New Year, Old Deals and One Week Left to Resist to GAS

Fujifilm X-T5 in Stock Check

Fujifilm X-T5
→ USA: BHphoto / AmazonUS / Adorama
→ Worldwide: AmazonCA / Amazon of Your Country
→ UK: AmazonUK / WexUK / ParkCameraUK
→ EU:AmazonDE / AmazonIT / AmazonFR / AmazonES  / CalumetDE / FotoErhardt / Fotokoch / PCHstore

Official Fujifilm X and GFX Deals
WorldWide Editioin

The deals run for one more week. Stay strong and keep up resisting to GAS. But if you fail to resist, then to the best out of it and enjoy shooting with your new gear ;)

USA DEALS

CANADIAN DEALS

EUROPE

Save Big on Tamron 18-300mmF3.5-6.3 and Tamron 150-500mmF5-6.7 for Fujifilm X Mount

It’s time also for Tamron to drop some holiday savings on their Fujifilm X Mount lenses.

First to mention is a $100 rebate on the Tamron 18-300 f/3.5-6.3. You can get it now for $599 instead of $699.

Another deal is on the Tamron 150-500mmF5-6.7 at AmazonUS here, but that one is available only at Amazon for now and only via US retailer Beach Camera located in Edison New Jersey. They sell it for $1,199 here and the regular price at B&H and Adorama is of $1,499. But again, I don’t know that particular retailer. All I can say is that at the moment their rating is 95% positive on Amazon.

Fujifilm X and GFX Deals

USA DEALS

CANADIAN DEALS

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Wooden Camera Fujifilm X-H2S Accessories

Wooden Camera has released accessories for the Fujifilm X-H2S.

Get Yours:

Fujifilm X-H2 Concept Rendering

Fujifilm X-H2

There are some images of the Fujifilm X-H2 floating around on social media which are erroneously reported as the possibly first leaked images of the Fujifilm X-H2.

Well, here on FujiRumors we kept a cool head and did what we can do best: verify and check.

So it turns out that these are not leaked X-H2 images but renderings made by Fujifilm X shooter Steven.

And while not the real deal, Steven’s renderings could  be a nice way to start a discussion on how we’d like the Fujifilm X-H2 to be in terms of handling and ergonomics.

Which design choices made by Steven do you particularly like? And what other suggestions do you have? Feel free to contribute down below in the comments.

Steven shared his renderings on his instagram here and writes:

How do you think Fujifilm X-H2 would look like?

I imagine it would be a crossover between X-T4 and GFX 100s. As a video-centric camera, being in a less retro form factor makes sense. Adding more dials and buttons will be awesome too.

Also, it’s my first foray into 3D hard surface modeling, so it’s been quite a rough but fun ride.

Since X-H2 is going to be more video-centric, I figured the record button should be prominent, coupled with more function buttons around it. Or is it too many?

That rounded concave thing? It’s meant to be a joystick, so you can move the focus area without touching the LCD nor using the back joystick. That way your right hand doesn’t have to change position while holding the camera.

It would be awesome to have a screen with similar articulation as X-T100. That way the distance between the sub-monitor and the LCD screen is not far. I’m not smart enough to figure out how it works practically, but a man can dream hehe.

As far as solid Fujifilm X-H2 rumor goes, you can find the updated list down below.

Fujifilm X-H2 Rumor Recap

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Vintage Battle: Nikon Z fc Retro-Styled APS-C Camera Coming to Challenge Fujifilm

Finally!

Finally Fujifilm is getting a competitor also in the retro-styled mirrorless vintage APS-C camera segment, which so far was dominated by Fujifilm as it had almost no competitors, except for some lovely MFT cameras and of course the expensive Leica offerings.

This time the “attack” on Fujifilm comes from Nikon, which is launching the Nikon Z fc APS-C camera, sort of the mirrorless version of the Nikon DF.

A quick overview and video on the Nikon Z fc can be read and seen here.

While this might put Fujifilm a bit under pressure, it is undeniable that for us customers competition is a great thing.

My hope is that the Nikon Z fc will be a huge success, so that Fujifilm will see itself forced to maybe even offer a retro styled Fujifilm GFX 100 Megapixel camera as soon as possible.

It will be interesting to see how serious Nikon will be with its vintage concept, and if they will offer several vintage bodies, like Fujifilm is doing with the X-T line, X-Pro, X-E and X100 line.

Still a strength of retro Fujifilm compared to the new Nikon Z fc are the various vintage film simulations, that will give not only to the cameras but also to the images they produce a nice nostalgic look out of the box.

Fujinon GF80mmF1.7 Technical Analysis, DOF Calculators, Comparison with GF110mmF2 and More

Fujinon GF80mm f/1.7 (vs GF110mmF2)

The Fujinon GF80mmF1.7 is currently not easy to find. A low stock is available at Adorama here and also at AmazonUS here.

And yet, slowly but surely, it is falling in the hands of photographers, who drop their (very positive) reviews on the various online sales platforms:

But also Jim Kasson is covering the Fujinon GF80mmF1.7 brilliantly in his technical tests, which we will share down below.

I did play around with the Fujinon GF80mmF1.7 too (and so did my son) when I met my friend, who sold all his Nikon Z mirrorless gear for the GFX system. So far he does not regret it at all and he is totally thrilled about his switch.

  • blog.kasson – Fujifilm 110/2, 80/1.7 slanted edge testing
  • blog.kasson – Fuji 80 mm f/1.7 on GFX 100S, Siemens star analysis
  • blog.kasson – Fujifilm 80/1.7 bokeh
  • blog.kasson – Fuji 110/2, 80/1.7 on GFX 100S, foliage
  • blog.kasson – Fuji 80/1.7, 110/2 chromatic aberrations compared
  • blog.kasson – Fuji 45-100 at 80 mm vs 80/1.7, foliage
  • blog.kasson – Fujifilm 80 mm f/1.7 field curvature for landscape use
  • blog.kasson – DOF calculators and pixel peeking. 80/1.7 on GFX 100S
  • blog.kasson – Low contrast slanted edge MTF testing: Fuji 80/1.7 GF on GFX 100S

Get Yours:

There is a Sensor, 70% FULLER than FULL FRAME and Here is Where it SHINES!

Promised!

There will be rumors, I tell you that!

We’ll talk about gear & specs. We will get mad at some, we will love others. But in any case, we are going to have fun.

And yet, that’s not how I’d like to start 2021 here on FujiRumors.

Nope, I’d like to start with an image roundup, because what I love most on my Fujifilm system, is not all the cameras and lenses that I have in my bag, but the images I was able to print big and put on my wall thanks to it.

And little it matters which gear you use, as long as it is fun to you.

May it be APS-C, full frame, or that sensor, that is actually 70% “fuller” or “bigger” than full frame and you find inside Fujifilm GFX cameras.

Every system has its strenghts, and the one of the Fujifilm GFX system is definitely portraits and landscape.

And that’s what we want to focus on today: the Fujifilm GFX.

You know, a new and amazing Fujifilm GFX100S is coming soon, so I thought we can give you guys a taste of its power, by sharing images fellow Fujifilm GFX shooters shared at our fantastic Fujifilm GFX group.

I hope you’ll enjoy the images as much as I did, and I wish you a fantastic weekend.

Fujifilm GFX Image Rounudp

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Fujifilm develops New “Pixel Shift Multi-Shot” function to Capture and Generate World’s Highest Resolution (*1) of 400MP images with Accurate Color Reproduction

Fujifilm develops the new “Pixel Shift Multi-Shot” function to capture and generate the world’s highest resolution*1 of 400MP images with accurate color reproduction

-Applying the FUJIFILM GFX100 mirrorless digital camera for digital archiving of cultural assets
-Providing firmware and software that enable the use of this function from today

Press Release

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Toshihisa Iida No Longer Fujifilm Electronic Imaging Division General Manager and Becomes new CEO of Fujifilm EU

Today I have a bit of mixed feelings, sad and happy at the same time.

Let me explain.

Fujifilm manager Toshihisa Iida is arguably the most representative face of the Fujiflm X/GFX series.

As general manager for Fujifilm electronic imaging products, he was the guy, who stood on the stage to introduce the most important new Fujifilm X/GFX gear, he lead the Fujifilm X summits, and his interviews were always the ones we read with the biggest care, as he was the guy, who, at the end of the day, had to take the final decision in which direction the Fujifilm X/GFX series should go.

For us Fujifilm lovers he was definitely a point of reference and one of those high ranked Japanese Fujifilm managers we loved most for his dedication, vision and passion for photography and the X/GFX series.

You’ll get an intimate looks into his life and work in this brilliant documentary.

And now the news.

Toshihisa Iida has just been promoted, and he is now the new President and Managing Director at Fujifilm Europe.

And while I am happy that such a competent person gets a step higher into his career, I am also a bit sad that he is now no longer dedicated to Fujifilm’s camera/lens development only.

In fact, in his new role as Fujifilm EU CEO, he will take care of Fuji’s medical systems, photo imaging, instax, electronic imaging, optical devices, graphic systems, recording media, industrial products, document solutions and more.

It goes without saying, that when you are in charge of the development, production, distribution, marketing, customer service and more for a total of 55 companies in 43 countries and 4.500 employees, than the time to dedicate to the Fujifilm X/GFX series will be limited.

Well, I guess I can speak for all of you, when I wish Toshihisa Iida (who is a FujiRumors “lover” ;) ) all the best for his new professional chapter.

The new electronic imaging general manager is Mark Yamamoto, who will also take up a new assignment as a Board Director for FUJIFILM Holdings Corporation in Tokyo, hence he’ll have a dual role within Fujifilm.

We wish Mark Yamamoto all the best, and may his guidance through this “mirrorless war” be as wise and illuminated as the one of Toshihisa Iida.

Press Release

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DPRTV Fujinon GF30mm f/3.5 Review: “Impressively Sharp, Who Needs a Wildlife Lens Anymore ;). Totally Recommended, Except for One Thing…”

DPReview TV has now published their Fujinon GF30mm f/3.5 hands on review, which was filmed with a GF30mm F/3.5 mounted on a Fujifilm GFX100.

The lens is another winner, and can easily keep up with the 100 megapixel of the Fujinon GFX100.

At some point of the video, he took a video of the forest, with a deer far away in the distance, and then cropped in and says “who needs a wildlife lens anymore“. Of course he said it as a joke, and the GF30mmF3.5 can’t replace a proper wildlife lens, but it was also a statement made to underline that with the combination GFX100 and GF30mmF3.5 you are in photographic crop-heaven.

The biggest problem with the GF30mmF3.5? Well, there is the GF32-64mmF4 (compare both lenses specs & price here).

You can find the video above and summary of the video down below:

  • 24mm full frame equivalent
  • is surprises how compact it is: just over 500g
  • 58mm filter thread
  • very chunky aperture ring and two-step phase between aperture ring and focus ring means you are not going to confuse where your fingers are
  • a very nice tactile experience
  • basically no real chromatic aberration and longitudinal chromatic aberration
  • about 32 cm minimum focus distance, hence you can get fairly close to objects and with that 3.5 aperture get nice and soft background
  • flare is pretty average, lots of ghosting. Sometimes you see rainbow pattern, but that’s not the lens, it’s reflection coming from the sensor, which you can see on a lot of modern cameras
  • autofocus speed is fine, it is not super fast, but on medium format you don’t need ultra fast focussing lenses
  • bokeh is not Chris’ favorite, not the greatest out there, a little bit busy around the edges, and gets more busy if you stop down the lens, but that’s not the end of the world on a wide angle lens
  • it’s a very sharp lens, especially wide open Chris was quite impressed. Very impressive at f/3.5 from center to corner, and corners sharpen up more really nicely if you stop down
  • he took a shot of a deer from far away and cropped in and said “who needs a wildlife lens” (of course joking, but to underline how sharp this lens really is)
  • like the other GF lenses, also this one is optically excellent lens
  • it’s capable of supporting the 100 megapixel resolution of the GFX100
  • nice compact lens, balance nice on GFX50R
  • as for video, the GFX100 got a recent firmware update that supports ProRes Video
  • in video, the lens has very little breathing
  • the entire episode was shot on the GF30mm f3.5
  • compact, fairly wide aperture lens for your GFX system, Chris would totally recommend it, except for one thing: there is also the excellent GF32-64mmF4
  • the GF30mmF3.5 is a little bit better optically compared to the the GF32-64, but the IQ of the 32-64 is great, too
  • but if you like primes, or if you maybe have already the GF45-100mmF4, this could be your lens

The Fujinon GF30mm f/3.5 is now in stock.

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