These Anglebird cards also have no compromise in performance, so they will give you the highest bursts and access to the full video capabilities of the X-H2 and X-H2s.
So what’s the story today?
Well, the first story is about a factory tour CineD did at the Anglebird headquarter in Austria. I guess some will be surprised to see how much goes into developing something that looks so obvious and simple to us. Especially when quality controls and standards are very high, as it seems to be in the case of Angelbird.
So, if you want to know how they compete against Asian giants, if you want to see the heavy stress tests they put their cards into, the huge works that goes into checking the compatibility with so many cameras on the market (and so many firmware for each camera to create their own compatibility list), then check out the CineD video.
The second story is a bit a wider one.
When CineD asked what is around the corner for Anglebird, they said they are always in development and there is a lot around the corner. They don’t want to say what right now and release only when they are fully satisfied with the product.
And at this point Anglebird says:
We are happy that the trade shows are not driving the market anymore, where there was “this trade show” and then “that trade show” and you have to release. We release the product once it’s ready. You can be sure a lot is coming and our development plan is for 3 and for 5 years.
I guess that’s valid also for Fujifilm and other camera brands. There is not Photokina anymore, where you had to release your stuff in order to grab the biggest headline. And other trade shows are becoming smaller, less influential and are tailored more to showcase products to the regional market.
The real trade show is on the internet itself. And that one is available non-stop 365 days a year, giving companies more freedom on when to launch new stuff.
Make sure to check out the whole story at CineD here
I am terribly sorry…. terribly sorry that many of you had to wait so long to be featured.
But no matter how hard I work, especially in a crazy 2022, with 3 higher end cameras coming out and 4 XF lenses coming out, I simply could not find time to collect all your wishes and share them.
So I’ll do it today… I grabbed a large beer, took a deep breath, and worked to organise the wishes I have received over the last few months in this article.
So… down below it is: the FR-readers wishlist roundup
Lots of choice in that range, but which one is best?
Fujifilm USA (video below) says the XF30mmF2.8 Macro is probably the best prime lens you should consider getting if you are new to the X system and you are looking to purchase your first prime lens.
Because it’s kind of the jack of all trades: it can do macro (the others can’t), it has extremely fast autofocus even at close distances (some of the other lenses have not that fast AF), it is very sharp, has low to no chromatic aberration, it’s ideal for high resolution X cameras (X-T5 and X-H2), and with $600 pricing it is still affordable for many people.
That mockup showed a was rather hefty lens, so I guess that in order to save size and weight (and to make it more affordable), Fujinon redesigned it to be an f/5.6 lens.
A good decision in my eyes, as the new hands on images that now appeared (see them below) over at digitalcameraworld, show a definitely smaller lens.
The Fujinon GF30mmF5.6 T/S lens will appeal particularly to architecture and inferior design photographers whereas the GF110mmF5.6 T/S Macro to food and product photographers.
When Fujifilm started to release the newest f/1.4 lens trinity, they all got the weather sealing, a new optical design to resolve the 40MP of the X-H2 and X-T5 and they also got a linear motor for blazing fast autofocus.
Well, according to our trusted sources, the Fujinon XF56mmF1.2 II will follow that path, but not completely.
So what the XF56mmF1.2 II will lack over the the latest f/1.4 lenses is the linear motor.
We remind you that the current version uses DC coreless motor (the smallest motor). Stepping motors are better but bigger. So I wonder (not rumor) if this version has a stepping motor.
Before we make any judgment on AF, let’s wait for the real world reports, which will all drop on September 8 and we will cover live here on FujiRumors
Once again the latest GFX gear enters the ranking at the very high positions. But the GFX system gets its consecration not only in the year-end rankings, but also at the box office, where especially the Fujifilm GFX100S is causing headache to Fujifilm due to a high demand they simply can’t match.
And what about Fuji’s APS-C series? Well, things look good, very good for the X system in 2022. Just keep an eye on the latest X-H2 rumors ;).
Fujifilm GFX100S Not too long ago, the thought of a 100MP camera sounded like very wishful thinking, considering 36MP was high-res and 24MP is still a go-to standard for many cameras today. FUJIFILM’s GFX 100S isn’t the first 100MP camera, it’s not even FUJIFILM’s first, but it represents the first time 100MP has been available sub $10K and in a camera body that’s portable and reasonable for walkaround shooting use. It redefines medium format and breaks down the barrier that’s made medium format, especially high-resolution medium format, so inaccessible for virtually everyone until now. What’s even more impressive about the GFX 100S is that it has also benefitted from full-frame and APS-C mirrorless development, too, and features many of the same imaging assets you’d expect from other current cameras, like IBIS, DCI 4K 30p video, and even phase-detection AF. Unlike medium format cameras of the past, which were notoriously slow and outdated in performance, but you’d suck it up for the amazing image quality, the GFX 100S doesn’t need these excuses anymore as it meshes high-resolution medium format quality with current mirrorless performance.
Fujifilm GFX50SII Accessible and medium format are no longer mutually exclusive terms with the GFX 50S II; the second-gen compact medium format mirrorless with a new integrated design and the same 50MP sensor that put the GFX system on the map. Late summer saw FUJIFILM release the second generation of their first mirrorless medium format camera, the GFX 50S II. Compared to what a conventional second-gen camera is, though, this new GFX trended in a new way, with a focus on becoming even more accessible than the first generation of cameras, meaning medium format is now a realistic consideration for people shopping for full-frame systems. And with that in mind, the GFX 50S II presents a truly interesting choice for photographers who value image quality above all other camera specs. Beyond value alone, the GFX 50S II also saw some physical changes, bringing it in line with its 100MP sibling and featuring a fully integrated viewfinder and forgoing the more modular nature of the first GFX 50S.
One of the most intriguing lenses Fujifilm will launch in near future (within 2021), is definitely the Fujinon GF35-70mmF4.5-5.6, a very affordable zoom for the Fujifilm GFX system.
We already told you that the lens will have a collapsible design, similar to the one we find on the Fujinon XC15-45mm F3.5-5.6. This means that when you first turn the lens, you are not already zooming. You are just pushing out the lens. Only once pushed out, you can start zooming.
This sort of design helps to keep lens size smaller.
But how small will the Fujinon GF35-70mmF4.5-5.6 be?
Well, thanks to indication of our sources, we can now share an approximate size comparison between the upcoming Fujinon GF35-70mmF4.5-5.6 and the already existing and quite frankly stellar (and now hugely discounted) Fujinon GF32-64mmF4. You can see the comparison above.
Of course the rendering shows the lens in its smallest size possible.
This is approximate size comparison I made using an imaginary mock-up I made out of the rumors shared so far, so do not expect it to be a 100% super accurate size comparison. But it will help you to get an idea on what is about to come from Fujifilm.
Now, I own the Fujinon GF32-64mmF4 and love it. And I also love the fact that it has an aperture ring, which the Fujinon GF35-70mmF4.5-5.6 won’t have. So no regrets here and I will happily stick with my GF32-64mmF4.
But the Fujinon GF35-70mmF4.5-5.6 has also its strengths: a sensibly smaller size (as you can see above) and a much more affordable price tag.
GF 45mmF2.8 (save $200*): BHphoto / AmazonUS / Adorama *mail-in rebate ends August 22. Pay full price and then get a $500/$200 pre-paid Mastercard back after your purchase. Check out this Fuji page to claim back your money