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Best Sellers: XF27mm (get it for $200 now) + X-E1 ($719 with 18-55)

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See all rebates at BHphoto here (+4% reward), AmazonUS and at Adorama here (+4% reward) and Pictureline.

XF 14mm: $200 off (price $700) at BHphoto / Adorama / AmazonUS / Pictureline
XF 18mm: $200 off (price $400) at BHphoto / Adorama / AmazonUS / Pictureline
XF 23mm: $150 off (price $750) at BHphoto / Adorama / AmazonUS / Pictureline
XF 27mm: $250 off (price $200) at BHphoto / Adorama / AmazonUS / Pictureline
XF 35mm: $150 off (price $450) at BHphoto / Adorama / AmazonUS / Pictureline
XF 60mm: $250 off (price $400) at BHphoto / Adorama / AmazonUS / Pictureline
XF 55-200: $200 off (price $500) at BHphoto / Adorama / AmazonUS / Pictureline

If you use one of the shoplinks here to purchase your camera you’ll support FR, as a small commission is valued back to this blog with no extra costs for you. Feel free to support Fujirumors.

 

X-cameras

X-E2: save $100 on the kit ($1,299) and also on the body ($899) at AmazonUS.
X-E1: get the black kit for $719 AmazonUS and BestBuy or for $799 at BHphoto (4% reward) at and Adorama (6% reward). The body comes for just $549 at AmazonUS and BHphoto or for $599 at Adorama
X-M1: Save $200 (price $599) on the kit and $200 on the body (price $499) at AmazonUS, BHphoto (+4%reward) and Adorama.
X-A1: get it for $499 with kit lens (save $100) at AmazonUS, BHphoto and Adorama.
X-PRO1: get the body for $999!! (save $200) at AmazonUSAdorama (+4%reward) and BHphoto (+4%reward).

miXed zone: X-T1… and much more!

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X-T1 pre-orders

X-T1 body only ($1,299): USA: AmazonUS / BHphoto / Adorama / Pictureline / EU: wexDE / wexUK / PCHstore /
X-T1 with 18-55 ($1,699): USA: AmazonUS / BHphoto / Adorama / Pictureline / EU: wexDE / wexUK / PCHstore /
X-T1 Vertical Battery Grip ($ 249,99): USA: AmazonUS / BHphoto / EU: wexDE / wexUK /
X-T1 Hand Grip ($129.95): USA: AmazonUS / Bhphoto / EU: wexUk / wexDE

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X-T1- how do I love thee? Let me count five ways… at thistonybridge here: “The viewfinder is bright and involving, the best I have used yet. It has a high eyepoint and there are options to have it with information around the sides, with no information, or withdual screens ( I haven’t figured out why you want that yet!) but it is big and beautiful. That said, it is still an EVF, and not an optical viewfinder killer!”

– Hands-on: First impressions on the upcoming Fuji X-T1 at grittymonkey here: “For me the jury is still out. The EVF makes a big impression, the camera is fast and responsive, but clearly I have been spooked by the lack of relief of the back buttons of the camera. So far it seems to me that If you already own an X-E2 (or were planning to buy it), don’t shoot action and don’t mind the big EVF, you don’t need to upgrade (or spend the extra money). Anyway, I will leave definitive conclusions for after a real test in real life. I should get my own production sample in 10 days (“I love it when a plan comes together”, fingers crossed), so if you want to hear more about the X-T1 and how it performs in real-life, stay tuned”

X-E2
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X Factor – With ‘Altitude’! at lovetheimage here: ” [X-E2] It’s ideal for outdoor sports (as well as weddings, portraits, landscapes etc!) as you don’t even notice you are carrying it! Pushing both myself and the camera to the limits I had the horsey treat of shooting the BMW Polo Masters at Corcheval – one of the highest polo grounds in the world – played on snow. I was hooked from the first Chukka… Well, my little Fuji friend did me proud, achieving lovely sharp images in the most challenging conditions and capturing one of the fastest sports on earth.

Full Review: Fujifilm X-E2 the Greatest ILC? at bigheadtaco here: “In the end, comparing the X-E2 to the previous X-E1, it’s definitely worth the upgrade. Before the release of the X-T1, the X-E2 was the unoffical top-of-the-line X-series ILC camera. It has all of the most recent hardware and software upgrades, and still keeps all the ergonomic and functional features of the X-series cameras. The JPEGs are amazing, even at high ISO, and all the camera functions have been refined (EVF, LCD, AF, MF). Would I buy the X-E2?”

– Super-comparison at the Spanish site quesabesde here (translation) Fujifilm X-E2, Olympus OM-D E-M5, Panasonic GX7 and Sony NEX-7: “In any case, as what it is precisely to find these differences, it is demonstrated that the X-E2 is imposed on the rest in terms of image quality, noise control and dynamic range.”

– Matt Brandon (thedigitaltrekker): “I thought you might be interested in seeing the images from my new post. I used the multi exposure function on the X-E2 with some success. I was pleased with both the use of the multiple exposure as well as the long exposure technique. I was very pleased with how the camera performed in lowlight as well.” For his article Pushing the X-E2 to it’s limits and finding them click here: “[taking photos of] constant movement of people […] with very little light and it failed..badly. Almost every frame was out of focus. I didn’t just shoot in AF-C I also shot in AS-S (single) and tried to capture scenes on the move. No luck.”

Still life photography with a new Petzval lens on the Fuji X-E2 at aboutphotography here: “The lens is noted for its flattering use in portraiture, and a soft, swirling bokeh effect in out of focus areas. To harmonize the characteristics of the lens with my still life project, I kept to muted colors and soft, bright lighting.” He also wrote the article “Tilt-shift adapter on the Fuji X-E2, X-Pro1, and X-T1 cameras“. Check it out here. A third blog post, “A beauty portrait with the Fuji X-E2“, can be read and seen here.

Beyond the static at thistonybridge here: ““Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern.” ― Oscar Wilde.”

– (shared via FR-twitter): The X-E2 is simply delicious (with XF23mm) at neillsoden here: “In my opinion, the X-E2 is currently the best camera that Fuji has, bar the X100S, but that is in a different class. […] The 23mm is a really good lens, the build and image quality is outstanding. I would say that if you have the X100 or X100S in addition to another Fuji, you don’t really need this lens, and the price difference is small. That said, that beautiful f/1.4 can be really handy at times.”

The Streetshooters – Fuji X-E2 + 27mm and Ricoh GR at mingart here: “The best camera for the Streets ? Of course, there is no such thing. Any camera is as good as the person behind it. But if you ask, what I prefer…no pixelpeeping, in real life…I like it invisible, undercover, no recognition at all, light to make you agile…a ninja camera… the [shoplink 13349]Ricoh GR[/shoplink].”

– Fujifilm X-E2 w m-mount & Leica 50mm at alexlambrechts here: “For me, this camera is the perfect little street partner to my Fujifilm X100S, the Fujifilm X-E2 with m-mount & 50mm Leica Lens, gives me that perfect manual focus 75mm I love! […] I believe this one blows it [the X-PRO1] away in so many ways! and way smaller too!” For some shots he took with the X100S click here.

pocket-lint X-E2 review here: “If you’re after a CSC that’s all about image quality then look little further. We also love the hands-on layout of the build, and both retro style and retro approach to taking pictures thanks to physical aperture dials on the XF lenses. That £799 body-only price point might seem like a lot of money, because it is, but there’s a physical quality here that can be seen from a mile away.”

– The trio, X-E2 + X-PRO1 + X100S at draigphotography here:With my happy trio above I have so many options. Yet all contain that gorgeous beating heart of the 16 megapixel X-Trans sensor. I have choices for carry, aperture, ND filter, leaf shutter, fill-flash, optical and EVF, all choices that I can make for shooting and which I would most need, yet I am assured the file output is consistent, that’s my kind of choices.”

– Low light photography with the X-E2 at flixelpix here: “I ventured out with the Fujifilm X-E2, 23mm and 14mm lenses. Read my review of the Fuji X-E2. Shooting at night is a different type of long exposure photography where you need to have the shutter open long enough for the landscape that is in total darkness to impact on the sensor.” For his article Ideal Landscape Photography Kit click here: “You will probably already know that even since I purchased my first X100 in 2011 I am completely smitten by the Fujifilm X range of cameras.  The X-Trans sensor is amazing and to be honest all of the Fujifilm X Series cameras are ideal for landscape photography.”

– First Night of Training for the X-E2 at draigphotography here: “The X-E2, on it’s first project outing in hideous lighting conditions, performed like a champ. The size is not a concern (as pondered after X Pro1 use for so long) but the grip is a welcome addition, at least for me. The controls fall to finger naturally and everything feels that little bit tighter in operation. The X Pro1 is still an amazing camera (as is the X100s) so there really is no wrong choice. But Fuji have definitely honed/polished and improved upon many things to produce the X-E2.”

The Times, They are a Changin’ at draigphotography here: “The Fuji X system is superb in it’s ergonomics and imaging quality, it’s small, light and quiet and now the XE2 has WiFi built inside the possibilities are there to be taken advantage of by the professional on location.”

Fuji X-E2 W/ XC 50-230mm F4.5-6.7 OIS Lens | PART 2 at leighmiller here: “The X-E2 was also nice to use…just like the X-E1. The AF was faster and there was less hunting. The button layout refinements are a nice touch as well. I never paid too much attention to the ISO setting except to ensure it was high enough for a fast shutter speed as required.”

Fujifilm X-E2 Review and Real-World Write-Up at photomadd here:I think it would be hard for anyone to really complain about the auto-focus system in the X-E2.  It is a big improvement on the previous generation of X-Mount cameras when shooting real-world photographs.  In that regard Fujifilm should be congratulated for getting their act together.  If the past couple of years are anything to go by I can only see things getting better on this front too as Fujifilm seem keen to improve existing models rather than just releasing a replacement every few months.”

– review at amateurphotographer here: “Once familiar with the ins and outs of the X-E2’s operation, the solid build quality, superb handling and excellent button placement add up to offer one of the best user experiences there is. Most importantly, there’s no compromise in image quality, with the standard of results and detail rendered making it an excellent substitute for a more unwieldy APS-C-format DSLR. The X-E2 is, to put it simply, a stunning camera that’s up there as one of the most attractive on the market and is an absolute pleasure to use.”

Fujifilm X-E2 Review: Further Refining The X-E Design at findingrange here: “The Fuji X-E2 brings its user back to the basics of photography, which is why I love the X Series so much. It thoroughly involves the person in the photographic process, which is also what makes this camera so plain out fun to use.  It makes you want to go out and shoot.  It makes you want to learn more.” For some BW shots with the 12mm Touit here.

Fuji X-E2, RRS and Kirk compatible grip and L plate ~ mini review at prophotonut here: “I have just been trialling the new grip, base plate and L bracket for the Fuji X-E2 supplied in the UK by Photo Madd. The grip is a great improvement on the X-E1 model widely available on Ebay. Here are my findings.”

– Long Exposure with the Fuji X-E2 at mingart here: “Using a +10 stop B+W filter and a tripod for capturing some long exposure images with the Fuji X-E2. The zoom lens 18-55mm been perfect because of the terrain. Straight out of the camera (black&white yellow filter), increasing the shadows and highlights. LR 4.4 adding more contrast and sharpness.”

Introduction to the Fujifilm X-E2 by X-Photographer Kale Friesen on youtube here.

– Fuji X-E2 Manual Focus at stanleyleary here: “This is the setup I am using to demonstrate the manual focus of the Fuji X-E2.”

– first impressions in French at k-pture here (translation).

X100S
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– Boban James “Hi Patrick. Been a long time follower of your blog and that was one of the reasons why I picked up a Fuji X100S. I’m a portait and lifestyle photographer based out of Hyderabad, India and took the Fuji across three Indian cities. I’ve put up a blog documenting my experiences at: I believe this is the first review from India and I thought it would be of interest to your readers.  Cheers and look forward to interesting announcements on your blog.” Check it out here.

– Justin Balog: “Howdy Patrick! I thought you might enjoy this project we did with the Fuji x100s and a season of Bronco Fans. We’d love it if you shared it with your readers.” Check it here.

– Rainy Date (with the Fuji X-Pro1 and X100S) at olafphotoblog here: “If you live in Vancouver, you have to embrace rain as part of daily life. In fact, the winter months are usually associated with non-stop rain, sometimes for weeks. Such generosity in terms of wet weather could be viewed as a nightmare for a photographer … or it could be a great opportunity to challenge your photographic vision.” For his beautiful images in the post Westminster Abbey with the Fuji X100S & X-Pro1 click here.

– Duncan Martin: “Hi. I’ve been using the Olympus E-M5 for a while and quite recently bought a X100S to use alongside it. I’ve written a series of blog posts comparing the two cameras, which your readers might find interesting.” Check it out here at duncanmartin.

MY 2013 | REVIEW at vopoku here: “The Fujifilm X-Pro 1 and X100s became my tools of choice and I discovered the work of some brilliant photographers. Here is a selection of some of my favourite images from last year.”

– “My new camera! It is here. After not many days at all of waiting (but after a great deal of deliberation about wants vs. needs, eating vs. starving and so on) I ordered a Fujifilm X100s . Ken Rockwell, that master of hyperbole and audience-directed sabre-rattling (seriously, the guy can’t write three lines without flashing his cutlass), called it the world’s best digital camera. While that’s almost certainly not true, it’s a hell of a machine.” Read more at thepalinode here.

– Behind the Photograph – One evening on the rocks with the Fujifilm X100s at mirrorlessons here: “I had the Fuji X100s with me so I knew that I would have to get in close to capture what I wanted. I headed to the rocks, while sometimes stopping to see if there was already a good composition or if I needed to go further.”

Fujifilm x100s Review – Testing Never Really Ends at jekuarce here: “As many other photographers who have reviewed the x100s have said, this camera isn’t for everyone. There isn’t a zoom feature, it doesn’t go wider than 23mm (I feel that a 14mm would be a better street focal length for me), but it does just about everything I need it to do with my style of shooting.”

–  The Experiment – The Fujifilm X100S at canadianloon here: “I had this thing hanging around my neck for over 7 hours and tucked into my coat and I never felt it at all.   And this was with the stock strap!    I can hold this thing all day and not hating it.  When I needed the camera is was right there.   This means I might actually have a camera with me when an opportunity presents itself!”

– X100S review at thephotofrontier here: “This is my GO-TO camera for storytelling and documentary work. Because of its size and stature, my subjects rarely notice it. And because of its cool look, if they do notice it, they are excited to have their photo taken with it. I can turn on the flash, engage the ND filter and put it real close to their face. People just love this camera!”

Act a Fuji: Four Months With The X100S at petapixel here: “The X100S is the go to camera you want to take when you travel. Leave the DSLR’s at home. Enjoy your actual vacation by not having to dig around in your camera bag deciding which body and lens to use. As some would say, “keep it simple, stupid!”

Istanbul City Stories : most bizarre real life Fuji X100S video review at pavels here: “The Fuji X100S which is an absolute beast and I’ve finally put it where it shines the most: in the streets.I have never seen such a mix of a streetphoto and video and for me, this is the review I want to see. The real life one. This camera is awesome tool, but I’m pretty sure we all know that by this time.”

My new toy at gaborimages here: “I surprised myself with a Fuji X100s before christmas. Like probably many of you I was thinking long enough whether to get the camera or a 23mm f1.4 lens for my X-Pro, it wasn’t an easy decision, but I’m happy with the outcome.

– “A week and a half ago, my wife’s grandmother passed away. They were very close, as she was and is to all of her grandparents. As her grandfather had already passed, the house now stands empty. Well, that’s not entirely true. Though the physical presence of her grandparents are gone, the memories and the reminders of love still fill the home.” See mwaltonstudio ‘s photographs here.

Rainy Day Photography – Why shooting on a bad day can be good training at mirrorlessons here: “I think that rain or very cloudy days (if we want to talk about light) is always the ideal time for a training session. The reason is simple: you have to force your eye to look for less obvious things. You train yourself to look for details. You avoid classic wide-angle scenes that might have looked interesting bathed in an interesting light, but are clearly banal without.”

X-E1
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– The Big Fuji JPG Experiment in Mexico at thephotofrontier here: “In short, I loved how light weight and discrete the Fuji system is and at the same time delivering great IQ and image quality.” For another article Fuji Xing The Landscape click here:We landscape photographers have a bad habit of carrying around all this really cool gear to remote locations, only to return with stunning images of the landscape we visited. I’m always reminding myself, that the adventure is more than just the destination. We have some great tools along with us, so let’s us them to help tell the story of our adventure. Stop and smell the roses…errrr…take the snapshot. Here are a few snapshots from our landscape photography adventure. Again, all via the Fuji X system. ”

– wedding photography with the X-E1 at martincastein here: “Let me state that my second shooter Katie uses the Fuji X-E1 for wedding photography and these pictures are therefore shot by her and not me. All pictures were shot on the Fuji X-E1 with the 18-55 zoom only, all files were edited from RAW. All editing is lightroom only.”

– January 11th, 201, Fuji XE1 40mm, The Ricoh Shooters Dream Part 1 at streetshooter here: “I handed Joe my Fuji XE1 with the 27mm on it. It’s dark man, I mean real dark. Joe made the above photo with my camera. He fell in love very quickly when he saw this shot on the screen. Of course I am in the process of putting together a deal for him on the XE2 and 4 or so lenses. Mary, his wife called me this morning and was very happy. She said that Joe seemed to have found a new love.” For his article Fuji XP1 Works the Streets of Philadelphia click here.

Testing Fuji X-E1 | Part One at bloglovin here: “I was so impressed by this camera that I have decided to test it for portrait work tomorrow – a little battle between Canon and Fuji…sounds like fun right.”

At last …Fuji X-E1 and motor roaming the first trip of the year at simonpeckham here: “Yeah… It seems and age since being out for the weekend in the camper so it was lovely to get away this last weekend, the forecast was sunny but cold, perfect for a trip to the sea side of Southend on Sea and a town not yet visited or had the pleasure of photographing. Sticking with my year or “on camera one lens” I was spending time with the X-e1 and 35mm f/1.4.”

– “I’ve never done a photo shoot with a newborn baby before, so this was an entirely new experience for me!” Read and see more at adrielhenderson here.

The Mirrorless Post at davidduchemin here: “I’m convinced. After a week in Lalibela, Ethiopia, and a safari in Kenya, I’m ready to leave my heavy pro DSLR gear at home more often. I went to Ethiopia with a Fuji XE-1 and a Leica M (240), both with a small kit of lenses (18-55 and 55-200 for the Fuji, and 21mm, 50mm, and 75mm for the Leica), and went mirror-less all week.”

Bloody Bridge with the Fuji X-E1 and the 14mm at martinspencephotography here.

Fashion shoot with the Fujifilm X-E1 at rommenphotography here.

 X-PRO1
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– An Interview with Portrait & Fashion Photographer (and X-PRO1 aficionado) Dave Kai Piper at slrlounge here… read it and enjoy Dave’s stunning images!

– Jack Tiong: “Hi Patrick, congratulation on your amazing website. I have benefited a lot from fujirumours. I have made a review on the latest fuji hand grip for X-pro 1 (product images and price). It’s be good if you could share it for people who is interested. Thanks and have a nice day.” Check it here.

– Marcial Rodriguez Izaguirre  “Dear Patrick, First, I’d like to congratulate you for the web and encourage you to keep up this amazing job. I’m an owner of X-pro 1 and the prime 18mm. and 35mm. lenses. In my last trip to Japan I bought a X-E1 for a workmate of mine. It was a great deal since the X-E2 was the new camera for the X series at that time and because of the devaluation of Yen in the currency markets. I bought it together with the 18-55mm. so I had the chance to try for the first time both the X-E1 and a X series’ zoom lens. You can take a look to the pictures I took with the first light of the day after a sleepless night in Fukuoka due to ‘jet lag’ here. Although I was quite tired and sleepy, I enjoyed the morning with the X-E1 because of its ease of use and the versatility of the zoom. I didn’t expect such a great performance from a zoom lens. The only weak point, of course, was the limited luminosity of the zoom if I compare it with my prime lenses. I wouldn’t change my X-Pro for a X-E1 neither my primes for a zoom. I know now is time for the X-T1 and more to come but my point is that today I would strongly recommend the X-E1 to anyone with a limited budget wanting to enter the X series. With the firmware updates its performance is great and, after the release of X-E2, it can be possible to find very interesting deals out there. Thanks a lot!”

Winter, cold, snow – who needs the weather sealed X-T1? Fujifilm X-Pro1 in cold weather at lakeviewman here: “Anyway – who says I have to wait? Today it was minus 18 degrees celcius, snow and wind – and my Fujifilm X-pro1 with the XF14mm f/2.8 and XF 35mm f/1.4 performed flawlessly!”

– Up in the sky with the x-trans!… beautiful shots by Mehrdad at qimago here. To read about his journey from Canon to Fuji click here (translated version).

Fuji x Pro, Amsterdam loves you! at suberashi here: “I love Amsterdam thats a fairly well know fact. Great walkable, creative diverse and beautiful place and the perfect spot to test out the Fuji X Pro that I have invested money research and trust into.”

Shooting Infrared – X-Pro1 at f-sunny here: “IR exposures can be long – there’s not much illumination getting through even, on a sunny day! Here are some initial test shots.”

Highs and Lows of Using Fuji X-Pro Camera at jeffsinclairphotography here: “I love the X-Pro but use it less and less and use the Canon 6/5DM3 more and more for a variety of reasons but focus issues are paramount. To be fair, I have sold off all the heavy Canon zooms and only use smaller and lighter prime lenses but even so they are still heavier than the Fuji lenses but superior auto focus, controls and general ergonomics of the Canon cameras make the trade off worth while, at least to me.”

– X-PRO1 at fiftyfootshadows here: “This brings me to Fujifilm, their X series of cameras, and the body I have chosen to be my new day to day digital shooter, the X-Pro1. They have clearly been designed with film shooters in mind. Fuji’s engineers have a firm commitment to helping bring the joys of their old emulsions to life with the technology they have created to eventually replace it.”

–  Winter in the derbyshire dales at thebigpicturegallery here: “All images taken on a Fuji X pro 1 using 14mm 55-200mm and a few nd grads and a 10 stop filter.”

Fujifilm X-Pro1 : Thaipusam Festival At Kota Kinabalu at shukurjahar here: “Since this was my first time covering Thaipusam Festival, I have no idea how and what to expect. These are some images I took this morning with Fujifilm X-Pro1 + Fujinon XF 35mm F1.4.”

Fujifilm X-Pro1 Shoots Landscape: Kota Belud – A Hidden Treasure For Landscape Photographer at shukurjahar here.

Fujifilm Xpro-1 : Thaipusam 2014 at lucpher here: “I decide to bring my Fujifilm Xpro-1 with a 35mm 1.4, lightweight, fast lens and extremely capable at high ISO settings. The Xpro-1 being small and light, allows me to hand hold the camera over head and under the devotees for a different angle for many of the shots shown below. A heavier camera would have tire me out faster.”

Scranton Lace in B&W at karenjohnsonphotography here: “They were all taken with my wonderful Fuji X-Pro 1 and what I love about the Fuji camera is the ability to see through the viewfinder in black & white.  It is really easy for me to compose when I am looking at a black & white image.  I can really see the light and shadows which I am always working with when I photograph an abandoned building.”

–  Fuji X-Pro 1 with the Voigtlander 90mm f/3.5 APO Lanthar vs. the Zeiss / Contax 90mm f/2.8 Sonnar at gambofoto here: “With these two Voigtlander lenses I now have equivalent FOV’s of 75mm and 112mm respectfully.** Actually both lenses were the LTM mount (screw), so a simple adapter ring is required to convert them to M mount.”

– Sunshine At The Lake at fiftyfootshadows here: “I decided to push the x-pro1 and see what it could take as I shot into the sunlight. Even when a highlight is totally blown out it handles the light surprisingly well.”

– Modelflesh at suberashi here: “Was invited to spend some time in a studio last week too see how the Fuji X-Pro handled the workload. It was a chance to show the Fuji up against a Nikon D800 which the owner is thinking of changing to a Fuji. And a chance to see if this bad boy can step up to the haters.”

New images, location lighting and stuff at timokoponen here: “There’s a mix of flash, fading sunlight outdoors and tungsten lights inside the house, creating a bit of “dirty” light. Shot with x-pro1 and Voigtländer 35mm nokton (wide open).”

– Interview with Luca Bracali at the fujifilmblog here: “Luca travels with such frequency that he’s away from home at least once a month, and the Fujifilm X-Pro1 has found a place in his camera bag. In fact, it was his nomadic lifestyle which first attracted the photographer to the Fujifilm X-Pro series of cameras. “With the new airline regulations you cannot travel carrying so many kilos,” he said, “but I still needed quality.”

Chasing Fog at byjansen here: “I love the look of mist, it’s so peaceful and freezes frames even more. It silences sounds, narrows visibility. Best of days are the ones where I wander through the mist on my own, just me and the silence. Chasing fog..”

– Portraits from Trinidad Cuba at handcarryonly here.

– xPro-1 vs Yellow Stone Cave at thehumancamera here: “If you’ve been reading my recent posts, you’ll noticed that I have started using the Fujifilm xPro-1 a lot more frequently than before. Even though I’ve owned the camera for over 7 months now… it wasn’t until the past 3 months that it has become my camera of choice. A worthy replacement for my Canon 5D MkII.”

Leica M9 vs Fuji X Pro1 | New York’s Chinatown at thetravelphotographer here: “Juggling a Leica M9 and a Fuji X Pro1 during my few hours yesterday in New York City’s Chinatown during the celebrations and parades for the Year of the Horse,  resulted in having two virtually identical versions of the same scene, as the one above.”

Camera Review: Fuji X-Pro1 X Mount Compact System Camera at ssvphotography here: “The Fujifilm X Pro-1 is pleasure to use. It gives a lightweight, yet high quality photo alternative to a heavy DSLR yet gives little to one in terms of picture quality. Menu and operation quirks aside, the camera has a great sensor and together with the excellent lenses, produces great out of the camera JPG’s with little editing required. I love using it. DEFINITELY RECOMMENDED!

London Street Photography & The Fuji X-Pro1 at robgrimesphotography here: “Overall I’m still learning the camera and looking forward to using the X-Pro 1 when i fly to Vegas at the beginning of March and for some more street photography throughout the year, but so far, I’m very happy with the Fuji X-Pro1.”

Old Meets New – X-Pro1 + Nikkor 105mm at nathanelson here: “As for shooting this combo, I gotta say that although the image quality is great, the process was actually kind of painful, mostly due to the slow write speeds to the card. The X-Pro1 would not allow me to use the zoom in the EVF to make sure I was properly focused until it was finished writing the previously taken image to the card, which meant the model had to hold poses for much longer than normal while I waited for the camera to cooperate. Kind of kills the flow of things.

X-A1
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– The Polish site optyczne tested the X-A1 here (translation)

X-M1
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– X-M1 first impressions at soundimageplus here: “It’s a sweet little thing and I have no idea whether I’ll keep it, but I don’t seem to be having much success is finding new homes for my Fuji gear.” For his article Fuji X-M1 16-50mm f/3.5-5.6 OIS lens – Owner assessment – Part 1 click here: “In some ways this camera + lens could be seen as the best point and shoot compact camera without a viewfinder ever released. For the simple reason that you can shoot with it virtually anywhere. The combination of the incredible high ISO performance and remarkable effectiveness of the Fuji OIS system makes it pretty much unique in this class of camera. Nothing m4/3 and NEX (sorry Alpha) have comes close to this.” Part2 and the following are online too.

 XQ1
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 – Review at steves-digicams here: “The pocketable XQ1 packs a lot of speed, customizable controls, and power into a small package. Fast phase detection AF, high-speed burst modes, and solid low light performance help you get great shots under most conditions. If the clumsy zooming of the control ring and modest 4X zoom don’t deter you, the XQ1 will likely fulfill your high expectations.”

X100
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 – Flashing people with Fujifilm X100 at pavels.cz here: “I haven’t found an article about it’s usage with strobes and flashes for a commercial portraiture. That sort of slap on the back with “hey man, you can do a real assignments with this cheap compact camera and you will be just fine” article, which we photographers do like so much..You know what I’m talking about, right?:)”

– Phil Brown send me via FR-twitter some of his shot taken with the X100. He said: that “the X100 might be dated, but still a great camera, I took it to Africa this month“. See his flickr set here and here.

-Traveling with Fuji x100 in Big Sur at Michaels 500px here: “I can’t stress this enough, x100 is so small and light compared to D700 + 24-40 (16-35) it made everything easier. Taking it to café’s, bars, restaurants is unassuming. Carrying it all day with a strap, or even holding it or stuffing it in a fleece pocket is easy.”

Reasons for GR –> X100 move at jonnenaarala here: “My beloved Fujifilm X100 arrived to today. It was a nice moment to open the package. Great reunion. I got a fantastic Leicatime half-case for it too and they say that this case is the Bentley of the half-cases. It surely feels great and is top-quality. But more of the Leicatime case later. Now I want to share my reasons to switch from [shoplink 13349]Ricoh GR[/shoplink] to Fuji X100.”

colinnichollsphotography X100 review here: “This camera is capable of incredible images, but like all good tools you need to master it, it won’t help you take better pictures but due to it’s size, form and specs it may just make you.”

– Retrospective: My X100 at srphotoblog here: “It might not be the fastest camera to focus but in terms of usability and having an amazing camera that fits in my pocket, I could not ask for more.

XF 23mm
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 – Will: “Hello, I use the Fuji 23mm f1.4 to photograph all our products because it renders beautifully and it just looks great and I do very little post since Fuji’s JPEG engine gets so much right in camera. We have access to every camera from m43 to full frame yet I choose the Fuji X series because of the amazing quality in a small package and most importantly, I actually enjoy using Fuji’s cameras. Here’s one I took a few days ago (shot 1 / shot 2). You can see the rest here on facebook.”

Red Rock Canyon and the Fujinon XF 23mm at stephenip here: “Well, after spending the weekend with the XF 23mm, I must say that everything I’ve read about it is true. Optically, it really is a great lens. From my completely unscientific testing, sharpness, resolution, etc all appear to be excellent.”

– X-E1 with 23mm “new gallery – one day in powridise” at francoismarclay here.

– – first impressions in French at k-pture here (translation).

lenses

Using Fuji X Lenses vs Canon Full Frame Lenses at andrewvanbeek here: “Without even touching the merits of different sized sensors or even the size, weight and cost of the respective lenses, this mini-comparison is designed to simply compare how using different equivalent focal lengths on different systems affects the images themselves (because that’s what really matters!). Since I don’t have many camera systems available to me, this comparison will compare my Canon lenses on full frame with my Fuji X-E2 with its APS-C (1.5x) cropped sensor.”

– Dirk: “Hello Patrick, thanx a lot for your work. The last days with X-T1 were great. Your work motivated me to finish my Fujifilm X lens overview.” Check it out here.

– Fuji Lens Tests | 14mm, 23mm & 55-200mm lens samples + review at colinnichollsphotography here:They let me shoot with my own card so I’ve got the images here which is great for a little review and a few lens samples, all photos here are shot on the Fuji XE2 which I haven’t tried before but have been temped by so I’ll start the review with a bit about that, enjoy!”

fujivsfuji next episode is the X100S vs the XF 27mm here: “As mentioned, the building doesn’t look too bad from the X100S at ƒ/2, but have a look at the antennae to the left of it. The sharpness gained by stopping down to ƒ/2.8 across the frame astounding. Equally astounding is that the 27mm ƒ/2.8 is holding nearly as much detail wide open at ƒ/2.8. I’m really quite impressed with how sharp this FUJINON XF 27mm ƒ/2.8 is.”

Review of the Fujifilm XF 14mm f/2.8 at danbaileyphoto here: “By every measure, the Fuji XF 14mm f/2.8 is a first rate, wide angle prime that will give you excellent, professional quality imagery. Buying this lens is making a serious investment in your photography, not just because of how the images look, but because it’s a lens that you can easily fall in love with for shooting just about everything. It’s been one of my favorite pieces of gear for months now and I have absolutely nothing negative to say about it.”

– 18-55 review at pixelogist here: “When I started out this review, I was excited and impressed. Now, after all the tests and examinations – build, focusing, handling, image quality, and all that – I’m even more impressed and a lot more excited. I bet you are too“. For his 35mm review click here: “Like I said before, one of the reasons the X-series is such a good choice if you’re going mirrorless is the awesome selection of lenses. The great (and growing) set of zooms, the already-fantastic selection of primes, and the planned future for the line in terms of lenses, makes this THE most exciting brand of compact system camera you can find on today’s market. That’s what I think, at least. And it’s not just about Fuji releasing all these lenses – it’s about how good they are. They’re just amazingly high-quality pieces of glass that are mechanically and optically brilliant. And the XF 35mm is no exception.”

Touit 32 vs Fuji 35 at admiringlight here: “I personally would give the edge to the Fuji 35mm, as I find the better larger aperture bokeh and superior stopped down edge and corner resolution to fit my style of shooting much better.  However, if you’re someone who shoots in limited light situations and needs sharpness across the frame at wide apertures, then the Zeiss may be the clear-cut winner.” For the 32mm review click here: “Zeiss have created a lens that is very sharp right from f/1.8 and produces images with saturated color and high contrast.  On the down side, the Touit 32mm surprisingly doesn’t ever reach outstanding territory on the image edges with regards to sharpness, and suffers from somewhat nervous bokeh at f/1.8.”

– “Beauty and the beast. The Fujinon 14mm f/2.8 encapsulates everything that is good and bad about the Fuji X-Pro1 system. The lens is a solidly constructed, masterful piece of optics, so well corrected that it doesn’t rely on computing power to eliminate distortion.” Read more at themachineplanet here.

Heavy Cream: In search of Bokeh with the 18-55 at markschuelerphoto here: “Ulti­mately, I found that the 18–55 gen­er­ally serves more of my needs more of the time than can the 60mm macro, and there­fore it found a place in my every­day kit.”

– Fuji XP1 & 18mm on Philly Streets at streetshooter here: “Anyway, the XP1 is a great camera but it really works with the 18mm. True nuff, the 18mm is the weakest link in the Fuji lineup but then the other lenses don’t offer that great FOV. It’s a catch 22 but luckily I’m not a real pixel-peeper. I am just a serious shooter but, that being said…when I have the cash, if ever, I’ll get the 23mm which converted to 35mm would be my natural FOV.” For his article –  My Fuji XP1, Named Andre’ Loves The 18mm click here: ”

– Fujifilm X-series Telephoto Tests at sublimephoto here:This gallery has images shot with my Fujifilm X-E2 body and mainly the Fujifilm XC 50-230mm f/4.5-6.7 OIS zoom. Only frames 1, 2, 5, and 11 were shot with the Fujifilm XF 55-200mm f/3.5-4.8R OIS zoom. ”

photozone Zeiss Touit 32mm review here: “The images are sharp straight from the max. aperture and the center quality is even stunning when stopping down. The peak quality of the borders/corners is certainly good but it stays somewhat short of the high expectations here. Lateral CAs may be just visible without being disturbing. Distortions and vignetting are usually auto-corrected either by the camera or your favorite RAW converter. However, when looking behind the scenes, you can spot higher than expected issues here – which is a bit disappointing for a pricey Zeiss lens.”

Winter in Belgium… or some of it – Fuji 18-55 mm, 35 mm and ND filter at regislessent here.

– Dave Dillon: “Hi there, My name is Dave Dillon you featured one of my reviews of the Rokinon 14mm for Fuji X-Mount in one of your recent blog entries. I just wanted you to know I just posted a new review of the SLR Magic Hyperprime 23mm F1.7 lens for Fuji X Mount. you can see this review here.”

RAW-conversion

Processing Fujifilm x-trans raw files in Aperture at thomasfitzgeraldphotography here: “Overall, Aperture does a good job with X-Trans files in my opinion. I don’t think it’s quite as good as Iridient Developer, which of all the raw converters that I’ve tried, still gives the most natural and clean looking files. (I’m still testing Photo Ninja by the way). Aperture is a close second, or third mind you. I’ve spent the last few weeks playing around with settings to see just how close I can get it, and while I still can’t match the clean and sharp output of Iridient Developer, I can get it pretty near.” For his artlce Photo Ninja for X-Trans Processing click here:If it sounds like I’m being overly negative towards Photo Ninja, I don’t mean to be. Technically, apart form the highlights Issue, there’s nothing wrong with it as such. It has some really nice and powerful features, and the way you can use it as a plug-in is great. Personally, I just prefer the rendering from Iridient Developer, and that is a personal choice rather than anything fundamentally wrong with the software.

– The best Raw Converter for X-Trans files? gaetanobelverde has the answer here (translation): “In my opinion Photoninja returns details more real and seems to control better the watercolor effect.” He also compared Capture One 7 with Photo Ninja. Which is better? Read it here (translation).

Fuji X-Trans RAW File Post Processing – ACR/Photoshop at f-sunny here: “This video walks you through the import of the RAW file, and processing using the controls in ACR to get a clean, sharp, well exposed image file in Photoshop/LightRoom.”

My Workflow for X-Trans RAW Processing at vkphotoblog here: “There are much better raw converters on the market, but Lightroom is still, arguably, the best digital asset management system. I was asking myself, how can I combine the power of LR asset management with the best demosaicing algorithms? After spending hours of testing of various configurations I finally came up with the workflow that works well for me and my x-trans raw files. I am using it for 4 months now and feel comfortable to share with you.”

a little bit of everything

The Fuji X Series With Flash :: Part 2 at derekclarkphotography here: “Obviously if you are doing off camera flash without the use of a stand or tripod, you have to be careful of camera shake as you’ll be holding the camera with one hand. Thankfully X cameras are great for hand holding due to their size, weight and the lack of a mirror popping up and down.”

– Thorough analysis of FUJIFILM’s Film Simulation Modes at fujivsfuji here: “In this article I’ll post images of each of Fuji’s Film Simulation Modes along with histograms so we can see what’s happening with our eyes and on a slightly more technical level. I fully acknowledge this comparison has been done to death, but I find most cram a bunch of little thumbnails together and don’t really give you a sense of what’s being done in camera.

Help me decide .. X-Pro1 or X-E2 .. X-E2 or X100S? at photomadd here: “I’m in the process of writing up my X-E2 review right now, but thought I’d share this part of it with you now as it’s a question I’m seeing pop up quite often.”

Fuji X Series – What’s Not To Like at rwboyer here: “I am not at all trying to tell anyone not to by into the Fuji X system. I love it. I am glad it exists. I may jump back in sooner rather than later. What I am advocating is that you take a good hard look on a level playing field and make the right choices for you and what you actually do. Not someday. Right now. If something is bothering you about a system you are already in figure out what it is really. If you have a bunch of really giant zooms you don’t have to switch systems to fix that issue for sure.”

Recommended kits, shameless affiliate links, and a chance to try the 56 ƒ/1.2 and 10-24 ƒ/4! at fujivsfuji here: “If you’re thinking of building a Fuji system with prime lenses today, here is what I recommend you get. My recommendations are intended to “future-proof” your system where possible, so some kits include forthcoming lenses that I presume to be of a certain level quality, until I have a chance to test them.”

Going Long With Fuji at fujishooter here: “I tossed the Fuji X-E2 and 14mm f2.8 in my bag with a Canon intervalometer, a couple step up rings and the B&W filters I had leftover from my old Canon L lenses. Even in the diminutive Mirrorless Mover 30i I had a lot more room available. I always get impatient waiting on long exposure shots so I figured between the X-Pro1 with XF 55-200 and X100s I’d be able to keep myself entertained while the X-E2 was chewing away making its long drawn out looks at what I hoped would be a magical sunset.”

soundimageplus blog post about the latest firmware update here: “And while the Sony FE system files are larger, sharper and have better dynamic range, the irresistible (to me anyway) combination of old-school design, light small bodies and lenses with beautiful balance, looks and handling is something that, if I was was sensible, would have mostly found it’s way to ebay by now. However, I don’t seem to have got round to that yet. I’ll do it next week (or the next, or the next…..) seems to be the way this is going. And of course there are always those firmware updates. I’ll just try this one and then sell the camera, seems to be the way that’s going. I just love these things and despite all my trials and tribulations my attempts to become an ex-Fuji fanboy seem to be failing miserably.” In another post here (Fuji X – Style AND content? The enduring appeal of my favourite camera system) he says: “much as I admire the Sony A7 and A7r cameras, I love my Fuji X bodies.”

Shooting tethered… …with a Fujifilm X-cameras. Sort of… at doncraigphoto here: “It is a bit complicated, but it is a WiFi tethered workflow that works. You get large preview on the iPad sent wirelessly from the camera, where you can rate your selections and modify metadata. And, then, you can apply those metadata changes to the RAW files in Lightroom.”

– Jason: “Hi, First of all, thank you for the fujirumours site… even though you are going to cost me a fortune! I thought you may be interested in my latest blog post regarding my first few months with the x system. Please feel free to share! Thanks again.” Check it out here.

– Fuji X-Pro2 Wish List, X-E2 and Thoughts on the X-T1 at andrewnewson here: “Having now written a fair bit on how Fuji could improve these cameras, let’s not forget just how good they already are. I for one have loved using them over the past couple of years and hope they can go from strength to strength. I have taken some of my favourite images with the X-Pro1 and X-E2. This article has been quite wordy, so here are a few images taken with these cameras…”

EDITION 3: What X-Series Camera Should I Buy? Guest Post by Leigh Diprose at fujifilm.com.au here: “With Fujifilm releasing its flagship camera model, the X-T1 camera I thought it would be a good time to look at the break down of the X-Series range again. The common questions I have been hearing this month is, Leigh what’s the difference between the Fujifilm X-T1 and the X-E2 and which camera should I buy?”

Fuji X-Pro2 Wish List, X-E2 and Thoughts on the X-T1 at andrewnewson here: “I thought it was time to put down some more thoughts on the system now that Fuji have pushed forward again with some new cameras. These articles that I write from time to time are meant to be useful to people who are contemplating buying in to the X system or maybe looking for some tips.”

Back in the Fuji X fold OR Why the Olympus OMD didn’t end up winning my heart at clearingthevision here.

– Carlo Milani: “Hi Patrick, only to share with you my new website that I’ve just released. http://www.milani.info/en.  Here you can find some photographic stories. In particular, for these I’ve used my Fuji X gear. – http://www.milani.info/en/portfolio/you-are-from-mombello/http://www.milani.info/en/portfolio/pictures-of-cambridge/http://www.milani.info/en/portfolio/a-renaissance-reenactment/http://www.milani.info/en/portfolio/nostoi/ This week I’ve published a post about my switch after one year using X-Pro. It’s not a comparison between Canon full frame vs X-Trans, but the story of how, over time, I found that the Fuji was enough for me and I tried to bring out the best of my gear. – http://www.milani.info/en/the-great-switch-from-canon-full-frame-to-fuji-x-trans/ Thank you!

– Jorge Torralba: “Following on the success of Zeissimages.com, Jorge Torralba has just launched a new online gallery at www.FujiFilmImages.com dedicated to photos captured with Fuji Film cameras or lenses. With the innovative track record of Fuji and the overgrowing popularity of their new digital cameras, it was just a matter of time before the photo hosting gallery came on line. Custom written software with advanced search capabilities is the foundation for the new site. Photographers can query by exif data, follow their favorite photographers, befriend others in the community, create albums, customize their camera and lens inventory and even change the appearance of the site to suit their personal preferences. Please stop by and begin posting your photos online for free on what is sure to become a hot community for Fuji photographers!”

Fuji Instax Mini 90 Neo Classic
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 – Fujifilm’s Instax Mini 90 is Vintage Inspiration for Modern Times at Petapixel here: “should I buy it? Well, yesnoyesyerrrr… maybe. Personally, the answer is yes. I will use this for wedding receptions. The late night, 1:00 AM stuff when people are lose and having fun. Heck, it’s the kind of thing that I could put in a guest’s hands — a non-photographer even, one of the bridesmaids — and let them burn through a box while I’m off doing something else.”

– “Howdy Patrick!  Justin here. We just put together a review of the Instax 90 that I think your readers would enjoy for a fun Mixed Zone. I also posted it on your FB page. Enjoy!” Read it here.

First Look: Fujinon XF10-24mmF4 R OIS

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PRE-ORDERS

USA: AmazonUS / BHphoto / Adorama / Pictureline / DigitalRev / EUROPE: DigitalRev / PCHstore / WexDE / WexUK

First Look: Fujinon XF10-24mmF4 R OIS

by Rico Pfirstinger

Talk to Rico (open forum for questions & feedback)

Rico’s Flickr sets

XF10-24mmF4 R OIS Sample Images – XF10-24mm Zoom vs. 12/14/18/23mm Prime Lenses

X-T1 Sample Images SetX-T1 Predictive AF Tracking Samples
XF56mmF1.2 R Sample ImagesXF23mmF1.4 R Sample Images
XQ1 Sample Images Set – X-E2 Sample Images Set – X-E2 AF Tracking Samples
X-M1 Sample ImagesX-A1 Sample Images

Mastering the Fujifilm X-Pro1 Reading Samples (65 free pages)
Mastering the Fujifilm X-E1 and X-Pro1 – The Fujifilm X-E2 – Beyond the Manual (pre-order)

Thanks Everybody!

Let me begin by thanking you for the plethora of kind and motivating feedback you sent me in response to my First Looks on the XF56mmF1.2 R and the new Fuji X-T1. I have since returned the wonderful 56mm to Fuji (yep, I am still crying in my sleep). Luckily, I was able to mitigate the pain by being able to look at another hot new entry: the Fujinon 10-24mmF4 R OIS wide-angle zoom lens. Fuji had delayed this lens in order to further improve its optical performance, and I was curious to learn whether the wait paid off.

It’s Not Tiny

The build-quality of my pre-production sample is confidence-inspiring. Like most Fujinon lenses, it looks heavier than it actually is, but with a filter size if 72 mm, it’s certainly not tiny. On the other hand, it potentially replaces the 12mm Zeiss Touit as well as the 14mm, 18 mm and 23mm Fujinon prime lenses, freeing you bag of up to four primes without sacrificing a single focal length. This also puts the price tag of this zoom lens into perspective.

DSCF0215 – Iridient
Click on the images for full-size views!

Unlike its siblings, the wide-angle zoom lens keeps its size and doesn’t elongate when it’s zoomed in or out.

A Prime Replacement?

To make things short (pun intended): At f/9 with hyperfocal focussing from a tripod, my pre-production copy stands its ground against quality primes like the Zeiss Touit 2.8/12mm or the Fujinon 14mmF2.8 and 23mmF1.4 primes, and it handily beats the Fujinon 18mmF2 pancake prime. At least that’s my impression. As usual, I urge you to not blindly believe me. Make up your own mind: Here’s a private set with X-T1 SOOC samples showing the new zoom at various focal lengths and comparing it with the aforementioned lenses. Here’s another set with RAW (Photo Ninja and Iridient) and SOOC JPEG samples.

** CLICK HERE to Read the Rest of the Article **

X-shooter zone: Into The Wild… with the X-series!

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X-T1 body only ($1,299): NORTH AMERICA: AmazonUS / BHphoto / Adorama / Pictureline / EUROPE: wexDE / wexUK / PCHstore /

X-T1 with 18-55 ($1,699): NORTH AMERICA: AmazonUS / BHphoto / Adorama / Pictureline / EUROPE: wexDE / wexUK / PCHstore /

X-T1 Vertical Battery Grip ($ 249,99): NORTH AMERICA: AmazonUS / BHphoto / Adorama / EUROPE: wexDE / wexUK /

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Feel free to share your images also on the FR-facebook wall here… and have a great weekend.

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Lawrence Ripsher

Here’s the latest post you might be interested in sharing: (click here)

These are my top ten photos from a 2 week road trip through Utah and Arizona over Xmas and New Year. All shots with the Fuji X-E2, which as I’ve now come to expect, performed flawlessly.

Lawrence Ripsher

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Michael McQueen

[admin: Australian FR-Michael is currently travelling in South America. He had troubles with his X-PRO1 and 55-200 lens. Here is how the story ended]

I sent an email off to Fuji HQ and they got back to me instantly, sending emails to both Fuji Aus and Fuji Sth America asking to help me out. Fuji Aus got onto me and helped me out big time! Seriously their customer support is amazing, they had a trouble shoot for me and it appears to have worked. I was even having troubles with my 55-200 and they offered to send me a loan lens from Aus to help me out.. I was blown away with how awesome they are.

Any way I just did another update on my site about my trip.. check it out, share it if you like!

Michael McQueen

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Marko Vesterinen

Hi Patrick

Would like to start thanking you for all the amazing work you put into the Fujirumors site! Well done!

Just wanted to share my Fuji story with you.

This summer i took a big decision. I had started to notice that more often i left my D800 at home and just took some pictures with the iPhone. This clearly was not the way i should be.

So a month before i was heading for Iceland for a 8 day long road trip i sold all my Nikon D800 gear and went all in Fuji. I bought the X-Pro1 and 14mm, 18mm, 35mm and the 50-200mm

So did the Fuji deliver on the Icelandic Road Trip? Yes totally! You can check out the pictures on my site.

http://www.ishoot.se/iceland

I also went to Norway for an another Road Trip. This time we were extremely lucky we definitely  managed to be at the right place at the right time. The weather was amazing, the fall colors just had exploded and to top this there was a European Triumph TR meeting going on! Spectacular landscapes and amazingly beautiful classic cars at the same spot. Jackpot!

Pictures from this trip can be seen here:

http://www.ishoot.se/norway-ii

Since that day in May this year i haven’t looked back at all. My X-Pro1 is with me almost every day and i love it!

Now the time has come to pay a visit to the homeland of the Fuji. Im leaving for Tokyo next sunday and the X-Pro1 comes with me. Just a small change to the lens setup. The 18mm is sold and the 23mm is now glued to the X-Pro1 :-)

Keep up the good work!

Marko Vesterinen (Iceland)

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Romulo Lubachesky

Hello, I am Geologist and Photographer from Brazil. I’m using a Fuji X-Pro1 to a year and love it. With presets created reach the expected result without any further editing, so I photograph in JPG directly.

Publish my old and new photos on this link: http://romulolubachesky.tumblr.com/

The pictures taken with Fuji are selected by tag on this link: http://romulolubachesky.tumblr.com/tagged/fujifilm

Romulo Lubachesky

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Maurizio Solis

I want to share a travel self portrait session I just shot while traveling in Arizona and Nevada. I put my X100S to stress but it gave me amazing results.

http://mauriziosolisbroca.com/the-blog/2014/1/7/la-vegas

Regards.

 Maurizio Solis
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First Look: Fujifilm X-T1

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Pre-orders (and support FR)

After several months of restless work to make of the X-T1 one of the most leaked cameras ever, today you can support my work here on Fujirumors. If you choose to pre-order it using one of the X-T1 shoplinks (AmazonUS, Bhphoto, Adorama, wexDE, wexUK & Co) in this post, FR will get a small commission on it. It won’t cost you a single penny extra on your camera. Thanks in advance to those who decide to support this blog… you will allow me to spread many exciting rumors also in 2014… I’m already investigating for you ;-).

PRE-ORDERS

X-T1 body only ($1,299): NORTH AMERICA: AmazonUS / BHphoto / Adorama / Pictureline / EUROPE: wexDE / wexUK / PCHstore /

X-T1 with 18-55 ($1,699): NORTH AMERICA: AmazonUS / BHphoto / Adorama / Pictureline / EUROPE: wexDE / wexUK / PCHstore /

X-T1 Vertical Battery Grip ($ 249,99): NORTH AMERICA: AmazonUS / BHphoto / Adorama / EUROPE: wexDE / wexUK /

For the live blogging CLICK HERE

and now enjoy Rico’s X-T1 review!

First Look: Fujifilm X-T1

by Rico Pfirstinger

Talk to Rico (open forum for questions & feedback)

Rico’s Flickr sets

X-T1 Sample Images SetX-T1 Predictive AF Tracking Samples (updated!)
XF56mmF1.2 R Sample ImagesXQ1 Sample Images Set
X-E2 Sample Images Set – X-E2 AF Tracking Samples (updated!)

X-T1 Official SpecsX-T1 Official News Release

Mastering the Fujifilm X-Pro1 Reading Samples (65 free pages)
Mastering the Fujifilm X-E1 and X-Pro1 – The Fujifilm X-E2 – Beyond the Manual (pre-order)

The retro-styled X-T1 is Fujifilm’s attempt to inject state-of-the-art DSLR performance into its line of mirrorless X-series cameras. With twin multi-functional command dials, five manual dials (ISO, drive mode, shutter speed, photometry & exposure compensation) and an aperture ring on most native lenses, the X-T1 features a blend of classic and modern controls that should appeal to the X-series’ target audience of experienced photographers—enthusiasts and professionals alike.

The X-T1 looks and feels like a DSLR, and yet it’s still a mirrorless live-view camera with a large WYSIWYG real-time viewfinder in a lightweight, compact and weather resistant body. In an ironic twist of events, the X-T1 is pretty much the “hybrid camera” that Nikon promised—but never delivered—in its popular viral Df campaign.

The X-T1 features the same 16 MP X-Trans II sensor and EXR Processor II as the X-E2 (or X100S). However, overall processing speed has been improved through hardware and software changes. There’s no doubt that the X-T1 is Fujifilm’s fastest X-series camera. However, maximum shutter speed is still limited to 1/4000s, and maximum flash sync speed is limited to 1/180s (though many flash units will perfectly work at 1/250s).

Sample Images

I have prepared two sample sets shot with X-T1: a regular set and a set featuring high-speed series with tracking AF.

Real-time EVF (and LCD)

With a display lag of only 0.005 seconds (X-E2: 0.05s, Olympus OM-D E-M1: 0.029s), the X-T1 is ready to capture fast action, including moving objects. The camera’s predictive autofocus encompasses the central nine autofocus frames (there’s a total of 49) and works with bursts of either 3 or 8 frames per second (fps) of continuous shooting. The large electronic viewfinder (EVF) is housed in the “hump” and delivers an impressive magnification of 0.77x (E-M1: 0.74x, X-E2: 0.64x) and a refresh rate of 54 fps (E-M1: 60 fps, X-E2: 50 fps). The X-T1 offers this high refresh rate even in low light: At 1.6 EV, it still clocks 54 fps, while the E-M1 slows down to 30 fps and the X-E2 to 20 fps.

DSCF0843 – SOOC JPEG
SOOC JPEG (click image for full-size view)

** CLICK HERE to Read the Rest of the Article **

First Look: Fujinon XF56mmF1.2 R

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XF 56mm f/1.2 ($999): USA AmazonUS / BHphoto / AdoramaDigitalRev / – EUROPE: wexUK / wexDE / PCHstore / DigitalRev

X-T1 coming at 04:30 AM London Time, this Tuesday, January 28th (11:30 PM, January 27th, New York).

First Look: Fujinon XF56mmF1.2 R

by Rico Pfirstinger

Talk to Rico (open forum for questions & feedback)

Rico’s Flickr sets
XF56mmF1.2 R SamplesXQ1 Sample Images Set – X-E2 Sample Images Set – X-E2 AF tracking samples

Mastering the Fujifilm X-Pro1 reading samples (65 free pages) – Mastering the Fujifilm X-E1 and X-Pro1 –
The Fujifilm X-E2 – Beyond the Manual (pre-order)

January has been abuzz with product announcements and rumors. As you may expect, I will soon post another First Look X-Pert Corner article about the X-“you know what”, so let’s begin the week with a quick look at the new Fujinon XF56mmF1.2 R prime (click here for specs), a typical 85mm full-frame equivalent “portrait lens” with shallow depth-of-field for superior subject/background separation.

DSCF1027 – Lightroom 5.3, f/1.2

Please click in the sample images to see larger viewing options, or click here to see the full sample set.

With a bright maximum aperture of f/1.2, the lens is also suitable for available light photography. However, this bonus feature is somewhat offset by the lack of optical image stabilization. For crisp hand-held shots, one would typically use shutter speeds north of 1/80s. However, I managed to achieve pleasing results with speeds as low as 1/40s:

DSCF1106 – SOOC JPEG, f/1.2
SOOC JPEG

The XF56mm isn’t cheap by any means , but it may well be Fuji’s best X-Mount prime so far. Like it’s 14, 23 and 35mm siblings, it is fully optically corrected with a solid build, but still lightweight enough to fit well into the mirrorless tribe. It comes with aperture and focus rings (both “fly by wire”, as usual), and it really is—at least for me—a joy to use. Even wide open, I found the results of my January-built pre-production sample highly convincing. While minor axial chromatic aberration can sometimes be visible wide-open, there’s no visible distortion and no field curvature.

DSCF1060 – SOOC JPEG, f/1.2
SOOC JPEG

Autofocus is on the snappy side and fully compatible with the ever-improving hybrid PDAF/CDAF system of the X-E2 and future Fujifilm X-Mount cameras. And as you will soon find out here on X-Pert Corner, the XF56mm also does a very good job as an action lens. Who’d have thought?

** CLICK HERE to Read the Rest of the Article **

X-shooter facebook zone: top rated images on the Fujirumors facebook wall!

I know, I know, we are all eagerly waitng for the X-T1! But there are plenty of X-series cameras out there that already allow you to take some incredible shots. I’m glad to see that more and more X-shooters use the FR-facebook wall to share their very best shots and stories. I’ve selected some of the top liked one here. See them all on the FR-facebook wall.

Here we go:

Mitch Highman Fuji X-E2 / 35mm 1.4

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_ _ _

Dave Geffin: “It’s not what but how you see that’s important.”

NYC, XE2, 35m

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_ _ _

Stefan Neagu “Waiting”

 Fuji XE-1, 35mm

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_ _ _

Darren Brwon: “Under the Cambie Street Bridge – Last July, while I was in Vancouver, I took this long-exposure shot from beneath the Cambie Street Bridge.

Fuji X-Pro 1 w/ XF35mm f/1.4R

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_ _ _

Marvin Javellana:

“I sold my Nikon D800 a few months ago and picked up a Fuji X-E2 with the 18-55 OIS plus the 55-200 OIS for my travels. I got really sick and tired of lugging all the heavy stuff that goes with my D800. Last week I had a chance to take my new X-E2 with me on a business trip to southern California and made it a point to stay a few more days so I could take it for a spin. Below is one that I took at Laguna Beach. I am very happy with my decision to go with Fuji as proven on my first trip with it. PS. I didn’t have to pay extra for luggage check-in.”

X-E2, f/8, 1/180, 25mm

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Blacksmith Pat “The magic forest”

X-PRO1 + 35mm

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Tim Venchus: “Moon over Lake Lugano, Switzerland”

Fuji X-Pro1 with 55-200mm – f/5.6, 1/40s, ISO 1600 zoomed to 200mm

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_ _ _

[admin: and last but not least, a warm welcome to the youngest X-shooter out there! Have a beautiful life, Benny.]

Ramon Touw

Hi Patrick. I have some beautiful photo’s of my son Benny. He’s Born on Januari 21, 2014. All taken with my Fuji X-E2 23mm 1.4. If you like you can share them. I would be more than thankfull!

X-E2

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Fuji’s new hand grips (X-E1/2 + X-PRO1) finally available for pre-order at AmazonUS!

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On December 18th, Fujfilm announced the new handgrips for the FUJIFILM X-Pro1 and X-E1 / X-E2, giving enhanced performance when using a tripod. Now, one month later, you can finally pre-order it at AmazonUS here.

thx for telling, 2daloo.

Product description:

(1) High quality X Series design
Maintaining the quality associated with X Series cameras, the new hand grip bases are milled from aluminum block with the grip designed to integrate perfectly with the camera, to deliver firm grip whilst keeping a stylish silhouette.
(2) Optimum balance that allows sufficient clearance from the camera body base when the camera is tripod mounted with a large-diameter lens
The new hand grips allow an additional 8mm clearance from the camera body base to prevent large-diameter lenses such as the XF23mm and XF55-200mm from interfering with the tripod head.
(3) Allows battery and memory card access without removing the grip
The MHG-XPRO and MHG-XE hand grips are designed specifically to allow users to open the camera’s battery cover for speedy access to the battery or memory card even while the grip is mounted on a tripod.
(4) Enhanced operability with a tripod
The hand grips have a tripod-mounting screw hole positioned so that the rotation axis of the tripod is aligned with the optical axis of the lens to enable panning and framing free of rotation displacement. The base part also features a 38mm-wide protrusion that acts as a quick-release dovetail plate for use with a dovetail tripod mount.

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miXed zone: Full Frame madness, XC 50-230: the forgotten one and more!

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image courtesy: FujifilmUK

APS-C or FF

– Solving for X: Algebra of the Fujifilm X-System at entropicremnants here: “Fujifilm is now an incredible player – though still small in sales – in the mirrorless camera market. […] Fortunately, Fuji hasn’t been bit by “full frame madness” and will continue to develop the existing X-line as APS-C for awhile. I was happy to hear that as I believe it would dilute the development of the existing system. […] X-Trans sensor is sharp, sharp, sharp. Perhaps a better way to say it is that is has very high acuity with the X-Trans CFA and no anti-aliasing filter at all – though you may need to learn some new tricks to get the most out of the sensor in RAW. […] So to wrap this up a bit: what you have in the X-System is a versatile and totally useable system with absolutely extraordinary image quality and a way of operating that is unmatched by anything short of a Leica – and maybe not even by that.”

– Boyd Johnson explains at his blog lumahouse here why Fuji should NOT go FF: “Fuji has a killer lens lineup going. It seems like every lens they launch for the x system receives high praise. […] Personally, I think Fuji has a fantastic balance of size, handling, and IQ. Sure a bigger sensor could do more, but is it really necessary? Is it worth sacrificing so many other aspects which make the x cameras such good cameras and really contribute more to the photographic process than outright image quality and lines per millimeter measurements? I would question the value.”

Sony A7r vs Fuji X-E2 / Canon 5d III vs Fuji X100S

– FR-reader Tom Grill couldn’t resist to the temptation to compare the two hot cameras of the moment. So here is his contribution to the “unfair comparison” series. Here is what he told me via email: “I did an experiment with files from an X-E2 and Sony A7r where I equalized the final image to see if the Fuji could actually approach the results of a full frame, 36mp high end camera.  I think the results are astounding .  You might want to share it with your viewers Here’s the link to the post.” Here an extract.

“The point of this exercise was not to see if one camera was better than another. Instead, I wanted to see if the Fuji X-E2 with its handicap of smaller sensor and lower megapixels could approach the level of a top full frame model. You can judge the results for yourself by downloading the images above. As far as I am concerned, the Fuji X-E2 came through like a champ.”

– Canon 5D Mark III versus Fuji X100S at KenRockwell here: “I don’t call the Fuji X100S the world’s best digital camera for nothing.”

X-E2
[shopcountry 17992]

 – APS-C? It’s enough! And 16MP? Also enough, according to what Fuji Manager Mr. Kawahara said in this interview here.  Nonetheless, as customers demand for more, Fuji will put sensors with more MP in future cameras. Stanley Leary agrees with Kawahara and writes in his article Can the Fuji XE-2 16M sensor do the job for a working pro? here: “From my perspective it would be a rare moment that any of my clients would ever need anything with more megapixels than this camera gives me. […] The Fuji XE-2 exceeds the needs of my clients right now. It is a camera I am shooting now for corporate jobs.”

Fuji; Out in the Cold at donovanbond here: “It was cold there. Real cold. The temperature was as low as -28˚C, and colder with the windchill. It was cold enough that after ⅔ of the day, our iPhones would shut themselves down while trying to take pictures, even with around 60% battery. My Fuji X-E2 wasn’t even phased by it.”

– Thumbs Up EP-9S for the Fuji X-E1 and X-E2 Review at ledesmaphotography here: “Yes, the Thumbs Up EP–9S for the Fuji X-E1 and X-E2 is a transformative accessory that will provide you with many years of pleasurable shooting and just being more confident you can down to those lower shutter speeeds handheld because you simply have a better grip on your camera and all this translates to more stability.”

– Extension of the Mind at draigphotography here: “So, with CES bringing no new options I bought the XE2 to accompany the X Pro1. […] The focus speed is most definitely improved. Good light, well all the range focusses amazingly after the multiple firmware upgrades Fuji continues to implement (are you listening Canon, Nikon et all? shame), but the focus in less than ideal light, wow!”

– First shots with my Fuji X-E2 at mingart here: “On my way to work I took a chance to try my new Fuji X-E2 mounted with the awesome 35mm/1.4 lens. I returned my X-Pro1, which I bought in September to get the smaller X-E2. So I am used the the Camera already.”

This is truly an amazing camera! Bravo to Fuji ! by utku67 at dpr: “So finally my message to the X-E1 owners: If you have some doubts about upgrading to X-E2, don’t think a minute, it is really worth while doing it.”

. Fuji X-E2 AF Settings at stanleyleary here: “There is a learning curve with every new camera I get. Changing to another brand increases the learning curve a great deal. Auto Focus with the Fuji X-E2 has been a challenge for me due to the learning how the camera works the best. This was true with me learning all the settings for my Nikon D4. When shooting sports I used a totally different AF settings than for normal photojournalistic shooting that I normally am doing with storytelling style I use.”

X-E1 vs. X-E2… since you asked at markschuelerphoto here: “So, really, which is bet­ter? As I men­tioned, the aut­o­fo­cus is markedly faster and surer. For me, hav­ing +/- 3 stops of expo­sure com­pen­sa­tion (vs. +/-2 on the X-E1) is a big deal, and makes my life eas­ier. Hav­ing stiffer dials is nice, and means you are less likely to change set­tings while car­ry­ing the cam­era or putting it in and tak­ing it out of your bag. The loss of the View Mode but­ton on the X-E2 is extra­or­di­nar­ily irri­tat­ing. The Wi-Fi is fun to play with for post­ing pho­tos on the fly, but not some­thing I con­sider a ‘must-have.’”

– Some X-E2 shots at byjansen here.

– X-E2 video review here.

– Polish review at fotopolis.pl (translation).

XF 23mm
[shopcountry 16128]

The World’s Quickest Lens Review – Fuji XF 23mm 1.4R at fstoppers here: ” […] this lens is beautifully crafted, operates brilliantly and delivers outstanding image quality.  It’s like the holy trinity. Yes it’s $899 plus tax but in terms of value – it scores big.”

– Street – Fuji 23mm f1.4 – Colour or B&W? at 35mmstreet here: “I’d love to here what you think. Do they all look better in colour? Do they all look better in B&W? Or does it depend on the individual photo?” For his article “Anatomy Of A Street Shot” click here.

– Some shots at neillsoden here: “The 23mm is a really good lens, the build and image quality is outstanding.”

X100S
[shopcountry 12883]

– shared via FR-twitter by jasonpitcher, Fuji X100S – the kit I use, here: “The reason for this camera’s existence in my world is that I need something small and portable when I don’t want to, or its impractical to, drag my main DSLR kit around. So anything I add will have to fit this minimalist theme.”

– Only shots taken with my Fuji X100S Camera at marcobozzato here. (and if you are located in Italy, join the facebook group fujixclubitalia here)

– Video on demand from korea TV (for the low-res video no registration is needed)– go to LIFE IN OCEANS EMBRACE magnum / national geo photog David Alan Harvey on assignment, using his fuji X100S. See the video here.

Jeku Arce Photography: “Hi Patrick. Wanted to share with you my experience with the Fujifilm x100s. The one thing with this camera in the 9 months that I’ve found is that there is always something new to try with it. This camera pumps me up!” See his review here.

– “The fuji x100s a.k.a poor man’s leika, Hipster hip shooter, Langhorns little lover etc is an amazing camera! A blast from the past with digital refines that simply makes photography fun and professional!” See the shots here at januslanghorn.

– “My New Toy: The Fuji X100s” at floriansphotographs here: “An ideal camera (1) has excellent image quality, (2) is very portable and (3) is highly flexible. Again, pick two! My solution is to keep my DSLR system [(1) & (3)] and get a second, portable camera [(1) & (2)]. The X100s fits the bill perfectly. Moreover, it is very pretty, so even my finance minister approved of the purchase.”

Getting Cosy with the Fuji X100s: Thoughts & Gallery from Lyon, France at mirrorlessons here: “I discovered that the X100s is actually a very straightforward camera to use as long as you understand the basics of photography. Yes, you’ll find fewer features on the X100s than on a Lumix, Olympus or Sony camera but in its simplicity, you rediscover the pleasure of shooting.”

– Fujifilm OVF | focusing with the X-PRO 1 and X100S part 2 at vopoku here.

– X100S Vs. Nikon Urban Myths at rwboyer here. The Fuji colors? Pure myth, according to rwboyer: “I’ve mentioned this a few times but let me repeat it for those that might not have heard it. The biggest difference in color between cameras is going to be white balance – end of story.”

– (shared on the FR-facebook wall) Knowing your gear, part iii at fauland-photography here or how to Maximizing Focus performance on the X-Pro1 / X-E1/2: “In any situation where I have to concentrate on the timing in order to capture the ‘perfect moment’, I prefer to use (semi-)manual focus instead of fighting with the AF. First step: Switch your camera to manual focus with the little lever on the front (*). Second step: Go to sub-menu four in the camera menu and set the AE/AF-LOCK MODE to ‘switch’ and the AE/AF-LOCK BUTTON to ‘AE+AF’.”

– Wedding photography with the Fuji X100S at handcarryonly here: “I am confident that mirrorless is the direction the majority of camera technology will go over the next few years and certainly even with the current crop of models, the cameras are not the limiting factor to producing outstanding images.”

– Back to Mauritania, with a Fuji x100s at mitchellkphotos here: “I have to say, I am loving this camera more and more every time I use it. The fact that it’s so small is one good thing, the silent shutter is another. I’ve also been shooting using the screen on the back of the camera rather than putting it to my eye and looking through the viewfinder. All in all, these factors make the shooting much less intrusive.”

X-E1
[shopcountry 12881]

– On The Streets of Brussels with the Fuji X-E1 at thomasfitzgeraldphotography here: “Normally, I would take the 35mm, but as the streets in Brussels are pretty tightly packed, I decided to use the 18-55mm instead. Not only would this give me a bit more room on the wide end, but it would also allow me to zoom in to pick out detail where necessary.”

– Dominic: “Hello there :) I did a small available light shooting at night in a local amusement park back in the summer using my xe-1. maybe its still interesting for a look :) here on my blog: http://dominic-schulz.de. greetings from germany

– A year with the Fuji (se)XE1 at stevethomasadventures here: “the XE1 is a superb but very slow and temperamental camera, that is capable of action work if treated well and given time – but it certainly will not be replacing my Canon’s for race and fast action shot=s. It’s a camera that you need to love like a high-maintenance partner, the image quality is great, and easily good enough for magazine feature work, but your hit rate will be lower – especially in contrasty light and when the target is coming towards you, but the images that you do nail will make you happy, and relieved.”

– Mirrorless (X-E1) to Africa at davidduchemin here: “I’m quite comfortable with my Fuji XE-1, and because I’m not one to chase fast-moving predators, I think the 55-200 lens will give me all the reach I need,  but I’ve also got a rangefinder that’s new to me and I’m already nervous about the learning curve.”

– Prague 2014 New Year’s Fireworks at jiriruzek here: “No Photoshop, just Fuji :)”

– A New Year brings review of the old at aboonephoto here: “Now as for the Fuji X-E1 the camera is more than capable of handling all types of photography from macro to street photography. The images I produced and now use on my website because I think they are more than worthy and have significant detail. The camera has its quirks like focusing, with firmware updates its way better than where it started. I thoroughly enjoy the camera day to day. Do recommend the Fuji X-E1 I do I recommend their entire line up of cameras, but read up on the camera first, its tricky and not for everyone but it will grow on you.”

– Street Photography in Perth with the Fuji X-E1 at imagesbytomasz here: “Ted was geared up with 2 DSLR bodies, a flash, and a bag full of gear goodies. I took the complete opposite approach. I had my trusty Fuji E-X1, and ND filter and 1 lens.”

Say hello to my new camera: the Fuji X-E1 at musicphotographer here: “The X-E2 was the right compromise in specifications, but then it was too expensive, the improvements made from the previous version of this camera, the X-E1, weren’t fundamental for me, yes it has a newer sensor and a newer processor, but it’s not a huge leap from the previous generation, and yes it has a faster AF, but with recent firmware the X-E1 is close in terms of AF speed with the newer brother, and as I said, I only need for street photography and casual landscape photography, so the AF it doesn’t  need to be super fast, so at the end I’ve opted in for the X-E1.”

– Tilt screens on all Fuji X series. …… If you like at simonpeckham here: “Ok so it has some flaws, you need to make sure you not surrounded by other strong signals of other wifi networks as both my devices tend to look for the strongest signal so the weaker one will often be lost. However out in the open it works well.”

The Fuji XE1 Makes Me Warm at streetshooter here: “I gotta be frank now. The Fuji’s are excellent to work with but using a good lens like the Skopar or Heliar or Summicron etc, brings the camera to life.”

 X-PRO1
[shopcountry 12882]

– Nathan Wright: “Hello Patrick, Happy Christmas and all that stuff. It’s all done and gone, and the now-fattened world is getting back to work. I’m an audio product photographer based in the world’s largest city. Tokyo is a Mecca of high and low end audio shops. And while my review of the X-Pro 1 and 12/5,6 Voigtänder features not a single one, I do try to point out to prospective buyers the merits of this lens, which include that it looks so damn good on the X-Pro 1. Here is the review. I’m also a [shoplink 19558]Sony A7r[/shoplink] user (does most of my commercial photography now – amazing isn’t it that a 35mm camera can get by for so much), but I try to stay away from it whilst out for fun, because fun that camera is not. Fun the X-Pro 1 is. And using adapted LTM/M lenses is how I shoot it. I hope that my review will help people centre their opinions on the system and on this fabulous lens.”

– (shared on google+): Barcelone en noir et blanc at digitlife here.

– “Fuji X-Pro1 at ISO 1600 and Canon EOS 5D Mark II at ISO 1250 respectively. Can you tell which is which without looking at the EXIF info at normal web viewing distance?” See the shots here at leighmiller.

– Studio shoot met Fuji X-Pro1 here.

samburtonphoto in Paris here: “I honestly am starting to believe that the era of the DSLR is coming to end… I’ll be shocked if I’m still shooting DSLR’s by 2015.  Fuji has really one me over with their new cameras… as well as their design principles as well as their dedication to their existing customers with their amazing firmware updates.

– Fuji X Pro 1 Review at scottwilliamsphotographer here.

– Read sergeys.us “Selling the Fujifilm X-Pro 1?” post here.

– Gavin Millar: “I just wanted to drop you a link to a lingerie shoot I shot with the X Pro 1” See them here and here.

What I like least about the X-Pro at nomadphotoexpeditions here: “I think that with just a few improvements or changes the Fuji can become the ultimate camera for the photographer looking for a quality camera that is discreet and lightweight and has great functionality. It is only a matter of a little time and some small improvements.”

prometheus in London with his X-PRO1 here: “I’ve photographed this building before at night with other camera gear and was left wholly unsatisfied.  The Fuji X-trans chip has more dynamic range and the color handling does not blow everything up in the yellow channel like other cameras seem to do.”

– Coney Island Polar Bear New Years Day Swim 2014 : A Guide To Photographing This Tradition at suspectphotography here: “I did get tired of the police boat in the background, but the back lit splashes never gets old. One problem was the sun was just above the frame and wreaked havoc with the exposure. I was at +2 Exposure Comp to make this one. [see the shot on his website]”

. My Thoughts After 18 Months Shooting With the Fujifilm X-Pro1 at falconercommunications here: “Fuji’s X-Series shows a great deal of promise, particularly the higher-end cameras like the X-Pro 1, X-E2, and X100s, but the cameras are still experiencing some teething pains as they become fully sorted. Still, Fuji has done a remarkable job of engineering this system in relatively short order, and with another 2 years or so to mature, I expect there will be some amazing cameras to choose from.

The Fuji X-Pro is not a Toy! at suberashi here: “So all my Canon gear went and the Fuji came in, worried? yes. Had I made a silly move?”

– Visiting Joshua Tree at karimhaddad here.

X100
[shopcountry 15293]

 – The X100 is still a good workhorse, according to neillsoden here: “I am still impressed with the camera and would recommend it to anyone that does not have the budget to get the newer models.”

– Winter walk along Bournemouth beach with the X100 at ianh here.

 XQ1
[shopcountry 17996]

– “The Fujifilm XQ1–A Canon s120 Killer or a Compact X20?” at ronmartblog.

– XQ1 review at pcmag here: “The Fujifilm XQ1 takes the X-Trans image sensor from the excellent X20 and puts it in a body that’s sized like the XF1. The result is impressively compact and is capable of capturing great photos.”

lenses
Fuji XC 50-230: [shopcountry 17198] Fuji XF14mm: [shopcountry 12888] Fuji XF 55-200mm: [shopcountry 12892] Fuji XF 18mm: [shopcountry 12891] Zeiss Touit 12mm [shopcountry 13645] Fuji XF18-55: [shopcountry 12887]

– Fujifilm X-Pro1 + XF14mm f/2.8R – again..  at lakeviewman here.

– (shared via FR-twitter) This is a comparison between the FUJINON XF 14mm ƒ/2.8 and the FUJINON XF 18mm ƒ/2 at fujivsfuji here: “Given the compact size, light weight, and faster aperture, I’d say the FUJINON XF 18mm ƒ/2 was made with street photographers in mind, more so than landscape fans. The creamier bokeh also suggests it could be useful for wife-angle portraiture. In some way, the FUJINON XF 18mm ƒ/2’s characterisitcs remind me of the old Nikkor 85mm ƒ/1,4 AF-D; optimized for centre sharpness and soft backgrounds.”

– AshiqHello!  Just thought I could share some shots taken with the XC50-230. There aren’t many sample shots available online when I tried to search before I bought it. Here’s a link to my flickr account with shots in Singapore taken with X-E1 + XF35/XC50-230. Nothing analytical and they are raw converted for my own tastes. Vignetting’s seen are my own. Hope this help shine some light to the “poorer” long zoom lens! In addition to the flickr set, I’ve also had a small write up on the XC50-230 on wordpress. Read it here.”

XC 50-230: the forgotten one: I’ve already got the excellent xf35mm f1.4 and the very capable xf18mm f2 to pair with my x-e1.so when i thought of trying out something different, i looked to the “budget” long zoom lens available for the system. the xc50-230mm f4.5-6.7. alas, there is nada information on the world wide web on that lens. zip. none.”

– Field Testing the [shoplink 13645]Zeiss Touit 12mm f/2.8[/shoplink] lens at luminous-landscape here: “All in all, it is an impressive lens that will certainly inspire many photographers with a creative heart and mind. I have noticed only minor issues with the lens during the test period: the lack of distance and depth of field scales, the non-differentiable rings might be not important for many of us. However, the lack of scales can be showstoppers for those who wants to “shoot from the hip” or prefers to operate the camera without switching between the view modes of the EVF.”

– Fuji XF 18-55mm ƒ2.8-4 and XF 55-200mm ƒ/3.5-4.8 at the Chick-fil-A Bowl game at stanleyleary here: “Shooting the coin up close with the 55-200mm as well as shooting from the press box were two extremes where the image stabilization really showed how good it worked. I was pleased with the results of handheld photos in both of those situations.” In another post here he compares the two lenses at f/8.

– Jordan’s full review of the Rokinon 8mm f/2.8 Fisheye for Fuji X is up on Admiring Light here: “It is inexpensive, pretty good optically, versatile, small and is one of the few stereographic fisheyes in existence.  The result is quite a good bargain. […] Most fisheyes are rather expensive little buggers, but the Rokinon 8mm comes in at a very reasonable $329 and you get a lens that performs very well for the price and is sized right for mirrorless cameras.” [shoplink 12946]Samyang/Rokinon 8mm specs&price[/shoplink].

RAW-conversion

– Photo Ninja for X-Trans Initial Impressions at thomasfitzgeraldphotography here: “The level of detail you can extract is really impressive. I don’t want to compare it to Iridient Developer just yet, until I do some proper testing, but you seem to be able to extract more detail from my initial testing. I don’t think the results are quite as organic as Iridient developer though. ID gives an analogue feel which I really like, but I need to do more testing before I say for sure. Photo Ninja definitely outputs sharper and more detailed images at the default settings, but this could just be a combination of settings.”

Fuji Instax Mini 90 Neo Classic
[shopcountry 17593]

 – Franck: “Hi Patrick, My name is Franck. This is not a Rumor… but a friend told me that we could very well see a fuji instax mini in Lily Allen’s video clip “hard out here” I checked and we can see it several times ‘tween 2.03 and 2.22. Nice ad in fact for fuji ;). See the video here.”

Fuji Manager promises a total of about 20 lenses as soon as possible + no X-PRO2 for now

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FR-reader Hallvard spotted an interview with Fujifilm’s Imaging Division Sales Department Manager at the Japanese site dc.watch (thanks, I’ve missed that one!). It’s dated December 17th.

It’s available google translated here. Hallvard was so kind to decipher it for us:

I stumbled upon an in-depth interview with two Fujifilm representatives on the japanese site DC Watch (dated December 17.) which may be of interest to your readers (and which I don’t think you’ve quoted yet?). It’s not easy to make sense of everything in the Google Japanese-English translation, but a few points can be extracted:

1) He confirms that Fujifilm has no plans for a X-Pro1 replacement at the present

[admin: he also says that the X-PRO2 will remain Fuji’s flagship, so it will be released once a major breakthrough is obtained… or in the words of google translator: “It was not the only model change this year only X-Pro1, but thought at the time (as a top model) is obtained major breakthrough, X-Pro1 and want to do the appropriate model change.”]

2) He promises at least a total of about 20 lenses “as soon as possible”.

[admin: as there are actually 10 lenses available, and two more in the pipeline (the 10-24 (specs&price) and 56), there should be about 8 more lenses. 5 are already rumored to come: 16-55mm 2.8, 50-140mm 2.8, 18-135mm 3.5-5.6, Large-diameter wide-angle lens, Super-telephoto lens 200mm or more. With these rumored lenses there is a total of 17 Fujinon lenses.]

3) He elaborates on the X philosophy quite a bit, and if I’m not too far off, Fujifilm are aiming to make an industry reference” for digital imaging, like Kodak did with the silver halide film, the unquantifiable “three-dimensional appearance and feeling of air”. He emphasizes the perceived image quality, tone and color reproduction, over measurable features like S/N ratio and resolution. And he observes that the number of people who have “a deeper understanding of the X-Series” is slowly increasing. He sits tight, committed to their product, not industry trends.

I’m guessing I’m not the only one who would have liked to read a proper translation of this interview. But anyhow, I hand it over to you. Please feel free to use it as you like.

[UDPATE] Here is another translation, shared via facebook by FR-reader Levels Of Detail:

– No expectation in the short term to update the x-pro1. It’s the flagship model, so they’ll continue to upgrade it through firmware updates. They expect to upgrade the flagship model when they can time it to deliver a major technological breakthrough.

– They see the latest features like wifi or miniaturization as competitive realities that they need to address, but fundamentally they view their strengths to be around image quality and color processing.

– They don’t think they’ll be done with the lenses until they’re at about 20 choices. They focus a lot on high quality glass, and they prioritize optically corrected lenses rather than software post-processing.

– A very interesting anecdote: they mention how the 35mm f/1.4 uses an essentially 100-year old 8-element design, which requires all elements to move when performing AF. They acknowledge that by changing the design, they could improve from 400ms to 200ms for AF time, but they choose to prioritize the IQ over the extra 200ms improvement.

A lot of what they talk about really jives with my impression of the X-E2. Great IQ, some really great color processing (I really like the B/W modes), but AF is not the highest pri.

In case you missed it, there is also a nice interview with Fuji manager Mr. Kawahara here.

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