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“Cr@p Light, Cr@p Backlight and Everything is just There on GFX Medium Format Files” – GFX Roundup

2022 has been an X series year so far, and therefore we haven’t covered the GFX system as much as for example last year, when the stellar Fujifilm GFX100S and the affordable Fujifilm GFX50SII hit the market.

And let me say this: Fujifilm has no hurry at all to release new GFX cameras, as the Fujifilm GFX100S is a crazy seller, which is still more often out of stock rather than in stock.

So time for FujiRumors to remind us all that there is also the GFX system out there thanks to a dedicated roundup.

Blog Posts

Videos

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Voigtländer MACRO APO-ULTRON 35mm f/2 for Fujifilm X Announced

Cosina just announced the Voigtländer MACRO APO-ULTRON 35mm f/2 for Fujifilm X.

Just like the Voigtländer NOKTON 23mm F1.2 X and the Voigtländer NOKTON 35mm F1.2 X it is a manual focus lens, but with electronic contacts so it can communicate with the camera.

Press Release

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FujiCast Talk with Fujifilm Manager: About X-T5 and X-T5S Possibilities, X-Pro4, X-H2 and X-H2S, Autofocus, Firmware Updates and More

In the lastest Fujicast episode, Kevin and Neale have, among the others, a talk with Fujifilm UK manager Andreas Georghiades recoded live at the House of Photography in London.

Down below you find a summary as well as the full 1+ hour podcast to listen.

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Fujifilm X-H2S Look Up Table (LUT) for F-Log and F-Log 2 Now Available

This LUT file is to edit the movie data below when the data is edited by a movie editor on your PC or Mac

<LUT file for F-Log>
* F-Log movie data recorded with GFX100S, GFX100, X-E4, X-S10, X-T30 II, X-T30, X-T2, X-T3 , X-T4, X-Pro3, X-H1, X-H2S and X100V

<LUT file for F-Log2>
* F-Log2 movie data recorded with X-H2S.

Download

F-Log 3D-LUT file / F-Log Data sheet

Last updated: 6.16.2022
F-Log_LUT_E_Ver.1.22.zip [10.0MB]
*Decompress the “F-Log_LUT_E_Ver.1.22.zip” file and launch “.cube” file from a movie editor.
Last updated: 6.16.2022
F-Log_DataSheet_E_Ver.1.1.pdf [192KB]

F-Log2 3D-LUT file / F-Log2 Data sheet

Last updated: 6.16.2022
F-Log2_LUT_E_Ver.100.zip [908KB]
*Decompress the “F-Log_LUT2_E_Ver.1.00.zip” file and launch “.cube” file from a movie editor.
Last updated: 6.16.2022
F-Log2_DataSheet_E_Ver.1.0.pdf [120KB]

Pre-Orders

Tamron 17-70mm f/2.8 Compatibility List with Fujifilm X Cameras

The Tamron 17-70mm f/2.8 has just been announced.

We have it covered in previous articles:

But here is one important thing that should not pass unnoticed: the official list of supported Fujifilm cameras.

So I think it is worth to highlight them in its own article. Accroding to Tamron, the new Tamron 17-70mm f/2.8 will work fine with the following Fujifilm cameras (see below):

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Fujifilm Explains Camera Line Distinction (CLASSIC Beats PSAM) and Likely Told us Which Lines Will Survive (and Which Ones Not)

Fujifilm Camera Lines Explained

The Fujifilm X-T line was never supposed to be a flagship camera.

Let me explain why.

When Fujifilm launched the Fujifilm X-H1, they called it their flagship camera, giving it top of the line features that no other camera had at that time (like IBIS) and in part still no other camera, except for X-Pro3, has (like the ultra-tough body). The Fujifilm X-T2 was positioned under the X-H1.

However, since it took Fujifilm so long to release the Fujifilm X-H1 successor, the Fujifilm X-T line had to take over the “flagship-role” for a couple of years.

But now, with the the release of the Fujifilm X-H2S and the pre-announced Fujifilm X-H2, everything is going back to normal so to say.

X-H is the flagship, and X-T is the mid-range.

And that’s not me saying it, but Fuji Guy Billy, who went through the “what is what” in the Fujifilm camera lineup with Bigheaedtaco, who then shared Billy’s list with us in the video below (starts 9:59).

For your convenience, here is the list.

  • X-H series:
    Refinement: Flagship Utility
    Interface: Hybrid
  • X-Pro series:
    Refinement: Luxury
    Interface: classic rangefinder
  • X-T* series:
    Refinement: mid-level
    Interface: classic SLR
  • X-S series:
    Refinement: Base Level
    Interface: DSLR design with PSAM interface
  • X-T** series:
    Refinement: Base Level
    Interface: classic SLR design with classic interface
  • X-E series
    Refinement: Base Level
    Interface: Rangefinder design with classic interface

Who REMAINS and who is OUT

  • I agree with Bigheadtaco when he speculates that all those camera lines mentioned in the list will see a successor at some point. Otherwise I believe Fuji Guy Billy would not have mentioned them
  • if correct, this means that also the X-E line will continue, hence there is hope for a Fujifilm X-E5
  • the true entry level line seems to be dead as it is not mentioned on the list. We already speculated about this back in 2020 when the X-T*** had been discontinued after only 9 months
  • this means little hope for Fujifilm X-A8, Fujifilm X-T300, X-A30
  • the “new” entry level (or base line) is considered the X-T** and X-S line

PSAM PANIC

  • there will be 3 lines with a more classic interface, and 2 lines with PSAM dials
  • Non-PSAM dial camera lines will remain the majority in the Fuji lineup (4 non PSAM lines vs 2 PSAM lines)
  • Fujifilm has not lost its soul! Classic control lovers like me will have plenty of cameras to pick from also in the future

By getting rid of a few lines and separating more clearly the remaining ones, Fujifilm has addressed one of the major concerns that was confusing Fujifilm X shooters: too many camera lines positioned too close to each other without sufficient differentiation.

In short we could say that every line will have a higher end and a lower end version

  • HIGH: X-H line – LOW: X-S line
  • HIGH: X-T* line – LOW: X-T** line
  • HIGH: X-Pro line – LOW: X-E* line

P.S.: It was just so much more fun when Fujifilm used other terms to identify their camera lines, like when they said the X-T** line for hipsters :).

ANNOUNCED: Fujifilm X-H2S, New Autofocus Tested, XF150-600mm, XF18-120mm, New Lens Roadmap and More – LIVE BLOG

Fujifilm Launch Blog
(refresh for latest updates)

Pre-Order Options

Official Fujifilm Info

Fujifilm X-H2S – First Looks & Samples

  • BH Explora – Serious Video Comes to Fujifilm’s Upgraded Flagship
  • ivanjoshualoh -X-H2S: The king of APS-C
  • ephotozine – Fujifilm X-H2S Hands-On Review With Sample Photos
  • dpreview – Fujifilm X-H2S initial review
  • dpreview – X-H2 Samples
  • williamchua – The new Fujifilm XH2s + XF 150-600mm F5.6-8 R LM OIS WR Lens

XF150-600mmF5.6-8 + XF18-120mmF4 – First Looks & Samples

  • photographyblog – Fujifilm XF 150-600mm F5.6-8 R LM OIS WR Hands-on Photos
  • dpreview – XF150-600mm f/5.6-8 samples
  • ephotozine – Fujifilm XF 150-600mm F/5.6-8 R LM OIS WR Lens Hands-On And Sample Photos
  • photographyblog – Fujifilm XF 18-120mm F4 R LM PZ WR Hands-on Photos
  • ephotozine – Fujifilm XF 18-120mm f/4 LM PZ WR Hands-On And Sample Photos
  • alanhewittphotography – FUJIFILM X-H2S AND XF150-600MM LENS

New X mount Roadmap

Launch Videos
Fuji Guys, DPRTV & More

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Fujifilm launches mirrorless digital camera “FUJIFILM X-H2S”

Fujifilm launches mirrorless digital camera “FUJIFILM X-H2S”

-Featuring a newly-developed back-illuminated, stacked sensor and a high-speed image processing engine
-Flagship model that boasts the fastest continuous-shooting, AF and video performance in the history of the X Series
-A highly robust camera body featuring a powerful image stabilization mechanism and various interface options to cater to broad-based professional needs

TOKYO, May 31, 2022 – FUJIFILM Corporation (President and CEO, Representative Director: Teiichi Goto) announces the launch of the mirrorless digital camera “FUJIFILM X-H2S” (X-H2S) in July, 2022. The camera joins the lineup of the X Series of compact and lightweight mirrorless digital cameras renowned for their outstanding image quality, delivered with Fujifilm’s proprietary color reproduction technology.

The X-H2S is a new flagship model boasting the highest performance in both stills and videos in the history of the X Series. This has been made possible by the use of the new back-illuminated, stacked, 26.16MP “X-Trans™ CMOS 5 HS”*1 sensor capable of reading signals four times faster than the current device*2, and the high-speed “X-Processor 5” boasting double the image processing speed of the current device*3. The camera also features blackout-free burst shooting of up to 40 frames per second*4 and high-performance AF system that uses AI to detect a subject. Furthermore, it can film 6.2K/30P and 4K/120P video and record high-definition footages. The highly-robust body packs other features including the five-axis in-body image stabilization that offers up to 7.0-stop advantage*5 and extensive interface options including the dual card slot supporting a CFexpress™ Type B card*6, catering to the shooting needs of professional photographers.

In 2012, Fujifilm released the mirrorless digital camera “FUJIFILM X-Pro1” featuring an image sensor and an image processing engine developed in-house. Since then, the company has evolved these devices over the last decade in pursuit of advanced image quality and portability. The launch of the latest model “X-H2S,” featuring the newly-developed X-Trans™ CMOS 5 HS sensor and the X-Processor 5 image processing engine, heralds the arrival of the fifth generation of the X Series.

  • The camera delivers the highest performance in the history of the X Series thanks to the newly-developed sensor “X-Trans™ CMOS 5 HS” (APS-C sensor) and the high-speed image processing engine “X-Processor 5.”

  • A 26.16MP image sensor that maintains the back-illuminated structure but adopts the stacked-layer design to quadruple the signal readout speed compared to the current device*2
  • A newly-developed processor with double the processing speed compared to the current device*3.
  • The camera can achieve blackout-free continuous shooting of up to 40 frames per second and performs three times the number of calculations in phase detection information compared to the current model*7 to deliver AF/AE tracking in the burst mode, ensuring to capture a decisive photo opportunity.
  • The camera has improved image resolution at low ISO sensitivity compared to the current model*7, while suppressing noise at high ISO sensitivity to produce superior image quality.
  • The camera’s subject-detection AF function uses AI technology to identify animals, birds, cars, motorcycles, bicycles, airplanes and trains, accurately tracking an intended subject.
  • The camera can record 6.2K/30P and 4K/120P video in 4:2:2 10-bit. The ability to record high-speed 4K/120P video means a split-second action of a fast-moving subject can be presented in smooth slow-motion with fine details. Furthermore, the sensor`s readout speed during video recording has been reduced to as fast as 1/180 seconds, mitigating the rolling-shutter effect and presenting a moving subject naturally.
  • The camera supports three Apple ProRes codecs*8, namely ProRes 422 HQ, ProRes 422 and ProRes 422 LT. When recording ProRes, the X-H2S also supports proxy recording such as ProRes 422 Proxy, streamlining the overall workflow from filming to post-production.
  • The camera supports a CFexpress™ Type B card, capable of writing data at high speed and thereby drawing out the X-H2S’s full potential in burst shooting and video recording.*9

Fujifilm will continue to enhance the appeal of the X Series including the X-H2S (carrying an APS-C sensor), GFX Series including the GFX100S (carrying a large format sensor) and extensive lineup of interchangeable lenses to promote photography / videography and the joy of shooting stills and videos.

  • *1 X-Trans is a trademark or registered trademark of FUJIFILM Corporation.
  • *2 In comparison with the X-Trans™ CMOS4, carried in the current camera models.
  • *3 In comparison with the X-Professor 4, carried in the current camera models.
  • *4 High-speed continuous shooting free from the viewfinder blacking out, preventing users from seeing the subject; This is only available when using the electronic shutter.
  • *5 When mounted with the FUJINON Lens XF35mmF1.4 R.
  • *6 CFexpress is a trademark or registered trademark of the CompactFlash Association.
  • *7 Mirrorless digital camera “FUJIFILM X-T4.”
  • *8 Apple ProRes is a trademark of Apple Inc., registered in the United States and other countries.
  • *9 See the Fujifilm website for a list of memory cards that have been verified to work with this camera

1. Product features

(1) Best burst-mode performance in the history of the X Series to capture a decisive photo opportunity
  • This camera is equipped with the newly-developed “X-Trans™ CMOS 5 HS sensor, which has a signal readout speed about four times faster than the current device to achieve blackout-free continuous shooting of up to 40 frames per second. It controls phase-detection pixels independently when displaying images in the Live View mode during burst shooting to triple the number of phase detection calculations from the current model. AF/AE tracking is maintained even during high-speed continuous shooting of 40 frames per second, ensuring to capture a decisive photo opportunity.
  • The X-Trans™ CMOS 5 HS and the X-Processor 5 are complimented with high-capacity buffer memory to significantly increase the number of frames that can be continuously recorded in the burst mode. When using the electronic shutter, the camera can shoot at up to 30fps in JPEG and 20fps in RAW, recording over 1,000 frames continuously in the burst mode.*10
  • The high-magnification and high-definition EVF boasts the magnification ratio of 0.8x and a resolution of 5.76 million dots. It offers improved visibility thanks to strong suppression of parallax and distortion that occur when an eye position becomes displaced while using the viewfinder. Its 120fps frame rate displays images smoothly, allowing users to accurately keep track of a fast-moving subject.
  • *10 At the time of a cold start in the operating environment at 25℃ (with the camera body starting at the temperature the same as or lower than the external atmospheric temperature). This is only possible when using the electronic shutter and in the JPEG mode. Note that the number of frames that can be recorded depends also on the remaining level of battery charge and the type / capacity of memory card used.
(2) Updating the algorithm to substantially improve AF performance
  • The use of the X-Trans™ CMOS 5 HS and the X-Processor 5, coupled with the update of AF prediction algorithm, have led to a major boost in the camera’s capability to track a moving subject and autofocus accurately in Zone AF or in low-contrast conditions. This means a subject that keeps on moving can be accurately tracked, such as athletes and wild animals.
  • The camera features a subject-detection AF function, developed with deep learning technology, while retaining the conventional Face / Eye AF. It uses AI to detect animals, birds, cars, motorcycles, bicycles, airplanes and trains. The camera automatically tracks a targeted subject while keeping it in focus, allowing users to concentrate on shutter opportunities and framing.
  • The camera supports the AF+MF function, in which users can make a manual focus adjustment after AF during not only shooting stills but also recording video. This enables greater accuracy in tracking a fast-moving subject while shooting video.
(3) Enhanced video performance to cater to diverse videographic needs
  • The camera can shoot 6.2K/30P and 4K/120P video in 4:2:2 10-bit, recording high definition footage while retaining rich color information. The ability to record high-speed 4K/120P video means a split-second action of a fast-moving subject can be presented in smooth slow-motion with fine details.
  • The sensor’s readout speed during video recording has been boosted to as fast as 1/180 seconds. The rolling-shutter effect is well-controlled to present a moving subject naturally.
  • The camera supports three Apple ProRes codecs, namely ProRes 422 HQ, ProRes 422 and ProRes 422 LT. When recording ProRes, the X-H2S also supports proxy recording such as ProRes 422 Proxy, streamlining the overall workflow from filming to post-production.
  • Another new feature is F-Log2 capability with dynamic range expanded up to 14+ stops. This enhancement enables video recording with enriched tonality, thereby broadening post-production potential.
  • The camera has a new heat-dissipating structure to substantially increase the maximum video-recording time. 4K/60P video can be recorded for an impressive 240 minutes*11 to cater to the needs of professional video production. Attach the optional cooling fan “FAN-001” to enable extended video recording even in high-temperature conditions.
  • *11 At the time of a cold start in the operating environment at 25℃, with the Auto Power Off set for “High,” Bitrate setting at 100Mbps, the vertical battery grip “VG-XH” attached and three batteries used. The recording time depends on the remaining level of battery charge and the type / capacity of memory card used. Note that the camera may automatically stop recording video when the body temperature rises beyond threshold.
(4) Enhanced operability to assist users’ shooting experience in a variety of situations
  • The camera features an all-new in-body image stabilization mechanism, which offers a new sensing control function to detect and correct fine camera shakes, delivering five-axis stabilization that gives up to 7.0-stop advantage. Users can comfortably choose to hand-hold the camera to shoot sports with actively-moving subjects or in low light conditions such as nightscape.
  • The new camera inherits the popular design features of the FUJIFILM X-H1, such as an LCD display on the top panel for users to check settings any time, and a highly-robust camera body that withstands heavy professional use. Improvements include the shutter stroke when the shutter button is half-pressed, load adjustment to the AF ON button, and materials used for buttons for enhanced operability. The design of the large grip has been brushed up to make it even easier to hold for added comfort.
  • A standalone video-recording button has been added for enhanced video operability in combination with the 1.62-million-dot vari-angle LCD monitor on the rear panel, which can be positioned in a range of angles to enable filming exactly as intended.
  • The camera features dual memory card slots supporting CFexpress™ Type B and SD cards. Use the CFexpress™ Type B card to draw out the full potential of the X-H2S’s fast continuous shooting and video performance.

2. Optional accessories

(1) Vertical battery grip “VG-XH” (dedicated to the X-H2S)
  • The vertical battery grip can load two of the high capacity battery “NP-W235.” It is also dust and moisture resistant and operates at temperatures as low as -10℃ for advanced practical applications.
  • The grip features various buttons in convenient locations for vertical shooting to provide the same level of operability with horizontal shooting.
(2) File transmitter “FT-XH” *12 (dedicated to the X-H2S)
  • This file transmitter features wired LAN connectivity and high-speed wireless communications capability, essential for in-studio tethered shooting or sports / media shooting. It can be also used as a vertical grip and fits two of the high capacity battery “NP-W235.”
  • It can be combined with the X-H2S to enable the following:
    ① FTP transfer by wired LAN / wireless LAN / USB smartphone tethering
    ② Tethered shooting by wired LAN / wireless LAN
    ③ Remote Rec function by wired LAN / wireless LAN; Capable of controlling up to four X-H2S cameras simultaneously from a browser on a smartphone, tablet device or computer
  • *12 Due to be released in September 2022
(3) Cooling fan “FAN-001” (dedicated to the X-H2S)
  • This cooling fan can be attached to the rear panel of the camera body without a cable, supporting long hour shooting and video recording in a high-temperature condition. The power can be supplied to the fan from the camera body.
(4) Cover kit “CVR-XH” (dedicated to the X-H2S)
  • Items contained in the cover kit for protecting various terminals on the camera.
1 x Sync terminal cover
1 x Hot shoe cover
1 x File transmitter / vertical battery grip terminal cover
1 x Cooling fan terminal cover
1 x Memory card slot cover

Fujifilm X-H2S vs Sony A9II vs Sony A1 vs Nikon Z9 vs Canon EOS R3 – COMPLETE STACKED SENSOR CAMERA COMPARISON

We already compared the various Fujifilm X flagships here. But what about other brands?

Comparing cameras is always a tricky thing.

But in my opinion, when we go ahead and compare the Fujifilm X-H2S to other cameras, we should do it by putting it up agains other stacked sensor cameras.

We arleady did a price comparison between stacked sensor cameras and saw that the Fujifilm X-H2S is actually gently priced for what it is.

But now I’ve extended the comparison to the specs in order to make it more complete. You can see the comparison above

LIVE BLOG starts at 9AM New York Time – stay tuned on FujiRumors

 

The Power of Fujifilm Colors: Leaving Fuji for Nikon Z and Back to Fuji for the Colors – A Story and an Image Roundup

FR-reader Gerben’s wrote me an email that haunted me for several weeks and finally motivated me to do something that I hardly have time to do anymore for the reasons I’ve explained on my birthday: an image roundup.

So what did Gerben write me? Well, in short, he left Fujifilm for Nikon Z but then switched back to Fujifilm for one main reason: colors!

Dear Patrick,

I have been using the xpro3 for some time, i quite liked it except the small grip, and rear LCD (I noticed i take quite a few quick shots of my daughter via the rear LCD) and some other things. Therefore I decided to look around and try Nikon. I read color rendition was about the same and face detect was better.

So i traded in my X-Pro3 and bought a Nikon Z6 and the 50 1.8s. Almost everything i liked: comfy grip, nice buttons, highly detailed EVF and LCD, top LCD, fast AF and face AF, great high ISO and so on.

But to my horror I noticed one thing was off quite often, the colors.

This was probably due to WB, but i shoot mostly family and JPEG and the skin tones either looked greenish in low light or to saturated red in good light.

Then i picked up the original X100 and shot a few scenes. BOOM, the colors and WB were right without any tweaking. Just sooc provia jpeg. Wow. I always thought fuji jpegs were great but that Canon and Nikon have good jpegs to.

It seems Fuji is still better. I really wanted to like the Z6, but if all factors are awesome but the colors are meh then its a no go for me. So i turned back the lens and body. Now waiting for my refund. Luckily my trusty 35 1.4 wasn’t sold yet. I am probably getting the X70 and X-T1 as i like the colors an X-H1 for low light and video. Ow yeah i also have the old D700. This older sensor renders sooc jpeg colors much nicer then the Z6 and are quite similar to my X100.

So i had a quick flirt with Nikon mirrorless but am back now at the Fuji camp. Guess ill be reading your post more often.

And in order to help to make non-Fuji-shooters understand what Fuji colors mean, I looked at the images shared at our Film Simulation group and picked a few of them for all of you to enjoy.

One important note: some images ARE edited.

Editing is allowed in our group. But it’s allowed, as long as one does not start to fiddle around with the colors in post. So you can add/recover shadows/highlights, sharpen, edit out disturbing elements from your image, add some contrast and whatever you want to do. But the colors must be Fujifilm colors, hence the film simulation profile must be selected in post. No other filters applied and don’t play around with the color tools in the RAW converter of your choice.

We have this rule, because SOOC is great, but here on FujiRumors we believe that also RAW shooters profit from great Fuji colors, as it shortens their editing time.

And I know what I talk about, because when I edited the tons of images I took at the wedding I photographed, just scrolling over the film sim profiles in Capture One and in a matter of seconds see which film simulation gave me the best mood for that particular picture, was a true time saver! I just focused on editing other aspects of the images, as Fuji took care of the colors for me.

Final note: members of our group also often fine tune their film simulation and make recipes out of them. If you are curious to know more details about the specific recipe just ask them in the comments of their post about it.

Images

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