Toshihisa Iida No Longer Fujifilm Electronic Imaging Division General Manager and Becomes new CEO of Fujifilm EU

Today I have a bit of mixed feelings, sad and happy at the same time.

Let me explain.

Fujifilm manager Toshihisa Iida is arguably the most representative face of the Fujiflm X/GFX series.

As general manager for Fujifilm electronic imaging products, he was the guy, who stood on the stage to introduce the most important new Fujifilm X/GFX gear, he lead the Fujifilm X summits, and his interviews were always the ones we read with the biggest care, as he was the guy, who, at the end of the day, had to take the final decision in which direction the Fujifilm X/GFX series should go.

For us Fujifilm lovers he was definitely a point of reference and one of those high ranked Japanese Fujifilm managers we loved most for his dedication, vision and passion for photography and the X/GFX series.

You’ll get an intimate looks into his life and work in this brilliant documentary.

And now the news.

Toshihisa Iida has just been promoted, and he is now the new President and Managing Director at Fujifilm Europe.

And while I am happy that such a competent person gets a step higher into his career, I am also a bit sad that he is now no longer dedicated to Fujifilm’s camera/lens development only.

In fact, in his new role as Fujifilm EU CEO, he will take care of Fuji’s medical systems, photo imaging, instax, electronic imaging, optical devices, graphic systems, recording media, industrial products, document solutions and more.

It goes without saying, that when you are in charge of the development, production, distribution, marketing, customer service and more for a total of 55 companies in 43 countries and 4.500 employees, than the time to dedicate to the Fujifilm X/GFX series will be limited.

Well, I guess I can speak for all of you, when I wish Toshihisa Iida (who is a FujiRumors “lover” ;) ) all the best for his new professional chapter.

The new electronic imaging general manager is Mark Yamamoto, who will also take up a new assignment as a Board Director for FUJIFILM Holdings Corporation in Tokyo, hence he’ll have a dual role within Fujifilm.

We wish Mark Yamamoto all the best, and may his guidance through this “mirrorless war” be as wise and illuminated as the one of Toshihisa Iida.

Press Release

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Fujifilm X-S10 Will be SLR Styled (not Rangefinder)

Fujifilm X-S10 mock-up by fujirumors (not the real camera)
Fujifilm X-S10 mock-up by fujirumors (not the real camera)

Quick rumor update: the upcoming Fujifilm X-S10 will have an SLR styled body. Hence, it’s not a rangerfinder alike camera such as X-E3, X100 or X-Pro3.

Initial details can be found here.

Join our brand new Fujifilm X-S10 facebook group.

Take care,

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Fujifilm XF 50mmF1.0 vs Fujifilm 56mmF1.2 Portrait Session Comparion

John Branch has published a video, where he compares the brand new Fujinon XF50mm f/1.0 with the much loved Fujinon XF56mm f/1.2.

Down below are his findings, but keep in mind: the video was filmed BEFORE the important XF50mmF1.0 firmware update.

  • XF50mmf/1.0 has faster autofocus
  • he prefers to be very light during his wedding shoots using very small lenses (he uses the Fujicron f/2 lenses a lot), and the XF50mmF1.0 is a bit too heavy
  • he prefers the 50mm focal length over the 56mm
  • XF50mmF1.0 has more contrast and is way sharper than the 56mm

Especially considering the current huge deal on XF56mmF1.2 lenses, the 56mmF1.2 is great value for money (a lens I own and love). But from all I could see so far, if you do not mind the extra weight and size, the Fujinon XF50mmF1.0 is the way to go.

Fujifilm really put magic into that lens, a magic best described by Jonas Rask here, when he says:

My all time favorite lens from Fujifilm is the XF35mm f/1.4R – In my eyes it’s the perfect lens. There have been many wordings about that lens, and one thing that keeps on popping up in discussions is that it has a certain something that no-one seem to able to define. It always end up being labeled as “magic” which is silly.

The reason for its look is found in the optical design, a design that Fujinon decided to continue into the XF50mm f/1R WR. And that makes the images coming from this lens extremely appealing to those who like the look of the XF35mm f/1.4.

The images coming from XF50mm f/1 R WR has those exact same undefinable traits that makes me love my XF35mm f/1.4 so much. The sharpness that is sharp, yet not overly sharp. A flattering kind of sharpness that seems more rounded, organic and less digital/clinical. A bokeh rendering that is soft, delicious and very calming to the eye, and a color reproduction that gives a very lovely depth to especially warm color tones.

In other words, the XF50mm F/1 R WR is the portrait lens version of the XF35mm f/1.4 R!

Fujifilm has crafted a massive winner, and initial sales figures seems to confirm it!

Videos

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UPDATE: Fujifilm X-H1 / X-T3 Firmware Fixes Video Exposure Stepping

UPDATE: Fixed also on Fujifilm X-T3, according to more reports

Oh, I remember it all to well.

I was on a 2 weeks holiday with my wife in the South of Italy, when Fujifilm released a new firmware update for my Fujifilm X-T4.

Unhappy of the usual “fix of minor bugs” formula, I sacrificed a few hours of my relaxing holiday, and dedicated myself to find out, what had been fixed. Well, I noticed that Fujifilm secretly and quietly fixed the exposure stepping bug in video, and I immediacy told you about it in this article.

Now also 11 other X series cameras received a firmware update, but since I own “only” the X-T1, X-E3 and X-T4 I can’t really check what has been fixed on all cameras.

But luckily I am just a small part of the big FR community, and fellow FR-reader Unnamed for a reason contacted me, telling me that the exposure stepping seems to be fixed now also on his Fujifilm X-H1.

No more exposure stepping in either Auto ISO or Aperture priority. When setting the aperture to Auto, stepping still occurs in 1/3rd stops (which is also still the case with the X-T4).

On my personal X-E3, exposure stepping seems to be still present after the firmware update.

In addition to that, Unnamed for a reason says:

  • The wireless communication is much stronger and the camera can be paired at longer distances – Worked flawlessly standing 1-1.5 meters (3.2-4.9 feet) away from the camera.
  • There are new items in the flash menu. “MASTER SETTING” “CH SETTING”. I am certain these are meant to work in conjunction with the new Nissin rebranded Fujifilm EF-W1 commander unit and Fujifilm EF-60 flash. I attached a Godox XPRO-F and a TT685F unit to the camera, to see if they are compatible with the new functions, but as of now, these slots remain greyed out.

Thanks a lot for your feedback :)

Video Demo

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Fujinon XF50mmF1.0 Hits the Stores and More Reviews: Beautiful Sunstars, Autofocus Comparison with XF56mmF1.2 and Samples

The Fujinon XF50mmF1.0 has reached stores all over the world, so probably Fujifilm will be able to start shipping within September 25, despite the unexpected high demand. Remains to see how large the first batch will be. I have the feeling not enough to meet initial demand.

Fujifilm is also preparing your camera, and has just released XF50mmF1.0 support firmware updates for a total of 11 X series cameras.

Hence, for us it’s time to publish a little Fujinon XF50mmf/1.0 roundup.

XF50mmF1.0 Review Roundup

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Sony A7c Full Frame vs Fujifilm X-E3 APS-C, or 7 Reasons why the New Sony A7c is Not an APS-C Killer

accurate size comparison: Fujifilm X-E3 vs Sony A7c vs Fujifilm X-T30
accurate size comparison: Fujifilm X-E3 vs Sony A7c vs Fujifilm X-T30

I blog on FujiRumors since almost a decade now, and over all these years, I have heard many times announcements of the death of the Fujifilm X series since the launch of the original Sony A7. And the same “Fujifilm APS-C is dead” voices continue to come back, may it be the announcement fo the Nikon Z5 or the imminent announcement of the Sony A7c.

Now, I already showed which compromises “cheap” full frame cameras have to do, in order to compete with high end APS-C cameras. You can check it out in this article.

But today we talk about the Sony A7c, a camera that will be priced above $2k according to SonyAlphaRumors (hence more than twice the price of the Fujifilm X-E3).

Above you can see a size comparison between Sony A7c and Fujifilm X-E3 and X-T30.

And yet, it’s not only about price. Let’s check out 7 key differences between APS-C and Full Frame.

Disclaimer (read to avoid anger :) )

No matter if full frame, APS-C or medium format. There is not the perfect sensor size, and each system has its Pros and Cons.

However, this article is just an attempt to try to understand, why DPReview and Petapixel think that APS-C is the sweet spot. So I listed a few reasons, where APS-C could be considered better than full frame.

By no means I want to say that full frame or medium format is worse. All I want to say is that also APS-C has it’s strong cards to play in the current mirrorless war.

APS-C vs FF

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New Fujifilm Camera Registered and Coming October 16

Nokishita spotted the registration of a new Fujifilm camera, the FF200001.

Fujifilm’s digital camera “FF200001” has passed FCC certification. Equipped with Wi-Fi (802.11b/g/n) and Bluetooth (same RF module as X-Pro3 model number [WM-BN-BM-26 _A_ FF3 ]) .

he designated date for public disclosure of the certified material is October 16, 2020.

This is a list of model numbers of Fujifilm wireless parts, which is not very helpful

WM-BN-BM-26_A: X-E3
WM-BN-BM-26 _A_ FF2: X-H1/GFX50R
WM-BN-BM-26 _A_ FF3: X-Pro3/X-T3/X-T30
WM-BN-BM-26 _A_ FF4: X100V
WM-BN-BM-26 _A_ FF5: X-T4
WM-BAC-BM-25: GFX100
TYPE1FJ: X-A7/X-T200

It’s obviously not the Fujifilm X-Pro4, that I can say for sure! :)

If you want to know what it is, we invite you to stay tuned on FujiRumors.

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via nokishita

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