Fringer Nikon F to Fujifilm X Smart Autofocus Adapter Prototype – Video Sample

Fringer is currently developing the Nikon F to Fujifilm X smart adapter.

The first engineering sample is now ready and you can see a working prototype in the video above.

It supports electronic aperture control for D, G and E lenses and auto focus for AF-S and AF-P lenses. Like Fringer EF-FX adapters, PDAF works very well on newer X-Trans cameras like Fujifilm X-T3, Fujifilm X-T4, etc.

In the demo video, you will see:

The product is still under development. Time to market is yet unknown.

Make sure to follow FujiRumors to stay up to date and get instant notification as soon as there is any update.

We remind you that also Steelsring announced a Nikon F to Fujifilm X smart adapter development back in May 2018, but they still list it as “coming soon” and no updates have been given in a long while. What we got from Steelsring, though, is the Nikon F to Fujifilm GFX smart adapter, which also has the first customer review at AmazonUS.

List of Smart Adapters

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Gear Talk Detox Corner: Enchanting and Inspiring Fujifilm APS-C Image Rounudp

There is something I can promise you: in terms of gear talk, we have exciting times ahead. Fujifilm ain’t sleeping, and so ain’t FujiRumors ;).

But as exciting as it will be to talk rumors and specs, we should never forget that at the end of all this talk, there is one single goal: get the picture!

And little it matters, that the images down below have all been taken with Fujifilm X-T APS-C cameras and shared at our Fujifilm X-T facebook group.

Today it’s all about inspiration, motivation, ideas and art.

So, may this post motivate you to close that browser tab, where people discuss about the “zero-point-something” difference at 400% magnification between camera X and Y, grab your camera, and simply go out and take pictures.

Oh, and don’t forget:

… the by far fastest growing Fuji X community, is our Fujifilm film simulation group, where we showcase the unedited power of the much praised Fujifilm colors. Make sure to follow that group too, if you want to see what you can get right in camera.

Image Roundup

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RUMOR: Fujifilm to Release a New Mid-Range Camera that is NOT an X-T30 or X-E3 Successor

Tell me, what would be the fun, if Fujifilm would just release what we customers expect? No fun at all, right?

So Fujifilm decided to surprise us and give us something unexpected ;).

But I invite you to read carefully to avoid misunderstandings!

A few months ago here, we told you that Fujifilm will release two mid-range cameras within the end of the Japanese fiscal year (March 2021). Of course if COVID-19 does not force Fujifilm to change plans again.

Now here is the thing.

When FujiRumors shared that rumor, 99% of you guys said “easy, those must be the long awaited X-T40 and the revived X-E4.”

Well, not really.

I can tell you today, that one of those two cameras will be a new mid-range camera line, hence not a direct successor to the Fujifilm X-T30 or Fujifilm X-E3. It’s something different.

And to be clear: there will be two mid-range cameras. This means, besides this new camera we rumor today, there will be another one, which could be a refresh of something we already know, or Fujifilm could surprise us also with the second one.

Hence, in terms of mid-range cameras, here is what we can expect in the next few months:

  • new mid-range camera NOT direct successor to Fujifilm X-T30 or X-E3
  • another mid-range cameras (unknown if a refresh of current camera lines or something new)

And now have fun speculating on what it could be in the comments (although I am pretty sure that nobody of you will make the right guess ;) )

Now that the I am on holiday from my teaching job and I am back from my 2 weeks trip in South Italy, I am working on this and many (!!!) more rumors. The right time to drop the rumors will come, and when it happens, make sure to be instantly notified by following FR on Facebook, RSS-feed and Twitter.

Take care guys, and have a fantastic day ahead!
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This Professional Landscape Photographer Explains Why he is Leaving SONY Full Frame for FUJIFILM APS-C

Mark Denney is a professional landscape photographer, who is growing strong also on youtube now (122.000 subscribers).

He now published a video, where he explains why he left Sony Full Frame for Fujifilm APS-C.

Down below I provide you with a written summary and you’ll also find the full video below:

Leaving Full Frame for APS-C – The Reasons!

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The Legendary Fujinon XF35mm f/1.4 Gets a Dedicated Promo Video 8 Years after its Release

Curiosity of the day!

Fujifilm has released a promo video about the legendary Fujinon XF35mm f/1.4… about 8 years after it has been announced!

Now that we know that the Fujinon XF35mm F/1.4 will apparently not be updated anytime soon (another lens will get this privilege), maybe it’s indeed a good moment to push a little bit the good old XF35mmF1.4 again, which is, I think, Fuji’s most sold prime lens, and probably for many Fuji X shooters (me included), the first prime lens for the X system they ever owned.

The Fujinon XF 35mm f/1.4 has served me well over many years, and will continue to do so. Its autofocus is not the fastest nor the most silent (though much better on my X-T4 than on my old X-E1’s and co), but it has that magic, that Fujifilm tried to explain in a dedicated post we reported about here.

Mine even survived a several minutes long swim in the water, totally submerged (my X-E2 died), and it’s still working like a champ – I wrote about it here.

Also, Fujifilm launched a dedicated page about the Fujinon XF35mmF1.4 here.

  • fujirumors – The Magic of the Fujinon XF 35mm f/1.4 Explained and Why Fujifilm Should NOT Make an XF 35mm f/1.4 MK II

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Fringer EX-FX (Pro) II Smart Autofocus Adapter Firmware 1.80 Released

Fringer has released firmware 1.80 for the Fringer EF-FX Pro II and Fringer EF-FX II smart autofocus adapters.

Main improvements include:​

Version 1.80

  1. Fixed IBIS issues on X-H1 and X-T4:
    – ZEISS Milvus 85mm f/1.4 ZE
    – Carl Zeiss Distagon T* 15mm f/2.8 ZE
    – Carl Zeiss Distagon T* 18mm f/3.5 ZE
    – Carl Zeiss Distagon T* 21mm f/2.8 ZE
    – Carl Zeiss Distagon T* 25mm f/2 ZE
    – Carl Zeiss Distagon T* 28mm f/2 ZE
    – Carl Zeiss Distagon T* 35mm f/2 ZE
    – Carl Zeiss Distagon T* 35mm f/1.4 ZE
    – Carl Zeiss Planar T* 50mm f/1.4 ZE
    – Carl Zeiss Makro-Planar T* 50mm f/2 ZE
    – Carl Zeiss Makro-Planar T* 100mm f/2 ZE
  2. Fixed PDAF issues for some lens of the following models: Lens didn’t get recognized by the adapter due to different lens firmware version.
    – SIGMA 500/4 DG OS HSM SPORTS
    – SIGMA 500/4 DG OS HSM SPORTS + 1.4X
    – SIGMA 500/4 DG OS HSM SPORTS + 2X
  3. Fixed the issue that PDAF support of Sigma 30/1.4 ART was accidentally disabled in version 1.70
  4. Added following lenses to the tested and optimized lens list:
    – EF 400mm f/4 DO IS II USM
    – EF 400mm f/4 DO IS II USM + 1.4X

You may download new firmware and its release notes from the Fringer website. Read the release notes or user manual to understand how to upgrade.

via Fringer

Top 10 July Posts: Full Frame kills APS-C? :: Fujinon XF27mmF2.8 and XF50mmF1.0 Rumors :: Fujifilm X-H2 Dreams and More

I did my best to run FujiRumors during my holiday in South Italy, and I hope you did not notice all too much that I was busy with jumping into crystal clear water, eating ice cream and enjoying cool beers (my reward after months of COVID-19 caused home teaching).

But now I am at home again, and FujiRumors has all my attention again… so, get ready for some good stuff coming in August ;).

And in case you were busy with holidays too and missed some of our articles, here is a list of top ten July posts that you should better not have missed.

With that said, even on holidays, be careful, take your precautions and make sure to stay safe.

  1. Fujifilm APS-C is Dead? Nikon Z5, Sony A7III, Canon R6 vs the Fujifilm X Series Art of Balance
  2. RUMOR: Fujifilm to Launch Fujinon XF 27mm f/2.8 Mark II
  3. Fujifilm X Lab Episode 2: The ACROS Magic, Fuji X-T3 Autofocus Regrets, Kaizen Updates and Looking Forward to X Series Future
  4. Astrophotography with Fujifilm: Get Stellar Results with Fujifilm APS-C and Medium Format Cameras
  5. Nikkei: “Japanese Camera Industry Strangles Itself. 88% Decline in 10 Years. On the Brink of Extinction, Unless…”
  6. The Fujifilm X-Pro3 will Save Photography and More Companies Should Take the Risk to Do Unique Things
  7. FR-readers Wishlist Corner: Fujifilm X-H2 Dream Features, Fujifilm X-E4 Survey, Fujinon XF 135mm F3.5 and More
  8. Fujifilm X-T4 Firmware 1.02 Tested: This Pro Videographer is Blown Away by Improved IBIS and Wishes the Same for Fujifilm X-H1
  9. Fujifilm USA Explains How You Can Become a Fujifilm Ambassador in 3 Steps and Announces X Photographers Program Changes
  10. RUMOR: Fujinon XF 50mm f/1.0 Coming 2020 for Around $1,500

Do not miss:

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The Power of Fujifilm Colors: See Pure Fuji Colors in Action at our New Fujifilm Film Simulations Group

Let’s start with a curiosity:

The same guy at Fujifilm, who crafted the original films like Velvia, is still in charge of developing new film simulations. Yep, he is responsible for Fujifilm’s color science since 50 years now! We reported about Minami-San here. A life devoted to colors.

A devotion, that translates into those lovely film simulations, Fujifilm X and GFX shooters usually appreciate a lot.

Personally, I am at a point, where film simulation are one of the reasons, I would not leave the Fuji system anymore. I mean, it’s nice to know I come home from a 2 weeks holiday with many images, and that those lovely film simulations will save me lots of editing time because they give me great results out of the box.

And then I thought…

Many of you reading this blog, maybe don’t own a Fujifilm camera, maybe you just think to get one, and maybe you wonder what’s all the buzz around these “film simulations”.

Well, in order to show you this, I decided to launch e new facebook group, dedicated to Fujifilm film simulation: Fujifilm Film Simulations Facebook Group.

In this group, images can be edited in all their parts (sharpening, shadow/highlight recovery etc), except for colors. The colors must come purely out of the Fujifilm camera (or be applied in post in Capture One / Lightroom)

So, if you are curious to see the Fujifilm film simulations in action, or if you want to share your own images and display the power of Fuji colors, then feel free to join here.

The Power of Film Simulations – IMAGES

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Fujifilm APS-C is Dead? Nikon Z5, Sony A7III, Canon R6 vs the Fujifilm X Series Art of Balance

High End APS-C vs Entrly Leve Full Frame

First off let me say this:

I am a fan of competition. I want camera manufacturers to fight for customers, to work hard, to squeeze new tech into cameras as much and fast as possible for the most affordable price they can.

Hence, the more sub $2,000 full frame cameras hit the market, the more I am happy, that also Fujifilm ASP-C shooters like myself will profit from it in the long term, as this will push Fujifilm to work harder than ever.

So, I personally welcome the brand new Nikon Z5, the Sony A7III, the Canon EOS RP and also the Canon EOS R6.

But there is something I do not understand…

I blog on FujiRumors since almost a decade now, and over all these years, I have heard many times announcements of the death of the Fujifilm X series since the launch of the original Sony A7. And the same “Fujifilm APS-C is dead” voices come back today, after the announcement of the Nikon Z5.

Now, let’s look at a few facts:

  • after many years of death proclamations and multiple full frame mirrorless cameras, Fujifilm X is still here
  • not only “we are still here“, but even in times of COVID-19, Fujifilm is the only brand, that didn’t see a massive sales decrease (report here)
  • until 2018, in terms of worldwide mirrorless market share, Fujifilm came third very close to Canon, far ahead of Olympus, Nikon and Panasonic (report here)

So here is the thing: either customers are stupid, or they see it the same way as these industry insiders (DPReview included), who claim that APS-C is the sweet spot.

To be clear: the Nikon Z5, Sony A7III, Canon EOS RP and the Canon EOS R6 are all very nice cameras.

But there is one thing, that sets Fujifilm X apart from all those “entry level” full frame cameras: it can squeeze so much tech into sub $2,000 cameras, that other brands can not.

Or, in other words: their main selling point (full frame), becomes their main limitation, since if you want to deliver full frame cameras under $2,000, you have to cut costs on other sides.

Let me explain.

Entry Level Full Frame vs High End APS-C

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Nikon Z5 Full Frame Camera for $1,400: Lots to Love but One Major Downside

Nikon has announced the Nikon Z5 a lovely entry level full frame camera.

You can see a specs comparison with the Fujifilm X-T4 and Canon EOS R6 at BHphoto here.

Dual UHS-II card slot, nice EVF, more affordable than the Fujifilm X-T4, but one rather major downside: it does not have a BSI sensor.

Hence, due to the slower sensor readout, it needs a significant 1.7x crop in 4K/30p, it shoots at 4fps maximum and probably the dynamic range will suffer from that, too. The non BSI-sensor could potentially also affect rolling shutter negatively and just overall slow down the camera plus generate more heat.

Top and bottom plate are made out of plastic, which makes it cheaper to build and lighter, but the camera is still a bit heavier than the full metal Fujifilm X-T4.

Overall a nice addition to the Nikon Z series line-up, and maybe Fujifilm should answer to the Nikon Z5 by releasing a Fujifilm X-TC (random name), a full plastic camera with old sensor technology but dual SD-card, IBIS and lower video specs for $899, in order to compete with the Nikon Z5.

Would you be interested in such a Fujifilm X-TC camera?