Top Fujifilm Product 2018 – VOTE NOW

Top Fujifilm Gear 2018

2018 was a fantastic Fujifilm year, with lots of great gear launched. But which one was the best Fujifilm product of 2018 according to you?

Let’s see if it will be an exciting head to head race like for the best Fujifilm product 2017, or if we will have a clear winner, like in the best Fujifilm product 2016 poll.

Vote the poll down below.

Not included the Fujifilm GFX100, since we don’t have final specs, as well as lenses that are only on the roadmap so far.

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Fujifilm GFX50R Reviews: Portraits vs X-T3, GFX50R Survives 45 Minutes in Rain and More

image courtesy: josejeuland (review linked below)

Fujifilm GFX 50R

The Fujifilm GFX50R is falling into the hands of photographers, but sadly much slower than planed. The demand for the Fuji GFX50R surprised Fujifilm, and they are having a hard time to deliver it to customers.

Anyway, those, who already own it, are also part of our gigantic GFX group, and they share samples and impressions. Make sure to join.

Fujifilm GFX 50R: BHphoto, Adorama, AmazonUS

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Fujifilm GFX100 Gets Rid of (Marked) Dials, a Good Idea? VOTE NOW

Fujifilm GFX100 Dials

At photokina 2018, Fujifilm displayed the first mock-up of the Fujifilm GFX100 Megapixel camera, which will be announced in the first half of 2019.

And it could not pass unnoticed to the FR-community, that the Fujifilm GFX100S got rid of the shutter dial, leaving only one unmarked and customizable dedicated dial on the left side.

This change has let to some heated (but civil) discussions at our Fujifilm GFX group here, with the community split between those, who applaude this change, and others, who think Fujifilm should have kept their classic dial layout.

Here are some of the comments from this post:

  • Bigger screen – less dials
  • Bigger back panel – less clunky top plate
  • Its the reason I use Fuji, without I might as well just switch to a different brand
  • Oh please get rid of those useless dials
  • I do like the iso dial. It shortens the iso changing from three steps to one. (I work in the dark, so have to press the lcd light on before pressing the iso button, then adjusting the dial to the right iso)
  • Top dials need to stay
  • I love my dials, but if they made some small buttons with iso/af/wb/etc, I would be able to live with one wheel and no dials
  • Dials are much easier to operate then digging into 2 or 3 level menues

So what do you think? Is it a good move to minimize the amount of dedicated dials and offer only one unmarked dial, or would you prefer to keep the current ergonomics of the Fujifilm GFX 50S?

And wouldn’t that big top LCD be nice, if it was a touch screen? ;)

Feel free to vote the survey below.

  • Read here – Size Comparison: Fujifilm GFX 100S vs Sony A7III, Nikon D5, Canon 1DX, Canon EOS R, Nikon Z7, Nikon D850, Fuji GFX 50R
  • Read here – Fujifilm Manager Says Fujifilm GFX100 has Less Noise than GFX50, Less than 10 fps, OIS/IBIS Combo, X-T3 AF Algorithm and More
  • Read here – Fujifilm GFX 100 sensor information published by Sony
  • Read here – Fujifilm manager says Fujifilm GFX100S will cost $9,995
  • Read here – Size Comparison: Fujifilm GFX 100S vs Sony A7III, Nikon D5, Canon 1DX, Canon EOS R, Nikon Z7, Nikon D850, Fuji GFX 50R
  • Read here – RUMOR: Fujifilm GFX 100 with Pixel Shift Multishot
  • Read here – Fujifilm Manager: GFX 100 Full Sensor PDAF, no Crop 4K@30p
  • Read here – Fuji Guys Billy Hopes IBIS will be Implemented in Future Fujifilm GFX 50 version of GFX 100

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Fujifilm GFX 50R: BHphoto, Adorama, AmazonUS

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DPReview Declares Fujifilm X-T3 Best Consumer Stills/Video Camera 2018 and Fujifilm GFX50R Runner-Up High-End ILC

Fujifilm X-T3

The Fujifilm X-T3 has been highly praised by all top review blogs and youtube channels out there. And if you take a look at the Fujifilm X-T3 customer reviews at AmazonUS you will also find overwhelmingly enthusiastic feedback.

Yes, the Fuji X-T3 a fantastic allrounder.

And now, after winning three categories in the DPReview buying guides, the DPReview team declared the Fujifilm X-T3 the best consumer stills/video camera of 2018, beating illustrious competitors like the Sony A7III, Fujifilm X-H1 and Nikon Z6.

DPReview writes:

At first glance very similar to its direct predecessor the X-T2, this year’s model is in fact a major upgrade, offering a substantially improved set of video and stills features. In fact, despite its lack of IBIS, the 4K/60-capable X-T3 is arguably a better 4K video platform than the nominal video flagship of the X-series, the X-H1. Its ability to capture 4K/60p footage in 10-bit even puts it ahead of the latest models in Panasonic’s video-centric GH series.

All of this is made more impressive by the fact that until quite recently, Fujifilm’s X-series lagged seriously behind its competition in terms of video. The X-T3 is the clearest indication yet that Fujifilm has well and truly joined the game.”

The Sony A7III, though, beats the Fujifilm X-T3 in the “Best midrange ILC” category, with the Fujifilm X-T3 grabbing the second spot, beating the Canon EOS R and Nikon Z6.

DPReview also nominated the Sony A7III best product of 2018, with the Fujifilm X-T3 runner up. They write:

Picking the single best product of the year is always a difficult task, and if we’re being honest, it’s impossible. Everyone’s needs are different. There has never been a better time to be a photographer, and in 2018 there are fantastic cameras, lenses and accessories out there for everyone.

But pick we must. This year’s shortlist is comprised of those products that represent, in our collective opinion, four of the best bits of gear released in 2018. Two of them really stood out, though. Runner-up is the Fujifilm X-T3 which – in case you didn’t already get the message – we really like. Fujifilm didn’t need to make the X-T3 as good as it is – hell, Fujifilm didn’t even need to replace the X-T2 yet – but they did, and they did. And the resulting camera is one of the best APS-C format ILCs money can buy, even rivaling some full-frame models.”

Compared to the Sony A7III, the Fujifilm X-T3 offers better weather sealing, less rolling shutter, less banding in electronic shutter mode, superior video specs, better EVF, better colors, dual UHS-II SD-card slot, video eye-tracking, blackout-less EVF at 30 fps and more for a cheaper price.

But, well, the Fujifilm X-T3 is not “full frame“, and these two little words just make the difference, probably more in our minds, than in real life shooting. But hey, that’s it. Now let’s talk medium format :).

Fujifilm X-T3: BHphoto, AmazonUS, Adorama, Focuscamera

Fujifilm GFX50R

When it comes to the best high-end ILC category, the Nikon Z7 wins and the Fujifilm GFX50R takes the second spot, beating the Panasonic GH5s and Panasonic G9.

This year’s runner-up spot is taken by the camera with the biggest sensor of all – the Fujifilm GFX 50R. Designed for active photographers, the 50R takes the best bits of the more costly 50S – including its most important feature – the excellent 50MP CMOS sensor – and packages them in a smaller, more affordable, rangefinder-style body. Medium-format has never looked more attractive.”

You can read the full list of 2018 DPReview awards at dpreview here.

Fujifilm GFX 50R: BHphoto, Adorama, AmazonUS, FocusCamera

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Mitakon Zhongyi Speedmaster 65mm f/1.4 for Fujifilm GFX Available Now and Reviews

 

Mitakon Zhongyi Speedmaster 65mm f/1.4

The Mitakon Speedmaster 65mm F1.4 for Fujifilm GFX is now available now at AmazonUS (via third-party) and eBay (check the warranty). Expect it to be available soon also at BHphoto and Adorama. You can also grab it directly at zyoptics.net with 5 year warranty.

Beta testers of the Mitakon 65/1.4 like Jonas Rask have already shared samples at our Fujifilm GFX facebook group since several weeks, such as Jonas Rask, who who say here:

“It’s a fantastic lens that I’ve really enjoyed shooting the past months. Not as sharp as the GF63 counterpart wide open, but it holds up really nice when stopped down.

Wide open, corners are not as sharp as center – obviously. But it has minimal vignette. Just to be clear, I was told that this is NOT a converted full frame 50mm f/0.95.

What you will get with this lens is a really unique look to your images.

We’ve all heard the phrase “I love that medium format look” – which basically translates into “Wide field of view combined with narrow depth of field

This lens will make your full body portraits look like something out of a Pentax 67 with 105/2.4.

You can obviously achieve this look with other lenses (Voigtländer 58/1.4, Minolta 58/1.2 etc) But the Mitakon just feels right at home on the GFX with its native mount and size.”

Jonas Rasks’ full Mitakon 65mmF1.4 review can be read at jonasrask here.

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