Viltrox 13mm f/1.4: Hitting Fujifilm Where it Hurts Most

Mattias Burling published its Viltrox 13mm f/1.4 review. Down below you find the video as well as a summary.

  • Viltrox hits Fuji where it hurts.
  • wide fast Fujinon lenses are quite expensive
  • XF16mm f/1.4 costs $1,000, and its worth it, as the image quality is that good
  • but the XF16mmF1.4 is big and heavy, so Mattias left the 16/1.4 often at home and used the XF18mmF2 and XF16mmF2.8 instead
  • Viltrox 13mm f/1.4 costs around $500
  • if you don’t use the Viltrox 13mm f/1.4 as your main lens, then it is definitely good enough
  • there is some barrel distortion that you have to fix in post (Fujinon lenses correct internally) and it’s not perfectly sharp from corner to corner but for Mattias needs it is certainly sharp enough
  • he used it on a lower resolution Fujifilm X-M1 and he is please with the results
  • autofocus is quite fast, any shortcomings in terms of AF are probably related to the Fujifilm X-M1
  • sun flares are quite manageable and nice looking
  • a bit of vignette, but easy to remove in post
  • all metal built
  • smooth focus ring
  • clicked aperture ring and just stiff enough
  • if you want a fast, wide AF lens for the Fuji system without spending too much money, this is pretty much it, as image quality is not bad at all

Get Yours:

We Got You Covered!

This Guy Sold his Canon Gear to Switch to Fujifilm X and Here is Why

Today we are going to tell you the story of Paul, who sold all his Canon R gear for Fujifilm X.

So what motivated him to switch? You can see his videos and read a summary down below.

The Fastest Growing Fujifilm Group

Paul, or When Fuji Colors Matter

** CLICK HERE to Read the Rest of the Article **

Happy Birthday: Fujifilm Turns 88 Years Old Today

January is a month full of celebrations;

Well, today, 20th of January, we have to celebrate another important milestone: Fujifilm turns 88 years old today.

Few companies had a more exciting journey with incredible heights and lows like Fujifilm. But even in the darkest hours, they always found a way out of it.

Fujifilm has proven to be a creative and innovative company also with the Fujifilm X series.

At the time Fujifilm started to offer mirrorless cameras, there were already lots of other MILC systems out there from Sony, Panasonic, Olympus etc.

Fujifilm did join more or less at the same time with Samsung. And while I remember the huge marketing effort Samsung did to become popular with their MILC system and some groundbreaking cameras like the Samsung NX1, Samsung failed, whereas Fujifilm succeeded.

As opposed to Samsung, Fujifilm did not deliver cameras with groundbreaking specs nor did they spend tons of money into marketing their cameras. What they focused on was to look for what was missing for us photographers, and that was reasonably priced cameras that looked great, had lots of dials for manual controls and were fun to use.

The whole system was designed for a niche that appreciated feel, form, function and fun over mere specs.

So, the Samsung NX1, which tried to compete with Sony & Co in terms of specs (and it did beat them at that time) failed, whereas Fujifilm carved out its niche. A niche that grew over the years, also thanks to more mainstream cameras like the X-S10 and GFX100S, so that it now became the third most sold mirrorless camera system.

Look, I run FujiRumors since 10 years now, and the X system had been called dead since ever by all possible influencers. Every time a new full frame camera came out, many influencers said sensor size matters and hence APS-C is dead. And when Fujifilm launched a system with a 70% fuller sensor than full frame, the same influencers rushed out to scream that suddenly sensor size does not matter, and GFX will die.

And despite all death predictions, here we are, alive, healthy and strong. Maybe too strong, as the only real problem Fujifilm has at the moment, is to deliver what people order.

88 years of Fujifilm. 10 years of X mount. 5 years of Fujifilm GFX.

And trust me, Fujifilm intends to celebrate all this in a big way. Don’t miss the mega X summit in May 2022 and well before that all the rumors here on FujiRumors. We have something exciting to tell you.

The Fastest Growing Fujifilm Group

Join Our Owners Groups

Join Our Facebook Pages

 

Sieh dir diesen Beitrag auf Instagram an

 

Ein Beitrag geteilt von Fuji_Rumors (@fuji_rumors)

Fujifilm GFX100S vs Canon R6: Is Medium Format Worth It? This Guy Says “No” (and My Thoughts)

Alex Barrera wonders: is medium format worth it?

In an attempt to figure out the answer, he shared a blind test using the following gear:

In the blind test, all images marked with “A” belong to one camera and all images marked with “B” belong to the other camera.

I did my the test myself, and honestly, right at the very first image comparison (see image below) I thought “oh please let “A” be the the Fujifilm GFX100S“. And lucky me, camera “A” is indeed the Fujifilm GFX100S.

Megapixel had not much to do with my preference. It’s a compressed youtube video, how could that matter. Megapixel matter more when you work with the files in post, or when you print.

My preference had more to do with the output of the Fujinon GF80mmF1.7 lens itself, which is very similar in terms of shallow depth of field to the RF 50mm f/1.2 L, but the bokeh looked just more pleasing in my eyes. Then there are other subjective elements like the colors (Provia in this case) and so forth. Overall, I mostly picked A (GFX100S).

But what about Alex? Is medium format worth it?

No, it’s not worth it, and here is why:

** CLICK HERE to Read the Rest of the Article **

Avatar 2 First Official Photos Taken with Fujifilm X Series Gear

Behind the scenes of 20th Century Studios' AVATAR 2. Photo by Mark Fellman. © 2022 20th Century Studios. All Rights Reserved.
Behind the scenes of 20th Century Studios’ AVATAR 2. Photo by Mark Fellman. © 2022 20th Century Studios. All Rights Reserved.

20th Century Studios has published the first official photos of one of the most anticipated movies of 2022: Avatar 2.

Well, if you give a look at the EXIF data, you can see that the images have been taken by Mark Fellman (IG: markfellman) with Fujifilm X series gear (found via the German website n-tv.de)

In the images where the EXIF data is available, the gear used is:

Congratz to Mark for having his images spreading over the entire world to tease one of the most important movies of 2022.

Long times FR-readers know it: Hollywood loves Fujifilm ;).

P.S.: send this article to those moaning about Fujifilm not being Full Frame ;).

Behind the scenes of 20th Century Studios' AVATAR 2. Photo by Mark Fellman. © 2022 20th Century Studios. All Rights Reserved.
Behind the scenes of 20th Century Studios’ AVATAR 2. Photo by Mark Fellman. © 2022 20th Century Studios. All Rights Reserved