Fujifilm GFX 100: Everything We Know so Far

Fujifilm GFX100

The Fujifilm GFX100 is coming on May 23 (live blogging on FujiRumors), and I have decided to collect all we know about it in this article.

It’s a mix of rumors and official statements made by Fujifilm managers.

For your convenience, I will link to the source (rumors or manager statement), so that you guys know if you should take something with a grain of salt or not.

Most of it comes from an amazing source, who shared with FujiRumors the official Fujifilm GFX 100 media slides:

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RUMOR, NEWS and COMMUNITY

Fujifilm GFX 100 official and rumored specs

GEAR TALK DETOX: Fujifilm GFX Monochrome Edition with Valentino Rossi and More

Gear Talk Detox

The next few weeks will be gear talk at its highest power, here on FujiRumors.

The reason?

The massive Fujifilm GFX100 announcement on May 23!

So I thought that, before we dive into specs, pixel peeping, 400% magnifications and all the rest, we take one last deep breath into the art of photography by sharing some of the most voted images.

The only problem?

Our massive 21,000+ members strong Fujifilm GFX facebook group is very prolific and shares tons of images.

In order to make it easier for you digest, I decided to focus this part of the image roundup on monochrome images, and there will be another one later on in colors.

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Let’s Start (click to see the images)

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The Ultimate Fujifilm NP-W126S vs Third Party Batteries Battle

Fujifilm Batteries

We have already reported about Dom Varney’s articles “Powering the Fujifilm X-T3” and “Fujifilm NP-W126S Battery Counterfeits – A Visual Guide to Spotting the Fakes“.

He now also published the most comprehensive guide to Fujifilm original and third party batteries I have ever seen on the web so far.

The tested batteries are:

It’s a massive write-up, impossible to sum up quickly. So I’ll just share a short excerpt:

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Fujifilm Factory Visit: Manufacturing Fujinon XF Lenses and Fujifilm X/GFX Cameras

Pixel Village visited the Fujifilm factory in Japan. Above you can see the video, which I will let you start at minute 2:30 (the moment they enter the factory). Here are some info we get from the video:

  • 70 Fujifilm GFX 50R are assembled in an 8 hour shift
  • the leather fixing on the Fujifilm X-H1 took the Japanese worker 1 minute and 50 seconds
  • you see the red badge XF lens assembly line and manual lens elements alignment
  • some stuff was not permitted to be filmed, such as robots putting lens mounts together
  • they were surprised how much technology, work and passion is behind something that we take for granted
  • at the end Fujifilm asked in a feedback session what they could improve in their quality standards, but it would be like if the sun would ask how to make light

Down below you can see some screenshots from the video.

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Fujifilm Will Soon Announce Two Large Format Cine Lenses “Premista”

Nokishita just leaked the first images of the Fujinon 80-250 and 28-100 large format cine lenses.

These could be the Fujifilm GFX medium format cine lens version of Fujifilm’s APS-C Fujinon MKX 18-55mm T2.9 and Fujinon MKX 50-135mm T2.9.

We remind you that the Fujifilm GFX 100 medium format camera will shoot 4K video.

Since the images have now been leaked, I expect the announcement of the new Fujinon premista lenses to happen within just a few weeks.

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Product Images

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DPReview Fujifilm Managers Interview: “No Need to Open X Mount, AI and Global Shutter are the Future, GFX100 Within End of June”

DPReview interviewed Toshi Iida, Makoto Oishi and Shin Udono. Here are the main points (full interview at dpreview here):

Medium Format

  • Full Frame and Medium Format will coexist
  • GFX 50R sales look very promising
  • FF is 1/3 of market in terms of value, slightly growing
  • MF was 1%, but doubled after GFX introduction
  • 70% of MF buyers were coming from other brands, mainly DSLR, and the GFX is their additional system
  • 20% of GFX users are professionals, 80% non-professionals (especially GFX 50R users)
  • Fujifilm wants to increase professional base, also thanks to Capture One support and with future GFX 100
  • Fujifilm GFX 100 should show the potential of medium format
  • FF can reach 70-80 Megapixel
  • GFX lenses designed for 100MP resolution
  • Fujifilm GFX100 will be available before the end of June
  • Fujifilm GFX100 target is commercial photographers, fashion, landscapes, but also more general purpos
  • GFX 100 will shoot at 16bit RAW. Benefit noticeable mostly at low ISO and deep shadow detail. 4 times the amount of data, 14 bit lets you shoot faster, which is appropriate for APS-C

APS-C vs Full Frame

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Fujifilm sets its Highest Record with 24 Products Winning the Internationally Prestigious Red Dot Design Award

Fujifilm sets its highest record with 24 products winning the internationally prestigious Red Dot Design Award

Ultra-short throw projector and portable X-ray unit wins the highest ranked “Best of the Best Award”
In recognition of beautiful appearance and design to achieve outstanding functionality and performance in products of various business fields

Press Release – March 27, 2019

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Fujifilm Wins “iF Design Award” with 20 Products

iF Design Award 2019

News is news, so I share it. But I wrote a very informative piece about these awards last year. So, if you want to read how the business around (some of these) awards goes, check out this article.

Now, I do not know if the iF design award works the same like TIPA, EISA and others, but I would not be surprised if it would.

With that said, the iF Design Awards have been assigned, and Fujifilm wins with 20 products:

Fujifilm wins the internationally prestigious “iF Design Award” with 20 products

-Recognized for design excellence, advanced performance and superior operability in products of various business fields
-Portable X-ray unit “CALNEO Xair” wins the highest ranked “iF Gold Award”

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Fujifilm Managers Q&A: Canon is Wrong, Full Frame only 1/3 of Market, X-T3 sold 40% Better than X-T2, Fast Lenses for GFX and More

Fujifilm Managers Interview

Just yesterday we shared a CP+ interview with Fujifilm managers here. Today it’s already time for another one, this time with Toshihisa Iida (the manager who said Fujifilm will never go full frame) and Makoto Oishi.

It’s again an interesting one, that also becomes very technical when it comes to analyzing the autofocus system and lets imaging-resource conclude that Fujifilm’s PDAF technology is arguably the most advanced on the market.

Down below you can find the key points and some images of the interview. The complete one can be checked out at imaging-resource here.

Market Future & Canon Predictions

  • Fujifilm totally disagrees with Canon’s prediction, that ILC business is going to contract by half over the next two years
  • Market will depend on innovation that will come
  • Fujifilm believes there is room for further grow
  • Some markets will decline, but other markets have still potential to grow (Asian market)

Full Frame

  • Customers should have different options
  • Currently full frame has 1/3 of the market by value
  • 2/3 of market is predominantly APS-C, Micro Four Thirds, and some medium-format
  • other manufacturers focus on full frame, this might open opportunities for Fujifilm as long as they keep up innovating APS-C and MF
  • mainly X-T3 and GFX 50R helped Fujifilm to grow by 10% total volume growth
  • APS-C vs FF is not just about sensor size, but also the lens size, lens weight, overall cost, or the speed, the 4K movies
  • people judge the system more on the overall package

Fujifilm X-T3 vs X-H line

  • sold better than expected
  • Fujifilm X-T3 sold 40% better than X-T2 if you compare to same period since launch
  • X-T3 and X-H1 have cannibalized each other
  • with the new lower X-H1 price tag, X-T3 and X-H1 sit nicely next to each other
  • H-series and T-series will coexist for the future, but we need to clearly differentiate the lineup without confusing customers

Lenses

  • XF200mmF2 is not only for sports, but also for portraits for very creamy bokeh and concerts for example

GFX System

  • Fujifilm GFX 50R sales are above expectation and factory is very busy
  • Fujifilm GFX 100 design is almost final, very early firmware, and IBIS still does not work
  • GFX 100 megapixel autofocus: same sensor structure as the X-T3
  • GFX 100 has almost zero competition, because FF is only at 50MP and other medium format cameras are very expensive
  • Fujifilm thinks at multi-shot high-res shooting mode for GFX100, but has not decided yet
  • designing IBIS is a real challenge for big MF sensor
  • Fujifilm has no idea about how many stops IBIS they will achieve [FujiRumors leaked internal press sheets that show they aim at 5 stops]
  • Fujifilm is still improving image quality via firmware
  • GFX100 launch in first half 2019 for around $10,000
  • Fujifilm GFX 50S most popular lens is the GF 32-64mmF4
  • Fujifilm GFX 50R most popular lens is the GF 45mmF2.8
  • GFX 50S owners have more lenses than GFX 50R owners
  • GFX owners complaint about the lack of more fast lenses for the system and Fujifilm is taking into consideration their feedback
  • Fujifilm listens to customers and tries to make their wishes happen, but sometimes their wishes become reality is very difficult and challenging
  • As bright as possible, as small as possible, as affordable as possible…
  • same team works on GFX and X. One R&D budget and depending on needs they are flexible to shift their focus

Autofocus

  • X-T30 has improved algorithm which will come to X-T3
  • CMOS sensor is always reading by lines. So it isn’t very suitable for horizontal phase-difference […] technically we can make a cross-type system but normally, subjects are more… and horizontally-arranged PDAF pixels support them better
  • Fujifilm could do vertical AF correlation, but hasn’t felt the need to do it
  • 8% of pixels are phase detection pixels (high density), good for low-light and high-frequency subjects
  • signal and phase pixel are read separately
  • we used to have like 60 regions within each AF point, but now 240
  • depending on the light level, the X-T3 can “bin” PDAF pixels together (basically just adding their contents) to get a better signal/noise ratio, and so be able to determine focus even in very dim lighting. Depending on how you do this, you’ll trade-off some ability to see the finest details, but it can really help in very low-light conditions

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