Fujifilm X-H2 with 8K to Cost Less than Panasonic GH6 with 6K

I am not a micro four thirds hater.

On the contrary!

In my journey on the search to the perfect mirrorless system, I happened to shoot also Panasonic. I didn’t love it as much as Olympus (my first mirrorless love), but it was anyway a very nice and capable system.

And in fact, the whole MFT system is more capable than many might think. It is incredibly compact, it often has top notch AI features (the smaller the sensor makes AI easier), quite frankly it also has a more than decent image quality, a 4:3 aspect ratio that I personally really like and more Pros which we won’t touch on here.

I genuinely suffered to see Olympus go and from my heart I hoped that Panasonic will be able to keep the MFT system alive and flourishing.

This is why I was intrigued by the development announcement of the Panasonic GH6, hoping it would be a real beast and guarantee some success for the MFT system.

Now, FujiRumors is not the place to discuss the Panasonic GH6 specs (this is the place), but I have to mention two details announced by Panasonic about the upcoming GH6

  • Panasonic GH6 will shoot 6K
  • Panasonic GH6 will be priced around $2,500

After the GH6 pre-announcement, I had a talk with sources, and you bet we talked also about the Fujifilm X-H2.

They told me that the Fujifilm X-H2 will cost less than the Panasonic GH6, hence less than $2,500.

And as we already told you in the past, the Fujifilm X-H2 is supposed to be able to shoot also 8K DCI/UHD.

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Fujifilm to Launch Fujinon GF35-70mm Lens for $500 (kit price)

Long we have rumored an affordable G mount zoom lens by Fujifilm coming in the second half 2021.

Now we have an important update.

According to our sources, the lens should be a Fujinon GF35-70mm.

As we told you recently, the price of this lens is of $500 when sold in kit with a camera body.

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DPRTV: Fujifilm’s 5 Best Film Simulations

Fujifilm film simulations are more than just cool names for camera profiles.

Film simulations are the art of the colors that Fujifilm cultivates since decades, so far that the guy, who developed the original Fujifilm film stock already 50 years ago, still works at Fujifilm and is now in charge of crafting the film simulations.

So, colors are a serious thing for Fujifilm and you can see what you can do with them over at our Fujifilm film simulation group.

Now DPRTV published a video, where they go over what they consider the 5 best Fujifilm film simulations.

  1. Monochrome: He prefers it over Acros.
  2. Provia: Standard camera mode. Good standard profile. Does not push things too far. Great skin tones.
  3. Classic Neg: Great for street photography. Distorts reality, but not in a gimmicky way. Great for street scenes, knocks shadows down and makes street scenes look very dramatic, takes away some color and gives a nice vintage look. Aged, rugged look.
  4. Velvia: great for landscapes. Gives contrast and vibrancy. Can add some punchy drama to colors that are faded and muted. Adds a bit of magenta to blue skies, which can be really pleasing in landscape photos. Not great for skin tones
  5. Nostalig Neg: available only on GFX100S and GFX100. Mimics that classic American film stock from the 70s (Kodachrome etc.). Lower contrast but still rich saturation, warm colors.

For Video:

  • Eterna: For video an almost perfect profile. Very easy to grade. When he shoots high contrast scenes, he shoots F-Log, but in post he will immediately put an Eterna LUT on the file. Jordan loves Eterna

Where I don’t agree, is when they say ASTIA is boring. In fact, it is actually one of my top favorite film simulation, because it gives me a great balance between pleasing skin tones and vivid, but not oversaturated colors. I use ASTIA almost always when I take landscape images with people in the frame. I find it gives me the best results, better than Velvia, which is not great for skin tones.

More film simulations talk:

  • fujirumors – Vote Your Favorite Film Simulation!
  • fujirumors – Fujifilm Colors Science: GFX vs X Series, From Superia to Classic Negative, More Film Simulations
  • fujirumors – Fujifilm Managers Talk Film Simulations: Origins, Evolutions, Goals, Misunderstandings, Bold Classic Negative and Much More
  • fujirumors – The Power of Fujifilm Colors: Why I LOVE Fuji Colors and See Them in Action at Our Film Simulations Group
  • fujirumors – Meet Minami-San, Fujifilm’s Color Guru Since 50 Years and Now Bringing Fuji’s Color Science from Film to Digital

Lensmate Thumb Grip for Fujifilm X-E4 Available

Lensmate has released the Lensmate thumb grip for Fujifilm X-E4.

It is about 30% more affordable than the original Fujifilm thumb rest for X-E4.

Fujifilm X-E4 Thumbrest

  • engineered specifically for the Fujifilm X-E4, with ideal length and curve geometry
  • The sculpted thumbrest allows you to relax the grip on the camera, reducing camera shake allowing slower shutter speeds.
  • Makes one handed operation easier and prevents unintentional button presses.
  • Camera specific design retains access to all controls.
  • Integrated silicone insert provides both thumb grip and bumper between the rest and camera body.
  • Silicone insert in the hot shoe tab provides resistance to unintentional ejection.
  • Machined out of solid 6061 Aluminum rod, then bead blasted for texture and anodized for a tough finish.

The Lensmate X-E4 thumb rest will be available shortly at AmazonUS here, BHphoto here and Adorama here, and it is already available at lensmateonline.

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BREAKING: Upcoming Fujinon GF Zoom Kit Price Leaked on FujiRumors

Long we rumored an affordable Fujinon GF zoom lens to come in 2021, more precisely in the second half of 2021.

Many of you asked what “affordable” really means in the G mount lens world.

Well, here is the answer: the upcoming Fujinon GF zoom lens will be sold for $500 when bundled to a GFX camera body.

I don’t know the price of the lens only price at the moment, but as soon as I can I will let you know.

In Stock Check

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After Cyber Attack: Fujifilm Restored Normal Operations and Found No Evidence of Leaked Information

Here is the fact that kept Fujifilm very busy over the past few weeks:

Now the story seems to have come to an end, as Fujifilm writes in their latest press release that today they reached again normal operations again. There is a delay in shipping of products due to the attack, but Fujiiflm commits to catch up as soon as possible.

So far, investigations have found no evidence of leaked information.

Fujifilm has learned the lessons and says it will strengthen their cyber security.

Press Release

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DPRTV Fujifilm X-T4, Sony a6600, Canon M6MKII, Nikon Z50 Shootout: FUJIFILM Easily Dominates APS-C, Except for…

DPRTV compares the best APS-C mirrorless camera from four brands:

You can see the video above and read the summary below.

In short: There is no competition. It makes no sense to even try to compare anything APS-C related to Fujifilm right now. It is hands down the best APS-C choice and dominates in basically every area, except one: autofocus.

To be clear, it focuses great, all cameras in this shootout do. But where it is not on par with Sony and Canon so far, it’s autofocus tracking.

Handling

  1. Fujifilm X-T4: good grip and nice dial execution. You can still use it like a DSLR via front and back dial. Lots of versatility
  2. Nikon Z50
  3. Canon M6 II
  4. Sony A6600

Displays

  1. Fujifilm X-T4: best display. Touch screen with full articulation. Nice EVF
  2. Nikon Z50
  3. Canon M6 II
  4. Sony A6600

Autofocus

All cameras have very good autofocus.

  1. Sony A6600
  2. Canon M6 II
  3. Fujifilm X-T4: very much improved AF, especially face and eye AF. Performs very well. The tracking is not as sticky, though
  4. Nikon Z50

Image Quality

  1. Fujifilm X-T4: love 26MP sensor. Good low light performance and dynamic range. Fast readout with minimal rolling shutter which makes electronic shutter more useful. Great JPEG’s and film simulations. X-Trans does not play very nice with Adobe software. But DPRTV uses Capture One, and that works great
  2. Canon M6 II
  3. Sony A6600
  4. Nikon Z50

Battery Life

  1. Sony A6600
  2. Fujifilm X-T4: NP-W235 battery. USB-C charging
  3. Nikon Z50
  4. Canon M6 II

Video

  1. Fujifilm X-T4: killer video camera. Internal 10bit recording. 4K60p. IBIS. Fully articulating screen. ETERNA profile. USB-C dongle for headphones. by far the best camera
  2. Sony A6600
  3. Nikon Z50
  4. Canon M6 II

Final Rankings

  1. Fujifilm X-T4: most expensive of the bunch. Higher specs than the other cameras. Fujifilm has invested strongly in APS-C. Complete lineup. Lots of lenses. Professional body. Nice styling. Nice to use and to own.
  2. Sony A6600
  3. Canon M6 II
  4. Nikon Z50

Get the Best ;)

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Ein Beitrag geteilt von Fuji_Rumors (@fuji_rumors)

Fujifilm Resumes Shipping of Orders after Cyber Attack

Here are the previous episodes in bullet points:

Today Fujifilm issued a statement, saying that the network is recovering and starting from today, they will resume orders for products and services that were partialyl suspended.

It seems like slowly everything is getting back to normal.

Notice of delay in delivery due to communication failure and resumption of orders

Due to unauthorized access to the server used by Fujifilm, a communication failure occurred in our network, and we are currently in the process of recovery. From June 9th (Wednesday), we will resume orders for products and services (photo prints, etc.) that were partially suspended. In addition, the delivery date may be delayed.

We apologize for the inconvenience and thank you for your patience.

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FAST DELIVERY: Fujinon GF23mmF4 Takes a Delightful 6 Feet Drop – VIDEO

Here is a little weekend curiosity.

A fellow FR-reader ordered the lovely Fujinon GF23mm F4, but the courier had the brilliant idea to give that $2,6K precious box a delightful 6 feet drop. You can see it all captured in the video. He tested the lens, and so far it seems the lens survived jump. And yet, things like these should not happen.

And do you have a horror delivery story to tell?

My worst, was a courier, who simply left my new computer in front of my door, right on the street, where all the people pass and it could have been taken away by simply everybody. Lucky me that I live in a super small village where everybody knows each other, and I think the last “crime” we saw in our forgotten village was a drunk guy pissing on the walls of the church a few years ago ;).

I mean, I understand we all want our package as quickly as possible, but I prefer to arrange a delivery for another day and a wait a bit longer, rather than having my gear flying around or abonded on the street.

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ePHOTOzine Fujinon GF80mmF1.7 Review: Impressive Chromatic Aberration Control, Outstanding Sharpness, Superb Image Quality

When the ultra fast Fujinon GF80mmF1.7 was launched, some noticed a minimal sign of fringing when pixel peeping into images to ultra detailed pixel level. Something to worry about?

Apparently not.

According to ePHOTOzine, who just published its full technical review, the GF80mmF1.7 is able to contain chromatic aberration extremely well. They write:

CA (Chromatic Aberration) is also very impressive, centrally being close to zero as we stop down slightly. The edges are also kept well under control.

I did play around with the GF80mmF1.7 of my close friend too (he sold all his Nikon Z gear for the GFX system) and quite frankly it’s a stunning performer in terms of optical quality.

Down below you can see the Pros and Cons of the ePHOTOzine review.

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