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RUMOR: Fujifilm X-E5 Film Simulation Dial Comes with “New Design”

Just a little update regarding the Fujifilm X-E5 film simulation dial.

We confirm it will be there (despite the officially shared X-E5 teaser image not hinting at one), but it will have some sort of “new design”.

So, the Film Simulation dial will get its evolution. Feel free to let us know how you’d like it.

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Fujifilm X-E5 and XF23/2.8 Official Teaser: “An Essential X Series Rangefinder-Style Camera is Coming”

Fujifilm has just released a teaser video (see below) for the upcoming Fujifilm X-E5, set to be officially announced on June 12 at 5AM New York time. In the video, Fujifilm says:

there is another rangefinder-style series that’s just as essential when telling the story of our X series history

I am so happy to hear these words from Fujifilm. The Fujifilm X-E line is my favorite in the lineup, and the fact that they now call it “essential” for the X series somehow touches me, especially considering how close it once came to being discontinued.

I think I’m emotional about this video because it feels like a promise: a sign that Fujifilm is committed to continuing the X-E series going forward. And the X-E line is a huge reason why still I shoot Fujifilm today.

Sorry for this little rush of emotions. Let me recollect myself and focus on rumors.

And what we can see based on the underexposed image shared by Fujifilm is… well, actually not much.

  • I guess we can see a command dial on the front
  • maybe there is an X100VI alike viewfinder selector on the front, just as the Fujifilm GFX100RF has it. If that’s true, then it will probably work like on the GFX100RF
  • if that’s the XF23mmF2.8 pancake lens mounted on the X-E5, then we can say it is really super compact. Probably weighting around 80 gram, so more or less like the Fujinon XF27mmF2.8

These are not rumors, just speculation based on the image shared by Fujifilm.

And yes, we rumored it has a film simulation dial in addition to existing X-E4 dials. But on these images we can’t notice anything. But it has to be somewhere on the Fujifilm X-E5.

→ feel free to join the X-E5 Live Blog on FujiRumors on June 12 at 5AM EDT

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Fujinon XF23mm f/2.8 Lens Coming in Black and Silver

At a time when Fujifilm continues to discontinue silver-colored lenses, the upcoming Fujinon XF23mm f/2.8 pancake lens will buck the trend by launching in both black and silver versions.

Discontinued Silver XF/XC Lenses

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BREAKING: Fujifilm XF 23mm F2.8 Pancake Lens Coming June 12

When Fujifilm showed us the shape of a possible XF23mm pancake lens, they had two version, one a bit longer and one ultra compact.

Well, I guess we can now say they went for the ultra compact version.

In fact, according to our trusted sources, the new pancake lens coming June 12 will be the Fujinon XF 23mm f/2.8.

As a very happy owner of the Fujinon XF27mmF2.8 R WR, I think it is a great move to keep the lens as compact as possible and give it an f/2.8 aperture.

But feel free to share your thoughts in the comments.

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RELAX: The Fujifilm X-E5 Film Simulation Dial Doesn’t Replace Any Existing Dial

We just told you that the Fujifilm X-E5 will have a film simulation dial.

Well, our sources would like to clarify one thing: the film simulation dial will not replace any of the current dials found on the X-E4.

That means you’ll still get all the classic, tactile controls we’ve come to love from the X-E line—dedicated dials for shutter speed and exposure compensation, just like on the X-E4, X-E3, and earlier models.

So don’t worry: nothing is being taken away. Fujifilm is just adding something new without removing what already works so well.

Now, I know some of you aren’t fans of the film simulation dial. I get it, it’s a controversial one.

But as I have said before (as you can read here) on the Fujifilm X-T50 for example I prefer having the film simulation dial over the drive dial. And I think the film simulation dial is perfect for the Fujifilm X-M5, too.

And to those who ask: “Why do we need a dedicated dial for film simulations?” — I’ll counter with: Why do we need a dedicated dial for shutter speed, ISO, or exposure compensation? Technically, all of that could be assigned to command dials or function buttons.

The truth is, dedicated dials aren’t a photographic necessity—they’re a design choice. Their value lies not in their function alone, but in how they shape your shooting experience. Whether a dial makes sense depends entirely on how you shoot and what kind of interaction with the camera you enjoy.

Fujifilm’s thinking seems to be: if they can offer one more direct and intuitive way to access film simulations—without removing any existing dials—why not do it?

Look, I’d have hated it if, let’s says, the shutter speed dial had been sacrificed for the new film simulation dial. But that’s not the case and I am fine with having the film simulation dial in addition to the existing classic controls.

So keep in mind: our trusted sources confirm that no classic X-E control has been removed. So you can look forward to the Fujifilm X-E5 knowing it still honors the design philosophy that makes the X-E series so beloved.

X-E5 Specs – Rumored

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Fujifilm X-E5 Coming with Film Simulation Dial

First came the Fujifilm X-T50.

Then came the Fujifilm X-M5.

And because it has been so successful, Fujifilm won’t stop it there.

In fact, according to our trusted sources, the Fujifilm X-E5 will also feature a dedicated dial for film simulation control.

X-E5 Specs – Rumored

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Debunked: Fujifilm Will NOT Announce Two Cameras on June 12 – Only Fujifilm X-E5 Coming in the Next Weeks

The… Rumor… (Sort of..)

So we know, Fujifilm has currently registered three unreleased cameras:

  • FF250001 – Fujifilm X-E5 (maybe not? important note at the bottom)
    Multi-frequency Wireless
  • FF250002 – Fujifilm GFX Eterna
    Multi-frequency Wireless
  • FF250003 – unknown
    Single Frequency Wireless

Recently, the Chinese weibo account E8M claimed he received information that two new Fujifilm cameras will be announced within the next three weeks – see here.

Well, to my knowledge that’s not correct.

From what I know, only one X/GFX camera will be announced in that timeframe: the Fujifilm X-E5.

E8M also reported that both FF250003 and FF250001 have appeared in the Bluetooth certification database – see here -, and that this implies both cameras are launching soon.

But again — to my knowledge — that’s not the case.

I have huge respect for E8M, because he is the best in spotting camera registrations that are made public on the internet for everyone and this is why I follow him with great dedication.

However, when it comes to rumors, I’d take them with a grain of salt.

As a reference in regards to E8M rumors, check out this list of rumors here and the rumors about the new X-Trans V sensor.

So, I invite everyone to follow E8M since he is fantastic, but take his “rumors” with a grain of salt.

But of course take also my rumors with a grain of salt. It’s all just rumors and I can be wrong too. With that said… just trust me ;).

An Instax?

Bottom line: in terms of X and GFX gear, only the X-E5 will be coming in the next few weeks.

As for other gear like a new Instax camera — maybe. That’s possible. But Instax models usually don’t appear under “FF…” registrations, so that’s a different story.

The True Question – Fujifilm X-T6 and Co?

More interesting, however, is a question raised by FR-reader Mistral:

Could it be that FF250003 (with single-band Wi-Fi) is actually the Fujifilm X-E5, and FF250001 (with dual-band Wi-Fi) refers to an entirely different, possibly higher-end camera?

That’s a possibility. If that’s the case, then FF250001 might not be the Fujifilm X-E5 after all — and that could open the door again for exciting high-end cameras like the Fujifilm X-T6, Fujifilm X-Pro4, Fujifilm X-H3, or Fujifilm X-H3S to arrive later in 2025.

But as of now, my best bet is that the FF250001 is the Fujifilm X-E5.

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Sigma 17-40mmF1.8 DC ART Additional Specs … that Fujifilm Shooters Will LOVE

this is not the real lens but just a rendering
this is not the real lens but just a rendering

We have received additional specs about the upcoming Sigma 17-40mm f/1.8 DC ART lens, which we remind you will be announced on June 17 along with the Sigma 12mmF1.4 as reported here.

The specs come from an anonymous source and no nickname has been shared in the message, but the way it was written I think it could come from the same anonymous source (with nickname), who shared the specs yesterday (and that source is accurate).

I share the rumor because I think it is the same source. But if that’s not the case, then I just published totally unverified rumor without any check from trusted sources. If that’s the case, take everything below with a grain of salt.

It’s now confirmed (THANKS), that the information comes from the same anonymous source with nickname, who has shared accurate information in the past.

In general a message to anyone: we also have a 100% anonymous Signal chat in which you can contact us.

  • Aperture ring, with de-click option
  • sealed against dust and splashes
  • Size: 115.9mm long, maximum diameter 72.9mm
  • 67mm filter
  • ⁠535 gram
  • Internal Zoom
  • uses aspherical elements made of SLD (Super Low Dispersion) glass
  • manufactured with advanced polishing technology to minimize chromatic aberration, flare, distortion
  • excellent sharpness from corner to corner already at f/1.8
  • HLA (High-response Linear Actuator) autofocus motor (fast, silent and accurate)
  • excellent control over focus breathing
  • announcement June 17
  • shipping in July

I guess Fujifilm shooters will love it that it has an aperture ring (at least so says the rumor).

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Sigma 17-40mm F1.8 DC ART Specs Leaked – Internal Zoom and 535g Weight

this is not the real lens but just a rendering
this is not the real lens but just a rendering

A source—who contacts us anonymously but consistently uses a recognizable nickname, and who has shared accurate information in the past (THANK YOU)—has now passed along the main specs for the upcoming Sigma 17-40mm F1.8 DC ART:

  • uses aspherical elements made of SLD (Super Low Dispersion) glass
  • manufactured with advanced polishing technology to minimize chromatic aberration, flare, distortion
  • excellent sharpness from corner to corner already at f/1.8
  • HLA (High-response Linear Actuator) autofocus motor (fast, silent and accurate)
  • excellent control over focus breathing
  • Internal Zoom
  • weight: 535g

Now, Sigma made the Sigma 18–35mm f/1.8 DC HSM Art for APS-C DSLR cameras (launched in 2013), but that one weights 810 grams. So there is a substantial weight reduction with the Sigma 17-40mmF1.8 DC ART, and it even has more range on both ends.

I guess that’s something we can really look forward to.

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Fujifilm X-E5 with IBIS and 40 Megapixel – The Most Powerful X-E Ever… But at What Cost?

So, we have shared two crucial rumors regards the upcoming Fujifilm X-E5:

Now, every Fujifilm X-E camera launched so far had a price tag below 1K USD.

But this time it seems that Fujifilm has really packed all they can into the X-E5. And because of that, I think (not rumor) that we can forget it to cost 1K USD or less.

I know, I had 40MP and IBIS on my nice-to-have X-E5 wishlist. And I was aware that all this goodness would come at a price.

So personally I was be ready to pay more than 1K for the X-E5 with these features.

But what about you?

Would you consider buying the X-E5 only if it costs 1K or less?

Feel free to vote the survey:

Would You Still Buy the Fujifilm X-E5 If It Costs Over $1,000?

View Results

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