Fujinon XF 23mm

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– At therealsphotographersforum you can read a review of the XF 23mm: “The new Fuji 23mm lens is a beast – as fast as the excellent Fuji 35mm lens (at f/1.4), but with the latest AF drive and pull focus ring from the 14mm. The build quality feels superb – this lens is a chunky guy, with some reasonable heft, and a rather impressive girth. […] the smoothness of the bokeh is really impressive.”

– yodobashi.com shared his impressions and beautiful pics of the 23mm here (google translation): “It may be said that is the size that a strong presence as a little lens of single focus of APS-C for but, given the stunning image quality and value of open F1.4, to be rather small and light.”

X-rayed by Dag

FR-reader Dag analized an image Bert Stefani shot in his recent visit to Tokyo with three more X-photographers in order to present Fujifilm their own suggestions to make the X-series even better and more complete. Now here are Dag’s findings… and what do you see?

“This is unconfirmed , but take a look at this picture. http://confessionsxl.com

Is the x70 the black camera on the table? Or the silver one beside it? The silver one is NOT a X100S. Also. Look at the two cameras on the left side. If you look at the writing on the lens and the depth of the lenses it may look like they have different lenses. Is a X100S with a different focal length lens on the cards. X100S(andard), X100T(ele), X100W(ide)?

The lenses on the right side are also interesting. There is a pancake lens with aperture ring … Maybe a 35mm 2(.8)? Pure speculation. The lens in the middle looks a lot like a 35mm 1.4 with manual focus clutch?

And last but not least. Zack, David and co. reported that they got to present a wish list for upcoming lenses for the X-system. If you look at the board on the left side it clearly states: “from x-photographers”. Beneath not much i clear other then the first lens is a variable aperture (zoom) with maximum aperture of 5.6 on the long end … A longer lens then the 55-200mm?

The next three lenses have a aperture that ends on 8. So either 1.8 or 2.8. The last of these have “macro” written behind the aperture. If i should take a calculated guess a 23mm 2.8, a long tele 2.8 and longer macro lens then the 60mm?

The last lens on the board is interesting. It is clearly marked with II behind. So of the lenses that are out today the 35mm and 60mm are the two lenses that is most “in need” of redesigning with “quick AF” as stated. I would guess 35mm since the AF on the 60mm is slow since it is a macro lens.

The is also something about 18-55mm on the right side of the board, but can’t read it. Maybe a “firm” aperture ring with stops?

Maybe i want to see more in the picture then there is?”

Photo Ninja

FR-reader Mehrdad is very pleased by the results of the RAW-converter Photo Ninja and wrote a German review here (translation). According to hin it’s worth abbandon LR finally!

win a X-E1 + 18-55 lens

“Hello, Patrick. I have one more piece of news for you – we at Photography Life were very impressed with the X-E1 and started a giveaway contest of the camera body + the 18-55mm XF zoom lens kit. Perhaps you would like to share this on your website, we would be very grateful. Thanks! http://photographylife.com/fuji-x-e1-giveaway“

X100S

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– Here is a fun little look at the X100S of Fernando Gros: “Time for a confession right up front. I suck at writing camera reviews. When I’ve written camera reviews in the past I often get hit with the kinds of questions most regular camera reviews spend a lot of time answering; stuff like sharpness, lens distortion and every little detail lurking in the camera’s menus. But, to the be honest, the only thing that interests me is “can I make the kind of photographs I like, with this camera?”

– X100S review at disneyphotographyblog here: “Imagine a camera that is liberating, light, powerful, and most importantly has fantastic image quality. Do you want to take that camera to the parks and shoot with it? I know I did, and that is why I rented the Fujifilm X100S recently.”

–  Florian wrote a comprehensive review about his new toy, the X100S, here: “I needed something more portable, especially for work trips. I considered switching to a more portable camera system – the Fuji X system comes to mind – but again this involves compromises (not to mention expenditure) that I don’t want make right now: An ideal camera (1) has excellent image quality, (2) is very portable and (3) is highly flexible. Again, pick two! My solution is to keep my DSLR system [(1) & (3)] and get a second, portable camera [(1) & (2)]. The X100s fits the bill perfectly. Moreover, it is very pretty, so even my finance minister approved of the purchase.“

– For a first look at the X100S check eoshd.com here: “Dynamic range is comparable to full frame on the X100S and it certainly gives the Sony RX1′s full frame sensor a run for it’s money at a considerably smaller price. The Zeiss lens is better on the RX1 but image quality is right up there between the two and the X100′s sensor also  does a great job in low light.”

X-E1

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– Dan Bailey shared on my FR-twitter page his blog post “Shooting Cyclocross with a Nikon DSLR and Fuji X-E1 here: “In my mind, the Fuji X-E1 held up well, and I’d use again with confidence for shooting action.”

– Check out photographylife’s X-E1 review here. From the conclusions: “Yes, the Fuji X-E1 is a camera that I want to pick up and shoot. I don’t know what it is – ergonomics, its looks, its feel, the noise of its shutter…it is hard to express why this camera just lures me into picking it up. To date, I have not enjoyed photography as much as I have with the X-E1. It feels just perfect in hands. […] I have been taking the Fuji equipment to every shoot with me so far and I have to say, I would not hesitate to shoot weddings and other portrait sessions with it (you can probably see why I am so excited about the upcoming 56mm f/1.2). […] In summary, the X-E1 is a phenomenal camera. I don’t think there is anything else to add to that.”

– Oh yes, he did it. Colin shot a whole wedding with the X-E1. Read more here: “I am happy with the results from this day, however I’m still holding on and using the 5Dii +100mm lens for my own assignments but I believe the way is paved for an all fuji kit bag, Im thinking a pair of XE1’s: 23mm/1.4 lens on one and the 56mm/1.2 on the other, with the 35mm being in the bag for backup. Can you imagine that? It would be such a light kit and all fit in one small bag, only downside is I would need about ten batteries, not even joking here I used 4 in one day recently.”

– The Fuji X-E1 & Fuji X-Pro1 and why I love mine at johnbarclayphotography here: “These cameras have made photography fun again!  I love the look and feel and their size allows me to always have one with me.”

– X-E1 article at henrysmithcottage here: “This was the first vacation, probably in a decade, where I have not taken an SLR as part of my kit. Instead on his trip, I brought instead 3 “X series” Fujifilm cameras:  my X 100s, my X Pro 1, and a brand new  E Bay acquisition, a silver XE 1.  I definitely had some concern over this. After all, I have some wonderful Nikon bodies and lenses. Would the Fuji’s suffice? […]

– “In the hands using the Fuji X-E1 and 35mm for me is a more photographic experience. I engage far more in the moment. I take more care before squeezing the shutter release and hearing the shutter control the light momentarily to the sensor creating the image. I love the detail with the narrow apertures too, street and landscape provide good opportunities to work at this end if the lens range.” Read Fuji X-E1 joined me on walk about at Simon Peckham here.

X-PRO1

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– X-PRO1, New York and street photography. See some shots here at rodneyboles.com.

– The Fuji Xpro 1 loves the Badlands (First field test) at tonysweet here: “I thoroughly enjoy using the Fuji X Pro 1 and it’s one of the few cameras that feels so good in your hands (after adding the aforementioned accessories), that it actually makes you want to get out there and take pictures! BONUS: Being a rangefinder, there no need for a tripod for general shooting in average light, although mounting on a tripod is always a good idea for best image quality in lower light and/or when using high apertures. BONUS2: The high ISOs are outstanding!”

– X-Wow: Initial Shots from the Fujifilm X-Pro1 at kevinbuchananphoto here: “‘I’ve been shooting with the X-Pro1 and the 35mm (equivalent to a 50mm on a full-frame camera) f/1.4 lens now for several days, and have been continually blown away by the photos I’ve been getting from it.  I’ve thrown it into several different situations – portraits, street, concerts, etc. – and have been learning how it behaves and responds.  It’s everything I loved about the X100, taken to a new level.”

– Alternative close-up photography with the Fuji X-Pro1 and X-E1 at aboutphotography here: “Sometimes, however, I like to break the mold and move into some more innovative ways of shooting close-ups. The procedure is simple, but the results can often be visually interesting and, for me, more exciting creatively.”

X-M1

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– Giovanni: “Hi, I’ve tested, for a few hours, both the (old) X-E1 and the (newer) X-M1. Here’s my reflections; the post is in italian, but you can read it also in english, or any other languages, thanks to “google translate“. Ciao“

– photoreview posted its X-M1 review here: “[…] the X-M1 plus 16-50mm kit lens will suit photographers who enjoy shooting general subjects, such  as landscapes and portraits. It’s small enough to be an attractive traveller’s camera and makes a reasonably good choice for photographing children and pets, although you’ll need a longer lens if you want to photograph sports action or wildlife.”

– photographylife‘s X-M2 review can be read here: “Overall, the X-M1 is an excellent camera that is very intuitive and easy to use, with superb image quality. Despite the fact that it lacks an electronic viewfinder, it is still equally as addictive as other X-series cameras from Fuji.”

X20

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– Cameralabs X20 review here: “Despite its smaller sensor, the Fujifilm X20’s wider f2.8 aperture produces a slightly better result at the telephoto end of the zoom range. The worst of the bunch [[shoplink 12884 ebay]X20[/shoplink], [shoplink 15087 ebay]Sony RX100 II[/shoplink], [shoplink 13071 ebay]Nikon A[/shoplink]] is the Nikon A. Its 28mm fixed lens not only renders the background almost as sharp as the subject, the wide angle perspective makes for particularly unflattering portraits.”

– Nowadays compact cameras deliver great results, as the [shoplink 12884]X20[/shoplink] or the [shoplink 15087]Sony RX100II[/shoplink]. Read more at mirrorlessons here.

artifacts

– “I would like to have your opinion about some TERRIBLE false outlines that I’m encounting on Lightroom and Silkypix when simulating a Red filter on BN, on the blue channel. I can’t believe that I’m the first to deal with this artefact, but I can’t find any discussion about this on the web. I decided to email you after trying to recreate the same artefact on other cameras like Olympus OMD and Canon G-15, both of them don’t show a false outline like this. I can confirm that it is in both of jpeg and RAF, and you can put every other parameter to default or automatic and you won’t remove this outline anyway. Look at the sky… Please help me :D Greetings from Rome, M“. Check Massimo‘s post here. To be honest, I’ve never experienced something like this, but feel free to drop your opinion in the comments. In any case, I’ve talked with Massimo and he told me that he found a solution in the meantime. So stay tuned on his blog, in case you experienced the same problem, he will tell you the solution in this post here!

Fuji X100

Lens Turbo

admiringlight posted its lens turbo review (Minolta MD to Fuji X) here: “If you planned to shoot with the Lens Turbo for a large portion of your work or for professional work, I’d recommend spending the extra money on a SpeedBooster (provided they make it for the mount you’d like to convert), but for occasional use when you want that full-frame depth of field, it’s useful.  I don’t often need the depth of field provided by ultra-fast lenses on full frame, as the depth of field from faster lenses on APS-C and Micro 4/3 provides plenty of isolation while keeping the subject sharp. However, for those times I want that super shallow look (especially in the normal focal range), I can grab this and get a decent shot. Ultimately, the Lens Turbo provides usable images with that full-frame look at a relatively low price.  It’s not a great buy, and it’s not a perfect set of optics, but it’s not a bad buy either.  The current $130 price range on eBay is right about where I’d put the worth on the Lens Turbo – if it were more expensive, the cons to image quality would be much harder to ignore.”

lenses
Fuji XF 27mm: [shopcountry 13829] Zeiss Touit 2.8/12: [shopcountry 13645] Fuji XF 55-200mm: [shopcountry 12892] Fuji XC 16-50: [shopcountry 17197] Fuji XF35mm: [shopcountry 12889]

– Some more images of the 23mm can be seen here.

– “Patrick – I just completed a hands on review of the Fuji 27mm pancake lens. This lens is a real winner as you can read in my post here. As always, I included downloadable samples so readers can judge for themselves. The lens looks particularly great on an X-E1 as this photo shows. Thought your readers migh enjoy the post. Thanks.  – Tom“

– Lenstip tested also the XF 27mm here. The PROS: “small and neat casing, excellent image quality in the frame centre, negligible chromatic aberration, well corrected spherical aberration, low astigmatism, fast and accurate autofocus.” CONS: “high vignetting, weak image quality on the edge of the frame near the maximum relative aperture, exorbitant price.”

– Read stockografie‘s Zeiss Touit 2.8/12mm review in English here (German here): “Color rendition, sharpness and even corner sharpness is handled very well. You can even achieve a little bit of bokeh with this ultra wide angle lens. Choose f/2.8 and get real close to your subject and you can manage this bokeh. Not bad for this ultra wide angle lens used on an APS-C sensor.”

– photoreview‘s XC16-50 review can be read here: “Covering a wide enough focal length range for everyday picture-taking and as a single lens for travellers, this lens is better suited to landscape and portrait photography than shooting sports action or wildlife. Optical image stabilisation promises up to four f-stops of shutter speed compensation. Extensive use of plastic means the build quality has been slightly compromised to keep its weight down. However, this makes it a travel friendly combination with the X-M1 body we used for our tests.

– 35mm review at picturebeast here: “Fact Number one –  this lens gets rave reviews both by the professionals and by the budding enthusiats and semi professionals that can be found hanging around the vignetted corners of the virtual WordPress world […]. Fact number two – this lens has a thrilling F1.4, which guarantees gorgeous bokeh”

– Don Craig‘s review of the 55-200 can be read here: “I was impressed. Thank you image stabilization! The OIS works really well. That, combined with the X-trans sensor’s superior image quality and amazing high ISO performance, meant that I was happily shooting an event with the XP1 and a Fujinon lens which previously required me to use a DSLR and a giant zoom lens.”

– XF 55-200 review at hossedia here: “Another great use of longer focal length lenses is creating the optical illusion of compression. The idea is to stand back from your subject, and use the longest focal length you can. This will result in visual elements appearing closer together than they are (kind of like your rear view mirror). The 55-200 does a brilliant job of this!”

image courtesy: hossedia

How to shoot a wedding with the Fujis

image courtesy: confessionsxl

“I want cameras that don’t scream “I’m the hired photographer!” but still give me the best possible image quality. Another reason for keeping my bag small and light is simply physical. I don’t shoot my best work when I’m tired or when my back hurts.  Here’s what’s in my camera bag:” Read more at confessionsxl here.

Talk about the X + Kaizen

– X-Photographers David Hobby and Zack Arias talk about their experience with the X-series here. These two photographers were part of the expedition invited to Tokyo from Fujifilm in order to give them honest feedback about the X-series. The other two X-photographers were Bert Stefani and Kevin Mullins. I’ve already shared the 23mm first impressions of Bert (here) and David (here) on Fujirumors (for a great first look at the 23mm check Rico’s X-pert corner post here). Now it’s time to read what Kevin Mullins thinks about Fuji’s Kaizen spirit (read his article here):

“See the guys in the blue shirts?  These are the people that design, manufacture, make, forge and breathe life into the X-Series of cameras. You know what they are doing here?  They are listening feedback from “us”.   The guys that actually build the systems, design the software and produce the cameras that we use on a day to day basis are listening to our feedback.  Feedback that all four of us took to them from many hundreds of photographers.”

– Also photographylife (click here) admires Fujifilms devotion to its customers and says:”Fuji has quickly become a manufacturer that feels involved with its clients more than any other camera maker no matter how well-known or popular. It feels as if they want to do good by their customers, as if you are using gear that real people design and improve, rather than a faceless company.”

PhotoLive

“Can you change your mental mindset and be a better photographer?  Come along to PhotoLive and sign up from a selection of over 200 seminars from 35 Pro Photographers and see what interesting tips can be picked up!!” If you are interested to learn from great photographers as Dave Kai-Piper then consider to participate to this seminar in London on the 26 and 27 of October. You can also profit from a discount. Dave Kai-Piper will tell you more about it here.

X-M1

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– Bert Stefani’s X-M1/16-50 review and lot of beautiful samples can be seen here: “So far this compromise, make the X-M1 the perfect companion for people on a budget who are looking for a small camera system with great image quality. But there’s more, the X-M1 is not all compromise, it has two features that none of the other X-cams have: a tilting screen and build-in wifi. […] having the same sensor as my main camera, the X-Pro1, it is well suited as a backup camera. The extra functionality with the tilt screen and wifi, gives me extra options that my current backup camera, the X-E1, doesn’t offer. […] About the 16-50 lens […] if you take the low price into account, I believe it’s not a bad deal at all. The image quality is surprisingly good. It’s a great starting all-round zoom for photographers on a tight budget. And if you add some better, more expensive lenses over time, it’s still a good backup lens. […] Despite my initial reservations about the X-M1 I’ve decided to give it a permanent place in my bag where it will replace my hardly used X-E1 as my backup camera. ”

– steves-digicams.com published an X-M1 review. From the conclusions:  “[…] The biggest drawback to the X-M1 is its high starting price of about $800 with the kit lens. You’ll be able to find more powerful and more feature-rich DSLRs and ILCs for well under that price range. However many of those models cannot match the stylish look and feel of the Fujifilm X-M1. The X-M1 is small enough to be used comfortably one-handed, yet the camera has a sturdy build. It’s a comfortable model to use, and even though the camera body is small, the buttons are of a good size and are easy to reach and press. This camera’s image quality and performance levels are pretty good too versus other entry-level ILCs, although those aspects of the X-M1 aren’t quite as impressive when compared to all models in its price range. You can shoot in RAW or JPEG with this camera, which is a feature that doesn’t appear in every ILC model. The X-M1 does a very nice job with low light photos too, thanks to its popup flash and good performance at high ISO settings, as well as a large APS-C sized CMOS image sensor. […]”

X100S

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– “In episode #3 of All About the Gear, Doug Kaye and I dive into the famed Fuji x100s camera. Find out if this little beastie lives up to all the hype, and if it’s actually the perfect walk-around camera.” See the episode here.

– Mike Kobal: “Yup, I was just as surprised as you probably are, I rarely find moiré to be an issue and here we have a good example, from the Fuji X100s, nonetheless. 100% moiré crop after the break.” See the image here.

X-PRO1

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– Comparing X-PRO1 and X-E1 at Tom Grill’s website here.

– photgraphylife’s in depth review of the X-PRO1 can be read here: “I have to praise Fuji engineers for going back and reworking the autofocus system of the Fuji X-Pro1 and fixing most of the issues via firmware updates. And I am happy to report that as of firmware 3.01, the Fuji X-Pro1 is a whole different camera compared to what it used to be. I was so frustrated with the autofocus system, that I practically disliked the camera just because of those issues. Autofocus speed has improved dramatically and AF accuracy has gotten a world better, even in low light situations.”

– The Fujifilm X-Pro1 for Landscape Photography at stephenip.com. A great camera for landscape photography combined with the [shoplink 12888 ebay]14mm[/shoplink] but “there is one thing about the X-Pro1 however, that I really, really don’t like. The location of the tripod mount. For some reason, Fuji decided that it’s unnecessary to access the battery or memory card when a tripod plate is mounted onto the camera. As someone that uses a tripod often, having to remove the tripod plate every time I want to charge the battery or download my images is extremely annoying. For a company that did so many things right in the usability department with the X Series cameras, an oversight like this is quite surprising.

– “X-Pro1, my take on it” at neillsoden.co.za:”I just love this camera, and can’t state it enough. This camera and most of Fuji’s cameras have been reviewed to death. This model has also been out for over a year, but I am going to add to it nonetheless. When I show it to people, their first response is always that they can get a DSLR for cheaper. Yes, it’s more expensive than the entry to medium range of DSLR and a lot of them think that DSLR has better image quality and looks more professional.”

– A wedding and more thoughts about the X-PRO1 at louwit.blogspot.dk

– A review of Fuji X-Pro 1 (ver 3.0) with 14mm lens can be read here at bigheadtaco: “If it’s all about the image, then you will not be very happy with the Fuji X-Pro 1. Combine this with great ergonomics, the industry only hybrid viewfinder, and super sharp legendary Fujinon XF lenses, I think you have a winner.”

– Shooting Beauty Portraits – Fuji X-Pro1 vs Canon 5D Mk2 Review at roughly365 here: “The more I use the Fuji, especially with the 35mm f1.4 lens, the more impressed I am with it, I love it. But, as I have stated in previous posts, I personally wouldn’t have it as my main camera, but its the best second camera I can think of.”

lenses

XF 27mm review at the Polish site optyczne here (translation).

dc.watch  took some shots with the XC 16-50. See them here (tranlsation).

… and some tips

– At thephoblographer you can read the “7 Tips for Photographing Strangers”: 1) start with a complimet… to be continued here.

– “5 questions you should ask yourself to become a better photographer” over here at photographytalk.com. 1) Where is the light coming from. 2) Why am I shooting this… and more.

– lightroomkillertips explains how the previous button works in this video.

– 3 Ways to Improve Your Images With Composition at digital-photography-school.com:  1. Rule of Thirds / 2. Second Point of Interest / 3. Room for Copy Space

– Understanding your Cameras Histogram at ephotozine here.

– Architectural Photography Tips at photographytuts here.

image courtesy: Mike Kobal

 Shot with the Fuji [shoplink 7756]X-E1[/shoplink] and the [shoplink 7812]Tokina 11-16mm[/shoplink] at 11mm.

X-E1

Roshan Vyas travels a lot. And he was tired of carrying the heavy [shoplink 7802]Nikon D7000[/shoplink] around Europe. So he sold it off, and was tempted to buy a [shoplink 7800]Leica M9[/shoplink]. But “having a need to continue eating and living under a roof, I wasn’t about to spend a few months mortgage on a used M9 and lenses.” He found a compromise and bought the X-E1, a Leica lens ([shoplink 7804 ebay]Leica Summicron-M 50mm f/2[/shoplink]) and [shoplink 7806]RainbowImaging lens adapter[/shoplink]. Compared to the X-E1, the Leica lens is heavy, “causing the combination to be a little off balance“. The results? Look at his first two sample shots and read more here on his website.

Here is a comprehensive Italian review (translated version). It’s a good overview about the X-E1. And, I know, you will think that a comparison with FF-cameras is unfair… but on page seven you will find some ISO-comparison samples. This time the competitors are the [shoplink 7900]Canon 5D Mark II[/shoplink], [shoplink 7908]Canon 5D Mark III[/shoplink], [shoplink 7902]Canon 6D[/shoplink] and the [shoplink 7904]Nikon D600[/shoplink]. (thanks Omar)

Fuji X-E1 + [shoplink 7855 ebay]Elmarit-R 24mm F2.8[/shoplink] + metabones speed booster (via slidoo). See the sample shots at dc.watch (translated version).

XF 14mm

“How to never miss another shot with the Fujifilm X-E1: Zone focusing“… DOF with the XF14mm explained by Mike Kobal here!

“We’re currently testing the Fujifilm 14mm lens with the XE-1 body. We’ve included the entire aperture range from f/2.8 to f/22 to show what the lens is capable of. A gallery of 40 JPEG photos taken with the Fujifilm XF 14mm f2.8 R lens.” See all samples here at photographyblog.

FixelPix loves his [shoplink 7821]XF 18mm lens[/shoplink]. But now the [shoplink 7764]XF 14mm[/shoplink] arrived, and he shot for one hour with it. “I know a number of people have asked if the 14mm is really worth the investment over the 18mm. I personally think it is, 21mm (full frame equiv.) offers a fair bit more image than the 28mm. I’ve marked the approximate scale factors between the 14mm,18mm and 35mm lenses. […] There is a massive versatility of speed + ultra wide + stunning output and I can’t wait to get it know it better. The Fujinon 14mm lens looks like the perfect companion for both landscape photography as well as general street / documentary work.” Read more and see his long exposure shots here at FixelPix.

image courtesy: FixelPix

Sony 35mm f1.8 (NEX) vs Fujifilm 35mm f1.4

The phoblographer made an informal Lens comparison: [shoplink 7816]Sony 35mm f1.8 (NEX)[/shoplink] vs [shoplink 7766]Fujifilm XF 35mm f1.4[/shoplink] (X Mount). “As far as this test goes, Sony has done great things with their lenses, sensors and cameras. But in terms of pure image quality, it still can’t stack up to Fujifilm.” See the comparison pics here on his website.

X-PRO1

Fuji X-Pro1 Portrait Review at roughly365 (read it here). “For me the X-Pro1 was built for this kind of work, I needed a powerful yet discreet bit of kit. It slipped into my pocket easily… I can see how the Fuji X-Pro1 system would be amazing for wedding photography and documentary/backstage photographers, the files are defiantly comparable to the canon 5dII when shooting RAW….Would I swap my Canon Kit for the X-Pro1 kit?? NO….  I find the X-Pro1 to be the perfect camera to have in your kit as a backup/2nd/3rd/4th? camera or for situations you need subtlety.  There are definitely situations where the X-Pro1 is an advantage.“

RAW-conversion

“How to get the most from the Fuji X-Pro1: Using Capture One and Photoshop“. Read roughly365 workflow here.

[shoplink 7865]XF1 (specs&price)[/shoplink]

“The XF1 is without doubt the best looking compact out there – just look at it! And, while it’s not a back up to a DSLR by any means, it certainly does have that wantability factor that is hard to resist. It does exactly what is asked of a camera of this type – it has a near instant start up, is very quick to focus and very quick to process an image.” Read the whole review here at photographymonthly.com