You can read all the details and get the download links in this article.
And here comes my curiosity: I recently started using the Camera Remote App to update my cameras, and I find it so comfortable, that I was wondering if anyone else is using it. Hence, down below is a little survey where you can tell us if you use the App or go old-style via SD-card.
FUJIFILM Corporation has identified a firmware incompatibility between specific X and GFX series cameras listed below. This incompatibility can result in macOS users being unable to directly access files if they were initially saved to SDXC memory cards in-camera.
To address this anomaly, Fujifilm is creating a firmware patch, which is expected to be available for free download by X Series and GFX System users soon.
In the interim, please review the following information carefully for further information and recommended next steps.
5 years ago Fujifilm’s decision became obvious to all of us: unlike everybody else, we are going to skip full frame, build up the best APS-C system in the known universe and offer as an alternative to full frame a medium format mirrorless system. The result: the Fujifilm GFX system.
And well, the Fujifilm GFX series turns 5 years old today.
It all started with the launch of the original Fujifilm GFX50S on January 19 and the slogan “The Game has Changed”.
I remember at that time lots of skeptical comments, especially by influencers who believe that only full frame matters.
But looking back, I guess much of that skepticism has dissipated by now, given that Fujifilm is now offering medium format mirrorless cameras (GFX100S) that are smaller than some full frame mirrorless cameras (Panasonic S1 series) and offer more megapixel at a more affordable price than some full frame mirrorless cameras (Sony A1).
Sure, all the cameras we mentioned above have other strengths, such as video or speed, but all I want to say is that the Fujifilm GFX series is finding a solid ground on which to flourish.
So here we are, 5 years, 5 GFX cameras and 13 lenses later (with more to come) to celebrate a wonderful system that has a terrific potential for the future, as I explained here.
Back in August, TEAC announced the development of TASCAM XLR Audio Adapter for Fujifilm Mirrorless Cameras, the Tascam CA-XLR2d-F.
Note that a future firmware update coming in 2022 will make the X-T4, X-S10 and GFX100S compatible with the Tascam CA-XLR2d-F.
Now, in the original press release the expected shipping date was “end of 2021“. Now Tascam confirmed that they will release it at the end of the month.
Now the full specs and the price have been shared and you can find them down below.
As for the price, some stores already list it on their website. For example German Videodata lists it for pre-order for €490 without VAT. In Japan the price will be of 65,780 Yen (converted to $579)
Once again the latest GFX gear enters the ranking at the very high positions. But the GFX system gets its consecration not only in the year-end rankings, but also at the box office, where especially the Fujifilm GFX100S is causing headache to Fujifilm due to a high demand they simply can’t match.
And what about Fuji’s APS-C series? Well, things look good, very good for the X system in 2022. Just keep an eye on the latest X-H2 rumors ;).
Fujifilm GFX100S Not too long ago, the thought of a 100MP camera sounded like very wishful thinking, considering 36MP was high-res and 24MP is still a go-to standard for many cameras today. FUJIFILM’s GFX 100S isn’t the first 100MP camera, it’s not even FUJIFILM’s first, but it represents the first time 100MP has been available sub $10K and in a camera body that’s portable and reasonable for walkaround shooting use. It redefines medium format and breaks down the barrier that’s made medium format, especially high-resolution medium format, so inaccessible for virtually everyone until now. What’s even more impressive about the GFX 100S is that it has also benefitted from full-frame and APS-C mirrorless development, too, and features many of the same imaging assets you’d expect from other current cameras, like IBIS, DCI 4K 30p video, and even phase-detection AF. Unlike medium format cameras of the past, which were notoriously slow and outdated in performance, but you’d suck it up for the amazing image quality, the GFX 100S doesn’t need these excuses anymore as it meshes high-resolution medium format quality with current mirrorless performance.
Fujifilm GFX50SII Accessible and medium format are no longer mutually exclusive terms with the GFX 50S II; the second-gen compact medium format mirrorless with a new integrated design and the same 50MP sensor that put the GFX system on the map. Late summer saw FUJIFILM release the second generation of their first mirrorless medium format camera, the GFX 50S II. Compared to what a conventional second-gen camera is, though, this new GFX trended in a new way, with a focus on becoming even more accessible than the first generation of cameras, meaning medium format is now a realistic consideration for people shopping for full-frame systems. And with that in mind, the GFX 50S II presents a truly interesting choice for photographers who value image quality above all other camera specs. Beyond value alone, the GFX 50S II also saw some physical changes, bringing it in line with its 100MP sibling and featuring a fully integrated viewfinder and forgoing the more modular nature of the first GFX 50S.
Steelsring has released firmware 3.04 for their Steelsring EF/GFX adapter. It added Lens correction profile support to EF/GFX adapter, AF accuracy and performance update, and some bug fixes.
FujiRumors broke the news about the crazy Fujifilm GFX50S deal, and as to expect, for such a price, it sold out instantly. So lucky those FR readers who were able to grab it at that crazy price.