Software Update for Fujifilm Tether Plugin PRO for GFX for Adobe Photoshop Lightroom Classic CC / 6
Fujifilm has released software update 1.20 for Fujifilm Tether Plugin PRO for GFX for Adobe Photoshop Lightroom Classic CC / 6.
Fujifilm has released software update 1.20 for Fujifilm Tether Plugin PRO for GFX for Adobe Photoshop Lightroom Classic CC / 6.
Fujifilm has released a new firmware update for the Fujifilm GFX100.
All details and download links below.
Well, I had the impression that the Fujifilm GFX shooters reading FujiRumors were more than the 3% of just 2 years ago.
But I wouldn’t have expected this:
According to our latest survey, 13% of FujiRumors readers now own a GFX camera.
So now comes my next curiosity: which one is the Fujifilm GFX camera you chose to shoot with?
And since we talk GFX, I’ll add a survey about on which lenses do you own. Also in this case, if you have a GF80mmF1.7 on pre-order you qualify as GF80mmF1.7 owner.
So, fellow GFX owners, feel free to drop your vote down below.
Also, you can let us know if you what kind of photographer you are.
The IRIX 45mm f/1.4 for Fujifilm GFX was announced last month, and is available for order at BHphoto here and Adorama here.
Now Piet Van den Eynde received his copy and made an unboxing video below. Also, photographyblog shared its review about this lens. Their conclusions:
Yesterday we told you that Fujifilm will launch the Fujifilm GFX50S MKII in 2021.
But when exactly will it hit the market?
Well, I don’t know that yet.
However, our sources told us that the FF210001 camera recently registered is the codename for the Fujifilm GFX50S MKII and not any other X or GFX camera.
Now, looking at the past time gap between past registrations and release, Fujifilm needed between 1 to 6 months to announce new gear.
If (and that’s a big “if“) Fujifilm keeps the same pace, this means that the Fujifilm GFX50S MKII could be announced as early as April 2021 or latest in late August / early September.
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Fujifilm has released firmware 3.01 for Fujifilm GFX100.
The firmware update Ver.3.01 from Ver.3.00 incorporates the following issues:
You can download the firmware 3.01 here.
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According to our trusted sources, Fujifilm will launch the Fujifilm GFX50S MKII in 2021. It will use the same sensor currently featured on the original GFX50S.
As we told you yesterday, it will be more affordable than the GFX100S.
Expect updates… on FujiRumors :)
As you know I pre-ordered the Fujifilm GFX100S and I can’t wait to get it.
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The Fuji guys published another of their “spill the beans” episodes, this time covering the brand new Fujinon GF80mmF1.7.
Down below the video and a written summary of it.
DPReview conducted an interview with several Fujifilm managers.
A summary as well as the link to the full interview below:
A few days ago, DPReview has added the Phase One XF IQ4 150 Megapixel camera to their studio test scene database.
So how does this $50,000 monster compare to our humble Fujifilm GFX100 (and hence also to the brand new $6,000 Fujifilm GFX100S)?
Well, I don’t know you, but I frankly can’t see any noticeable difference, in some cases I even think the GFX100 looks better.
At high ISO on the other hand, the GFX100 clearly performs better than the Phase One XF IQ4, even though the sensor is the same (just cut bigger on the Phase One).
This might be in part merit of the excellent Fujinon GF lenses, which have no issue to take advantage of all 100 megapixels offered by the GFX100(S). On the other hand, it might also be that both cameras just resolve basically everything possible out of the DPR studio scene.
I did also add the two current highest resolution mirrorless full frame cameras to the comparison, the 61MP Sony A7RIV and the 47MP Panasonic S1R to the chart.
Where both medium format cameras simply have no issues to resolve everything out of the chart, we can see that the full frame cameras definitely show up with more false colors, moiré and artifacts in the fine details.
Just for fun I added one comparison with the Fujifilm X-T4 vs Sony A7RIV and Panasonic S1R.
Of course the Sony and Panasonic have more resolution power, but when details become really fine, and hence when all those megapixel would be really needed, in some areas the Sony A7rIV as well as the Panasonic S1R have the tendency to show more moiré, partially ruining the megapixel advantage they have, where the X-T4 shows no moiré.
As an X-Trans lover, I do hope Fujifilm will stick with it in their APS-C cameras and offer us something around 32+MP or so in the future, maybe with the Fujifilm X-H2. I am sure it would give great results.
Down below you can see some of the screenshots I took. You can head over to the DRP studio comparison tool and make your own comparisons.
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