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Fujifilm GFX Roundup: Don’t Call GFX50SII Cheap, GFX50SII vs GFX100S, GF80mmF1.7 and GF35-70 Reviews, Medium Format vs Sony APS-C and More

High time to catch up with a massive Fujifilm GFX roundup.

We will mostly cover the Fujifilm GFX100S, GFX50SII, GF35-70mm and GF80mmF1.7, but there is also much more, from unfair comparisons APS-C vs Medium Format to technical tests by Jim Kasson and more.

GFX Gear – Buy within April 3 and submit your claim by May 3

GFX Roundup

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A Taste of More than Full Frame: Wedding with GFX50SII, X-T4 vs GFX100S, TTArtisan 11mm on GFX100S, Fujinon GF Lens Reviews and More

2021 was a definitely a GFX year, mainly thanks to the launch of the Fujifilm GFX100S and the Fujifilm GFX50SII. So let’s give this wonderful system a dedicated and major roundup.

GFX100S and GFX50SII

Other GFX cameraas and Lenses

  • williamchua – GFX100 + GF 250 mm f4 + 1.4xTC fantastic combination
  • williamchua – Dance Photography workshop with GFX 100
  • keithwee – Revisiting the Fujifilm GFX100 in 2021 and my beliefs on what makes a trustworthy reviewer
  • roycruz – The Everyday Medium Format Companion – Fujinon GF 50mm f/3.5 Review 2021
  • photoreview – Fujifilm GF 63mm f/2.8 R WR lens
  • newsshooter – Large format cinematography in a small package: Tokina Vista lenses on Fujifilm GFX100
  • blog.kasson – Copying watercolors with the GFX 100

TT Artisan 11mm Fisheye on the GFX100s

by FR-reader Neil

I have attached some images taken with the TT Artisan 11mm Fisheye on the GFX100s so that people can see what to expect. Images are reduced to 2048 pixels on the long side for ease of email. (full size can be sent by WeTransfer if required.)

  • Image 1. Straight Out Of Camera converted to jpeg – No Editing. You can see the dark corners and blue fringing in the top corners.
  • Image 2. Edited in Capture One Pro 21. Lens Correction >Distortion set to Maximum sorts out the corners but keeps the Barrel Distortion look.
  • Image 3. Affinity Photo – Lens Distortion (Go Pro Hero 3-Black) applied and it gives a good rectilinear fisheye look. (Thanks YouTuber for the Go Pro settings for this lens body combination.)

The rest of the Blacksmith in action shots using the 30mm and 45-100 are better looking images, these are to show the different stages of editing you can get with the TT Fisheye. It is a cheap, well built lens that is up there with the top brand names for image quality (but all Manual – no electronics.)

The GFX Community

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GFX System Related Videos (GFX50SII Included)

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Fujifilm Releases Major New Firmware for GFX100, GFX100S and X-S10

Just 24 hours after the previous new firmware rollout for several cameras, Fujifilm has also released the long awaited and major firmware updates for the Fujifilm GFX100 and X-S10, as well as a new firmware for the Fujifilm GFX100S.

FujiRumors will provide all details and download links down below.

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Landscape Photography X-T4 vs GFX100S Sensor Size Obsession, Can Your Computer Handle 102 MP Files and More GFX Roundup

I get it that the brand new Fujifilm GFX100S and the Fujinon GF80mmF1.7 get all this attention.

But the Fujifilm GFX system is more than that.

Hence, here is a roundup that includes lots of GFX gear, not only the GFX100S and the GF80mmF1.7.

Warning: it is a massive roundup!

In Stock Check

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The Roundup

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Fujifilm GFX Evolution: Leaving Perfection for…

ZP productions tested the GFX100S and GF80mmF1.7. He loves both, and owns both.

But there is one note he makes.

He says that when Fujifilm launched the GFX system a few years ago, it had sheer perfect lenses. But he noticed that with the latest lens releases, Fujifilm traded in a bit of that perfection to release less perfect, smaller and more affordable lenses.

In this context, he compares the GF110mmF2 to the GF80mmF1.7, the first one being expressions of Fuji’s perfection, the second one, while still being excellent and he actually totally loves to shoot with it, just not being just as perfect as the GF110mmF2.

I’ll make a summary down below of his 17 minutes long video below and would love to hear what you guys think about it.

Video Summary

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Fujinon GF80mmF1.7 Technical Analysis, DOF Calculators, Comparison with GF110mmF2 and More

Fujinon GF80mm f/1.7 (vs GF110mmF2)

The Fujinon GF80mmF1.7 is currently not easy to find. A low stock is available at Adorama here and also at AmazonUS here.

And yet, slowly but surely, it is falling in the hands of photographers, who drop their (very positive) reviews on the various online sales platforms:

But also Jim Kasson is covering the Fujinon GF80mmF1.7 brilliantly in his technical tests, which we will share down below.

I did play around with the Fujinon GF80mmF1.7 too (and so did my son) when I met my friend, who sold all his Nikon Z mirrorless gear for the GFX system. So far he does not regret it at all and he is totally thrilled about his switch.

  • blog.kasson – Fujifilm 110/2, 80/1.7 slanted edge testing
  • blog.kasson – Fuji 80 mm f/1.7 on GFX 100S, Siemens star analysis
  • blog.kasson – Fujifilm 80/1.7 bokeh
  • blog.kasson – Fuji 110/2, 80/1.7 on GFX 100S, foliage
  • blog.kasson – Fuji 80/1.7, 110/2 chromatic aberrations compared
  • blog.kasson – Fuji 45-100 at 80 mm vs 80/1.7, foliage
  • blog.kasson – Fujifilm 80 mm f/1.7 field curvature for landscape use
  • blog.kasson – DOF calculators and pixel peeking. 80/1.7 on GFX 100S
  • blog.kasson – Low contrast slanted edge MTF testing: Fuji 80/1.7 GF on GFX 100S

Get Yours:

IN CROP WE TRUST: The Lens I Chose to Start my GFX System Adventure and Talking 102 Megapixel Crops & Prints

My First GF Lens

So guys, the decision has been made.

In the last second, I took advantage of the €500 rebate on selected Fujinon GF lenses and I bought the Fujinon GF32-64mmF4, which was your most recommended G mount lens for landscape photography. Thanks for helping me out with the decision :).

I still don’t own it, as like everywhere on the world, Fujinon G mount lenses are a rare good.

In fact, when I went to my local store, the store owner told me that since Fujifilm launched the GFX100S, sales for GFX gear went through the roof.  He also told me that for many of his customers, the Fujifilm GFX100S is their first GFX camera and this also pushes sales for G mount lenses. That’s why they run out of stock constantly.

So I had to put myself in line, and now I wait for a lens that is harvesting 5 star reviews all over the web:

In Crop we Trust

Now, if you have read my GF lens help article, you’ll know that over the last few years, I somehow shifted from privileging dramatic wide angle shots to focusing more on compressed landscape shots.

This is why I was hesitant between getting the GF32-64mmF4 or the GF45-100mmF4 to start with.

But here is the thing: I can’t get into my frame parts of a landscape scenery that are too wide for my lens (unless I stich). On the other hand, thanks to the power of the Fujifilm GFX100S and its 102 megapixel, I can crop the heck out of my images and still get usable and printable results.

Therefore, afraid to miss out on something beautiful on the wide end, I decided to go with the wider zoom, trusting the crop-power of my GFX100S to get a more compressed look.

In fact, I am now thinking that as a second lens, I’ll probably go for the Fujinon GF100-200mmF5.6, which I got my hands on in store, and it actually surprised me how light it is for its size. “Definitely portable” I thought. It will fit well and be easy to carry in my Photohiker trekking backpack.

But of course one step after another.

In early 2021, I already supported Fujifilm by buying the XF27mmF2.8 R WR (which you can see here), the XF80mm Macro, the Fujifilm GFX100S and the GF32-64mmF4. One more 2K lens right now would mean deciding between gear and marriage. ;)

But in not too distant future, I imagine my GF lens arsenal to look like this:

Yep, no fast lenses in the lineup for now, but I have a couple of f/1.2 and f/1.4 primes on the X system, so I’ll get plenty of bokeh out of that system when I need it.

So, the Fujifilm GFX100S and the GF32-64mmF4 will mark my first steps into the G mount system. Now all I need is to get those nice packages shipped, and I hope that maybe this summer I can already hike on the Dolomites with it.

Crop & Print

I love to print. From photobooks to single images.

And sometimes I print rather big.

But even my biggest print at my home (90x60cm / 35×23 inches) looks absolutely fantastic when taken with 24 MP.

So why the heck do I need a Fujifilm GFX100S, if my APS-C gear does a great job already?

The answer is: crop!

In fact, I assume that not only for me, but also for many of you, cropping is a very fast and effective post production step we sometimes take to improve our images.

So you get it: I don’t need to print bigger. But what the GFX system allows me to do better than any other system out there, is to still print big even images that are significantly cropped.

For example, this image I took at the Gardena mountain pass with my X-T4 and XF10-24mmF4 looks great on the web. But truth is that I had to crop quite a bit to get it how I wanted, hence mostly focused on the Sasslong. And while on Instagram it still looks great, I doubt I could print it as big as I sometimes like to print.

But if my starting point would have been 102 Megapixel instead of 50MP or 26MP, then I’d know I’d still retain so much information in my cropped image, that I could still make a huge epic print out of it.

With that said, every system has its Pros and Cons. The balance Fuji’s APS-C system offers remains unmatched to me compared to full frame of medium format. But the GFX shines in an area where I love to take pictures and to print: landscape photography.

This is why I bought the Fujifilm GFX system, and I look forward to finally capture the lovely Dolomites with it ;).

Fujifilm GFX100S

Fujinon GF80mmF1.7

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All GF Lenses

Stop Buying Fujinon GF Lenses Like Crazy, Or We Won’t Get GF Lens Deals Anymore ;)

Take all launch-sales of all GFX cameras in the past, combine them, and then compare them with the sales (and pre-orders) of the Fujifilm GFX100S.

The result: the Fujifilm GFX100S sold better than ALL of them combined!

No surprise that therefore the Fujifilm GFX100S is already the most owned GFX camera by the FujiRumors community.

This should be a good news for Fujifilm. But it also puts Fujifilm in front of some serious challenges.

  • ship all the pre-ordered GFX100S cameras as fast as possible
  • with tons of new photographers joining the GFX system overnight thanks to the GFX100S, also sale of G mount lenses is incredibly strong

After an email of FR-reader Darin, I took a loot at the current GF lens stock status at BHphoto, AmazonUS and Adorama.

I noticed that, at the time of this post, 7 out of 12 lenses are not available at BHphoto, and also Adorama and Amazon lack of G mount lenses stock.

So down below is an overview on what you can still find where.

I have the feeling that, with the lenses selling so strong, we won’t get deals on them for a while. But I hope to be proven wrong.

NOT AVAILABLE

AVAILABLE ONLY AT 1 STORE

AVAILABLE AT 2 STORES

AVAILABLE AT ALL 3 STORES

Last Day to Save $500 on GF Lenses

GFX Lens Deals

This is the last day to save $500 on the following Fujinon GF lenses:

* save $500 – ends April 18 – After purchase of your GF lens, go to this page to claim your money back

The Magic of Black & White

Fellow Fujifilm shooter Andrew Gibson has just now published the 11th anniversary edition of his popular book “The Magic of Black & White“. For this occasion, Andrew has completely rewritten it and added new photos and lots of new material. Most of the images inside the book have been taken with a Fujifilm X-T1 and Fujifilm X-T2 camera.

The book is now available with a launch discount. You pay $10 instead of $14 until April 30.

Also, you can buy The Magic of Black & White and The Black & White Landscape together for just $14 (normal price $18).

Check out more details at The Magic of Black & White.

All Fujifilm Deals

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