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Fujifilm GFX 50s Independet Sensor and Dynamic Range Measurement by “Photons to Photos” (Vs. Pentax 645z, Nikon D810 & More)

We X-shooters are not really used to these kind of tests, mainly for 2 reasons:

  1. DxOmark never tested X-Trans sensors
  2. We don’t care

But news is news, so I’m going to share it here on FujiRumors, and then all of you can make up your own mind.

Short intro: the first time I’ve heard about the website “photonstophotos” was via our wonderful GFX facebook group on March 11 here. This website makes independent sensor tests (just like DxO).

Well, they just included the Fujifilm GFX 50s in their test charts… and at least from a first glance I gave, I’d say the Fujifilm GFX 50s pretty much kicks a$$. This would be no surprise, since Fujifilm GFX owners swear that the dynamic range of this camera is incredible (“if feels like cheating“), as recently posted here and here.

I will be honest to you: right now, while writing this post, I don’t really have the time or the condition to evaluate all the test results (I was out the whole day shooting with my X-T1 + 23/1.4, and I’m closing my wonderful day with a bit too much red wine ;) ). But here is the link to Photons to Photos, and you can make all your comparisons and share your findings in the comments.

With that said, when I’ve heard of this website via GFX facebook group back in March, I did compare the X-T2, X-Pro2, X-T20 and X100F. All these cameras gave different sensor performance results (despite being all X-TransIII cameras). The X-T2 gave better results over the X-Pro2, I guess probably because of the better heat dissipation of the X-T2 body.

I promise that tomorrow I will take a closer look at the chart. If I find something worth to be highlighted, I’ll share it here on FR. But now, pardon me, I have to finish my wine ;)

Fujifilm GFX: USA BHphoto, Adorama, AmazonUS EU: AmazonDE, AmazonUK, WexUKParkCamerasUKPCHstore AUS: CameraPro

cheers
Fuji X Forum, Facebook, RSS-feed and Twitter

P.S.: Sorry for typos and crappy English ;)

Fujifilm GFX Review: “Unreal Dynamic Range. It Feels like You’re Cheating… The Lamborghini of Medium Format?”

Fujifilm GFX: USA BHphoto, Adorama, AmazonUS EU: AmazonDE, AmazonUK, WexUKParkCamerasUKPCHstore AUS: CameraPro

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by Allan Higa – website. This article has been posted orignally at allanhiga.com and shared at petapixel. Allan Higa is also a very active member of our Fujifilm GFX facebook community, and many of the images you can see in this article have also been shared at the group. He also wrote an interesting guest post for Fujirumors called “How I Capture Genuine Moments With Complete Strangers“. This article is shared here on FujiRumors with permission of the original author, Allan Higa (thanks :) )

Fujifilm GFX Review

Quick history lesson. The original Lamborghini motor vehicle wasn’t the supercar you know today. They were tractors. Yes, tractors. Full fledged farm going vehicular tools. Ferruccio Lamborghini always loved cars and owned Ferraris, but hated the quality of them. Frustrated, he approached Enzo Ferrari and gave him a piece of his mind and told him how to improve his cars. Enzo’s response went something like, “Leave the car making to me, you stick to making tractors.” Batman now drives a Lamborghini Aventador.

Fast forward and cross universes to cameras. The giants such as Hasselblad and Phase One have been untouchable and left alone to rule the medium format world for sometime. Sure, there’s Pentax and Leica, but it’s more like buying a Mazda Miata or a 4-door Porsche, it’s not what you think of when sports car or medium format camera comes to mind. But here we are with Fujifilm, originally a film company, pulling a move like Ferruccio Lamborghini; they’re opening the doors to somewhere that’s otherwise been locked for what feels like all of eternity.

Phase One makes amazing medium formats that few ever touch but all hope and dream of. Hasselblad is quite similar but have introduced something that seemed ground breaking, a mirrorless medium format in the Hasselblad X1D. Now, just like Ferruccio answered to Enzo Ferrari, Fujifilm has brought out the Fujifilm GFX. Will this be a classic like the Lamborghini Diablo? Or is this a Mazda Miata in disguise? Well, I’ve got the keys and this is what I’ve learned.

First off, like anyone else with a new toy in their hands I played with the lifeless camera as the completely dead batteries charged painfully slow. Here are the first impressions.

Body Design and Ergonomic

** CLICK HERE to Read the Rest of the Article **

Fujifilm GFX: Dynamic Range Tests, Long Exposures, Sharpness… and Having FUN with Third Party Lenses!

Robert F.: shared here – First long exposure shot (40 sec.) at lake starnberg / bavaria. Love the dynamic range :-).

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HOLY MOLY!!! I just realized that I didn’t post a dedicated GFX article in the last 7 blog posts… so high time for a dedicated GFX roundup. :)

As usual, all of it comes from our 9,600+ strong Fujifilm GFX facebook group. It’s simply a great resource for all things GFX. And what I post here is just a small fraction of what has been shared in the group the last few days. So in today’s roundup we will see:

  • A series of perfect long exposure shots
  • Some more images
  • Dynamic Range Tests
  • Sharpness Demonstration
  • Having Fun with Third Party Lenses

I’d like to add a few words to the last point, the fun with third party lenses.

There are really a lot of photographers at our GFX group, who enjoy to combine all kind of lenses on their GFX. To me, this is without a doubt one of the most fun aspects of this camera. The GFX really breaths new life into old glass, which btw, I hear has in some cases doubled its price on ebay, since the GFX launch.

So, focussing on sharpness and dynamic range is all well and good. But what I perceive in the group, is that the Fujifilm GFX has also a huge fun-factor, that results especially from his flexibility and adaptability to all kind of glass (also FF lenses, as you will see below).

There are already many adapters available on the market, for example from Fotodiox to Kipon, and more are in development, such as the smart adapter for Contax 645 lenses by Fringer.

This huge third-party lenses fun-factor would be basically non-existant, if Fujifilm would have opted for a “focal plane shutter-less” camera, since the camera would then work only with leaf shutter lenses.

And a final note about the endless leaf shutter Vs. focal plane shutter discussion: as photographlife pointed out in a review I’ve shared here:

Considering that leaf shutter lenses cannot have very large apertures (and as of now, all three Hasselblad lenses are limited to f/3.2-f/3.5 maximum aperture), I struggle to find the real appeal of the leaf shutter lenses aside from the flash sync speed. If you are after beautiful bokeh, the focal plane shutter is the way to go.

Fujifilm GFX: USA BHphoto, Adorama, AmazonUS

LONG EXPOSURES

** CLICK HERE to Read the Rest of the Article **

Even North Korean Soldiers shoot Fujifilm :: GFX Roundup :: X100F Reviews :: Fujifilm Meets Pixelstick :: The Legendary X100 Series (mini miXed zone)

Holger Glaab‎: Berlin, Potsdamer Platz. Fuji X-T1, XF10-24 F4R OIS @30 sec, F13, ISO 200 + ND-Filter and some PS-Editing – shared here the the Fujirumors facebook photo album

Cover Stories

  • Even North Korean Soldiers shoot Fujifilm. See more at washingtonpost. Besides the camera, the real story is that a North Korean soldier got inches from Secretary of State Rex Tillerson.
  • Fujifilm Meets Pixelstick at varis
  • The legendary X100 series at johncaz

Fujifilm GFX
USA BHphoto, Adorama, AmazonUS

GFX extended gallery at imaging-resource (focus on Portraits)

  • Fujifilm GFX: The Game Changer – Gary Heery at betterphotography
  • What is the dynamic range of the Fujifilm GFX 50s? We look at how to set up and use a Sekonic 748dr light meter with the GFX. The set up can be used for all makes of cameras at Lewis Von John youtube
  • GFX review (and the 3 GF lenses) at the French Magazine chassimages (translation) – NOTE: it’s a magazine, you have to purchase it (or the online version)

Fujifilm X100F + X70
USA BHphotoAdorama, AmazonUS

RNI All Films 4.0.4 Adds GFX/X Support + Lens Turbo Ver.2 Available + Australian GFX Rental Service + A6500 Vs. X-T2 Vs. D750 :: X-T20 Reviews (miXed zone)

Fujifilm GFX
USA BHphoto, Adorama, AmazonUS

Good news! RNI All Films 4.0.4 for Lightroom and Photoshop ACR is finally up for grabs here:

What’s new in this version:

• You asked us to turn the film grain off by default. So we have turned it off. You can easily turn it back on by using RNI Toolkit for Lightroom and setting the desired level of film grain (ISO 100 – ISO 1600).

• The Fuji Pro 400H base preset has been updated for better tonal accuracy.

Also added support and customised profiles for the following new cameras:
• Fujifilm GFX 50S
• Fujifilm X A3
• Fujifilm X A10
• Fujifilm X T20
• Fujifilm X100F

RNI All Films 4.0.4 comes as a free update to all the existing RNI All Films 4 – Pro and Lite customers.

Fujifilm X100F
USA BHphotoAdorama, AmazonUS

Fujifilm X-T20
USA BHphotoAdorama, AmazonUS

  • FUJIFILM X-T20 Review – Real World Video Samples and First Impressions at cinema5d
  • X-T20 My First Impression at joengphotography

Fujifilm XF50mm
USA BHphotoAdorama, AmazonUS

  • First Shots with the Fuji XF 50mm F2 by Kevin Mullins at f16.click

Fujifilm X-T2 (vs. D750 Vs. A6500)
USA: BHphoto / AmazonUS / Adorama

Sony a6500 vs Fujifilm X-T2 – 4K Comparison

Fujifilm X-T2 vs. Nikon D750 | Compare image quality at lowest ISO for landscape photography at Ming Cai youtube

Fujifilm X-Pro2

What should you get. Fuji X-Pro2 or X-T2? – in 4k at Zed ProMedia youtube

X100/S/T + X70

Lenses / Converters
Lens Turbo Ver. 2

  • Lens Turbo Version II N / G-FX Focal Reducer Adapter Available. More at stkb
  • Fujinon’s new MK 18-55mm lens on test at redsharknews

X-Trans / Raw Converters

Travel X / Switch (or not) to the X / X Weddings

a bit of everything

  • Fujifilm Mirrorless at jlbwedding
  • Ask the staff: electronic or optical viewfinder? at dpreview

Fujifilm GFX Vs. Sony A7rII Vs. Hasselblad X1D Vs. Canon 5DSR

It’s inevitable: the Fujifilm GFX is on the market since 2 or 3 weeks, and the web is in a GFX-frenzy…. FujiRumors included. Believe me, all this will slow down soon, because something else is always just around the corner.

But now, right now, the big thing is the Fujifilm GFX. And there are massive reports about it.

In todays roundup, we are going to see:

  1. a comparison Fujifilm GFX Vs. Hasselblad X1D (via photographlife) – SPOILER: GFX wins
  2. Fujifilm Vs. Canon 5DSR at DIYphotography – SPOILER: GFX wins
  3. Comparing the Fujifilm GFX Vs. Sony A7rII Dynamic range – SPOILER: the GFX wins
  4. a guest post focussing on the dynamic range of the GFX by Paul

Fujifilm GFX: USA BHphoto, Adorama, AmazonUS

** CLICK HERE to Read the Rest of the Article **

Fujifilm GFX “You Might Fall in Love with it for its High Resolution, but You Will Stay for its Tonality” (Images, Reviews & Impressions)

The GFX will be back in Stock at St.Patrick’s Day at BHphoto

miXed GFX Links

Fujifilm GFX USA BHphoto, Adorama, AmazonUS EU: AmazonDE, AmazonUK, WexUKParkCamerasUKPCHstore AUS: CameraPro

Images & Impression

Markus Rack: New portfolio work with the GFX & the GF 120mm f/4 Macro. Thanks to Natalia Soboleva for the make-up and to Elisa for being a flawless model. For the Geeks out there: You might fall in love with this camera for its high resolution but you will stay for its tonality. markusrack.com – shared here

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Palle Schultz‎: The GFX handles highlights like nothing else. – share here

Push READ MORE and Enjoy the GFX Images :)

** CLICK HERE to Read the Rest of the Article **

Fujifilm GFX Impressions: “Even if You are Used to High-End DSLRs, the GFX will Blow you Away” + GFX Vs. Sony A7rII Shadow Recovery

shared by Michael at the GFX facebook gourp here. Michael Schnabl photography: Photo: Michael Schnabl. Model: Alena Tsar shot with Fuji GFX and GF 120mm

Fujinon GF120mmF4 Macro: USA: BHphoto, Adorama, AmazonUS

Fujifilm GFX

The Fujifilm GFX facebook group has just reached the 9,000 members, and as you can imagine, the buzz over there is an incredible joy to follow.

And of course the feedback about the GFX is massive. It’s a closed group, so only members can see the content. But I can share a a few tidbits here on FujiRumors for you.

Let’s start with Marven, who shared his experience at the group here (visible only to members, but full story and images below) after shooting with the Fujifilm GFX + 32-64 handheld with the wrong settings (medium size JPEG only):

“My first impressions of the Fujifilm GFX 50S? Holly sh*t!!!

Even if you are used to looking at detailed images from a high-end DSLR like my Canon 5DSR (which is an excellent camera in it’s own right), the GFX images will blow you away! It has enough detail and resolution for even the most discerning pixel peepers.

I wasn’t going to upload any of these images because I hadn’t really set-up the camera yet and in fact discovered later that ALL of the settings were not to my liking straight out of the case. On my way home with the camera I passed by this gorgeous field of flowers and just hopped out and started taking pictures without thinking much about the camera’s default factory settings. In this case, the files were medium rez JPEGs in the sRGB colorspace. If I had checked my settings properly, I probably would have opted to shoot RAW or at the very least SuperFine (Fujifilm’s highest resolution for JPEG images) in AdobeRGB colorspace. I might have even chosen the Velvia Film Simulation for these high contrast, vivid shots.

Which is why these images impress me so much; the camera wasn’t even set up to deliver it’s best performance and yet when I cropped in on the Bee in the frame, the details simply blew me away. You can clearly see the pollen accumulated on his underbelly as well as the fine detail in his wings. And one must keep in mind that it wasn’t like he was a willing subject, he was buzzing around from flower to flower with me chasing him trying to snap a shot.

Which brings me to my final point. THE IS A MEDIUM FORMAT CAMERA FOR CRIS SAKE! Yet is feels so light and so nimble that I actually felt compelled to spontaneously jump out and shoot with it as though it were a point-and-shoot. Anyone who has shot MF knows the size and weight restrictions that accompany something like a Phase One XF system. It’s simply a massive camera with massive lenses and there is just no way I would want to lung it around for anything other than the most critical jobs. But the GFX is so lightweight, it makes shooting with a MF camera (dare I say) fun!!! I can tell I’m really going to love shooting with this camera.”

Fujifilm GFX: USA BHphoto, Adorama, AmazonUS
Fujinon GF32-64mmF4: USA: BHphoto, Adorama, AmazonUS

Fujifilm GFX + GF32-64mm + Handheld + medium size JPEG /sRGB

Crop of medium size JPEG /sRGB

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GFX member Sung owns both, the Fujifilm GFX and the Sony A7rII, and he decided to compare both cameras’ shadow recovery capability. As usual, you can read it at the group here if you are a member and eventually interact with Sung.

Dynamic range comparison between GFX 50s and A7rII. GF 63mm at f2.8 on GFX and ZY Optics 50mm at f2.0 on a7rii. Each combination shot at ISO 100 with shutter speed adjusted to be 5 full stops below auto exposure level. Each imported straight into Lightroom at base setting with no sharpening or noise reduction. Exposure pushed 5 stops and shadows slider maxed out at 100. The GFX 50s looks to me about half a stop ahead of the a7rii. Color fidelity is also better on the GFX 50s. First 100% crops, then 4×3 jpegs are attached.”

Fujifilm GFX 100% crop of a 5 stops underexposed image and then +5 on exposure slider and +100% on shadow slider

Sony A7rII 100% crop of a 5 stops underexposed image and then +5 on exposure slider and +100% on shadow slider

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Another Dynamic Range test shared by GFX facebook member Hải S. here

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and for Bokeh lovers, shared by Gary here: Couple for the ‘Bokeh’ fans. Fuji GFX, 63mm, Hong Kong. All shot candidly in Central early evening today.

Fujinon GF63mmF2.8: USA: BHphoto, Adorama, AmazonUS

Fujifilm GFX: Outstanding Image Quality… But if Fujifilm Would Give Me A Free Camera, I’d Pick the… And You? – POLL

Amazing image, right? Taken with… the new Fujifilm X100F :) and shared by Kıvanç B. at our Fujifilm X100F facebook group here

Fujifilm GFX or X-Trans III

Ok, I admit, the samples GFX owners shared so far at our GFX group are simply… superb! I mean, every day I check out the images and everyday it’s just “WOW”.

But I was wondering, if I would not own a Fujifilm camera already and Fujifilm would send me a free camera (including 3 lenses), which one would I choose? (It’s really a mere thought experiment, since Fujifilm would not even clean my sensor for free)

Well… I think I’d still get the Fujifilm X-T2.

Why?

Yes, it’s true, the Fujifilm GFX has such a large sensor compared to APS-C, that no matter how sofisticated current APS-C sensors are, they can’t really catch up with a Medium Format sensor in term of image quality.

However, what I want from a camera is not only IQ (which is great already in my trusty X-T1, and it’s even better in the X-T2).

I also want a camera that is light and easy to carry around. I want a camera that works fast and reliable, when I occasionally have to track my crazy nephew riding downhill on his toboggan. I want a discrete camera on the street and one that allows me to carry around 3 lenses on my travels, without taking to much space in my backpack. I want a camera that looks sexy. And I want a camera that is the best allrounder possible in the smallest package imaginable.

So for now, the answer is: I want the Fujifilm X-T2 (or Fujifilm X-T20… but since it’s free I’d go for the X-T2 ;) )

Now you know I’m a rangefinder style lover. So why no X-Pro2 or X100F?

Well, here is the thing: I do make one film project every year with my students. And having a hybrid camera that gives me nice 4K video would be interesting for me, since I’m sure many of my students will have 4K TV’s at home in a few years… so the X-T2 is the way to go.

With all that said, if all I would need is the ultimate image quality, I guess I’d have no other choice than to grab the Fujifilm GFX… but I need an allrounder that can do everything very good (video included). So please Fujifilm, send me an X-T2 :)

WHY THIS POLL

I launch this poll, because I’d be interested to see, how many of you guys would grab the Fujifilm GFX if price would be no problem. Maybe the price is the only thing that keeps you from purchasing the GFX? Or maybe the advantages of current X-TransIII cameras (such as speed, better video and AF) would still make you pick an APS-C Fuji, even if all the gear would be given to you for free?

I won’t include every Fuji cameras in this poll. Only the latest generation, so X-TransIII and the GFX. Vote and feel free to tell us thoughts in the comments.

And of course… it’s Friday, so enjoy your weekend :)

Rule 1: You can Not Sell again the Camera and Lenses You Get for Free
Rule 2: Imagine you do not own a Fujifilm camera already

Imagine You Don't Own a Fujifilm camera, and You Would Get one for Free (3 lenses included)... which One Would you Take?

View Results

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Jonas Rask – Shared here at our GFX facebook group: Another day. Another GFX image.  GFX50s – 32-64mm at 37mm – f/4 – exp 1/4s – ISO200 – developed in Capture One 10. A lot of people talk about that elusive “3d pop” – I find that term complete nonsense. But let me direct your attention to the leg and foot of Jonas in this portrait. Even though the DOF is large enough for the ground both in front of- and behind his foot to be in focus, it still gives a distinct feeling that his foot almost “steps out of the frame” in another layer. – This might be because of added resolution, as well as the added colorinformation in the file. The effect is obviously best in the full resolution file which you can download here:  http://d.pr/i/DAhY You can see the GFX challenge video that we did for this shoot here: https://www.youtube.com/watch?v=SftMz9HGZ_s

Fujifilm GFX Technologies #3: Through the Glass of GF Lenses & More

Through the Glass of GF Lenses

Fujifilm published episode 3 of their GFX technologies series, and this time it’s about the Lenses (epsiode 1 – Sensor / episode 2 – G-mount). Some excerpts:

  • The reason why we are introducing the new GF Lenses with the new GFX camera system is that the image quality of digital medium format can truly shine if the lenses are optimized for the latest (and future) technologies.
  • G Mount incorporates mirrorless technology and high-pixel-count CMOS sensor so that an ideal lens design could be realized.
  • The G Mount sensor has resolving power of that 4×5 large format with the mere size of 43.8×32.9mm. Rather than cropping the center of large format lenses, better images are delivered by optimal lens design for the image circle.
  • We put much higher cost and labor for GF Lenses than for that of a typical lens.
  • The GF Lenses can cope with a resolution up to 100MP. It means that the lens has a resolving power an image circle that is 4x larger than that of an APS lens. The MTF chart of GF Lenses comes with 40 lines per mm, which is higher frequency than 35mm format lenses, exactly our vision and goal for GF Lens performance.

Read the whole article at fujifilm-x – found via Fujifilm GFX facebook group here

Follow the dedicated Fujifilm GFX faceboo Page for exclusive GFX news and rumors and/or join the Fujifilm GFX facebook group for discussions about the GFX with GFX owners and fans.

Fujifilm GFX: USA BHphoto, Adorama, AmazonUS EU: AmazonDE, AmazonUK, WexUKParkCamerasUKPCHstore AUS: CameraPro

Fujifilm GFX mixed links

My first impressions of the Fujifilm GFX 50s at huseyintaskin

GFX + 32-64 100% crop shared here at the Fujifilm GFX facebook group

Fujifilm GFX 50s AF-C Performance at Hüseyin TAŞKIN youtube