Alpa officially congratulated Fujifilm for the launch of the Fujifilm GFX100 and announced a new range of “thrilling products” for the Fujifilm GFX100.
ALPA will show first results soon during CineGear 2019 in Los Angeles on May 30.
This shows how seriously the Fujifilm GFX100 has to be taken also for video production.
Samuel shared with he community Fujifilm GFX100 RAW files linking to his google drive here. Damien is actively discussing his first impression of the Fujifilm GFX100 in this post here. Keith has shared the image and 100% crop of the parrot, you can see it in all its glory here.
Want more?
I have downloaded some 600 MP GFX100 TIFF files provided by digitalcameraworld (link below), and opened them in Capture One Pro 12. It’s only when you play around with the GFX100 files, that you understand why this beast is worth the money!
… we love the art of painting with light, the creative process of composing a story, of freezing fugitive moments and capturing ephemeral beauty in an image forever.
The camera specs are the last thing we care about.
Ok, now let’s get serious and have an exciting pixel peeping time! :D
Keep in mind that these are JPEGs from a pre-production Fujifilm GFX100. We can’t really make final conclusions, until we finally have standardized tests using RAW files developed in the same RAW converter.
Anyway, judging from the JPEGs, the Fujifilm GFX100 beats them all in terms of sharpness and high ISO performance, including the $30,000 (or is it $50,000) Phase One XF IQ3 100MP.
However, the there are some problems: for example, GFX100 sample was shot at f/8, whereas GFX50 at f/9. Let’s hope their RAW comparison will be more accurate.
Holy Crop! The Fujifilm GFX100 is pixel peeper paradise!
Down below I share some samples available at the imaging-resource comparometer here, where you can compare the Fujifilm GFX100 to any other camera in their database.
We love photography, because we can experience a childish joy of discovery, sometimes also by digging deep into the most technical aspects of it. :)
We have already posted a first Fujifilm manager interview earlier today here. It’s a good one, with lots of information, including the future of the Fujifilm X-H line. Make sure to read it!
Also B&H Photo, Adorama, Samys and Henrys are at Fujikina 2019, and they had the opportunity to go hands on with the Fujifilm GFX100 as well as have talks with Fujifilm managers.
I have put together the main points of the various interviews down below:
Fujifilm manager Justin explains why calling the Fujifilm GFX100 “large format” makes sense
Fujifilm has a medium format sensor roadmap, and GF lenses are future proof since they can resolve more than 100 megapixel
1/4 of a second at 200mm gave tack sharp images
shutter shock absorbers in the GFX100
going at 5fps continuous shooting with a medium format 102 MP camera is unheard of
Adorama says it feels like shooting a flagship DSLR as opposed to medium format
Adorama says they can’t believe it, and that Fujifilm is changing a lot
Fuji manager Justin says Fujifilm is trying to re-invent photography
Fujifilm needed 3 years to develop IBIS for the Fujiiflm GFX100. 1.5 years of development were shared with the Fujifilm X-H1 IBIS development, and another 1.5 years for the IBIS on the GFX100 only
One of the advantages of medium format, is that it is easier to design high-resolution lenses for it.
So if resolution, sharpness, cropping flexibility, big prints and having future proof files for upcoming high res screens is important to you, investing in GFX large format is the way to go.
Fujifilm Channel X has published an 45 minutes interview with Fujifilm managers from Fujikina 2019. See the video above (sadly not so good audio quality) and a summary down below.
Fujifilm GFX100 market is not the traditional medium format market
GFX 50 already aimed to amateur customers in addition to high-end photography
70% of Fujifilm GFX 50R/S buyers come from full frame. So not only people switch from Hasselblad and Phase One to GFX, but also FF users
the GFX system expanded the larger format market, and GFX100 will continue to expand it
GFX100 should expand market also towards movie shooting photographer
The GFX100 strenghts
compared to full frame, GFX system has better image quality in terms of ISO performance, dynamic range and resolution
traditionally large format camera (including film) are big and for tripod use, but GFX system is smaller, and GFX100 has also IBIS, hence less need for tripod
GFX100 is about autofocus, mobility, quality
EVF
Fujifilm GFX 50 EVF works on GFX100, but GFX100 EVF on GFX50 will not work
And while we all know the main specs now, the 100 megapixel, the 16 bit files, the integrated grip, the huge EVF, I thought I focus on 14 things that you might have missed due to the huge amount of information spreading all over the web.
All the information below can be found in links shared in our GFX100 live blog.
DPReview got inside the Fujifilm GFX100 pre-production assembly line (images below) and now shared a few images and insights.
Pre-production cameras are assembled almost entirely by hand.
The IBIS unit alone is made out of over 100 individual parts. The chassis is made from magnesium alloy, with polycarbonate employed in various less structurally-critical places, such as the WiFi antenna ‘window’ and the battery tray door, parts of the facia around the vertical grip controls and so on.
From the first protoype to the final version, the Fujifilm GFX100 will get hundreds of firmware updates.
When the protoypes did their job, they will be taken apart again. What a pity… I’d gladly take one of them :).
These full frame DSLR with inegrated grip have the same size of the medium format Fujifilm GFX100, which features a 70% bigger sensor than its full frame competitors.
BHphoto here: Complete Comparison Fujifilm GFX100 vs Sony A7III vs Nikon Z7 vs Canon EOS 5DS R
Now you say, it is unfair to compare it with full frame. And yes, it is. But it is also unfair to compare it to other medium format cameras.
It’s the first medium format camera with IBIS, it’s mirrorless, it’s fast, and it has the size of a full frame DSLR with integrated grip, such as the Nikon D5 and Canon 1Dx MK II.
And if you think $10,000 is too much for the Fujifilm GFX100, then look around and you’ll discover that a Mamiya Leaf with 50MP 44×33 sensor, which is inferior in every regard to the GFX100, will cost you $24,000!
The Fujifilm GFX100 simply sets itself in a new territory.
