codyhatch: “Come on, Adobe, help us unlock the potential of the X-Trans sensor.“
ACR 7.3 beta and lightroom 4.3 release candidate are now available, but no luck also this time for Fuji owners. You have to be patient. There is still no native X-TRANS RAW support for ACR 7.3 and lightroom 4.3 so that the support for X-PRO1 and X-E1 is not optimal. So take a look at the two comparisons in this post, and you’ll understand why Fuji owners are really hoping for this support to come soon.
Take a look at this comparison on codyhatch.com. Same exposure, same subject, same camera (X-PRO1), two different results. If you want, before you read the review, take a look at the 2 images here and guess: which one is an out-of-cam JPG, and which an output after processing in Lightroom 4.2?
Here the solution: “The first one is the output after processing in Lightroom 4.2, while the second one is the output of an out-of-camera JPG utilizing the Velvia film simulation.” The second image looks much better than the first one! “The difference between those two photographs is shocking and demonstrates how far Adobe has to go before properly handling output from the X-Trans sensor. There is far more sharpness, contrast, and dynamic range in the out-of-camera JPG“. Therefore “the best RAW converter for X-Pro1 images is the camera itself.”
From dmcgaughey.com: He says that JPEGs are excellent with the Fuji X Pro1, but he needs to go to the RAW in two common situations: 1. Poorly exposed photos (usually when blowing the highlights) 2. Bad white balance is selected (often indoors, like most cameras)… “Unfortunately Adobe has done a … poor job in implementing their algorithm… they slap something together so they can check “Fuji X Pro1″ off their list.” He tried to work with RAW-files with the following programs: Silkypix, Adobe Camera Raw 7.2, Raw Photo Processor. You can see in this image his 100% Crops! (go directly to the review here)
image courtesy: dmcgaughey.com
“Okay. Clearly Adobe su….s! It renders the leaves as indistinct strokes of color. It gets far worse if you try and sharpen even semi-aggressively, leaving jagged edges around color blobs. RPP does a nice job, but there’s always a smattering of colored pixels dotting the scene. These can be removed with a touch of color noise reduction in Bridge. But still, edges tend to be jagged. SilkyPix very closely matches the X Pro1 rendered JPEG. It looks a bit less sharp, but that’s more likely due to the lower contrast.”
If you want to see more comparisons click here do read the whole post of dmcgaughey.
And so maybe you can understand why, at the end of his post, codyhatch says: “Come on, Adobe, help us unlock the potential of the X-Trans sensor.”
As you know, rumors we got (read the post) say that something is moving. According to the rumors, Fuji is now working with Adobe, Apple and DXO towards tweaking the RAW file processing from the new Fuji X-Trans sensor. Could we soon have the potential of the X-Trans sensor unlocked?
For everyone out there who has further information or rumors, write us an email.