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Size Comparison: Fujifilm X-T50 vs X-T5, XF16-50 vs XF18-55, GFX100S vs GFX100SII

Camerasize has added the latest Fujifilm gear to their database (although they call it the XT-50 there, so use that term to make your own comparisons).

I will share three comparisons in this article. You can see them below.

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Fujifilm X-T50, GFX100S II, XF16-50 and GF500mm Reviews and Pre-Orders Now! LIVE BLOG

Fujifilm X Summit Launch Blog
(refresh for latest updates)

Now Real:

Pre-Orders

Official Fujifilm Info

First Looks: Fujifilm X-T50 + XF16-50mmF2.8-4.8

  • BH Explora – FUJIFILM GFX 100S II, GF 500mm f/5.6, X-T50, and XF 16-50mm f/2.8-4.8
  • Rico’s Flickr – X-T50 + XF16-50 Samples
  • dpreview – X-T50 initial review
  • 50.8 Shop – X-T50 and GFX100S II announcement
  • fujistas (spanish) – X-T50 hands on
  • fujixweekly – Fujifilm X-T50 — The “Digital Film” Camera — But who is it for?
  • fujixweekly – Fujifilm X-T50 Film Dial Settings + 14 New Film Simulation Recipes (Yes, 14!!)

First Looks: Fujifilm GFX100S + GF500mmF5.6

  • BH Explora – FUJIFILM GFX 100S II, GF 500mm f/5.6, X-T50, and XF 16-50mm f/2.8-4.8
  • 50.8 Shop – X-T50 and GFX100SII announcement
  • thephoblographer – GF500mm review
  • thephoblographer – GFX100SII review
  • gizguide – FUJIFILM GFX100SII and GF500mm F5.6 super telephoto launched with Camera Samples
  • maxangeloni – Fujifilm GFX 100S II – the evolution of the species

Pre-Orders

Launch Videos
Fuji Guys & More

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Introducing Fujinon GF 500mmF5.6 R LM OIS WR

Fujifilm Launches FUJINON Lens GF500mmF5.6 R LM OIS WR

New super-telephoto lens to expand the shooting range of the GFX series
Lightweight design, powerful image stabilization, and high-speed, high-precision AF broaden the range of photographic expression

 

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Fujifilm Asked, You Decided: These are the Fujinon XF Lenses You Want Next!

Your Most Wanted Lenses

A few months ago Fujifilm asked 200 journalists which lenses they’d like to see next for the X mount system.

Fujifilm proposed them 10 lenses that you can see here.

Well, we thought 200 votes are not enough, so we asked the FujiRumors community to vote on the Fujifilm suggested X mount lenses, and you guys dropped over 8K votes so far.

Now it is time time see the results and share some addition thoughts.

So, as far as most wanted lenses goes, this is the result:

  1. 38% – XF 23mm Pancake
  2. 13% – Super-Telephoto Prime lens XF 400mm or longer
  3. 13% – Compact Wide Zoom Lens at F2.8
  4. 10% – Super Zoom Lens XF 16-200mm
  5. 8% – XF 120mmF2
  6. 7% – Super Wide-angle Fast Lens for Astro Photography
  7. 6% – Tele-Photo Zoom Lens at F4
  8. 2% – Affordable Thin Standard Zoom Lens – XC Lineup
  9. 2% – Affordable Wide Zoom Lens – XC Lineup
  10. 1% – Fish-Eye Lens

Some thoughts…

The Winners

Already back in our mega-survey of 2022, the Fujinon XF23mmF2 pancake lens grabbed the first spot. So at this point this is a no brainer for Fujifilm. Just go and make it. FujiRumors even already shared a fan made rendering here.

Also very much wanted: a compact wide f/2.8 zoom lens. And actually this was kind of the top lens too in our survey. In fact, there were a couple of wide zoom lenses you suggested, and if we were to sum them up into a Fujinon XF 14-30mm f/2.0, then that would be the true most wanted lens by the FujiRumors community. But yes, our wish was mostly f/2, but we’d be fine with f/2.8 too.

Another hot lens would be the XF16-200mmm. Now it depends on the aperture range, but overall I think I’d be already happy with a XF 16-135mm f/4 for my needs. But if they can make it compact enough, then I’d take the 200mm too.

The Losers

I once saw Chris of PetaPixel TV expressing his wish for more affordable and compact XC lenses in one of his videos.

However, it looks like the vast majority of Fujifilm users couldn’t care less about more XC lenses.

As far as fisheye lenses goes, also here, no real wish for some. And I know who wants one, already owns one of the lovely third party MF versions out there and you don’t really need autofocus on a fisheye lens anyway.

Fixed Lens Fujifilm GFX in 2025: A Brilliant Move or a Missed Chance for a GFX100R? – VOTE

So, we just reported that Fujifilm will launch a fixed lens Fujifilm GFX camera in 2025.

And while many might hugely rejoice at this news, others remained a bit sceptical, as you can see for example in the comments here.

Why?

Because we recently reported that Fujifilm is currently spending ZERO money and time into the development of the Fujifilm GFX100R. Which means that even if they’d start today to develop the GFX100R, we would probably not get it before 2027, since Fujifilm explained in the past they need about 2/3 years to develop a camera.

So what some now wonder is: wouldn’t it have been better to develop the GFX100R with interchangeable lenses rather than a fixed lens GFX camera?

Personally I still have to make up my mind about this one.

I mean, if I look at the X series, I simply could not imagine it without the X100 line. And why not, a fixed lens GFX version could also become an iconic and much loved line in the GFX system.

And always looking at the X series line, the X-E line sells much worse than the X100 line. If that would apply also to the GFX series, a fixed lens GFX camera would outsell the GFX100R.

So for now, from a mere business point of view, I believe Fujifilm does well to come out with a fixed lens GFX camera as soon as possible.

But at the same time, as an X-E lover (rangefinder with interchangeable lenses), I’d also love to see the GFX100R.

So my final vote?

I vote fixed lens GFX, just because I think from a business point of view it is the better choice for Fujifilm. But I hope this does not come at the expense of the GFX100R being delayed for too long or even worst, the GFX-R line being canceled.

What Should Have Priority in Your Option: a fixed lens GFX or a GFX100R

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Official Teaser for Fujifilm X-T50, GFX100S II, XF16-50mmF2.8-4.8 and GF500mmF5.6

Fujifilm shared the official teaser for the upcoming Fujifilm X Summit event on May 16.

As you can see from the brightened image here, we can spot 2 cameras and 2 lenses.

Here on FujiRumors we have already shared very clear images of all products, except for the GF500mmF5.6.

All of it will drop on May 16.

Venus Optics to Announce Laowa TS 100mm F2.8 1X Tilt Shift for Fujifilm GFX on May 10

As you can see above, Venus Optics will launch the Laowa TS 100mm f/2.8 1X Tilt Shift lens for Fujifilm GFX on May 10 according to reports surfaced at the Chiense social media account on Weibo 独立摄影师联合会 (via asobinet).

The price is rumored to be of almost 500,000 yen (converted $3,250).

That’s still a hefty price tag, but a few hundred bucks cheaper than the Fujinon GF110mm f/5.6.

Fujifilm did launch the Fujinon GF 110mm f/5.6 tilt shift as well as the GF 30mm f/5.6 tilt shift lenses last year, but they have been hard to find in stock.

Actually I wonder if Fujifilm even shipped all those units that got pre-ordered on launch day.

Did you get yours? When did you order it?

Fujinon GF500mm f/5.6 Announcement on May 16 and Priced €3,899

The Fujifilm X Summit on May 16 is getting bigger and bigger.

Not only will we get the Fujifilm X-T50, the Fujinon XF16-50mmF2.8-4.8 and the Fujifilm GFX100S II, but according to our sources also the Fujinon GF500mm f/5.6 will be announced on May 16.

And we also have the price for you.

The Fujinon GF500mm f/5.6 will cost €3,899 in Europe. So far I have no indication about the price in US Dollar.

Shocked?

Well, that’s actually a bargain compared to what other brands charge for equivalent lenses.

Fujinon GF500mmF5.6 Size

Japanese Fujifilm Managers: X-Pro and X-E line Not Stopped, X-Trans is Here to Stay, PSAM vs RETRO, GFX Sports Photography and More

image courtesy: Phototrend
image courtesy: Phototrend

At the last CP+, the French Website Phototrend had the opportunity to talk to Japanese Fujifilm manager Jun Watanabe about the X series and to Japanese Fujifilm manager Makoto Oishi about the GFX series.

Down below you can find a quick summary. For the full French version check out the articles at Phototrend here (X series) and here (GFX series). Plus a little rant at the end.

X series

  • Fujifilm can not confirm if X-Pro4 will arrive soon or not
  • X-Pro line is not stopped
  • X-T and X100 series do not satisfy all customers who want a “pure photography” experience
  • Fujifilm is studying different possibilities
  • feedback and expectations are high for the next X-Pro
  • X-E line is not stopped
  • sports photography is a difficult market
  • other brands are long established there and for Fujifilm it’s new terrain
  • Fujifilm can not confirm anything about eventual future lenses for sport photographers
  • Fujifilm has received great feedback about the latest autofocus system, but they will continue to improve
  • renewing older lenses is something that Fujifilm has in mind
  • XF16-50mmF2.8-4.8 [admin note: will replace the XF18-55mmF2.4.8]
  • Fujifilm is not considering any option other than X-Trans for their APS-C cameras
  • its unique matrix offers the advantage of combining high definition and suppression of moiré and chromatic aberrations
  • for X100VI, Fujifilm has developed the smallest and thinnest IBIS unit to date
  • the X100VI IBIS wiring has been moved to the side – see here
  • IBIS system uses data from the image in addition to the gyroscope (motion blur is analyzed from the live-view image)
  • the grip of the X100VI is a tenth of a millimeter deeper than X100V for a better grip

GFX series

  • GFX100II market return (sales) is very good, not only among professional photographers, but also filmmakers and directors
  • GFX100II sales exceed Fujifilm’s expectations
  • GFX100S is still very popular because Fujifilm has lowered its price
  • GFX100S still very popular in some markets like China
  • professionals go for GFX100II, enthusiasts for GFX100S
  • Fujifilm never looked at its market share in medium format segment
  • other manufacturers have no announced so many new products, so Fujifilm thinks they are Nr.1
  • some expect a faster 50MP GFX. But Fujifilm thinks high definition is more popular
  • there are lots of FF cameras offering 50/60 megapixel, so offering 50MP now has become almost banal
  • Fujifilm focuses on improving the 100MP sensor performance
  • for professionals ergonomics are very important
  • first GFX cameras had dedicated dials but now they switched to a easier to operate PSAM dial layout
  • Fujinon GF 500 mm f/5.6: it’s time for Fujifilm GFX to approach wildlife and sports photography
  • normally APS-C lenses are compact than FF and MF (hence also smaller AF motors)
  • but regarding telephoto lenses, size primarily depends on diameter and aperture. Regardless of whether it’s for APS-C, FF or MF, the fundamental construction of telephoto lenses, particularly on the front lens side, is the same
  • Fujifilm tries to make the GF500mm as small and light as possible to obtain faster autofocus
  • tilt-shift lenses are the most difficult to design
  • Fujifilm started to develop its GF tilt shift lenses back in 2019
  • why not retro? High end high speed cameras need to be operated quickly, hence PSAM. Also good for hybrid shooters for video

Let me just say that I strongly, vehemently, vigorously and fervidly disagree with Fujifilm in regards to what they said why they stick with PSAM on their GFX lineup.

First: the GFX system is not know to be blazing fast and immensely popular among high end sports photographers. I actually feel the GFX system would be the ideal system to use a retro layout.

Second: maybe Fujifilm should watch my video so they learn how to operate their own cameras.

They will find out that one can operate their retro styled cameras exactly as any PSAM camera out there. It’s a marvellous and ingenious design that gives us photographer the best of both words: retro if I want to have fun shooting or want to actually operate the camera already before turning it on, and PSAM if one needs to make lots of adjustment all the time on the fly.

Retro Fujifilm cameras offer both options. PSAM cameras force you into one way to operate the camera.

And in my opinion not offering retro styled GFX cameras anymore is one of the all time biggest mistakes Fujifilm is doing.

C’mon Fujifilm, look at what is selling best in your X system. You’ll see that retro X cameras outsell PSAM cameras by very far. And Nikon had a colossal success with the Nikon Zf lately. It’s clear that in times where every camera is just so good, what people really look for is to have a different photographic experience thanks to dedicated vintage dials.

The joy of shooting sells better than any specs boost you can show off on paper.

An example?

The X100VI sells like hot cakes. The revolutionary global shutter ultra modern high speed blazing fast Sony A9III is selling way below Sony’s expectations (you could always find it in stock everywhere all the time because demand is not high… ask your local retailer).

Make sure to read/watch below:

These 10 Fujifilm Lenses are Currently “Under Study” – Which one Would You Like to Get? – VOTE NOW

Fujifilm displayed 10 lenses that they have currently “under study”, as we already reported here.

The did let 200 journalists vote on which one they’d like to get.

But I thought Fujifilm should get a little bit of a larger feedback, so I took the 10 lenses and made a survey out them here on FujiRumors.

Please vote the hell out of this survey and give Fujifilm a massive feedback.

Show them what the FujiRumors community is capable of, when it comes to giving feedback to Fujifilm ;)

Which Fujifilm Lens would You Like to Get? (max. 1 selection)

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