Fujifilm GFX Contax N/645 Smart Adapter Available for $749. :: A Visual GFX Journey :: Field Tests & More (GFX Zone)

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How to activate Fringer Contax645-GFX AF adapters at fringer youtube

The Fringer Contax N/645 – GFX is now shipping in a limited number for a beta user group. If nothing goes wrong, the release version would be ready for sale in a week at fringeradapter. Fringer is also a member of our immense Fujifilm GFX facebook group, and he launched a dedicated thread, where he shares sample images and answers all questions you guys have about the adapter.

Join the 13,000+ strong GFX facebook group, and incredibely helpful community creating infinite GFX content. For fast, reliable, and 100% GFX news and rumors follow the Fujifilm GFX facebook page.

Fujifilm GFX 50s: BHphoto, Adorama, AmazonUS
Fujinon GF 110mm F2: USA: BHphoto, AmazonUS, Adorama Europe: WexUK, PCHstore
Fujinon GF 23mm F4USA BHphoto, AmazonUS, Adorama Europe: WexUK, PCHstore

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The Fujifilm GFX 50s High ISO is So Good that it’s Not Funny

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GUEST POST FEATURE
Write Your Articles Directly On FujiRumors!

guest post by Josselin C. // instagram: untitledshot

(Note : not sponsored by Fuji, just an honest opinion. I am coming from the Sony world, and still own a A7r2)

I took this 80MP composition last friday with the Fujifilm GFX 50s:

I am so impressed by the low light capabilities of this camera that I even did an how-to video explaining how this photograph was created :

Photographers that ever tried to catch the milky way in a middle of a city would know the challenges of capturing it in environment with high light pollution. It is one of those impossible shots that need really specific conditions to be obtainable. Lookup for “milky way Sydney” on Google and mostly all shots you will see are composite (e.g. milky way shot in one location added in Sydney) – well not in this case here.

I recently setup – after discussing with @apoapsisphotography and @clement_breuillea challenge to get the milky way in the middle of an highly populated city – during a light festival. Turns out, this place had to be Vivid Sydney (if you are in Sydney, go pay a visit, this is awesome).

When I acquired this camera, I didn’t know what to expect, or even, if I would keep it. I already own a marvel of engineering: the Sony A7r2. This camera never failed to deliver, even in some of the harshest and remotest places of this world. It also helped me win the french national awards of the Sony World Photo Organization and to be nominated Top 5 Travel Photographer by Australian Photography. I couldn’t be happier.

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What Should Fujifilm do to Survive the Final Digital Camera Battle?

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This blog post has been inspired by the latest “Fujifilm helps Nikon” rumors shared by the reputable Japanese Magazine Sentaku.

Who Struggles?

People, who are with Fujifilm since day 1 (like me, and I guess also many of you), will remember that for many years, the X-series was nothing but a black hole for Fujifilm. The imaging division was losing money. But starting from the X-T1, things have changed and the figures became more and more positive.

But while Fujifilm was growing and finally making profits, many other companies (like Nikon) were struggling. Here is just a little overview

  • Samsung is gone, despite them offering a gorgeous camera like the Samsung NX1.
  • Nikon reported extraordinary losses. I quote from the Nikon Report: “[…] consolidated operating income as a whole is expected to fall below the previous forecast, impacted by the sluggish and shrinking markets of digital cameras in the Imaging Products Business”
  • Panasonic said they are “dismantling” some businesses and later clarified that they are restructuring the camera division, which will continue to operate under the new umbrella division.
  • Lytro tried hard, but failed, even though they had an interesting concept.
  • Pentax/Ricoh, so say the rumors, is struggling too.
  • Hasselblad, was bought by the Chinese DJI

Competition & Monopolies

A few days ago, I was sitting with a friend, who teaches economics at the University, drinking a beer in the sun after work, and we were talking about cameras, since he wants to switch to mirrorless now (we all get older and appreciate lighter gear at a certain point :) ).

Of course I recommended him Fujifilm (the Fujifilm X-T20), but I honestly told him, that there is so much competition in the camera business, that all companies are pushing innovation and quality to such a high level, that he can’t do anything wrong even if he buys any other mirrorless camera.

At the end it depends on what he needs. I told him that if he wants an overheating playstation experience, get a Sony, but if he wants to have fun with a real photographic tool, he should get a Fuji – just kidding, Sony friends :) .

Anyway, our talk then switched to the topic of competition.

In short: my buddy told me that, at the end, competition always tends to create monopolies. I wouldn’t say it like in Highlander, that “there can be only one“, but yes, many will fail, and only the very best will survive.

And if my buddy is right, we should not be surprised to see more camera companies fail in the next 3 or 4 years or weak companies being acquired (completely or in parts) by some stronger ones. That’s how the market goes.

One thing is sure:

The final digital camera battle has begun, and it’s clear that some companies will perish and others will survive, in a market that is overall becoming smaller every year.

So the question today is….

… what should Fujifilm do in order to survive the battle? Are they on the right track already, or is there still something they should absolutely improve? You know they read us… so feel free to let Fujifilm know, what you think they should do to survive the digital camera battle.

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Fujifilm X-Trans RAW Edition: ON1 Photo RAW 2017.5 (Fuji Support Improved), Updated X-Trans C1 Guide & More (miXed zone)

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Here is a little Fuji X-Trans RAW Roundup. On1 just updated its software with some welcome Fujifilm releated improvements.

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Amazon UK (and More Stores) Says: “There is A Newer FUJIFILM XF 18-135 and XF 27mm Coming”

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Let’s talk about the Fujinon XF 18-135 lens, one of my favorite travel lenses ever, and about the XF27mm.

Back in March, Fujifilm said here that they are having some production issues with the XF 18-135 “[google translated] due to lack of procurement of some parts” and that the situation will be solved “around summer“.

But something strange is happening in the last few weeks. Some stores seem to indicate that a newer version is on the way, of both, the 18-135 and the 27.

Here is what they say:

18-135 mm: AmazonUK: “There is a newer model of this item This item has not yet been released.”

27 mm: AmazonUK: “There is a newer model of this item Currently unavailable. We don’t know when or if this item will be back in stock.”

Fotokoch: This German Store marked the XF18-135 as well as the XF27mm as as “Neuheit“, which in German does not mean simply it’s a new, unused item. It means it is a completely new product on the market. That’s why I got many emails from German FR-readers pointing me to this store. I don’t know if there is a equivalent English word for “Neuheit“. Foto Koch says they will ship the new 18-135 in the end of July but they don’t give any shipping indication for the new 27mm.

Other stores just mark the 18-135 as back-ordered, whereas the 27mm is usually in stock.

BHphoto: “Back-ordered. Expected availability: Jul 17, 2017
Adorama: “Back-ordered”
AmazonDE: “This item is not yet available
WexUK: “Awaiting Stock”

 

 

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