Fujifilm X-Half Coming with New “Film Roll Mode” and This is How it Works

The Fujifilm X-Half will be quite more experiential than what we think.

Not only will it be a digital half frame camera, and we explained how it works here.

It will come with other new concepts, one of them we can explain to you today.

The Fujifilm X-Half has a mode that, when enabled, will not allow you to change settings or see pictures before your reach a certain number of pictures (for example 36 pictures).

Now, I don’t know how Fujifilm is going to call this mode, but I’ll call it the “film roll mode”, because, like shooting on film, you can’t review your images immediately or swap rolls after each shot.

Rumored Specs

 

Fujinon / Fujifilm Rolls Out “Lunch & Learn Lenses” Events at Cities Across North and South America

Fujinon / Fujifilm Rolls Out “Lunch & Learn Lenses” Events at Cities Across North and South America

Attendees Engage in Discussions on Future Optical Design and Get Hands-On with Cabrio and MK Zooms

Wayne, N.J., August 2, 2017 – As part of the company’s overall education initiative, the Optical Devices Division of FUJIFILM is currently conducting “Lunch & Learn Lenses” events in cities across North and South America. Each “Lunch & Learn Lenses” is an informal discussion over lunch with representatives from FUJIFILM that provides attendees with an opportunity to give insight into what future lens innovations they’d like to see.

“We’ll hold discussions where all sorts of questions about optics are raised, some specific to our lens design and some more of an industry-wide discussion,” explained Tom Fletcher, Director of Sales, FUJIFILM Optical Devices Division. “We ask questions about what image size coverage they’d like to see, what focal lengths, what T-stop, anamorphic or spherical, do they prefer images with more character (taste) or a clean look, and what are the benefits regarding primes versus zooms. It’s always an extremely engaging conversation and one that proves of immense value in our own product development. We’re seeing more people sign up and participate in these events as we hold them in new cities across the country.”

In addition to the optics discussions, the latest FUJINON lenses are available for attendees to try out. At each event, the recently released FUJINON MK50-135mm T2.9 zoom and MK18-55mm T2.9 zoom, along with the Cabrio 20-120mm T3.5 zoom, will be on hand.

Cities scheduled for upcoming dates include: Philadelphia; Washington, DC; Chicago; Minneapolis; Indianapolis; Detroit; Cleveland; Cincinnati; Columbus; Miami; Nashville; Charlotte; Orlando; St Louis; Kansas City; Dallas; San Antonio; Houston; Anchorage, AK; Boise, ID; Portland; San Francisco; Oakland; Seattle; Denver; and Phoenix.

Follow Fujinon on social media and keep up to date on “Lunch & Learn Lenses” stops near you.

On Twitter: @FujifilmOptical
On Facebook: @FujifilmOpticalUSA
On Instagram: fujifilmopticalusa

… or simply answer all the above questions in the comments on FujiRumors.com :D

via Fujifilm USA

The Fujifilm Rumor Storm is Here – Follow FujiRumors, and Live An Emotional Rumor Roller Coaster Ride!

Fellow FR-readers, please hold on tight, as the rumor storm is here, and there is no sign that it will end anytime soon.

There will huge exclusive leaks, and also big emotions, I promise :).

All reliable stuff. No BS, no guessing. And as always, FR will be the first and only to break the good stuff.

Do not miss it, and make sure to follow us on Facebook, Instagram, RSS-feed, Youtube, Flipboard and Twitter.

↓ Top Tips to Stay in the Loop ↓

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Fujifilm X-T2 Firmware Update 4.01 Released – Rollback to Previous Version. Fujifilm GFX, X-Pro2 and X-H1 Firmware Postponed

Fujifilm X-T2 Firmware Update

The latest major firmware update 4.00 for Fujifilm X-T2 has introduced quite some bugs, and evidently Fujifilm needs a bit more time to fix them all.

Hence, just half a second ago, Fujifilm released Fujifilm X-T2 firmware update 4.01, which basically re-uploads the older bug free firmare ver.3.00 (no slow motion, F-log & Co), as well a public apology (full press text below).

2 days ago we rumored that Fujifilm is working on a bug fix firmware update. Today’s rollback firmware confirms the rumor. Here are the bugs Fujifilm is working to solve:

  1. When RAW files, which were taken by X-T2 (before firmware ver.4.00), are converted in camera (ver.4.00) or by “FUJIFILM X RAW STUDIO”, they are not converted properly.
  2. When pressing the shutter button halfway under certain conditions, the live view can flicker.
  3. In rare cases, a hang-up can occur.

Thanks to Fujifilm for quickly delivering this transitional solution and we look forward to re-upload the bug-free Kaizen firmware soon.

Our Facebook Groups

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have a GREAT Day,

Regarding the Malfunction of the FUJIFILM X-T2

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Fujifilm Replaces 24 Exposure Superia and Fujicolor Rolls with 36 Exposures

Phoblographer reports that Fujifilm is replacing the 24 exposure Superia and Fujicolor rolls with 36 exposures. Phoblographer writes:

“Fujifilm sent notice out today to retailers that they’re discontinuing their 24 exposure rolls and replacing them with 36 exposure rolls. This notice is specifically about their ISO 200, 400 and 800 rolls of film.

You can buy Fujifilm Superia here and Fujifilm Fujicolor here.

Radio-Controlled Nissin di700A Flash for Fujifilm X available in Germany

 

The Nissin Di700A has just been released in Germany (sold via third party at Amazon.de). Thanks to the FR-reader, who dropped me this link to 43rumors.

We reported about the (radio controlled) Nissin Di700A flash for Fujifilm X back in March 2016 here. At that time, the flash was scheduled to be available for Fuji X within Summer.

Learn more about the Nissin Di700A at the official Nissin Page here.

Fujifilm X-T6 with Back-Illuminated Dials :: Dreams of Fujifilm X-T5S :: How to Re-Do the GFX :: and More :: FR-Reader Wishlist Corner

Time to catch up and share a FR-reader wishlist corner post.

by Chris

Once upon a time (2010?), Fujifilm launched the second version of a 3D camera, the Fujifilm Finepix Real 3D W3.

Stereo enthusiasts still regard this as a high point but of course its specifications (especially the sensors) are now very dated.

Do you think there is ANY CHANCE Fujifilm might produce a new version, almost certainly with enhanced video capabilities for viewing on 3D display laptops, AR/MR/VR headsets and more traditional ways?

There have been “Mickey Mouse” 3D cameras launched recently, but they are more toys than proper cameras, see e.g. XREAL Beam Pro.

by Jerry

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Don’t Hope for Fujifilm X-Pro4 in 2025 :: GFX Eterna in September and More – Mid-2025 Rumor Check

So far in 2025, we’ve had two X Summits, three brand new Fujifilm camera announcements, two X-mount lenses, and even a couple of new Instax cameras.

That’s quite a gear-packed year already!

And with all that gear also came plenty of rumors.

So let’s take a moment to look back and see how accurate we’ve been so far in 2025 thanks to our sources:

  • 59 rumors shared so far in 2025
  • 1 rumor still to be verified
  • 56 correct rumors out of 57 verifiable rumors
  • 1 wrong rumor
  • 1 rumor not in ranking
  • 98.25% correct rumors

What’s left in terms of rumors for 2025?

Well, not much actually. Which is why below I insert also rumors shared back in 2024 that still have to be verified, such as this X-Pro4 release info rumor and Fujifilm TX-3 rumors. All ranked by reliability.

Rumor Overview with Rating

HIGH RATING*
* 75% to 99% correct

  1. GFX Eterna full announcement in September (shared June 4)
  2. X-Pro3 successor not coming in 2025 (shared December 16, 2024)

MEDIUM HIGH RATING*
*50% to 74% correct

  1. Fujifilm Panoramic Digital Camera currently discussed by Fujifilm (not final decision yet) for release in 2028 (shared May 6, 2024)
    NOTE: I know that this is highly trusted, so they are discussing it. I just don’t rank it higher because this would otherwise give the impression that FujiRumors said this camera will come for sure. And in any case it is still 4 years away, so plans can change.
  2. Fujifilm TX-3 Digital Panoramic Camera: Fujifilm Debating Between Bayer or X-Trans Sensor (shared September 2, 2024)
  3. Next X-Pro coming with improved hybrid viewfinder (shared September 3, 2024)

MEDIUM LOW RATING*
*25% to 49% correct

  1. nothing

LOW RATING*
*1% to 24% correct

  1. nothing. I mean, it could be the longest list considering the number of fakes I got also in 2025. But we don’t like to bother our readers with fake stuff like others do.

THE MID-2025 CHECK

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Fujifilm Launches Mirrorless Digital Camera “FUJIFILM X-E5”

Fujifilm Launches Mirrorless Digital Camera “FUJIFILM X-E5”

A first time in the X series:precision-cut aluminum top plate delivers superior design and elegance
Expanding the joy of photography with features designed to provide an immersive experience through the viewfinder and improved operability

TOKYO, June 12, 2025 – FUJIFILM Corporation announces the global launch of the “FUJIFILM X-E5”(X-E5) from August 2025.

Press Release

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LEAKED: Fujifilm X-E5 Full Specs and Price

Here is the pricing for the Fujifilm X-E5:

  • Fujifilm X-E5 Body: $1699
  • Fujifilm X-E5 with XF23mmF2.8: $1,899

Main Specs

  • Classic Style, Ultimate Flexibility
  • Iconic X100VI looks, with the flexibility of interchangeable lenses
  • Refined Rangefinder-Style Design
  • Beautifully machined aluminum top-plate with offset viewfinder
  • Dial in Your Own Look
  • Customizable Film Simulation dial lets you access your own recipes
  • Create With Confidence
  • Up to seven stops of in-body image stabilization
  • Cutting Edge Quality
  • 40.2-megapixel sensor with digital teleconverter option
  • Fully Featured Viewfinder
  • Electronic viewfinder with multiple viewing modes

Highlights

  • Get the stunning looks of the iconic FUJIFILM X100VI with the added creative flexibility of interchangeable lenses. A similar size and weight to the popular fixed lens X100VI, FUJIFILM X-E5 delivers the same analog controls and a film-camera-inspired user experience but gives you the option to switch lenses to suit your creative needs. X-E5 is compatible with over 40 X Mount optics and accessories, including the all-new XF23mmF2.8 R WR, so the perfect image is always within reach.
  • With its offset viewfinder, FUJIFILM X-E5 echoes the timeless style of rangefinder film cameras and features a stunning machined aluminum top-plate. Aesthetically beautiful, the top-plate exudes quality and durability thanks to its premium look and feel as well as delivering a precise, angular design. Perfect for those who favor more traditional camera operation, X-E5 offers analog controls for quick, easy access to core functions, while additional features such as the Bluetooth connectivity button – placed on the base like a film rewind button – enhance the camera’s nostalgic feel.
  • A first for X Series cameras, FUJIFILM X-E5 features a customizable Film Simulation dial. Neatly placed under the aluminum top-plate with a circular window providing an easy view of the active mode, the dial provides fast access to Fujifilm’s unique Film Simulation modes that deliver stunning results straight out of camera. Additionally, the dial has three customizable settings, which give users the option to create and save their own recipes for instant recall in the field.
  • Sometimes the best images are made when lighting is low and, thanks to the in-body image stabilization (IBIS) on FUJIFILM X-E5, you’ll be able to tackle these situations in complete confidence. Providing up to seven stops of benefit at the center of the frame and six stops at the edges, the IBIS system features a new algorithm and upgraded gyro sensor to deliver an improved performance that helps keep crucial images free from camera shake.
  • Image quality is assured with FUJIFILM X-E5 thanks to the latest 40.2-megapixel X-Trans 5 HR sensor and X-Processor 5 imaging engine. This combination brings additional functionality, including a lower base ISO of 125 and deep learning AI-powered subject detection AF across a broader range of subjects. The higher resolution also unlocks a two-step digital teleconverter feature, which crops into the sensor to provide a 1.4x or 2x zoom, giving further in camera flexibility.
  • Thanks to its detailed electronic viewfinder, FUJIFILM X-E5 lets you see every detail when viewing images. As well as providing an accurate preview of the scene, it also provides some additional functions that deliver an experience similar to an optical viewfinder. These include three Surround View modes which allow the selection of a black, semi-transparent or line outline showing the image’s aspect ratio and what is outside of it to better anticipate subjects moving into frame, plus a Simple View option, which emulates the viewfinder from an analog film SLR.

Specs

Camera Width (mm) 124.9
Camera Height (mm) 72.9
Camera Depth (mm) 39.1
Camera Minimum Depth (mm) 33
Camera Width (in) 4.92
Camera Height (in) 2.87
Camera Depth (in) 1.54
Camera Minimum Depth (in) 1.3
Camera Body Weight Approx. 445g including battery and memory card, Approx. 396g excluding battery and SD memory card
FPS Eligible No
Family Type Hardware
Warranty Duration 365
Number of Effective Pixels 40.2 million pixels
Image Sensor 23.5mm x 15.6mm (APS-C) X-Trans CMOS 5 HR with primary color filter
Sensor Cleaning System Ultra Sonic Vibration
Storage Media SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please visit https://fujifilm-x.com/support/compatibility/cameras/ to check memory card compatibility.
Still Image File Format – DCF Compliant with Design rule for Camera File system (DCF2.0)
Still Image File Format – JPEG Exif Ver.2.32 Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
Still Image File Format – TIFF 8bit / 16bit RGB (In-camera Raw Conversion Only)
Number of Recorded Pixels – [L] [4:3] 6864 x 5152 [3:2] 7728 x 5152 [16:9] 7728 x 4344 [5:4] 6432 x 5152 [1:1] 5152 x 5152
Number of Recorded Pixels – [M] [4:3] 4864 x 3648 [3:2] 5472 x 3648 [16:9] 5472 x 3080 [5:4] 4560 x 3648 [1:1] 3648 x 3648
Number of Recorded Pixels – [S] [4:3] 3456 2592 [3:2] 3888 x 2592 [16:9] 3888 x 2184 [5:4] 3264 x 2592 [1:1] 2592 x 2592
Number of Recorded Pixels – Vertical Panorama [L] 2160 x 9600
Number of Recorded Pixels – Horizontal Panorama [M] 6400 x 1440
Digital Tele-Converter 2.0x, 1.4x, OFF
Lens Mount FUJIFILM X Mount
Sensitivity Standard Output STILL: AUTO1/ AUTO2/ AUTO3/ ISO125～12800 (1/3 step) MOVIE: AUTO/ ISO125～12800 (1/3 step)
Sensitivity Extended Output [STILL:} ISO64/ ISO80/I SO100/ ISO25600/ ISO51200 [MOVIE:] ISO25600
Exposure Control TTL 256-zone metering/ Multi/ Spot/Average/ Center Weighted
Exposure Mode P (Program AE)/ A (Aperture Priority AE)/ S (Shutter Speed Priority AE)/ M (Manual Exposure)
Exposure Compensation [STILL:] -5.0EV～+5.0EV (1/3EV step)/ [MOVIE:] -2.0EV～+2.0EV (1/3EV step)
Image Stabilizer Mechanism Image sensor shift mechanism with 5-axis compensation
Image Stabilizer Compensation Effect Center 7.0 stops and Periphery 6.0 stops (based on CIPA standard). Pitch/ Yaw/ Roll compensation, with XF35mmF1.4 R lens attached.
Image Stabilizer Digital Image Stabilization Yes, movie mode only
Image Stabilizer IS MODE BOOST Yes, movie mode only
Shutter Type Focal Plane Shutter
Synchronized Shutter Speed for Flash Mechanical Shutter: 1/180sec. or slower
Continuous Shooting Electronic Shutter Approx. 20fps (1.29x Crop) (JPEG: 168 frames, Compressed RAW: 66, Lossless Compressed RAW 32, Uncompressed RAW: 17 frames, Compressed RAW + JPEG: 21 frames, Lossless Compressed RAW + JPEG: 20 frames, Uncompressed RAW + JPEG: 17 frames) Electronic Shutter Approx. 13fps (1.29x Crop) (JPEG: 1000+ frames ,Compressed RAW: 94, Lossless Compressed RAW: 25, Uncompressed RAW: 21 frames, Compressed RAW + JPEG: 48, Lossless compressed RAW + JPEG: 31, Uncompressed RAW + JPEG: 19) Electronic Shutter Approx. 10fps (1.29x Crop) (JPEG: 1000+ frames ,Compressed RAW: 536, Lossless Compressed RAW 21, Uncompressed RAW: 18 frames, Compressed RAW + JPEG: 24 frames, Lossless compressed RAW + JPEG: 24 frames, Uncompressed RAW + JPEG: 19 frames) Electronic Shutter Approx. 13fps (JPEG: 163 frames, Compressed RAW: 46, Lossless Compressed RAW 43, Uncompressed RAW: 23 frames, Compressed RAW + JPEG: 61 frames, Lossless compressed RAW + JPEG: 37 frames, Uncompressed RAW + JPEG: 21 frames) Electronic Shutter Approx. 8.9fps (JPEG: 1000+ frames, Compressed RAW: 68, Lossless Compressed RAW 28, Uncompressed RAW: 21 frames, Compressed RAW + JPEG:36 frames, Lossless compressed RAW + JPEG: 23 frames, Uncompressed RAW + JPEG: 21 frames) Mechanical Shutter Approx. 8fps (JPEG: 1000+ frames, Compressed RAW: 79, Lossless Compressed RAW 22, Uncompressed RAW: 20 frames, Compressed RAW + JPEG: 30 frames, Lossless compressed RAW + JPEG: 21 frames, Uncompressed RAW + JPEG: 20 frames) Mechanical Shutter Approx. 5.0fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless Compressed RAW 56 frames, Uncompressed RAW: 24 frames, Compressed RAW + JPEG: 81 frames, Lossless compressed RAW + JPEG: 27 frames, Uncompressed RAW + JPEG: 21 frames) Mechanical Shutter Approx. 4.0fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless Compressed RAW 1000+ frames, Uncompressed RAW: 29 frames, Compressed RAW + JPEG: 1000+ frames, Lossless compressed RAW + JPEG: 34 frames, Uncompressed RAW + JPEG: 26 frames) Mechanical Shutter Approx. 3.0fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless Compressed RAW 1000+ frames, Uncompressed RAW: 60 frames, Compressed RAW + JPEG: 1000+ frames, Lossless compressed RAW + JPEG: 1000+ frames, Uncompressed RAW + JPEG: 34 frames) Recordable frames depends on recording media Speed of continuous shooting depends on shooting environment and shooting frames”
AE Bracketing AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: by 1/3EV step, up to ±3EV steps) Film Simulation bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100%, 200%, 400%) ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV) White Balance Bracketing (±1, ±2, ±3) Focus Bracketing (AUTO, MANUAL) Multiple Exposure Yes (Max. 9 frames)- Additive, Average, Bright, Dark HDR Mode (AUTO, 200%, 400%, 800%, 800%+) Advanced filter Toy camera, Miniature, Pop color, High-key, Low-key, Dynamic tone, Soft focus, Partial color (Red / Orange / Yellow / Green / Blue / Purple)
Focus Mode Single AF/ Continuous AF/ MF
Focus Type Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Focus Low-light Performance Contrast: -4.0EV Phase Detection: -7.0EV *XF50mmF1.0 attached
AF Frame Selection Single point AF: 13×9/ 25×17 (Changeable size of AF frame) Zone AF: 3×3/ 5×5/ 7×7 from 117 areas on 13×9 grid Wide/Tracking AF AF-S: Wide/ AF-C: Tracking All
White Balance Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)/ Custom1 – 3/ Color temperature selection (2500K～10000K)/ Preset Daylight, Shade, Fluorescent Light-1, Fluorescent Light-2, Fluorescent Light-3, Incandescent Light, Underwater
Self-timer 10sec./2sec.
Interval Timer Shooting Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
Flash EF-X8 Guide Number approx. 11 (ISO200・m) / approx. 8 (ISO100・m)
Flash Sync Mode EF-X8: 1st Curtain/ 2nd Curtain Shoe Mount Flash: 1st Curtain/ 2nd Curtain AUTO FP (HSS) Synchronized terminal: N/A
Flash Mode TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI * When EF-X500 is set/ OFF Synchronized terminal MANUAL
Hot Shoe Yes (Dedicated TTL Flash compatible)
Viewfinder EVF 0.39 inch approx. 2.36 million dots OLED Color Viewfinder Coverage of viewing area vs. capturing area: approx. 100% Eyepoint: approx. 17.5mm (from the Rear End of the camera’s Eyepiece) Diopter adjustment: -4~+2m-1 Magnification: 0.62× with 50mm lens (35mm equivalent) at infinity and Diopter set to -1.0m-1 Diagonal angle of view: approx. 31° (Horizontal angle of view: approx. 26° ) Built-in eye sensor”
LCD Monitor 3.0 inch Tilt-Type (Three Direction) Touch Screen Color LCD Monitor Aspect Ratio 3:2 Resolution: Approx. 1.04 million dots
Touch Screen Shooting Mode Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting
Touch Screen Playback Mode Swipe, Pinch-in / Pinch-out, Double-tap, Drag
File format (Movie) MOV: HEVC/ H.265, Linear PCM / Stereo sound (24bit / 48KHz sampling) |MPEG-4, AVC/ H.264, Linear PCM / Stereo sound (24bit / 48KHz sampling) MP4: MPEG-4, AVC/ H.264, AAC
Movie Compression All Intra/Long-GOP
File Size / Frame Rate / Recording Time 6.2K [16:9] – 6240×3150 29.97p/ 25p/ 24p/ 23.98p 200Mbps/ 100Mbps/ 50Mbps/ 25Mbps/ 8Mbps DCI 4K [17:9] – 4096×2160 59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p 200Mbps/ 100Mbps/ 50Mbps/ 25Mbps/ 8Mbps 4K [16:9] – 3840×2160 59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p 200Mbps/ 100Mbps/ 50Mbps/ 25Mbps/ 8Mbps Full HD [17:9] -2048×1080 59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p 200Mbps/ 100Mbps/ 50Mbps/ 25Mbps/ 8Mbps Full HD [16:9] – 1920×1080 59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p 200Mbps/ 100Mbps/ 50Mbps/ 25Mbps/ 8Mbps Full HD High speed rec. [17:9] – 2048×1080 240p/200p/ 120p/ 100p 200Mbps(recording) For recording movies, use a SD memory card with UHS Speed Class 3 or higher. For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. Selectable bitrate will be changed depends on the setting. Recording length can shorten depending on the temperature and/or shooting conditions
Film Simulation Mode 20 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Clarity setting ±5 steps
Monochromatic Color Yes
HDR Mode AUTO, 200%, 400%, 800%, 800%+
Grain Effect Roughness STRONG, WEAK, OFF, Size LARGE, SMALL
Color Chrome Effect STRONG, WEAK, OFF
Color chrome Blue STRONG, WEAK, OFF
Smooth Skin Effect STRONG, WEAK, OFF
Dynamic Range Setting DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more
Dynamic Range Setting (Movie) DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more
Advanced Filter Toy camera Miniature Pop color High-key Low-key Dynamic tone Soft focus Partial color (Red / Orange / Yellow / Green / Blue / Purple)
Wireless Transmitter Standard IEEE802.11a/b/g/n/ac (standard wireless protocol)
Wireless Transmitter Encryption WEP/WPA/WPA2 mixed mode
Wireless Transmitter Access Mode Infrastructure
Bluetooth® Standard Bluetooth Ver. 4.2 (Bluetooth low energy)
Bluetooth® Operating frequency 2402〜2480MHz
Terminal – Digital Interface USB Type-C (USB3.2 Gen2x1)
Terminal – HDMI Output HDMI connector (Type D)
Terminal – Others ø3.5mm, stereo mini connector (Microphone), Hot shoe
Power Supply NP-126S Li-ion battery (included)
Battery Life for Still Images Economy Mode Approx. 400 frames, Normal Mode Approx. 310 frames *When XF35mmF1.4 R is set
Actual Battery Life for Movie Capture 6.2K Approx. 45min. (29.97p) 4K Approx. 45min. (59.94p) Full HD Approx. 45min. (59.94p)
Continuance Battery Life for Movie Capture 6.2K Approx. 70min. (29.97p) 4K Approx. 70min. (59.94p) Full HD Approx. 80min. (59.94p)
Operating Temperature 0°C-40°C/ 32°F-104°F
Operating Humidity 10% – 80% (no condensation)
Start Up Period Approx. 0.5sec.
Camera Item Includes Li-ion battery NP-W126S Headphone Adapter Shoulder strap Clip attaching tool Body cap
Weather Resistant No
Image Processing Engine X-Processor 5