X-M1: quick auto-focus speed test + ephotozine review

1) I just stumbled upon this 18 seconds video. It shows a room bathed in subdued light and an X-M1 (I suppose with 16-50) that focusses on the little crowd of people several times… and it does it pretty fast I’d say!

In the comments Jordan said: “If this is what we can expect on the X-E1 and X-Pro 1 with the firmware update, I will be a very happy man.”

2) Again, half a star away from the full points. After photographyblog now also ephotozine assigned 4.5 stars auf of 5 to the X-M1. Even though the X-M1 is made mostly of plastic “the camera feels well built with good build quality“. About the 16-50: “Detail in the centre is very good, with good detail to the edges. The lens appears to be quite resistant to flare thanks to provided hood. […] purple fringing or chromatic aberration was low.” At the end they highly recommend it saying: “The Fujifilm X-M1 produces excellent images and is very good value for money with the 16-50mm lens.” From the conclusions:

“Image quality is very good with excellent colour, and fans of Fujifilm colour and film will find the X-M1 gives very pleasing results, with very good detail, and reliable exposure. Focus speeds are a little on the sluggish side, and indoors, in low-light focus occassionally missed, causing us to have a blurred photo. The 16-50mm OIS lens gives a useful wide-angle equivalent of 24mm zooming to 76mm at the telephoto end and produces very good results for a “kit lens”.”

Read the whole review and see the samples at ephotozine here (and thx Josh for telling me about).

X-M1 (body only or with 16-50mm)USA: AmazonUS / BHphoto / Adorama / DigitalRev / Pictureline EUROPE: DigitalRev / WexUK / PCHstore / AmazonITA

XF 27mm – USA: AmazonUS / BHphoto / Adorama / DigitalRev / Pictureline EUROPE: DigitalRev / WexUK / PCHstore / AmazonITA XC 16-50: WexUK / PCHstore

best
Patrick

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[UPDATE: 16-50 review] X-M1 roundup: photographyblog review, first impressions and samples

X-M1 (body only or with 16-50mm)USA: AmazonUS / BHphoto / Adorama / DigitalRev / Pictureline EUROPE: DigitalRev / WexUK / PCHstore / AmazonITA

XF 27mm – USA: AmazonUS / BHphoto / Adorama / DigitalRev / Pictureline EUROPE: DigitalRev / WexUK / PCHstore / AmazonITA XC 16-50: WexUK / PCHstore

_ _ _

1) photographyblog posted the X-M1 review review here. 4.5 out of 5 starts… and guess where the X-M1 lost half a star? Exactly, the viewfinder. Some extracts:

“Despite its significantly lower price on launch, the Fujifilm X-M1 is another well-built X-series camera, with very little no flex or movement in its chassis, despite having more plastic in its construction. […] The Fujifilm X-M1’s auto-focusing speed is quick, with a quoted fastest auto-focus time of 0.1 seconds, although it was slightly slower when using the 16-50mm kit zoom. […] The Fujifilm X-M1 produces images of outstanding quality. […] The new 16-50mm lens is also worthy of mention, as although it has a cheaper build quality, it still offers sharp results throughout the focal range. The X-M1 is certainly right up there with the best APS-C sensor cameras on the market, and some full-frame models too, so if image quality at an affordable price is paramount, the [shoplink 13828]X-M1[/shoplink] certainly fits the bill.” (review here)

[UPDATE] photographyblog just posted the 16-50 review here. Fast and quiet focus, “Vignetting is practically a non-issue, and chromatic aberrations are present but well-controlled […] pleasingly sharp in the image centre at 16mm and 23mm, with performance dropping off at 35mm and 50mm where optimum sharpness isn’t achieved until f/8.

2) The Spanish site dslrmagazine.com had his hands on the X-M1. Their impression can be read here (translation)

3) dc.watch introduces the X-M1 and posted some samples (whole ISO range, film simulations and filters…) Read it here (translation)

X-M1 pre-order check: [shopcountry 13828]

ONLINE! X-M1 impressions of Max Angeloni (riflessifotografici) with 27mm samples

 photo baloon_zps257196a6.jpg

image courtesy: Max Angeloni (RiflessiFotografici) Fujifilm X-M1 Fujinon 18-55mm
[definitely, the “soul” is in the photographer]

Max Angeloni of riflessifotografici just posted his first article about the X-M1 here (English version). Who’s the target group of this camera? Why will photographers who are coming from a DSLR feel right at home with the X-M1 (more than those coming from the X-PRO1/X-E1)? And do you want to enjoy some beautiful shots taken with the [shoplink 13828]X-M1[/shoplink] and the following lenses: [shoplink 13829]27mm[/shoplink], [shoplink 12887]18-55mm[/shoplink], [shoplink 12888]14mm[/shoplink], [shoplink 12892]55-200[/shoplink]? Then check this article out here (English version).

X-M1 (body only or with 16-50mm)USA: AmazonUS / BHphoto / Adorama / DigitalRev / Pictureline EUROPE: DigitalRev / WexUK / PCHstore / AmazonITA

XF 27mm – USA: AmazonUS / BHphoto / Adorama / DigitalRev / Pictureline EUROPE: DigitalRev / WexUK / PCHstore / AmazonITA XC 16-50: WexUK / PCHstore

image courtesy: Max Angeloni (RiflessiFotografici)
Fujifilm X-M1 Fujinon 27mm 1/4000, f/2.8, Iso 200

 photo beach_zpseb3a822a.jpg

XC 16-50 and XF 27mm samples at photographyblog (and X-M1 pre-order at AmazonITA)

 photo fujifilm_xc_16_50mm_f3_5_5_6_ois_photos-550x400_zpsd4b08f56.jpg

image courtesy: photographyblog (16-50mm)

Photographyblog just posted some sample images shot with the XC 16-50 (click here) and XF 27 (click here). They also shot the entire ISO range and posted a sample video here. The full review will come soon.

The X-M1 is now available for pre-order in Italy (with a significant price difference between the silver and black version).

X-M1 (body only or with 16-50mm)USA: AmazonUS / BHphoto / Adorama / DigitalRev / Pictureline EUROPE: DigitalRev / WexUK / PCHstore / AmazonITA

XF 27mm – USA: AmazonUS / BHphoto / Adorama / DigitalRev / Pictureline EUROPE: DigitalRev / WexUK / PCHstore / AmazonITA XC 16-50: WexUK / PCHstore

Leica X Vario vs Fuji X-E1 (before and after Iridient) or how a software can “turn a decent camera into a pretty special one”

 photo iridient_zps3e2f6fab.png

Before we start, I’d like to say HAPPY BRITHDAY to Iridient (launched exactly 9 years ago). I’ve contacted Brian yesterday for the first time, asking him if there will be a Windows version of his software. He answered immediatly: “[…] I have nothing at all against Windows, but it’s unlikely there will be a port of Iridient Developer to Windows. […] That said I have had discussions in the past and will likely have more in the future regarding opportunities for someone else do a Windows version, but so far nothing concrete has come to pass.

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Do you remember this post, where thevisualexperience explained why DPreview may be sometimes wrong when they jugde the IQ of cameras? He suggested them to use Iridient Developer to process the X-Trans files. The results with this Mac-only software are, according to him, much better than those of Adobe.

Now, here is another example. Soundimageplus compared the [shoplink 13668]Leica X Vario[/shoplink] with the [shoplink 12881]X-E1[/shoplink]. Which APS-C camera deliveres the best IQ? This was his answer before using Iridient:

BEFORE IRIDIENT

“So having consistently described the Fuji X-Trans sensor as the best image quality, taking everything into consideration (raw, jpgs, high ISO, sharpness, colour etc.) that I’ve ever used, it seems I’m now going to have to change that. The Leica X Vario now officially, here at Planet Soundimageplus at least, is the producer of the best IQ overall, that I have ever seen in a camera I own. Its taken me pretty much all day to come to that conclusion, but its been an enjoyable and informative process.”

But then he tried to process the X-E1 RAW images with Iridient and changed his opinion. He is sure that you’ll be impressed by the files that the X-Trans sensor can produce… Read the second post of soundimageplus here:

AFTER IRIDIENT

“I don’t really know what a ‘demosiacing algorithm’ is but I know what I see with my eyes. Unlike all other software conversions for the Fuji X files, there is no ‘foliage mush’ ‘smearing’ or ‘watercolour effect’ present in the converted files. The files are crisp and sharp, even without any added sharpening in the software. […] The conversions are so good that I’m able to upsize them quite dramatically to 24MP and 36MP in Photoshop, using the new resize option, with very little loss of detail. In fact the 24MP upsized files I’m producing look virtually identical to my Nikon D7100 files. […] So for me this takes my X-E1 into another league. It is pretty much like I suddenly have a new camera. In terms of image quality, I thought that my X Vario just shaded the X-E1, but now I’m not so sure.

So a £60 software programme turns a decent camera into a pretty special one and I’m going to be using the X-E1 a lot over the next few days to shoot some new images knowing that I’m going to get some pretty impressive files.”

enjoy your day
Patrick