The Viltrox 85mm f/1.8 AF is definitely the hottest non Fujinon lenses of the moment, alone for the reason that, besides the Zeiss Touit Fuji X trinity, it’s the only autofocus lens for the Fujifilm X system.
But, unlike the Zeiss Touit Trinity, it is the only reverse-engineered lens AF lens for Fujifilm X.
So I had to look for alternatives, and although my lovely Fujifilm X-E3 is still supported in Lightroom standalone, I figured out that, since I am going to leave Lightroom anyway at some point, I better do it now.
Luckily we live in times, where there are a lot of valuable alternatives, such as:
And after a summer spent at home hiking my mountains (you can see my wife and me caching sunrise at 8,200 feet here) and editing pictures with a mix of different software, I decided to make Capture One Pro my main software of choice.
And yes… X-Trans files and Capture One do get along very well :).
The learning curve?
Well, that actually went faster than I’d have expected, as Capture One is just a very good software overall, but there are also lots of quick tip C1 youtube videos you can check out for help.
We have shared Capture One tutorials and quick tips already in past roundups:
read here – Migrating from LIGHTROOM to CAPTURE ONE Free Video Tutorials Online
read here – Capture One Pro Workflow Tips and Tricks
read here – Capture One for Fujifilm: Tips and Tricks, Quick Guides, C1 vs Lightroom and Luminar
read here – Capture One Pro 12: Sharpening Fujifilm Files, New Features Overview, Jonas Rask Capture One 12 Coverage and More
read here – TESTED: Capture One Pro 12 Improved Fujifilm X Trans Support
read here – Best RAW Converters for FUJIFILM Files in 2019, Why Capture One is Better than Lightroom (Sometimes) and More Comparisons
And today, down below, you’ll see a few more of them.
There is just one thing Fujifilm needs to figure out: how to differentiate them enough!
An idea comes from FR-reader Brad, who made a Fujifilm X-H2 mockup for us. Here is what he wrote to me:
Video centric X-A7 16:9 fully articulating screen (I’m ok with the current double-tilt too, but 16:9 would be nice).
If Fuji wants each of their camera lines to have a unique voice, then the X-H2 would have less photography controls and more video. So I removed the mode dial and added the Nikon Z6 video switch. This wouldn’t work as cleanly as on the Z6, since manual controls exist up top. It’s not like they’re going to add tiny motors to the dials, but this is for dreaming.
Replaced AF/AE-L with AF-ON, because that’s the only one I use.
I hate the Fuji joystick, so I used the Z6’s
So what do you think about it? Comments and additional ideas are welcome.
Yep, once again, Full Frame vs APS-C… and we find out, that sensor size is not all that matters.
Also sensor technology is important. Canon has its own sensors, which are great in many ways (ie dual pixel AF), but have one shortcoming: they are not iso-less (or iso-invariant) as Sony sensors are (which are used by Fujifilm).
Here is a summary of the video (full video below):