it requires just a bit of editing to come close to the Arri Alexa 35 files. He says:

It’s really impressive what Fujifilm can deliver in terms of color science, even with older X-T4 F-Log. That’s not surprising considering their background in creating film stock. Fujifilm shooters won’t be shocked by the results, but hopefully others, who don’t shoot Fujifilm, will understand why so many are drawn to Fujifilm specifically because of colors.

Nikon and Sony are the files that you have to work on most, because Nikon handles colors very different and has uneven saturation and Sony files look lifeless and drab. But it’s important to note that you can edit them to get close to Arri. It just requires more editing time and skills to get there.

Panasonic is far away from the Arri skin tones. Canon also is not quite close to Arri.

Conclusions in Short

Except for DJI and iPhone (and GoPro), which have a small sensors, you have a huge flexibility with all camera brands and you can edit files to make them look closer to Arri Alexa 35. The only difference is how much you need to edit to get those awesome results.

To get the closest results to Arri with less editing, Blackmagic and Fujifilm are best (after DJI and iPhone).

Fujifilm also has very good colors right out of the box, so you can edit colors if you want to match Arri, but colors look great also without editing.

Sony files really need to be edited, but the good thing is files are flexible.

The results a bit more in-depth

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