Portland, OR (February 15, 2018) – Lensbaby—makers of award-winning creative effects lenses, optics and accessories—announces the launch of an entirely new kind of creative effects lens, the Burnside 35.
Back in January 27, TheCameraStoreTV announced they will be screening a Wooden Niccolls movie shot with “unreleased gear” at a movie theater. I placed my bet, and said it would be a movie shot on Fujifilm X-H1. If I was wrong, I promised I would shoot Sepia only for an entire month. So believe me guys, I am relieved to see I was not wrong ;) .
Well, right now the TheCameraStoreTV has published their movie on their youtube channel here.
All the BTS and B-Roll footage was Eterna. The actual scene was shot F-Log and expertly colour graded by Tyler Roth. He used a pre-production Eterna LUT as a starting point, but there are many manual adjustments in the scene as well.
UPDATE: Allow me quick follow up to the previous article: I confirm that Fujiflm has changed the front plate design of the X mount. If you don’t trust me, you can go to dpreview and see how the X-T2 can have two different mount designs, older are more angled, newer more round. This has not been made casually by Fujifilm, but there is a reason behind that. Most likely it is related to mitiage grid artifacts, as we reported here.
Kevin Mullins
The epic Fujifilm X-H1 live blogging is now officially closed, but you can check back to see a comprehensive list of first look reviews, samples and videos after 2 nights and 3 days of non stop coverage.
What we are trying to do now, is to enter more in specific to some of your questions, and focus on certain topics.
In our “All About IBIS” article yesterday, we made an in depth technical and practical analysis of IBIS.
Today we try to adress another question that I get also via email: for whom is the Fujifilm X-H1?
I was planing an article about it, but today wedding photographer Kevin Mullins published a youtube video where he answers this question.
And since I not only agree with him, but he also says it in a much better English than me, make sure to check out his video here.
In short:
The Fujifilm X-H1 is aimed at videomakers (where there is still room for improvement, though), sport and wildlife photographers
It’s for photographers who use big lenses, want a big grip, a solid body
For people who want extra functionality and don’t need small cameras
The X-H1 is all about power
The X-H1 is not really for wedding and street photographers. No reason to move to X-H1 from something like X-Pro2, X-T2, X-E3 etc., which are better for that
The X-H1 is another option in the Fujifilm line, and not an upgrade to the X-T2, so it makes sense to call it X-H1
If he buys the X-H1, then it’s for his videos work especially on the youtube channel. But not for weddings
It would be great if the autofocus and shutter system if the X-H1 would be rolled into the X-T and X-Pro line of cameras
He invested into the X system because of smaller size, and size is still an important factor for him
X-H1 has amazing video tech, internal F-log, Eterna Cinema film simulation, indipended custom settings for stills and video, touch screen and of course IBIS
sensitive shutter button, takes time to get used to, but those who shoot very quickly in sports or also weddings they will love it
sadly no articulating screen, and for video makers that would have been awsome
no audio connection in body. You must buy the vertical grip to monitor your audio
Down below, a video of The Photography Team that discusses the questions… X-T2 or X-H1?
Fujifilm X-H1 launch deals are available also in Europe, for example a €150 cashback in the Netherlands, £100 trade-in deals in the United Kingdom. Select your country in the Fuji promo page, and see if you country is included. However, Fujifilm is notoriously slow to update this page. So while Fuji Netherlands already announced the deal on theri facebook page, their official website still does not mention the deal. I recommend the good old way to see if your country is included: give them a call ;)
In the video above you can see how much the X-H1 sensor wobbles, going behind the front plate. That’s impressive.
And you will remember, how Fujifilm said that X-mount is not compatible with IBIS, right?
So people wonder, how did Fujifilm manage to make it compatible and to make IBIS work on X-cameras without introducing to heavy vignetting?
Good question.
What we know, is that newer X-series cameras have a newly designed front plate. Just check out my old X-T1 with sharp 90° angle compared to my new X-E3 with a much more rounded angle. UPDATE: Older X-T2’s and X-Pro2’s have a very angled mount, while newer ones more rounded. Check it out, it’s documented also on dpreview ;) .
However, I heared another fascinating theory, that I want to share here on FujiRumors,.
The rounded angle could allow the light to filter better in the corners, and hence reach the sensor even better, when it goes behind the mount.
Wait… I hear you say… the X-E3 has no IBIS!
But, so the theory, since Fujifilm had to redesign the mount to accomodate IBIS on X-H1 anyway, it just hugly simplifies and speeds up the production line, if you use one front plate design for all cameras, instead of manufacturing 2 different ones.
However, this theory does not convince me fully, since the front plate on the X-H1 seems to be more similar to the one of my old X-T1 than the one of my X-H1.
