Fujifilm X-T30III and XC13-33mmF3.5-6.3 Coming October 23 – Everything We Know So Far

Hey guys, just in case you forgot about it: soon the Fujifilm X-T30 III and Fujinon XC 13-33mm f/3.5-6.3 will be announced.

And we now have also the time (thanks to Fujifilm itself):

  • October 23 at 1AM New York Time
  • October 23 at 7AM Berlin Time

And since I never did it so far, here is a recap of all the rumor shared so far in the last few weeks and months.

Fujifilm X-T30III

Fujinon XC 13-33mm f/3.5-6.3

At the moment we have no further information. But stay tuned on FujiRumors in case there are further leaks.

Coming SUPER SOON

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A Forgotten Fujifilm Camera Shines on Netflix — and Teaches a Hard Lesson

A Moment of Glamour for a Forgotten Fujifilm Camera

Anyone remember this camera?

Nope?

In fact, even Fujifilm itself might have forgotten about this little beauty — so much so that it never got a successor.

That’s why we had to include it in our list of the Top 10 Fujifilm camera flops of all time:

But to be fair, it didn’t flop because it was a bad camera. Far from it. It was compact, stylish, and wonderfully portable, earning praise from many photographers for its looks and design.

What really doomed it was its overly complicated manual lens ring — that pull, twist, click dance nobody really wanted to perform every time they turned the camera on. Elegant design met awkward usability… and sadly, usability lost.

Did you guess the camera before I said it?

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About My Fujifilm X-E5, Therapy Sessions, and the Art of Letting Go!

Yes guys, I own the Fujifilm X-E5.

And many have already reached out to me asking why I haven’t reviewed it yet on FujiRumors or if I ever will share a review about it.

Well, I’ll tell you below why I don’t think it makes sense to review it.

But if you want my opinion, let me share the three main problems I encountered with the X-E5.

Problem 1.

I needed half a day to convince my Fujifilm X-E3 to let go of the XF27mmF2.8 R WR — her lifelong companion.

After a complex psychotherapy session (yes, we talked it through), I gently explained that sometimes we just have to let go and move on. Sometimes growth requires change. And if she truly loved the XF27mmF2.8, she’d set it free — let it explore new resolutions, new autofocus algorithms, new X-Trans relationships that would help it grow in ways she never could if always stuck on the X-E4

Problem 2.

The Fujifilm X-E5 looks so perfect — clean lines, flawless build, an aura of quiet confidence — I was honestly terrified to scratch it. It felt like holding a piece of art instead of a camera.

But then my X-E3 gave me a therapy session. She reminded me that the marks we carry are proof of a fully life lived. She said: “you can’t protect your X-E5 from scratches without also protecting yourself from the joy of using it“.

I knew my Fujifilm X-E3 stole that line from one of the best books I’ve ever read, Extremely Loud and Incredibly Close by Jonathan Safran Foer, in which Jonathan wrote “you cannot protect yourself from sadness without protecting yourself from happiness“. But I somehow forgot about it, and it is nice that my X-E3 reminded me of that.

Problem 3.

Problem 3 required a group therapy session with a secret Fujifilm community — a place where we meet only to discuss and cry about the nonsense things Fujifilm does.

You’ll find people there who still haven’t emotionally recovered from last year’s autofocus firmware fiasco (finally fixed after months of collective suffering). Others are still clinging to hope for an X-Pro4 or X80, wondering why on earth Fujifilm poured tons of R&D into “GFX Eterna” instead. Then there are those waiting since 65 months for their pre-ordered Fujifilm X100VI and even a special support circle for those permanently traumatized by years of using the old Fujifilm Camera Remote app. We’ve all endured our share of pain.

My personal breaking point? Discovering that my new favorite EVF display setting — the “Classic Display Mode” — had simply vanished. Gone. For hours I frantically searched menus, reset settings, questioned reality. Nothing.

Only through the combined wisdom of the Fujifilm group did we uncover the truth: if you enable “Semi-Transparent” in the “Surround View Mode”, the Classic Display Mode disappears.

Why? No idea.

Some things in life just defy logic… and this is one of them.

So Why No Review?

It makes no sense to review perfection. ;)

Or as a fellow Fujifilm brother wrote in his Amazon X-E5 review, it deserves six out of five stars. I couldn’t have said it better myself — that’s exactly my rating, too.

So I’ll leave the formal reviews to those who make a living dissecting specs and pixel-peeping at 300%.

Honestly, I haven’t even watched a single X-E5 review since I own it. I couldn’t care less. Whether people praise it or tear it apart doesn’t matter to me. I own it. I love it. And that’s my review.

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RUMOR: Fujifilm X-T30 III Coming with Film Simulation Dial on X-T30 II Body

According to our information, the Fujifilm X-T30III will use basically the same body of the trusted Fujifilm X-T30II.

However, there will be one difference: the X-T30II drive dial will be replaced by the film simulation dial we find on the Fujifilm X-M5 and Fujifilm X-T50.

As an Fujifilm X-E5 owner, I can say Fujifilm’s implementation of the film simulation dial on that camera is wonderfully elegant. On the X-T30III, though, such a solution won’t be necessary due to its different SLR-style layout compared to the X-E5’s rangefinder design.

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Fujifilm X-T6 and X-H3 with 80 Megapixel? Let’s Talk About it!

Over the past year, I’ve been flooded with emails asking if the 80-megapixel Fujifilm X-Trans VI sensor rumor could be true.

And for more than I year now I’ve chosen to stay silent on FujiRumors and replied to each email individually.

But recently yet another message arrived asking the same question.

So, after 12+ months of staying quiet and not writing a single word about it, I think it’s finally time to share my take on this “rumor” publicly. And from now on, whoever asks me about it, will get a link to this post.

The question is: will the Fujifilm X-T6, X-H3, X-E6, or X-Pro4 really have 80 megapixels?

Here’s what actually happened.

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LEAKED: Fujinon XC13-33mmF3.5-6.3 Finally Fixes What (Most) Photographers Hated About the XC15-45

We told you Fujifilm will launch the Fujinon XC13-33mmF3.5-6.3 in 2025.

I don’t know if this is going to replace the Fujinon XC15-45mmF3.5-5.6 OIS PZ, but since it is coming in 2025, I would not be surprised if the Fujinon XC13-33mm would be the new kit lens for the upcoming Fujifilm X-T30 III.

With that said, was a new kit lens really needed?

Well, some might appreciate the wider end (13 instead of 15). But there is another difference that for me is even more important: the new Fujinon XC13-33mmF3.5-6.3 will get rid of the PZ (powerzoom) and have mechanical zoom.

For me this is a welcome change as I vastly prefer mechanical zooms. And if I read through the comments in the last few weeks, I have the impression that most of you also prefer it over the powerzoom.

The last powerzoom I owned was this one, but that is from the times before I went all-in with Fujifilm MILC and I was still trying to find the best mirrorless system for my needs. It was a fine lens, I certainly loved its compactness, but I never grew fond of the powerzoom function.

I’m glad to see that the XC13–33mmF3.5–6.3 features a mechanical zoom—this alone makes the lens feel much more practical and worthwhile to me.

But I am curious to read what you have to say about it in the comments.

Do you own the Fujinon XC15-45mmF3.5-5.6 OIS PZ. Do you love the powerzoom or did you often wish for a mechanical zoom on it?

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Fujinon XC 13-33mm to Be Launched Along with Fujifilm X-T30 III

Little update regarding the rumored Fujinon XC13-33mmF3.5-6.3.

The lens will be offered also as a kit lens for the upcoming Fujifilm X-T30 III, hence they will be launched together this month.

I am not sure if it is basically going to replace this kit lens here, but it certainly sounds like that.

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A Lovely Combo: Fujifilm X-T30 III Coming with 26MP Sensor and 5th Gen Processor

I always thought it might end up this way, but so far all I had were my own speculations.

But now we have sort of “confirmed”, because a trusted source told me that the Fujifilm X-T30 III will indeed use the 4th generation sensor in combination with the 5th generation processor.

I think that’s a great and efficient combo that has proved to work really well already on the Fujifilm X-S20. So I applaud this decision by Fujifilm, since not only the combo works great (faster sensor readout, less heat generation, etc), but it will also allow to keep the price of the camera lower (that 40MP sensor ain’t cheap).

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Sorry, But the Fujifilm X-T6, X-Pro4, X-H3 (and Friends) Won’t Arrive in 2025

A few months ago, we estimated—based on Fujifilm’s historical sensor/processor refresh cycles—that the next sensor generation would likely arrive in late 2025 or early 2026.

To be clear, that wasn’t a rumor, just a data-driven speculation.

Following that article, some speculated that November 2025 could be the right moment, since Fujifilm has historically launched some of its most important cameras in that month (such as the X-T5).

But today I can confirm: the 6th generation platform will not be launched in 2025. So you can now rule out “late 2025” as a possibility.

That also means we won’t see the Fujifilm X-T6, X-Pro4 (or X-Pro5, X-Pro6), X-H3, X-H3S, X-T60, X-E6, X100VII, GFX100III, GFX100SIII, or GFX100RFII this year.

And yes, I know plenty of supposed “spec leaks” about these cameras are floating around—but they’re all fake, as we explained here.

Bottom line: it’s all AI-generated nonsense, stuffed with random specs. Every day there’s a new “upcoming” Fujifilm camera announcement.

Some of these videos gather tons of views and lots of comments, so I want to stress it once more: it’s fake.

And yes, I sometimes feel like a lonely Don Quixote, tilting at the windmills of fake rumors with little hope (illusion) of winning this battle. But what matters is staying true to yourself and bring excitement in the Fujifilm community only when it is real, verified, and worth celebrating. So I’ll leave the fake rumors to others. Shall they boost their traffic and make money by misleading people with all sorts of fake rumors. We’ll stay out of this game.

Anyway, the wait for the Fujifilm X-T6 and friends might be a bit longer than we’d like, but it’s much easier to stay patient when you’ve got the ultra-awesome Fujifilm X-E5 in your hands ;)

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I’m Leaving Capture One for DxO PhotoLab 9: Here is Why!

In 2019 I wrote an article about leaving Lightroom for Capture One.

Well, here we are, six years later, and this time I’m announcing another change: I’ll be leaving Capture One for DxO PhotoLab 9.

First off, let me be clear: my time with Capture One has been excellent. It’s a fantastic piece of software, and I never once regretted switching from Lightroom. If you’re sticking with Capture One, you’re still making a solid choice.

Why am I leaving?

Before we start, it’s worth remembering that Capture One supports Fujifilm cameras because Fujifilm pays them to. That’s part of their original agreement. So if you’re happily editing your Fujifilm files in Capture One, thank Fujifilm, not Capture One. And that’s totally fine — just business as usual.

What really bothered me, though, was Capture One’s handling of the free Express version. They announced its removal, but in reality, they didn’t actually discontinue it for Fujifilm shooters — they simply hide and renamed it.

Instead of openly saying “Capture One Express is closing, but Fujifilm users still have access to a free basic version,” they didn’t tell us about it and made it complicated to find. The probable goal: push Express users into upgrading to the paid version. Luckily, on FujiRumors we figured out the not-so-intuitive way to still access the new “Fujifilm RAW Converter (FRC)” and shared it with the community.

Legally, it’s all fine. I assume (but that’s just a guess of mine) their contract with Fujifilm might oblige them to offer a free basic version, and if so, they would have technically respected that. But from a customer-relations point of view, it felt a bit disingenuous. A little transparency and clarity would have gone a long way.

The turning point

Now that I own the Fujifilm X-E5, I had to make a choice. As a perpetual license holder, I would need to pay Capture One full price just to get support for my new camera. At that point, I asked myself: do I double down on Capture One, or finally make the switch to something else?

And the answer was clear: it’s time for DxO.

Also consider: while Capture One won’t support the X-E5 in older standalone versions, DxO added X-E5 support also the PhotoLab 7 and 8.

So this makes me confident that if one day I’ll treat myself with a Fujifilm X-E6 or X-T7 or so, I guess I won’t be forced to pay the upgrade to DxO PhotoLab 10/11 to use its RAW files on DxO.

Why DxO?

Over the past two years, DxO has impressed me more and more. The new PhotoLab 9 is a powerful, feature-rich editor — with great tools like AI Masking. I’ll be pairing it with FilmPack 8, which unlocks all Fujifilm film simulation profiles.

On top of that, DxO PureRAW 5.3 now supports DeepPRIME XD3 for all X-Trans cameras, delivering outstanding noise reduction and detail retention.

So, from now on all my editing will be done with PhotoLab9.

What About You?

Since I’ve shared my own quick editing software journey, I’d love to hear yours. What software are you using now, and how did you get there? Feel free to share your story in the comments below.