Bug fixes, improve Tamron and Sigma F-mount lens compatiability
Improve AF lock accuracy
For Mac OS 10.7.5+ users only:
You have to disable Gatekeepr before start firmware updater, and remeber to enable it again when it’s done.
To disable it: sudo spctl –master-disable
To enable it: sudo spctl –master-enable
Please refer to http://osxdaily.com/2015/05/04/disable-gatekeeper-command-line-mac-osx/ for more details
If you you think at Italy, my home, you probably think at Rome, Florence and Venice.
And in fact, probably 70% of the tourists coming to Italy, visit those three cities and leave.
But there are many more beautiful spots to visit here in Italy, and one of them is definitely my hometown, the Dolomites.
After I unveiled my location a couple of days ago here, I got a significant numbers of emails from readers, asking me information about the Dolomites. I tried to reply to everybody as good as I can.
One recurring question was: do I recommend visiting the Dolomites also to people, who are not so fit and used to mountains.
My answer is a very clear “absolutely yes!“.
There are tons of cable ways, that bring you everywhere. For example, you can reach the highest peak of the Dolomites, the Marmolada, at 3,300m (10,800 feet) without walking a single step and enjoy views like this.
And if you are more on the adventurous side, of course there are tons of tracks and hikes of all kind of difficulties.
Old or young, single of family, fit or lazy, there is a lot ot enjoy for everyone.
Needless to say, also photographically speaking you are in paradise here, as the images below show.
So, if you ever plan a trip to Italy, try to put the Dolomites on your “to do” list.
Today I decided to go through our Fujifilm X-T and GFX group and pick a couple of images that members shared of the Dolomites, in the hope this article inspires you for you next photographic journey.
Stay safe, let’s go through these challenging times together, and done that, enjoy life again as never before!
According to our information, just at launch, the demand was triple the (already optimistic) forecast by Fujifilm. Managers later on officially said sales are more than twice what they expected.
As a consequence, it took a long time to finally ship it, and until just recently it was not always easy to find in stock.
If you can afford it, this camera will make you very happy for sure in terms of image quality. Another topic is the ergnomic layout. Personally I wish it would have more of that retro feeling. But that’s niche, so Fujifilm wanted to go more DSLR style mainstream with this body.
And to be clear: we apply the conversion to the f-stop, only to indicate the equivalent shallow depth of field, and not the light gathering capabilities of the lens itself, which remains the one mentioned on the lens (with the consequences we told you here).
We also find a lovely Fujinon GF 30mm f/3.5 lens, which Fujifilm says is meant for street and landscape photography, be very sharp and also focus fast.
Above you can see a size comparison provided by Fujifilm. The Fujinon GF 80mm f/1.7 is 20% smaller and will weight under 800g, as opposed to the GF110mm f/2, which weights 1010g.
The picture above also shows the GF80mm f/1.7 mounted on the Fujifilm GFX100.
Fujifilm gave us some indications on what the differences between both lenses are.
The Fujinon GF 80mm f/1.7 will have a very creamy and softer bokeh compared to the one on the Fujinon GF 110mm f/2. Different bokeh quality for different tastes.
Also, due to its more compact nature, the Fujinon GF80mm f/1.7 is good for outside and active shooting, whereas the GF110mm f/2 instead is better suited for studio.
I decided to compare the Fujinon GF80mm f/1.7 to its closes in terms of focal length, the Fujinon GF110mm f/2 and the GF63mm f/2.8.
Petersburg, VA, USA, Feb 21, 2020: Metabones® and Caldwell Photographic Inc. are pleased to jointly announce the NF – GFX mount Expander 1.26x. It allows Nikon F mount lenses to be mounted on Fujifilm GFX camera bodies without getting dark and / or soft corners. The magnification factor of 1.26x perfectly matches the image circle of the full-frame Nikon lenses to the medium-format sensor of the GFX series cameras, and therefore the diagonal FOV remains exactly the same.
The optical design consists of 5 elements in 3 groups, incorporating ultra-high index Lanthanum based optical glass as well as one element made of fused silica, resulting in extremely good performances with professional-grade f/2.8 zoom lenses. For example, a 24-70mm f/2.8 lens becomes a 30-88mm f/3.5 zoom, and a 70-200mm f/2.8 lens becomes an 88-252mm f/3.5 zoom. Please note that because of the nature of focal extenders, the aperture values decrease by 2/3 of a stop; f/2.8 becomes f/3.5 and f/2 becomes f/2.5. High-speed fixed focal length lenses such as the 50mm f/1.4 will be transformed into a very fast standard lens 63mm f/1.8 for the GFX system.
The GFX mount Expander features Metabones’ unique manual G aperture adjustment mechanism, which has the same angular throw distance as earlier Nikon Ai/AiS lenses, which features a linearized f-stop adjustment as a function of aperture ring adjustment angle. The mechanism is clickless in order to maximize its usefulness to cinematographers.
